Showing posts sorted by relevance for query lies. Sort by date Show all posts
Showing posts sorted by relevance for query lies. Sort by date Show all posts

Sunday, November 9, 2008

The Book of Lies by Brad Meltzer

Meltzer, Brad. The Book of Lies. New York: Grand Central, 2008.
ISBN-13: 978-0-446-57788-5
ISBN-10: 0-446-57788-X

The Book of Lies is a thriller that brings together the ancient, the old and the present. The old and the present are tied to a gun that injures a man today and killed a man in 1932. These events are also linked to a search for an ancient book, God’s mark, or reward, to Cain for repenting of his brother’s murder.

The 1932 killing was of Mitchell Siegel. He was the father of Jerry Siegel, co-creator of Superman. It’s true that Mitchell died during a robbery of a shop, officially of a heart attack, though family history is divided over whether this is true or whether he was shot by the robber. For the fictional tale author Brad Meltzer goes with the shooting. The fictional version of Jerry hides clues to his father’s murder, and the secret he died to protect, in an early version of Superman.

The characters are drawn into finding the clues in Superman when one is shot by the same gun that killed Mitchell Siegel. He is an ex-con and the protagonist is his son, a disgraced former customs agent. They barely stay ahead of the others who are seeking them or Cain’s book, federal agents, occultists and rivals in there own camp.



That Cain murdered Abel is from the Bible. Beyond that, Meltzer’s version of the story owes more to the occult than the Bible and may be largely from the author’s imagination. Of course, the biblical account doesn’t leave much room for a modern-day thriller.

The events surrounding the death of Jerry Siegel’s father are fictional, too, though this recent history is treated with more care. Siegel has surviving family, including his wife, and co-created the most well recognized character in comics, a medium for which Meltzer writes.

I’ll admit I’m not especially a fan of thrillers. I was drawn to this book by the Siegel connection. I found the book to be entertaining with plenty of action.

Thursday, December 30, 2010

Have a New You by Friday by Kevin Leman

Leman, Kevin. Have a New You by Friday: How to Accept Yourself, Boost Your Confidence and Change Your Life in 5 Days. Grand Rapids, MI: Revell, 2010.



By “new you”, Leman doesn’t mean a completely different person. Part if his plan is for you to accept yourself. He does mean a happier more successful you, which is probably more in line with what you really want.

The book is organized into a chapter for every day of the weekday. Leman’s style is light, so you probably can read a chapter a day with no problem. If you thoughtfully complete the exercises in each chapter, it will may a little more time. Some are simple, but as the week progresses, deeper thinking is called for.

In broad terms, Leman calls for you to know and accept yourself, recognize the lies you tell yourself and live with a new perspective. Much of the book addresses self-knowledge.

Leman addresses several areas of self-knowledge. First is temperament. He uses the classical humors (choric, melancholy, phlegmatic, and sanguine), though he humorously compares them to dog breeds. Next, he addresses way birth order effects personality. Birth order is one of Leman’s specialties. Midweek, he explores early childhood memories and the rulebooks we’ve written unawares based on these memories. I found this to be one of the most difficult chapters, but in some ways, I think it is one of the meatiest. The final aspect of self-knowledge is your love language. By understanding the things that make you feel loved, you can ask for what you need. You can also discover they ways the people close to you feel loved and begin to improve your relationship with them.

By the time we’re adults, our personality is set. Leman isn’t trying to give you an entirely new personality. Accept that you have certain strengths and weaknesses and begin using that knowledge to build a happier life. The truth can set you free to make new decisions that lead to new outcomes instead of taking the same paths that have always lead to frustration.

One of the things you can change is you’re rulebook. These are concepts of how the world works we formed as children. Being children, i.e. ignorant and immature, we formed some wrong ideas that can be driving our behavior even in adulthood. As adults, we can take a look at those rules a see if they are true and if they are helping us live the life we want. With the knowledge and maturity we have as adults, we can begin to counter wrong and unproductive rules (lies we tell ourselves) and develop new rules. Your rulebook won’t change in an instant, but you can train yourself to approach things from a new perspective instead of reacting unthinkingly.

In the Friday chapter, Leman lays out the program for implementing the new you. A couple of the best points are to take baby steps and give yourself room to fail. By the time you’ve been through the first four days, you’ll see that you come to be where you are by many steps over a long time. Getting to a new you will be similarly incremental, and old ways are bound to reassert themselves periodically. Leman encourages you to give yourself some grace, forgive yourself for stumbling, and take the next little step to get moving in a good direction again.

If you’re interested in this book, you may also be interested in
The Five Love Languages by Gary Chapman
Little Shifts by Suzanna Beth Stinnet
One Small Step Can Change Your Life by Robert Maurer

Tuesday, November 13, 2012

James

James.  The Holy Bible.  New King James Version.  Nashville: Thomas Nelson, 1982.

James wrote to Jewish Christians.  His letter is full of practical wisdom for all Christians.

*

Several related themes run through James.  These are trials, self-control, practical faith, and humility.

James begins his letter with a discussion of trials.  We all have troubles.  Disconcertingly, sometimes our worst problems arise from doing the right thing.  Though it may seem like God has abandoned us in such times, God is at work.  Facing trials with patience and faith builds our character.

Part of a godly character is self-control.  A mature Christian will discipline himself.  In particular, he will watch what he says.  It is hard to control what we say, refraining from idle and harmful words.  It is hard to speak convincingly about the love, grace, and faithfulness of God when you just spewed a lot of gossip, lies, and nonsense.

James writes of faith in very practical and active terms.  Sermons, exultations, and moral sayings are hollow and useless if they are not coupled with service, aid and upright living.  If we really believe the Gospel and have call to be followers of Christ, we will act like Christ who humbled Himself to labor with men, heal the sick, feed the hungry, and care for the needy.

Emulating the humility or Christ is a theme of the letter in itself.  James extols believers to act with humility and treat everyone fairly.  Wealth and position are temporary, but in our eternal relation to God we’re all the same:  each Christian is a sinful person saved by the grace of God.  Pride is a source of strife, people in conflict as they all try to get their own way, but humble people trust God and can let go of strife.

If you’re interested in this book, you may also be interested in
Google

Saturday, November 11, 2017

Solve for Happy by Mo Gawdat

Mo Gawdat, an executive and software engineer at Google, has been curious about happiness for years. When his son died suddenly, he took inspiration from the happy young man he lost to get his thought together on the subject and produce Solve for Happy.

To Gawdat, happiness isn’t something we gain, it’s something we lose or bury. Happiness his how we would normally feel, what he calls our “default state,” but we let all manner of thoughts make us unhappy.

What buries our native happiness? It’s the suffering we experience when the events of our life do not meet expectations. Gawdat illustrates this in his book with a balance with the events on one side and expectations on the other.

Donte be quick to blame unhappiness on the events of life. Gawdat points the finger at expectations.

Our expectations are often out of touch with reality. We suffer under misperceptions, illusions, blind spots and lies we tell ourselves. Gawdat identifies 13 such issues and challenges them. As long as you cling to beliefs and biases that lead to false expectations, you’ll suffer.

Experiencing the greatest joy involves embracing the truth. Gawdat describes five things he believes to be true that lead to joy.

I’m reminded of The Road Less Traveled by M. Scott Peck. Dr. Peck calls for a devotion to truth. Like Gawdat, Peck believed that every life has some pain, but a lot of additional, unnecessary pain is caused when we refuse to deal with reality.

I think there is a lot to be said for Gawdat’s overall concept. I can see in myself and others a lot of pain and disappointment that has its roots in false expectations, refusal to deal with reality and the avoidance of the hard (but rewarding) work of living and growing as a person. I don’t agree with every detail of Gawdat’s book, but don’t think you have to in order to gain useful insights from it.

If you’re interested in this book, you may also be interested in

Gawdat, Mo. Solve for Happy: Engineering Your Path to Joy. New York: North Star Way, 2017.

Thursday, June 25, 2009

Stan Lee by Jordan Raphael and Tom Spurgeon

Raphael, Jordan, and Tom Spurgeon. Stan Lee and the Rise and Fall of the American Comic Book. Chicago: Chicago Review Press, 2003.


This biography of writer, editor and promoter Stan Lee is also a history of comics, particularly Marvel comics. Lee’s long career with Marvel, especially as its public face, has made them inseparable.

If you’re interested in the history of American comics, Lee’s career is worth considering. He started in the industry shortly after it became a popular media as a gopher for Captain America creators Joe Simon and Jack Kirby. Soon he was editor of a line of comics, which he actively worked on for parts of four decades before moving on to becoming the public face of comics and less successful efforts in other media.

Lee is best known for overseeing a revolution in comics in the 1960s. He introduced characters that were as notable for their flaws and human frailties as for their extraordinary abilities. He took elements from genres a varied as romance and giant monster stories to create relatable superheroes. This sparked a creative revival for the both Lee and the industry.

Lee is a great promoter and salesman, and one of his most daring creations has been his own public image. Raphael and Spurgeon are careful not to be caught up in the hype while still recognizing their subject’s contribution to popular culture and particularly to the characters he oversaw.

One of the interesting things that come out of the book, though the authors don’t focus on it directly, is Lee’s place as a writer. He entertained dreams of writing novels and screenplays, but didn’t. He only wrote one full screenplay and seemed to think it was an onerous chore. During his creative heyday in comics, the Marvel method involved Lee writing story concepts and synopses that were fleshed out by the artists with him adding the dialogue to the drawn pages. The system worked well for Marvel financially and seems to have been Lee’s forte.

The authors recognize this in summarizing Lee’s career. They say he may have been the greatest comic book editor ever. His famous creative contributions were collaborative efforts with artists and he got consistent quality from lesser contributors. He kept a marginal comics publisher going through tough time until he and others were ready start a creative renaissance in their medium.

Editor can be an inglorious position. The title suggests a secondary position to the writer and artist, but at his height he was very directly involve in the creation of Marvel comics. His ability to manage a burgeoning, collaborative, creative enterprise made the Marvel revolution possible.

Lee’s contribution as a writer, editor, creator and collaborator are obscured by his career as the public face of Marvel. He is a natural promoter and, some might fairly say, glory hound. His rise to celebrity almost necessitated the minimization of others contributions, which lead to strained relationships with his friends and the industry he represents. His public persona has cast a shadow on his career that both darkens his reputation and obscures the real value of his creative work.

If you’re interested in this book, you may also be interested in these fictional takes on comics history
The Amazing Adventures of Kavalier & Clay by Michael Chabon
The Book of Lies by Brad Meltzer

Saturday, April 7, 2018

Stan Lee by Bob Batchelor

Stan Lee is the face of comic books to many and has become a sort of celebrity in his more than 70-year long career as a storyteller. He began to hone his image on the college lecture circuit in the 1960s while he created a new type of superhero, typified by the Fantastic Four and Spider-Man, in collaboration with artists including Jack Kirby and Steve Ditko. It was a role Lee was ready for; he had been trying out ways to promote comic books and himself since the 1940s.

Bob Batchelor presents Lee’s life in Stan Lee: The Man behind Marvel. Though not a long biography, it starts with Lee’s childhood in New York City and runs through his 95th year, when he is still producing ideas for comics and television.

Lee was present nearly at the beginning of comic books. He started as an assistant to Joe Simon and Jack Kirby, the creators of Captain America. When they moved on after contentions with Timely Comics, a forerunner to Marvel, Lee stepped up to become editor while still a teenager.

Lee was ready to quit comics by the time the 1960s. He craved to work in a respectable field and was tired of chasing trends. The right combination of opportunity and encouragement from his wife pushed Lee to write the kind of comics he would want to read, and it became a sensation.

Though Lee will always be associated with Marvel comics, by the 1980s his focus was shifting to television and film. It was a rough transition for Lee, but he had some success, especially in the production of animated adaptions of Marvel characters that were popular in the 1990s.

Lee has stumbled some in his post-Marvel career, notably the debacle of new media company Stan Lee Media. He seems to have recovered somewhat with POW! Entertainment.

Lee has detractors, which Batchelor acknowledges. Batchelor doesn’t refute those detractors, but his take on Lee is overall very positive. Lee appears to be someone who tries not to be tied down by his past, neither dwelling on his failures nor being content with many successes.

Lee was a central figure in creating some of the most popular characters and stories in the world. Well into his 90s, he is still working and coming up with ideas that find their way into print, television and the Internet.

If you’re interested in this book, you may also be interested in

Batchelor, Bob. Stan Lee: The Man behind Marvel. New York: Rowman & Littlefield, 2017.

Monday, August 1, 2011

The Sherlockian by Graham Moore

Moore, Graham. The Sherlockian. New York: Twelve, 2010.

In The Sherlockian, Graham Moore tells two stories, both crime tales that are linked by a missing diary. In the modern story, a newly inducted member of the Baker Street Irregulars, a prominent group of Sherlock Holmes fan-scholars, sets out to solve a murder that occurs at a convention of the Irregulars. Seeking the solution to this mystery leads him to another, the attempt to find a lost diary of Arthur Conan Doyle, the creator of Holmes.

The second story is historical. It features Doyle and his friend Bram Stoker, author of Dracula. Doyle similarly starts out to solve one mystery and gets draw into another. He sets out to discover who sent him a letter bomb that actually contains a letter, though Doyle narrowly escapes death from the bomb. It leads him into seeking the killer of young women who are joined by radical politics and an odd tattoo.

The first track reads as much like a suspense-thriller than a mystery, though the hero is decidedly nerdier than is typical of such stories, as you might expect of a guy who has had is head buried in books for years. The Doyle story begins as something similar to the stories the actual man wrote to showcase his famous character, the fictional detective
he killed to be rid of then brought back to life. It becomes more realistic at progress, or at least much messier.

Though mostly serious in tone, the book has humorous moments. The hero is a guy who has found a way to make a living from having read a ton of books. His chief credential as a detective is that he knows a lot about Sherlock Holmes. He’s not the only Sherlockian to involve himself in the case; he is simply more competent and lucky than the others.



The historical touches are interesting. The real Doyle consulted with Scotland Yard, with varying success, though the crime described in The Sherlockian is fictional. Some of his papers, including a diary, disappeared after his death and resurfaced more than 70 years later in the hands of a distant Doyle relative. A battle of words and lawyers ensued involving the would-be seller of these documents, the Doyle heirs, and a prominent Irregular. The Irregular died under suspicious circumstances and the case is still considered unsolved in spite of the efforts of police and many amateur detectives. These real events inspired the book, though the author clearly distinguishes in a short note the touch of history from the mass of fiction.

If you’re interested in this book, you may also be interested in
The Book of Lies by Brad Meltzer
The Chinatown Death Cloud Peril by Paul Malmont
The Great Stink by Clare Clark

Sunday, September 23, 2018

Why Comics? by Hilary Chute


I enjoyed reading comic books as a kid. Sometimes I enjoy reading them as an adult. Comics have always been for adults (and kids, too). While popular superhero comics have told stories of the physical and moral paragons of our fantasies, comics have also been a place accessible to those who didn’t see themselves represented in other media. The combination of words and pictures, sometimes more of a juxtaposition, that are the language of comics can powerfully present a point of view. Hilary Chute considers the power of comics to communicate the experience of individuals and subcultures in Why Comics?

While Chute focuses on comic books, she considers cartooning more broadly, especially the early cartoons that appeared in British magazines (quickly imitated in the U.S.) and the American newspaper comic strip. While some newspaper comics were designed to appeal to kids, many were meant to attract adult readers. They often depicted people from poor and immigrant communities. In addition, cartooning could also be very artistic and even in the early days of comic strips some artists were recognized for the quality of their images and storytelling, such as Winsor McCay and George Herriman.

Because Chute generally focuses on groups that were historically or currently marginalized, much of the book focuses on underground and independent comics. I’ll admit that I’ve not particularly been a fan of underground comics. My earliest introduction to underground comics in the 1980s was mostly to 1960s and 1970s books that featured drug culture and bizarre or pornographic depictions of sex. In the subsequent years, I’ve come across some incredibly good underground, literary or artistic comics. Chute discusses some of them such as Art Spieglman’s Maus, Marjane Satrapi’s Persepolis and Harvey Pekar’s American Splendor. I’m a Midwesterner and I was amazed to see Pekar’s depictions of scenes I might see in my own town.

Comics were born as a mass media, which may explain some of the stigma attached to them, and mainstream comics have always been produced in factory-like manor with a division of labor (writer, penciler, inker, etc.). Some creators were uncredited, or one name appeared on the work of many (this practice was common in the newspaper comic strips, too). Undeground and art comics were more often the work of an auteur, who produced the entire work. This opened up comics to more individual perspectives that strayed farther from the mainstream. Comics can powerfully represent personal experience or memories because it is like memory: it mixes words and images, it can readily present comparisons and contrasts, and it can show past, present, future, real and imagined on the same page.

I don’t plan on adding a lot of underground comics to my reading list, but I did enjoy Chute’s book. If someone is looking for an introduction to comics that are outside the mainstream and done well, Why Comics? is a good place to start.

If you’re interested in this book, you may also be interested in

Chute, Hilary. Why Comics?: From Underground to Everywhere. New York: Harper, 2017.

Saturday, October 10, 2009

What I Read (12)

Date: June 10, 2008
Title: The Great Divorce
Author: C. S. Lewis
Thoughts: “What concerns you in the nature is the nature of choice itself: and that ye can watch them making” (quote from the book).

Date: July 2, 2008
Title: The Gospel of Luke
Thoughts: “Then He said to them, ‘Thus it is written, and thus it was necessary for the Christ to suffer and to rise from the dead the third day, and that repentance and remission of sin should be preached in His name to all nations, beginning in Jerusalem. And you are witnesses to these things” (Luke 24:46-48).

Date: July 12, 2008
Title: Walking with God
Author: John Eldredge
Thoughts: “The reason we are morally obligated to be happy is that people have to live with us” (quote from the book).

John Eldredge also wrote Epic.

Date: July 27, 2008
Title: Undaunted Courage
Author: Stephen E. Ambrose
Thoughts: How could someone as extraordinary as Meriwether Lewis come to such a sad end?

Date: August 2, 2008
Title: One Small step Can Change Your Life
Author: Robert Maurer
Thoughts: “To be really great in little things, to be truly noble and heroic in the insipid details of everyday life, is a virtue so rare as to be worthy of canonization” (quote from the book).

Date: August 3, 2008
Title: Red Harvest
Author: Dashiell Hammett
Thoughts: More crime than you can shake a stick at.

Date: September 28, 2008
Title: Book of Lies
Author: Brad Meltzer
Thoughts: Thrillers aren’t my thing, but this book was okay. I read it mainly because of the Jerry Siegel/Superman connection.

Date: October 21, 2008
Title: The Politically Incorrect Guide to Western Civilization
Author: Anthony Esolen
Thoughts: A look at the good and the bad from ancient Greece to today and how we’ve forgotten so much of the good and embraced so much of the bad. The book is a call to let history be a corrective to the excesses of modern society.

Other parts of What I Read:
Part 1, Part 2, Part 3, Part 4, Part 5,
Part 6, Part 7, Part 8, Part 9, Part 10,
Part 11

Monday, April 19, 2021

Investigating Lois Lane by Tim Hanley

Lois Lane is one of the most recognized names among superhero comic book characters even though she is not a superhero. The intrepid reporter made has been around for more than 80 years, and her history is recounted by Tim Hanley in Investigating Lois Lane.

Lois was not in the original Superman stories created by Jerry Siegel and Joe Schuster. As they worked and reworked the character, setting and supporting cast in an attempt to come up with something that would sell, they took inspiration or the girl reporter movies of the time to add a love interest for the man of steel. Several popular movies in the mid-1930s featured smart, tough, fast-talking, blonde female reporters such as Torchy Blane, a character that premiered in 1937’s Smart Blonde.

Schuster’s innovation was to make Lois brunette. He took inspiration from Jolan (Joanne) Kovacs, a high school student in Cleveland who advertised herself for modeling.  Schuster was apparently smitten with her—she was his model Lois, and all his other heroines resembled Lois—and they stayed in touch as she moved around the country pursuing her modeling career. They met up again in New York after World War II. He invited her to a ball—even rented a gown for her. Jerry Siegel was there, too, and she left with him. Siegel left his wife and young son to marry Kovaks.

Not only was Lois a career woman, an unusual thing when she premiered with Superman in 1938, she was also headstrong, cunning, independent and determined to become a top reporter. However, the writers of Lois’ stories were men; the first Lois Lane story written by a woman, Tasmyn O’Flynn, was published in 1982.  Though she remained a working woman, she was often depicted as a damsel in distress or a love-struck cheerleader for Superman.

Depictions of Lois changed over time as the status of women changed in American society. Sometimes she was at the forefront, as she briefly was in the women’s liberation movement during the 1970s. Other time she lagged and reflecting traditional role for women, or Superman and others shamed her unfeminine ambition. Too often she was simply a background player in Superman stories, even though she was more than able to carry a story on her own in the hands of writers who cared.

Such ups and downs will likely be Lois’ fate for a while. We can hope that she get the treatment she deserves with stories that let her shine.

If you’re interested in this book, you may also be interested in

The Book of Lies by Brad Meltzer

The Caped Crusade by Glen Weldon

Comic Book Nation by Bradford W. Wright

The DC Comics Guide to Writing Comics by Dennis O’Neil

Men of Tomorrow by Gerard Jones

Miss Mizzou by J. B. Winter

Reading Comics by Douglas Wolk

Reckless by Chrissie Hynde

The Secret History of Wonder Woman by Jill Lepore

Seduction of the Innocent by Max Allan Collins

Suggestible You by Erik Vance

The Supergirls by Mike Madrid

Superman versus the Ku Klux Klan by Rick Bowers

The Ten-Cent Plague by David Hajdu

Why Comics? by Hilary Chute

Hanley, Tim. Investigating Lois Lane: The Turbulent History of the Daily Planet’s Ace Reporter. Chicago: Chicago Review Press, 2014.

Sunday, January 26, 2014

Fic by Anne Jamison

Have you ever finished a book, or series, or experienced the cancellation of a television show, and wanted more? Have you loved something you read or watched, but found some aspects frustrating or missing? That feeling has motivated people to write their own stories of characters or settings originated by other authors. This is fanfiction, or fanfic, or as English professor Anne Jamison puts it in the title of her book, simply Fic.

Fanfiction has a long history. Jamison starts her history with the first hugely popular, serial character in English literature, Sherlock Holmes. Arthur Conan Doyle’s stories inspired others to write their own tales of ratiocination, sometimes tongue-in-cheek, featuring the consulting detective and his physician companion, John Watson. Those with means sometimes had their works printed and circulated among friends. Other may have changed the names and sought to publish their stories.

Sherlockian fanfic introduces one the themes of the book, the relationship between authors, and their works, readers and publishers. Jamison traces how attitudes about these relationships have changed over time.

Another thing that changed over time, with significant effects on fanfic, is technology. The rise of television inspired fanfic based on media, rather than exclusively on written sources, particularly the in relation to Star Trek. Access to mimeographs and photocopiers allowed the community of fans to communicate, and distribute fanfic, through ‘zines.

The medium of choice for fanfic is now clearly the internet because it allows for such inexpensive and easy distribution. As an example of how the internet changed fanfic, Jamison turns to the example of Harry Potter, whose ascendancy in popular culture corresponded with the development of the internet as we know it. Twilight fanfic, in contrast to many others, was born in the age of the internet, and has been home to views that put it at odds with other fandoms, though such conflicts have been common as fandoms have expanded.

If you are unfamiliar with fanfic, you should probably be warned that a lot of it involves romantic and sexual pairings between characters who were not romantically involved in the source material. There is a lot of sex. There is every type of sexuality you can imagine, and possibly a few you’ve never heard of. Fanfic communities have provided an outlet for people to explore alternatives to the mainstream, often from the safety of some anonymity, especially in relation to sexuality. Interestingly, fanfic has been less adventurous in other areas, such as racial and cultural diversity, sticking close the relatively narrow diversity of the source media, though some fanfic attempts to depict a more diverse world.

Though I have only spoken of Jamison as the author of Fic, many contributed to the book. Most are writers with some connection to fanfic, and a few are academics. I would describe the book as semi-academic. It has the form of an academic book that describes the history and various aspects of a topic (fanfic) through a collection of related works by various authors. It is unlike typical academic books in that the style of all the contributors is personal and informal. Like fanfic is to its sources, Fic takes and academic form that is familiar and loved (at least by an academic) and brings to it something else that is loved, and even transformative.

If you’re interested in this book, you may also be interested in


Jamison, Anne. Fic: Why Fanfiction is taking Over the World. Dallas, TX: Smart Pop, 2013.

Friday, November 28, 2008

Glossary

One of the most important books in a reader’s library is the dictionary. Here are a few words I’ve had to look up in my reading or that I thought were noteworthy.

Amended March 7, 2011

A

Acheron – a river from Greek mythology over which the dead were ferried by Charon

adamantine – hard, unyielding (the last syllable may be pronounced like teen, tin or tine, which could come in handy for rhyming)

aerolith, n. – a meteor (such as on might see in the empyrean)

aliquot – an adjective that describes something that is an exact divisor, or factor
Dictionary.com, Merriam-Webster, OneLook

For example, when you factor a number, such as 60, you find its aliquot parts, 2, 3, 4, 5, 6, 10, 12, 15, 20 and 30.

angstrom, n. – unit of length equal to one ten-millionth of a millimeter (10-7 mm), mainly used to express electromagnetic wavelengths (named for Swedish astronomer Andes Johann Ångström)
Dictionary.com, Merriam-Webster, OneLook


aprioristic, adj. – preconceived, or considered valid independent of observation or evidence

“The grid for historical interpretation is more than something that facilitates the selection and interpretation of evidence: it offers an all-encompassing aprioristic view of reality into which the phenomena of history must be made to fit, whether by fair means or foul.”


Argus – a giant with 100 eyes from Greek mythology

C

cagoule – a hooded, weatherproof jacket
Cambridge Dictionary, TheFreeDictionary

canescent – downy, as in the whitish or grayish down on some plants
Dictionary.com, Merriam-Webster Online

caul – part of the amnion sometimes covering the head of a child at birth
Dictionary.com, OneLook

celebutante – a young woman who is famous for no discernable reason (from celebrity + debutante)

cicerone – a guide for sightseers (pronounced with a long e at the end)

cloaca – a sewer
Dictionary.com, Merriam-Webster Online

concertina – noun musical instrument resembling an accordion with hexagonal bellow and button-keys – verb to fold or collapse like a concertina
Dictionary.com, OneLook

crepuscular – resembling or active at twilight
Dictionary.com, Merriam-Webster Online

cuprous – containing univalent copper
Dictionary.com, OneLook

curlew, n. – a shorebird with a long beak that curves down, of the genus Numenius

D

dalton, n. – unit of mass used to express the mass of atomic and subatomic particles equal to 1/12 the mass of the carbon-12 atom; another name for an atomic mass unit (named for English chemist John Dalton)
TheFreeDictionary, Encarta, YourDictionary

disembogue – pour out
Dictionary.com, Merriam-Webster Online

demimonde, n. – women with wealthy lovers who have lost standing in society because of indiscretions or promiscuity; courtesans or prostitutes (an individual woman of this class is a demimondaine)
Dictionary.com

“Humiliation no longer threatens the individual who hasn’t read a book, but the one who has; reading is seen as a degrading task that may be left to a woman of the demimonde.”
-Pierre Bayard, How to Talk About Books You Haven’t Read

doyenne – a woman with seniority in her profession or organization (feminine form of doyen)

“Sue Carter of the University of California at Irvine is famous as the doyenne of research on this potent hormone of attachment [oxytocin], which she has studied extensively in the prairie vole.”
-Stephen Post & Jill Neimark, Why Good Things Happen to Good People

E

elegiac, adj. - expressing sorrow or mourning

empyrean – sky

“The very empyrean seemed to be a secret.”
-G. K. Chesterton, The Man Who Was Thursday

endogenous – internally originated
Dictionary.com, Merriam-Webster, TheFreeDictionary, Encarta

“Because the internally focused [performance assessment and evaluation] frameworks of the [community water system] sector are based on endogenous measures of performance, they narrowly asses performance in terms of core processes, which differ by [community water system].”
-Jeffrey W. Rogers & Garrick E. Louis. “A standard efficiency metric for evaluation performance of community water systems.” Journal AWWA 97.10 (2005): 79-80.


F

fissiparous, adj. – tending to split into factions

“Marxism has proved as fissiparous a philosophy as it has a political ideology.”


G

ghee – clarified butter
Dictionary.com, OneLook

glaucous - greenish blue or bluish green
Dictionary.com, Merriam-Webster Online

I

inanition, n. – exhaustion from lack of nourishment; lethargy

L

lacuna – missing part (the middle syllable is pronounced like queue)

Laocöon, n. – Trojan priest who warned against accepting the horse left by the Greeks (Trojan horse); he and his sons were killed by serpent bites

lido – a beach resort or open-air swimming pool
Dictionary.com, OneLook



M

mantic – related to or having the power of divination
Dictionary.com, Merriam-Webster Online

meretricious, adj. – having a flashy or vulgar allure, insincere or pretentious; characteristic of a prostitute

moue – a pout
Dictionary.com, OneLook

multitexting – the rude and dangerous activity of reading and writing text message on mobile communication devices, including e-mail message in the case of crackberry addicts, while engaged in other activities such as walking, driving, attending meetings and dining with others (from multitasking)

O

ouroborus, n. – a symbol of a snake or dragon eating its tail
Dictionary.com, OneLook

outré, adj. – unconventional or bizarre

P

patulous – spreading
Dictionary.com, TheFreeDictionary, Merriam-Webster Online, OneLook, YourDictionary

"Above the spire of St Paul’s, patulous white clouds deepened to a shade reminiscent of overwashed socks."
-Christopher Fowler, The Water Room

phenology – the study of the timing of recurring natural events
Websters, Dictionary.com, Merriam-Webster


plover, n. – a shorebird having a thick neck, compact body, and pigeon-like beak, of the family Charadriidae, or a similar bird


prolegomenon, n. – scholarly preface (you can tell it is scholarly by its length)


putsch, n. – a revolt or uprising
Merriam-Webster, Encarta

R

retrosexual, n. – a man who cares little for or minimally attends to his appearance (i.e., the opposite of a metrosexual), or a man who adopts an old-fashioned masculine style (especially the suit-and-hat style of the 1950s and 1960s)
Merriam-Webster

S

sesquipedalian, adj. – multisyllabic
Merrian-Webster.com

“Do not build monuments to obfuscatory sesquipedalian tergiversation.”
-Elizabeth Slatkin in How to Write a Manual

sibilant, adj. - hissing

soidisant – self-styled, so-called, pretended (from French and pronounced in something of that style, i.e. swa-dee-zahn’)


spoor, n. – track or trail, especially of a wild animal
Dictionary.com, Merriam-Webster.com

“The victory always lies in our hunger for the spiritual intimacy of our union with Christ. In some since it is more than a hunger, it is a stalking—pursuing God as a safari tracks the spoor of big game”
-Calvin Miller, Into the Depths of God

stoat – the European ermine, Mustela erminea
Dictionary.com, Merriam-Webster Online

suspire, v. – to utter with sighing breaths
Wordnik.com, Yahoo! Education

Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame:
Which human power cannot remove.
We only live, only suspire
Consumed by either fire or fire.
-T. S. Eliot, The Four Quartets


syncretistic, adj. – attempting the reconciliation of opposing principles, practices or parties

“Catholicism’s commitment to the developing cult of the saints was surly one of its great strengths during the church’s massive expansion during the fourth and fifth centuries, and the winning strategy of a somewhat syncretistic pattern of handling folk religion right down into the fifteenth century.”


T

tergiversation, n. – a constantly changing, unclear or misleading opinion or attitude
OneLook.com



threnody, n. – a song of lamentation
traduce, v.t. – to speak maliciously or falsely, to slander or defame

V

viridescent – greenish
Dictionary.com, OneLook

vulpine – fox-like
Dictionary.com, Merriam-Webster Online


W

whinge, v. – to cry, to complain, to whine
Dictionary.com, Merriam-Webster

X

xanthic – yellowish
Dictionary.com, Dict.org, The Free Dictionary, Webster’s Online, Your Dictionary