Tuesday, September 28, 2010
How to Get Control of Your Time and Your Life by Alan Lakein
How to Get Control of Your Time and Your Life is a short, direct guide to practical time management. The essence of Alan Lakein’s approach is setting priorities and planning.
The early chapters of the book present techniques for identifying and setting your priorities. It addresses both big goals and manageable tasks.
I put one of these prioritizing techniques, related to my to-do list, to immediate use. This has helped me spend more time on things that are important to me. It also helped me to feel less guilty about dropping low-priority things off my to-do list. If something is unimportant, I shouldn’t waste my time on it or let it clutter my to-do list.
Lakein isn’t judgmental about priorities. He doesn’t tell you what you should be doing. The book is about helping you accomplish what is important to you.
Planning goes hand-in-hand with setting priorities. Lakein says, “Control starts with planning.” Planning is simply making decisions about what you want to do, when you want to do it, and sometimes how you want to do it. I’ve seen complicated planning systems, but Lakein keeps is simple: make a list and set priorities.
Lakein also recommends scheduling. Life is full of routine and needful things that can take over our days. Making time for the things that are important means setting aside time to do them and not doing other stuff, especially less important stuff, during that time.
The latter chapters of the book present several techniques for staying on track with your priorities. Whether you need to carve out time, get started, break down overwhelming tasks, overcome fear or get back on track when you backslide (it’s bound to happen), Lakein has helpful suggestions for overcoming these and other obstacles.
I’m surprised I hadn’t heard of Lakein earlier, especially in this time-obsessed age. Maybe it’s because his book predates fancy, leather-bound planning binders, personal digital assitants and smart phones. This may be why his methods seem simpler than some other programs. His methods are compatible with today’s popular tools for time management, though they were developed when the tools were paper lists and calendars.
Lakein’s focus is practical and he doesn’t give much attention to deep theories. His tone is often like the conversational, no-nonsense, blunt self-help books of earlier decades. This makes the book readable and useful and maybe you, like me, will find something in it you can use right away.
If you’re interested in this book, you may also be interested in
The Richest Man Who Ever Lived by Steven K. Scott
Tuesday, November 13, 2012
Scott Pilgrim and the Infinite Sadness by Bryan Lee O'Malley
Friday, May 15, 2020
Feeding the Fire by Mark E. Eberhart
Thursday, June 4, 2020
It's Not Always Depression by Hilary Jacobs Hendel
Depression
and anxiety can be tough to handle and treat. Drugs may treat symptoms, but they do not
cure depression and they typically do not work for long or require ever
increasing doses. Talk based therapies can be helpful, but sometime it take a
long time to get a helpful breakthrough.
Some forms of treatment aim to be more active. One such is accelerated experiential dynamic psychotherapy, or AEDP. This form of therapy is the basis of the methods described by therapist Hilary Jacobs Hendel in It’s Not Always Depression.
In a nutshell, AEDP sees maladaptive behaviors (defenses) and stressful emotions such as anxiety (inhibitory emotions) as ways to suppress potent core emotions. This can be useful to help us get along in social situations, maintain relationships and keep ourselves from being carried away by strong emotions. This is especially true when we are children and may not have the maturity or power to choose another path. However, we can become stuck in this behavior, never dealing properly with our core emotions, and our inhibitory emotions and defenses can become maladaptive, keeping us from the life and relationships we want and need.
Hendel organizes these items into an equilateral triangle setting on point. Defenses sit at the upper left corner, inhibitory emotions at the upper right, and core emotions at the bottom. Beneath the core emotions is your authentic self, which Hendel calls an openhearted state, in which one feels calm, confident and clear-headed.
Working the triangle is getting in touch with core emotions by finding how our defenses and inhibitory emotions are protecting us from them and the consequences of expressing them. Hendel draws examples from her therapy practice, but the fact that this is a book for a popular audience suggests that this is a technique that people could use on their own as well as in a more formal therapeutic setting. When we acknowledge our core emotions, name them, let ourselves feel them (they will pass) and express them in safe ways (sometimes through fantasy), they lose their potency and move on. By doing this repeatedly we learn that we can handle our emotions in ways that are safe and constructive; we have alternatives to our old defenses and inhibitory emotions and we can let them go. From here we can relax into an openhearted state.
“[W]e cannot think our way through a core emotion; it must be experienced viscerally to be processed,” Hilary Jacobs Hendel, It’s Not Always Depression
Because defenses and inhibitory emotions protect us from core emotions, it can be difficult to know what we are feeling. Emotions are felt in the body, and Hendel describes was of slowing down to scan the body, assess our sensations and use this information to uncover our core emotions.
I’m not a therapist, but I can see the benefit of the framework. It gives someone a way to identify what they are doing and feeling. It can give one words to describe what one is experiencing and a process for exploring that experience. Its ultimate aim is to retrain the brain so one can let go of behaviors that are no longer helpful an embrace new ways of coping that allow for one to feel emotions and at the same time have the calm and clear mind to deal with situations constructively.
It is hard to do justice to these ideas in a few paragraphs. If you are looking for a way to deal with depression and anxiety, this book may be helpful. Even so, if your issues are severe, you should not abandon professional help from a physician or therapist. You may need a guide to help you through the process. There is no shame in that. We all need help when we are learning something new.
If you’re interested in this book, you may also be interested in
The Mindful Way through Depression by Mark Williams et al
The Road Less Traveled by M. Scott
Peck
Hendel, Hilary Jacobs. It’s Not Always Depression: Working the Change Triangle to Listen to the Body, Discover Core Emotions, and Connect to Your Authentic Self. New York: Spiegel & Grau, 2018.
Sunday, April 13, 2014
Small Move, Big Change by Caroline L. Arnold
Tuesday, December 24, 2013
Future Bright by Martin E. Martinez
Tuesday, March 5, 2013
This Year I Will... by M. J. Ryan
- concentrate on “what” instead of “why,”
- dealing with doubt,
- taking action,
- focusing on one or a few changes at a time,
- taking one step at a time (though sometimes we need a big goal to motivate us),
- track your progress (I’m a believer in this),
- have a Plan B (and C, and D…),
- tips for effective visualization,
- performance review, and
- remember to have fun.
Wednesday, May 12, 2010
Keeping a Journal You Love by Sheila Bender
The starting chapter of Keeping a Journal You Love is brief and covers two subjects: the reasons people write journals and the basic mechanics journaling. Bender frames the second subject as a FAQ. The rest of the book focuses on getting the reader to practice writing.
As you might expect from a book on writing by a teacher of writing, there are many exercises. An early chapter is devoted to a group of seven exercises to get the budding journalist warmed up. A later chapter recommends list structure list of several ways to enrich a journal.
Among these exercises is anaphora, a series of sentences beginning with the same words. An example provided by Bender is the list of indictments against King George from the Declaration of Independence. I grew up in a church, so it reminds me of the rhythm of sermons.
God’s grace is a gift.
God’s grace saves us.
God’s grace redeems us.
God’s grace revives us.
God’s grace justifies us.
God’s grace imputes righteousness to us.
God’s grace abounded when our sins abounded.
God’s grace frees us from bondage to sin.
God’s grace gives us mercy.
God’s grace gives us help in our times of need.
God’s grace came through Jesus Christ.
God’s grace brings us to believe.
God’s grace we access by faith.
God’s grace makes us alive.
God’s grace gives us eternal life.
God’s grace He gives to the humble.
God’s grace is sufficient.
The main body of the book explores examples of journal entries from various writers of fiction, nonfiction and poetry. These examples illustrate various styles, techniques and subjects. After samples from each contributor and a brief discussion of their journals, Bender suggests several exercises for the reader to practice in there own journal.
Some of the contributors wrote very interesting journal entries. I found one to be boring. They were all very different in style and content. Some hardly resemble what one might expect of a journal. Fruitful journaling is as unique as the varied journalists are.
The point is not to imitate the journals of these other writers. The intent is to help people develop their own journaling style that is deeper, richer and more rewarding.
Though journaling is typically a very private matter, Bender includes and interesting chapter on journaling groups. Journaling groups vary in their practices, but some find the setting, information and discipline that comes from being in such a group helps them start, stick to and improve their journaling. Bender provides some practical tips for finding an existing group or starting your own.
If you’re interested in this book, you may also be interested in
Write Your Heart Out by Rebecca McClanahan
Sunday, August 16, 2015
Changing Minds by Howard Gardner
Thursday, December 2, 2010
Ed Wood Double Feature
I think Bride of the Monster (1956) is the first Ed Wood film I saw. I recall it showing on the Creature Feature, a late night film show broadcast out of Cape Girardeau and hosted by Misty Brew. Bride is not a bad movie. It’s about as good as a lot of low budget, sci-fi horror films from the 1950s.
In Bride, Bela Legosi plays an outcast scientist who intends to create a “race of atomic supermen” that will usher in a new age of his making, under his rule. His human experiments have not been successful and keeping ahead of the law and spies from his homeland led him to a remote American swamp. His animal experiments have been more successful, and his gigantic creation proves to be a useful way to dispose of the corpses of his unwilling human subjects. Mad science, nosy reporters, police, and spies crash in an atomic explosion of mayhem.
By contract, Night of the Ghouls (1958) has everything in it that is the worst of Wood. To start with, it seems to be a sequel to Bride, except that any continuity is accidental. Many of the actors are the same, but only two of the characters could are the same, Lobo (Tor Johnson) and Kelton the Cop (Paul Marco). There are constant reference to setting of the story and that strange things happened there once before, enough for me to think it’s referring to Bride, but they don’t exactly make sense and certainly aren’t necessary. I don’t know if issues with rights prevented Wood from making an outright sequel. I suspect his write-fast, film-fast style didn’t leave room for the careful checking of continuity a real sequel would require.
Another Woodism is the overuse of voiceover. The film begins and ends with soliloquies delivered from a coffin by newspaper psychic Criswell, which is entertaining in its goofy bombast. Criswell’s narrative continues through the film, though it is largely unnecessary. Wood is good enough to tell the story without the voiceover, but bad enough to use it anyway. Criswell delivers the lines with gusto, and possibly with thanks, for their better than most of the dialogue the other actors have to deal with.
Criswell narrates a section built on stock footage, which was a staple of low-budget and exploitation films and frequently used by Wood. The bad, and oddly entertaining, thing about this section is that it has practically nothing to do with the rest of the film. It’s an exploitation-style harangue on juvenile delinquency that depicts many young people dancing to rock and roll, racing cars and committing mostly petty crimes.
In Night, at least, Wood is not a good storyteller. He remains a great plotter though. A fake psychic set up shop to con wealthy clients who disparately desire to reach diseased spouses. It turns out he is actually very powerful medium who is unwittingly raising the dead from a nearby cemetery. These ghouls can’t stay in the realm of the living for long and they’re not going back to their graves alone. That could be an awesome horror story, but in Wood’s hand it doesn’t quite make it.
By the way, the malevolent medium of Night is named Dr. Acula. That is right, Wood straight up names a character Dr. Acula.
If you like old sci-fi horror films, you may like Bride of the Monster, which is typical of its low-budget ilk. If you want to see a bad movie that entertains in spite of, or possibly because of, its myriad flaws, look at Night of the Ghouls.
If your interested in these films, you may also be interested in
Bedlam
Isle of the Dead
Sunday, November 9, 2008
Happier by Tal Ben-Shahar
Happier is based on a popular class Dr. Ben-Shahar teaches at Harvard University. The author refers to happiness as the ultimate currency, and in that light, it is not surprising that so many people are seeking more of it.
Ben-Shahar frames happiness as a balance of present and future benefits. Many people sacrifice present pleasure for hopes of a more desirable future; they’re rat-racers. Hedonists seek momentary pleasures without regard for the future. Those who’ve given up on finding happiness in both the present and future are nihilists. Happiness is found in a life that has future benefits that is enjoyable along the way.
Happiness is about more that just pleasure, which is hollow by itself. Happy people lead lives they find meaningful. In a sense, a meaningful life provides the ultimate future benefit. Pairing meaning with enjoyment along the way, present pleasure, leads to happiness. This doesn’t lead to a life free of negative emotions or perpetual positivity; Ben-Shahar thinks that is unrealistic and probably unfulfilling and throughout the book reminds readers of the balanced definition of happiness.
The middle section of the book tackles some of the practical matters of happiness in education, work and relationships. School is all about present sacrifice for future payoff. That mindset can send people in to careers they find to be meaningless drudgery. The same attitudes can come into relationships. Happiness in the real world sometimes means setting aside the expectations of others and society and acting on what you personally find meaningful and pleasurable. Not everyone has the luxury of putting off all obligations and doing their own thing, but nearly everyone can do something to introduce more happiness into their lives.
In closing, Ben-Shahar offers a number of “meditations.” These chapters offer exercises, of both practice and thought, for building happiness on our lives.
Saturday, May 7, 2016
Song of Solomon
Thursday, April 1, 2010
What I Read (End)
Title: His Excellency
Author: Joseph J. Ellis
Thoughts: A readable and balanced biography of a great man.
Date: December 25, 2008
Title: The Spirit
Author: Darwyn Cooke
Thoughts: Great, fun detective stories.
Date: December 28, 2008
Title: Wisdom from the Batcave
Author: Cory A Friedman
Thoughts: A fun way to look at serious ethics.
Date: January 3, 2009
Title: Blink
Author: Malcolm Gladwell
Thoughts: The good, the bad and the hope of snap judgments.
Date: January 5, 2009
Title: The Unfinished Game
Author: Keith Devlin
Thoughts: It’s comforting that someone as smart as Pascal had trouble grasping probabilities, though he was handicapped by having to invent the idea first.
Keith Devlin also coauthored The Numbers behind NUMB3RS.
Date: January 15, 2009
Title: The Water Room
Author: Christopher Fowler
Thoughts: An interesting and enjoyable detective story, but he main draw to me was the underground rivers of London.
Date: January 22, 2009
Title: The Joy of Supernatural Thinking
Author: Bill Bright
Thoughts: A very challenging book.
Date: January 31, 2009
Title: The Big Necessity
Author: Rose George
Thoughts: It’s amazing how many people could have better lives if they could just dispose of their shit, and how hard it seems to be to accomplish it.
Date: February 24, 2009
Title: Why Good Things Happen to Good People
Author: Stephen Post & Jill Neimark
Thoughts:
“The generous soul will be made rich,
And he who waters will be watered himself” (Proverbs 11:25).
Date: March 1, 2009
Title: How to Write Mysteries
Author: Shannon OCork
Thoughts: Lots of good ideas. Now to put them to use.
Date: March 17, 2009
Title: The Emotional Energy Factor
Author: Mira Kirshenbaum
Thoughts: “Worry never comes up with good ideas. It never yields comfort. It never brings your ship to any safe harbor” (quote from the book).
Date: March 26, 2009
Title: Mastering Fiction Writing
Author: Kit Reed
Thoughts: “You’re going to have to write a lot of crap in your life before you write anything good, so you might as well get started” (quote from the book).
Books I Want to Write
Goal Setting that Works
A hardboiled, science fiction crime story
The Prodigal
Phin
Other parts of What I Read:
Part 1, Part 2, Part 3, Part 4, Part 5,
Part 6, Part 7, Part 8, Part 9, Part 10,
Part 11, Part 12
Monday, February 2, 2009
The Water Room by Christopher Fowler
The Peculiar Crimes Unit handles cases that, because of political sensitivity, unlikelihood of success or just weirdness, have little appeal to the Metropolitan Police. The Water Room is part of a series of books about the PCU, so there is a lot of water under the bridge by the time it starts.
It is the water under London that plays a key role in the detective story, which is what attracted me to the book. A series of murders on a seemingly ordinary street attracts the attention of the PCU, which discovers a connection to the flooding Fleet, one of London’s several long buried rivers, the myths connected to it and the art it has inspired.
Toward the end of the book, the detectives that lead the PCU discuss how they became interested in crime. One of them mentions reading Agatha Christie and how complicated her stories were, with solutions depending on particulars, and occurring in a world of old-fashioned high society. The character thought real crimes were mostly by more common people for more common reasons and would be more solvable.
This reference to Christie did not make me think of the contrast between her books and Fowler’s, but the many points of comparison. The Water Room is very much in the mode of a cozy English mystery, except the setting is mostly lower middle-class and Hercule Poirot would never resort to entering a sewer.
I enjoy these kinds of stories, though, and Fowler does a good job of telling an interesting and original tale, even if it does fit a type. There are enough clues throughout the book, one very telling, for a reader guess the culprit and a multitude of red herring. There are secrets held to the last chapters, particularly related to motivation, but this is also typical of this kind of story and handled well by Fowler.
Though part of a series, one needn’t read the previous books to enjoy this one. There are enough allusions to the earlier books to explain the relationships between the recurring characters, but they don’t get in the way of the present adventure.
Order this book here.
If your interested in this book, you might also be interested in The Great Stink by Clare Clark.
Wednesday, March 7, 2012
Be All You Can Be! by John C. Maxwell
Wednesday, September 26, 2012
Succeed by Heidi Grant Halvorson
Thursday, March 10, 2011
Writing: Steal Characters
Great characters are all around. How do you find them? Do as your predecessors in inventing great characters. Steal them.
I’m not suggesting that you actually steal characters. Nor am I suggesting that the writers I’ll be discussing stole their characters. It’s a matter of looking around in literature and life for real and fictional people then reworking them, consciously and unconsciously, into your own character.
Let me draw an illustration. Let’s take a popular character and see how other popular characters are in some way a reworking of it. These connections are my invention. I have not idea what the creators of these characters were thinking. I doubt most of them were thinking along these lines.
Let’s start with the Lone Ranger. Created by George W. Trendle (written by Fran Striker) in 1933 for the radio, the Lone Ranger saw success in several media, especially television. Before looking at the masked strangers successors, look at his predecessors. There were white-hatted cowboy heroes before the ranger. His contribution was the secret identity and the avoidance of lethal force. These heroes were white knights transformed for the gunpowder age. You might see those chevaliers as vaguely Christianized versions of mythological questers like Odysseus and Hercules.
Now imagine that the Lone Ranger is an antihero, his bullets are deadly lead and he uses a lot of them. You might picture something like Jonah Hex. John Albano and Tony DeZuniga created Hex in 1971. He is a scarred frontiersman who roams the West, not necessarily protecting the innocent, but collecting bounties or dealing deadly justice.
Maybe you like that the Lone Ranger avoids deadly force. Let’s keep that, but make him a pulp-era vigilante. That is what Trendle and Striker did in when they created the Green Hornet for the radio in 1936. They even made the Hornet a distant relative, though not a descendant, and imitator of the Ranger. The Hornet is darker, though. Instead of riding a white horse, he drives the Black Beauty. He sometimes pretends to be a criminal, but it is mainly to allow him to infiltrate gangs and break them apart from the inside. In spite of this, he avoids killing just as his predecessor did (I guess Seth Rogan didn’t notice that).
What if the Lone Ranger was a costumed superhero? He might be Batman, created by Bob Kane in 1939. Bruce Wayne’s identity isn’t hidden from the audience, but his costumed crusade against crime could have been modeled on the horseman. Batman writer Bill Finger gave Batman a code of ethics that would have made the Ranger proud. Not only did Batman eschew deadly force, he rarely used a gun at all. In appearance, at least, Batman resembles Zorro more than the Lone Ranger. (Batman comics tie him to Zorro, too. Several authors have depicted it as the move the Waynes had just seen when Bruce’s parents were killed by a criminal). Zorro himself might be taken as a Latin American spin on the Ranger, except he was created 14 years earlier by Johnston McCulley.
Not all of these ostensible progeny are as good as Batman. Put the Ranger in a talking car and you might end up with something like Knight Rider. Put Jonah Hex on a motorcycle in a futuristic megacity and you might get Judge Dredd. (The Judge Dredd comics weren’t bad, just not my cup of tea. The Sylvester Stallone movie was bad.)
The Lone Ranger is an archetypal hero, which is how we can so easily draw connections between him and characters that came before and after. It doesn’t denigrate Trendle and Striker to say they drew on archetypes, or even specific characters or people, in creating his own character. It’s a compliment that they created a character that was so popular, enduring, and inspiring to other writers.
Think of your own twist on the Lone Ranger archetype. You might have other characters you love that you could call on. Take your favorite romance heroine and put her in a completely different setting (Charlaine Harris put Sookie Stackhouse in a Louisiana full of vampires). You could put a detective in the far future (Isaac Asimov did in Caves of Steel). Bring a dragon into the atomic age (yeah, Godzilla). You could make a dragon a slave to the boilermakers in a steampunk fantasy—hey, maybe I’ll do that.