Showing posts sorted by relevance for query Anne Jamison. Sort by date Show all posts
Showing posts sorted by relevance for query Anne Jamison. Sort by date Show all posts

Sunday, January 26, 2014

Fic by Anne Jamison

Have you ever finished a book, or series, or experienced the cancellation of a television show, and wanted more? Have you loved something you read or watched, but found some aspects frustrating or missing? That feeling has motivated people to write their own stories of characters or settings originated by other authors. This is fanfiction, or fanfic, or as English professor Anne Jamison puts it in the title of her book, simply Fic.

Fanfiction has a long history. Jamison starts her history with the first hugely popular, serial character in English literature, Sherlock Holmes. Arthur Conan Doyle’s stories inspired others to write their own tales of ratiocination, sometimes tongue-in-cheek, featuring the consulting detective and his physician companion, John Watson. Those with means sometimes had their works printed and circulated among friends. Other may have changed the names and sought to publish their stories.

Sherlockian fanfic introduces one the themes of the book, the relationship between authors, and their works, readers and publishers. Jamison traces how attitudes about these relationships have changed over time.

Another thing that changed over time, with significant effects on fanfic, is technology. The rise of television inspired fanfic based on media, rather than exclusively on written sources, particularly the in relation to Star Trek. Access to mimeographs and photocopiers allowed the community of fans to communicate, and distribute fanfic, through ‘zines.

The medium of choice for fanfic is now clearly the internet because it allows for such inexpensive and easy distribution. As an example of how the internet changed fanfic, Jamison turns to the example of Harry Potter, whose ascendancy in popular culture corresponded with the development of the internet as we know it. Twilight fanfic, in contrast to many others, was born in the age of the internet, and has been home to views that put it at odds with other fandoms, though such conflicts have been common as fandoms have expanded.

If you are unfamiliar with fanfic, you should probably be warned that a lot of it involves romantic and sexual pairings between characters who were not romantically involved in the source material. There is a lot of sex. There is every type of sexuality you can imagine, and possibly a few you’ve never heard of. Fanfic communities have provided an outlet for people to explore alternatives to the mainstream, often from the safety of some anonymity, especially in relation to sexuality. Interestingly, fanfic has been less adventurous in other areas, such as racial and cultural diversity, sticking close the relatively narrow diversity of the source media, though some fanfic attempts to depict a more diverse world.

Though I have only spoken of Jamison as the author of Fic, many contributed to the book. Most are writers with some connection to fanfic, and a few are academics. I would describe the book as semi-academic. It has the form of an academic book that describes the history and various aspects of a topic (fanfic) through a collection of related works by various authors. It is unlike typical academic books in that the style of all the contributors is personal and informal. Like fanfic is to its sources, Fic takes and academic form that is familiar and loved (at least by an academic) and brings to it something else that is loved, and even transformative.

If you’re interested in this book, you may also be interested in


Jamison, Anne. Fic: Why Fanfiction is taking Over the World. Dallas, TX: Smart Pop, 2013.

Sunday, July 10, 2016

I Am Spock by Leonard Nimoy

Leonard Nimoy is well known for his portrayal of Spock on Star Trek television series and films. As a Vulcan, Spock is of a long-lived species, and his appearance in the 2009 reboot film and its 2013 sequel (Into Darkness) makes him a link between the new adventures and their predecessors. The actor passed away last year (2015).

I Am Spock is Nimoy’s memoir relating to his career as an actor and a director. Of course, Spock and Star Trek play an important role in that career, though Nimoy does not limit his reminiscence to the franchise.

Throughout the book, Nimoy imagines conversations with Spock. As an actor in a series where writers and directors change, he saw himself as a protector of the character (and suggested that other actors take similar attitudes to such characters). This made him passionate about a character known for being dispassionate. At the same time, he had the reasonable fear of being type casted and being unable to get other parts.

Fortunately, Nimoy was able to move on to other things after the three seasons of the original Star Trek series. On series television, he played Paris on Mission Impossible. He also had guest roles on a number of other shows. He also worked on the stage. One gets the impression for the book that Nimoy had relatively few interruptions in his career after bringing Spock to life, though not always with the steady paycheck that comes from being on a series.

Nimoy became interested in directing and tried his hand directing a few episodes of television shows. He got his chance to direct a feature film with Star Trek III: The Search for Spock. This was a success and he was offered the helm of the next film, The Voyage Home. He also had a great success as director of Three Men and a Baby.

As a Trek fan, I’m obviously interested in that part of his career. Even so, I found it almost a relief to break from that and read about Nimoy’s other projects. Though he does not present himself as religious, he seemed particularly to relish projects that provided a connection to his Jewish heritage. Even the distinctive Vulcan salute was taken by Nimoy from a temple ceremony he observed as a child.

The book was published in 1995, so it covers the period up to the sixth Star Trek film, The Undiscovered Country, and his appearance on two episodes of The Next Generation. He gave no hint of imagining that he would reprise the role of Spock 14 years later.

If you’re interested in this book, you may also be interested in


Nimoy, Leonard. I Am Spock. New York: Hachette, 1995.

Sunday, July 10, 2016

The Caped Crusade by Glen Weldon

Based on his self-description in The Caped Crusade, Glen Weldon and I are close in age. Unlike Weldon, the limited selection of broadcast television channels in my rural community did not present 1960s Batman series. My childhood impressions of the Dark Knight came almost exclusively from the comics. My favorite version of Batman is the “World’s Greatest Detective” (when I came across his team-up with a very old Sherlock Holmes in Detective Comics 500, I had to have it). I’m also fond of the adventure hero who hues close to his pulp roots—basically the Shadow or Doc Savage in a bat suit (I also had to buy Batman 253, in which the awestruck superhero acknowledges the Shadow as an inspiration).

I suppose that I staked out my position on Batman because that is partly what Weldon’s book is about, the contradictions between Batman the character and Batman the idea, and the tension between stories loved by hardcore fans and stories appreciated by a wider audience who engage with Batman in diverse ways.

Weldon illustrates this tension, and the character’s shift as the pull is sometimes stronger in one direction or another, through the history of the character. He sees a cycle in Batman’s depiction. He starts as a dark loner. He becomes a father figure (most directly to Robin). He grows into the patriarch of a family (Robin, Alfred, Batgirl, and Huntress just to start a list). Then a desire to revitalize the character, get back to roots, or satisfy the core fandom returns him to the loner stage.

The hardcore fans Weldon writes of generally conceive Batman as serious. They want a Batman who is realistic and gritty. In my experience as a reader of comics, “serious,” “realistic” and “gritty” are often code words for prurience, grotesquery and gore. I’m not interested in that in comics or any other media.

These fans have a love-hate relationship with the Batman of other media (they just hate the Adam West version). The Tim Burton films revitalized public interest in Batman when the comics were in a serious sales slump. (The hardcore fans hate the Joel Schumacher movies. I’m with them on that.) In the Chris Nolan trilogy they finally got a Batman who is serious and has acceptance in the wider culture.

That culture is much wider now than ever, especially due to the Internet. Comics fandom was once very insular, and in some ways it still is. In the Internet age, many people are engaging the character and idea of Batman. Comic book fans, cosplayers, fan fiction writers, movie buffs, fashionistas, retro TV watchers, hipsters and a host of others are interacting with Batman’s stories, history, image and iconography. It is a world that some of the old hardcore fans may find discomfiting, but it may be a place where Batman can have lasting relevance.

Weldon plainly likes that prospect. In his view, the super-straight Adam West Batman and the grounded, brooding Chris Nolan Batman can coexist. They are both really Batman. People have always focused on the aspects of the character that resonated with them. They have also imposed on him interpretations that the writers and artists that created his stories never imagined. We do this with every text, but few texts have the longevity of Batman. That may be the Weldon’s other point. We can take any version of Batman as seriously as we want, or we can simply enjoy the stories. He is a fictional character after all.

If you’re interested in this book, you may also be interested in:


Weldon, Glen. The Caped Crusade: Batman and the Rise of Nerd Culture. New York: Simon & Schuster, 2016.

Sunday, March 13, 2016

350 Books Reviewed on Keenan's Book Reviews

I’ve posted reviews of 350 books on this blog. It’s hard to believe.  Here are links to the 50 most recent posts. Further down are links to more reviews.

First Time Reviews











Additional and Expanded Reviews


Continuation of list of 350 books reviewed

Sunday, September 20, 2015

The Fifth Heart by Dan Simmons

Novelist Henry James seems like an unlikely partner to fictional detective Sherlock Holmes. Dan Simmons pairs them in his novel The Fifth Heart. James provides Holmes with access to the inner circle of American politics, where Holmes investigates the death of Clover Adams, wife of historian Henry Adams. Together, they thwart an attempt to assassinate President Grover Cleveland at the opening of the Chicago Columbian Exhibition.

In some ways, Simmons draws from the weakest of genre writing, such as the fortunate happenstance of James and Holmes meeting on the bank of the Seine, where the story begins. Simmons writing in this style is not weak, though. He also writes in more literary style, though not a densely written as James’ novels, and uses the likes of upper-class dinner parties to explore social customs and mores.

One of the ways Simmons creates a deep sense of the setting is by constantly dropping names. Many of the characters in the book, or their real counterparts, were famous or well-connected in their day and actually knew each other, such as Adams, the Hays, James, and Samuel Clemens. They also knew, or knew about, a lot of other famous or well-connected people, so the discussion of all these names seems natural. I started jotting down the names, and I recorded more than 100 (some are listed below). Some were fictional (like Hercule Poirot), but many were real people.

On the whole, the novel is a good adventure full of interesting characters. Simmons goes a little deep into philosophy in a consideration of what it means to be a real person, or the potential reality of fictional people (Holmes suspects he may be fictional). The book can be enjoyed without sweating that point.

In a sense, all the characters in the book are fictional, even if they are based on real people. The Holmes of this novel describes the symptoms that indicate he may be fiction, such as the fog he experiences between adventures, and the James of this novel experiences the same thing. Of course, many of us experience arriving home from work and having almost no recollection of driving, so some fogginess may be a natural part of memories and the way we form them (or don’t form them).

If you’re interested in this book, you may also be interested in

Simmons, Dan. The Fifth Heart. New York: Little, Brown and Company, 2015.

Irene Adler [fictional]
Montague Druitt (suspected of being Jack the Ripper)
Mycroft Holmes [fictional character]
Sherlock Holmes [fictional character]
Sebastian Moran [fictional character]
James Nolan Moriarty [fictional character]
Hercule Poirot [fictional character]

Sunday, April 17, 2016

The Real World of Sherlock Holmes by Peter Costello

Readers of Sherlock Holmes stories may recall that the detective clipped stories from newspapers related to crimes, or unusual stories in which Holmes detected the hint of a crime. Holmes’ creator, Arthur Conan Doyle, did the same thing, and he had a collection of books related to crime. This is just one aspect of himself that Doyle put into the fictional detective.

Doyle’s interest in crime, and particularly in defending those he felt were unjustly prosecuted, sometimes led him into investigating crimes. Peter Costello describes some of these crimes and investigations in The Real World of Sherlock Holmes.

Perhaps the most celebrated case, and the case in which Doyle conducted himself as a Holmes-like detective, was the case of George Edalji. Edalji, a solicitor born to an Indian father and English mother, was convicted of a series of animal mutilations. Doyle believed the case against him was week, based mainly on poison-pen letters accusing the young man. As he began to investigate, he found sloppy investigative techniques, openly racist police leadership, an incompetent counsel contributed to the wrongful conviction. Doyle investigated further and even collected evidence indicating that someone else was the culprit. Through his investigation, along with pressure he brought through the media and influential acquaintances, he won a pardon for Edalji.

When Doyle became so deeply involved in a case, he was usually motivated to correct what he saw as a miscarriage of justice. He was not so active in his investigation of other crimes. Doyle studied crimes he found interesting. More often than not, these were inquiries at a distance as he read books and newspaper accounts, and discussed crimes with other interested people. He was even a member of “Our Society,” a secretive crime club that discussed the details of crime and developments in criminology in its after-dinner meetings. Some of the members were lawyers and forensic scientists (still a new profession) who were actively involved in investigating or prosecuting crimes.

Costello suggests that some of these crimes inspired Doyle’s stories. It makes sense that they would. Doyle always made significant changes when he adapted a true crime to a fictional story, so no Sherlock Holmes story could be described as a close, though fictionalized, recreation of a true crime.

Doyle remained interested in crime throughout his life, but by the 1920s he was focused on promoting spiritualism. Even when he investigated a crime in this era, it was usually because of an element of spiritualism touching the case. He encouraged the use of clairvoyants and mediums by the police. When Agatha Christie disappeared, his investigation consisted of a consultation with medium Horace Leaf. (Journalists, passing on clairvoyance to use more Holmes-like detection, found Christie staying at a resort under an assumed name.)

If you’re interested in this book, you may also interested in

Costello, Peter. The Real World of Sherlock Holmes: The True Crimes Investigated by Arthur Conan Doyle. New York: Carrol & Graf, 1991.

Monday, July 7, 2014

The Seven-Per-Cent Solution by Nicholas Meyer

Nicholas Meyer plays The Game. He presents his novel, The Seven-Per-Cent Solution, as a found manuscript of John Watson, friend to and chronicler of the adventures of Sherlock Holmes.

Arthur Conan Doyle’s detective inspired pastiches and fan fiction even during the time when he was writing the canon of Holmes stories. Meyer even mentions Doyle in the book, though in keeping with The Game, he alludes that he is something like a literary agent, helping Watson place his recollections in magazines.

The occasion of the reference to Doyle is his connection to both Watson and Doyle’s medical studies in Vienna, where most of the story is set. According to Meyer, neither the real life or fictional version of Doyle met another famous physician who resided in Vienna. That physician’s expertise in a certain specialty is the reason Watson and Holmes visit the European mainland.

After Watson marries and moves out of the Baker Street apartment, Holmes is more tightly gripped by his addiction to cocaine, the seven percent solution mentioned Doyle’s The Sign of Four and the title of Meyer’s book. Overcoming addiction was beyond the expertise of Watson and his medical colleagues, but the work of a Viennese physician gave him hope. Watson conspires with Sherlock’s brother Mycroft, and even enlists the aid of the old Holmes family math tutor Moriarty, to trick Holmes into going to Vienna to be placed in the care of Sigmund Freud.

The first half of the book deals with Holmes’ addiction and his treatment in the home of Freud. This is more interesting than some may think it sounds, and even in this section Meyer maintains the feel of a Holmes story.

In the second half, Freud’s consultation in the case of a silent patient prompts the kind of detective story you expect to see Holmes in. Freud is along for the ride and his insights prove useful to the detective. The physical side of the adventure ramps us in this part, too. The climax (can you do a spoiler alert for a 40-year-old book) is a saber duel between Holmes and the story’s villain on the top of a speeding railcar.

Meyer sticks close to the canon, though he does it by discrediting certain “disputed” stories. The long-retired Watson, dictating this after the death of his friend, admits to fabricating certain tales in order to protect Holmes’ life and reputation.

If you’re interested in this book, you may also be interested in


Meyer, Nicholas. The Seven-Per-Cent Solution: Being a Reprint from the Reminiscences of John H. Watson, M.D. New York: E. P. Dutton, 1974.