In Memory Yet Green by Isaac Asimov

When I was a kid, my interest in science fiction was fed by reading many short stories from the heyday of science fiction magazines in the 1940s and 1950s. I particularly remember reading I, Robot, a collection of stories written by Isaac Asimov. (The book is still in bookstores after more than four decades. Will Smith is on the cover; his 2004 movie of the same title was based on one of the stories.)

Asimov wrote an extensive autobiography. The first volume, In Memory Yet Green, covers the first 34 years of his life. As you would expect, his life in that timeframe was similar to many other. He grew up, completed his formal education, started his career and started a family.

Like other famous people, Asimov had fortunate timing, talent, and willingness to work hard to achieve something. He is best known for his achievements as a science fiction writer. Writing was not his sole profession during this part of his life, but he was a fairly prolific writer and was well known in science fiction circles. He had a reputation in science fiction fandom before he ever published a fiction story. He was a fan of the early science fiction magazines and regularly wrote letters to them. He made friends with other fans, several of whom became successful writers along with him, particularly fellow Futurians.

As he put time into writing stories, his participation in fandom waned. His other career as an academic chemist also took up a lot of time. Though it is well known among science fiction fans, others may not be aware that had a Ph.D. in chemistry and was a professor at a medical school. He co-wrote two biochemistry textbooks during this period.

The book covers many aspects of his life, both professional and personal. He begins with his birth in Russia and ends as a husband (to Gertrude) and father (to David) on the verge of a career transition. In between he lived through two world wars, the Great Depression, and many other upheavals of the first half of the 20^th Century. Asimov shares his experiences and views of these events.

Asimov’s style in his autobiography is much as it is in his other writings: straightforward and often jovial. He is not shy about his accomplishments, but he is often humorously self-deprecating and willing to confess to his boneheaded moments.

The book will probably appeal mostly to science fiction fans. Asimov got in on the ground floor. He knew many of the other writers, editors, and publishers of his generation including Ian and Betty Ballantine, John Campbell, L. Sprague de Camp, Lester Del Rey, Robert Heinlein and Frederik Pohl.

If you’re interested in reading this book, you may also be interested in

The Ancient Engineers by L. Sprague de Camp

The Astounding, the Amazing, and the Unknown by Paul Malmont

Caves of Steel by Isaac Asimov

The Moon is a Harsh Mistress by Robert Heinlein

Asimov, Isaac. In Memory Yet Green: The Autobiography of Isaac Asimov, 1920-1954. New York: Doubleday, 1979.

Mastering Fiction Writing by Kit Reed

Reed, Kit. Mastering Fiction Writing. Cincinnati, OH: Writer’s Digest Books, 1991.

Kit Reed doesn’t believe there is a magic book that will tell you everything you need to know about writing. Her book, Mastering Fiction Writing, will help you get started and contains a lot of advice on making your stories better.

The first key is that learning to write comes from practicing writing. If you’re not writing, you’re not a writer. No story is perfect, so start writing and improve your work as you proceed.



An encouraging tip from Reed is that you already have a great storehouse of experience to draw upon as a writer. All the experiences of your own life, the lives of people you know and everything you’ve heard about and learned are the raw material you already have in your head. As a writer, you’ll use all of this, not directly but transformed for the purposes of your stories.

Reed is not a fan of plot, believing that stories are developed and preferring let her characters and what they want lead her. She does believe in outlining. An outline can help a beginning writer get a story in shape and avoid problems before starting. Even in the middle of a story, outlining can help with diagnosing problems and figuring out where the story needs to go.

The book also covers other common elements of fiction writing. This includes style, character, point of view, voice, rewriting and establishing your work habits.

A particularly useful element of the book is that almost every chapter contains a list of questions you can ask yourself about that element in your story. You could use these questions at any point in developing a story to help you recognize problems and create solutions.

The final chapter is also particularly useful. It deals with discipline. A writer isn’t going to produce stories, and especially not books, if he doesn’t do the work, deal with the problems and overcome the occasional boredom, hard work and temptation to quit.

If you’re interested in this book, you may also be interested in
How to Write Mysteries by Shannon OCork
How to Write Science Fiction and Fantasy by Orson Scott Card
No Plot? Not Problem! A Low Stress-High Velocity Guide to Writing a Novel in 30 Days by Chris Baty

The Chinatown Death Cloud Peril by Paul Malmont

Malmont, Paul. The Chinatown Death Cloud Peril. New York: Simon & Schuster, 2006.

There is trouble in Chinatown. The war god that sets faction against faction in Asia stretches a tentacle across the world to stir plots and revenge in America. Heroes rise to meet this menace, very unlikely heroes: writers.

Malmont takes real life writers of pulp magazines, who he clearly regards with great respect and affection, and puts fictional versions of them in the middle of the kind of adventure they may have written. Some of these writers were legends in their time, but may be little know today. For instance, the main characters are Walter Gibson, who wrote The Shadow as Maxwell Grant, and Lester Dent, who penned Doc Savage as Kenneth Robeson. Other names may be more familiar to modern readers of genre fiction, especially L. Ron Hubbard and Robert Heinlein. H. P. Lovecraft plays a brief but pivotal role in a creepy way suited to his weird tales. Several lesser know pulp writers play lesser roles in the story.

I enjoyed these intrusions of biography into the wild fiction. I don’t think anyone would need to be a fan of pulps to enjoy the book. If someone enjoys adventure stories, he’ll probably enjoy this one. The characters sometimes discuss what might be real, if improbable, and what is pulp, a good yarn. Malmont puts the pulp first.

Malmont achieves the right balance of fact and fiction by throwing out the balance. It’s fiction first. The reality is informative and fun, but Malmont makes it work double duty. It is biography and history, but it also helps the reader connect to the characters and their world, which does much to serve the fictional story.

The best thing about the book is that it is fun. It’s a thriller that thrills. It’s a twisty tale that doesn’t try to throw the reader, but sweep them along.

The Caped Crusade by Glen Weldon

Based on his self-description in The Caped Crusade, Glen Weldon and I are close in age. Unlike Weldon, the limited selection of broadcast television channels in my rural community did not present 1960s Batman series. My childhood impressions of the Dark Knight came almost exclusively from the comics. My favorite version of Batman is the “World’s Greatest Detective” (when I came across his team-up with a very old Sherlock Holmes in Detective Comics 500, I had to have it). I’m also fond of the adventure hero who hues close to his pulp roots—basically the Shadow or Doc Savage in a bat suit (I also had to buy Batman 253, in which the awestruck superhero acknowledges the Shadow as an inspiration).

I suppose that I staked out my position on Batman because that is partly what Weldon’s book is about, the contradictions between Batman the character and Batman the idea, and the tension between stories loved by hardcore fans and stories appreciated by a wider audience who engage with Batman in diverse ways.

Weldon illustrates this tension, and the character’s shift as the pull is sometimes stronger in one direction or another, through the history of the character. He sees a cycle in Batman’s depiction. He starts as a dark loner. He becomes a father figure (most directly to Robin). He grows into the patriarch of a family (Robin, Alfred, Batgirl, and Huntress just to start a list). Then a desire to revitalize the character, get back to roots, or satisfy the core fandom returns him to the loner stage.

The hardcore fans Weldon writes of generally conceive Batman as serious. They want a Batman who is realistic and gritty. In my experience as a reader of comics, “serious,” “realistic” and “gritty” are often code words for prurience, grotesquery and gore. I’m not interested in that in comics or any other media.

These fans have a love-hate relationship with the Batman of other media (they just hate the Adam West version). The Tim Burton films revitalized public interest in Batman when the comics were in a serious sales slump. (The hardcore fans hate the Joel Schumacher movies. I’m with them on that.) In the Chris Nolan trilogy they finally got a Batman who is serious and has acceptance in the wider culture.

That culture is much wider now than ever, especially due to the Internet. Comics fandom was once very insular, and in some ways it still is. In the Internet age, many people are engaging the character and idea of Batman. Comic book fans, cosplayers, fan fiction writers, movie buffs, fashionistas, retro TV watchers, hipsters and a host of others are interacting with Batman’s stories, history, image and iconography. It is a world that some of the old hardcore fans may find discomfiting, but it may be a place where Batman can have lasting relevance.

Weldon plainly likes that prospect. In his view, the super-straight Adam West Batman and the grounded, brooding Chris Nolan Batman can coexist. They are both really Batman. People have always focused on the aspects of the character that resonated with them. They have also imposed on him interpretations that the writers and artists that created his stories never imagined. We do this with every text, but few texts have the longevity of Batman. That may be the Weldon’s other point. We can take any version of Batman as seriously as we want, or we can simply enjoy the stories. He is a fictional character after all.

If you’re interested in this book, you may also be interested in:

Amazing Fantastic Incredible by Stan Lee, Peter David & Colleen Doran

Comic Book Nation by Bradford W. Wright

The DC Comics Guide to Writing Comics by Dennis O’Neil

Fic by Anne Jamison

Kirby by Mark Evanier

Men of Tomorrow by Gerard Jones

Reading Comics by Douglas Wolk

The Secret History of Wonder Woman by Jill Lepore

Stan Lee by Jordan Raphael and Tom Spurgeon

The Ten-Cent Plague by David Hajdu

Will Eisner by Michael Schumacher

Wisdom from the Batcave by Cary A. Friedman

Weldon, Glen. The Caped Crusade: Batman and the Rise of Nerd Culture. New York: Simon & Schuster, 2016.

The Seven-Per-Cent Solution by Nicholas Meyer

Nicholas Meyer plays The Game. He presents his novel, The Seven-Per-Cent Solution, as a found manuscript of John Watson, friend to and chronicler of the adventures of Sherlock Holmes.

Arthur Conan Doyle’s detective inspired pastiches and fan fiction even during the time when he was writing the canon of Holmes stories. Meyer even mentions Doyle in the book, though in keeping with The Game, he alludes that he is something like a literary agent, helping Watson place his recollections in magazines.

The occasion of the reference to Doyle is his connection to both Watson and Doyle’s medical studies in Vienna, where most of the story is set. According to Meyer, neither the real life or fictional version of Doyle met another famous physician who resided in Vienna. That physician’s expertise in a certain specialty is the reason Watson and Holmes visit the European mainland.

After Watson marries and moves out of the Baker Street apartment, Holmes is more tightly gripped by his addiction to cocaine, the seven percent solution mentioned Doyle’s The Sign of Four and the title of Meyer’s book. Overcoming addiction was beyond the expertise of Watson and his medical colleagues, but the work of a Viennese physician gave him hope. Watson conspires with Sherlock’s brother Mycroft, and even enlists the aid of the old Holmes family math tutor Moriarty, to trick Holmes into going to Vienna to be placed in the care of Sigmund Freud.

The first half of the book deals with Holmes’ addiction and his treatment in the home of Freud. This is more interesting than some may think it sounds, and even in this section Meyer maintains the feel of a Holmes story.

In the second half, Freud’s consultation in the case of a silent patient prompts the kind of detective story you expect to see Holmes in. Freud is along for the ride and his insights prove useful to the detective. The physical side of the adventure ramps us in this part, too. The climax (can you do a spoiler alert for a 40-year-old book) is a saber duel between Holmes and the story’s villain on the top of a speeding railcar.

Meyer sticks close to the canon, though he does it by discrediting certain “disputed” stories. The long-retired Watson, dictating this after the death of his friend, admits to fabricating certain tales in order to protect Holmes’ life and reputation.

If you’re interested in this book, you may also be interested in

Arthur & George by Julian Barnes

Fic by Anne Jamison

The Sherlockian by Graham Moore

Meyer, Nicholas. The Seven-Per-Cent Solution: Being a Reprint from the Reminiscences of John H. Watson, M.D. New York: E. P. Dutton, 1974.

Comic Art in America by Stephen Becker

Cartoons did not originate in the United States, but Americans were innovative in the art, and its artists invented the newspaper comic strip and comic book. Stephen Becker wrote a survey of American comics of all types from their origins until his book was published in 1959: Comic Art in America.

Becker covers every type of cartoon in the book. Comic strips get a lot of attention because that is where a lot of the development occurred and gave rise to something distinctly American. Though comic strips are a thread throughout, Becker devotes chapters to editorial cartoons, single-panel humor and even animation.

Many of the comics Becker discusses are still published today, such as Beatle Bailey and Blondie. Others are well-known because of their former popularity or lasting influence: Krazy Kat, Terry and the Pirates, Flash Gordon. Others are largely forgotten, even if they were pioneers of their time that shaped the work of others or the popular taste. Fans of particular types of cartooning may notice omissions that seem glaring, at least in hindsight; the chapter on comic books makes no mention of Will Eisner, though perhaps his fame stems more form later work.

Of course, the intent was not to be exhaustive. It’s a single volume, not an encyclopedia. As a survey for a general audience, it works very well. At the time, it probably reminded readers of old favorites that had fallen out of print. It might introduce modern readers to those old masters for the first time. Necessarily it does not address some of the great work that came out after it was published; I suspect Becker would have been delighted by Bill Watterson’s Calvin and Hobbes, as many of us are.

Becker was primarily a fiction writer. Comic Art in America is very informative, but it is not primarily an academic book. Neither does Becker come off as entirely fan-ish, though he certainly has the tone of someone who enjoys comics and finds them interesting, especially humor and editorial comics from newspapers and magazines. He mixes commentary with history and spices things up gossipy tidbits.

The book was published in a larger format to accommodate reproduction of comics that originally appeared in an even larger broadsheet newspaper. Though it has the look of a coffee table book, it is not dominated by images. The images are an accompaniment to the text. Even so, one can enjoy it for the comics reproduced in it, though many are of their time and may not make much sense without the context provided by Becker.

If you’re interested in this book, you may also be interested in

American Splendor (Film)

Kirby by Mark Evanier

Miss Mizzou by J. B. Winter

The Spirit by Darwyn Cook

Why Comics? by Hilary Chute

Becker, Stephen. Comic Art in America: A Social History of the Funnies, the Political Cartoons, Magazine Humor, Sporting Cartoons and Animated Cartoons. New York: Simon and Schuster, 1959.

STEM Books

I’ve reviewed 39 STEM-related books (and counting).  STEM is an acronym for science, technology, engineering, and mathematics.  As you may have seen in the news, there is a push to improve STEM education, interest students in STEM fields, and grow the number of workers in these fields.  The idea is that these will be the skills needed by workers of the future.  If you’re a STEM educator or a student considering a career in STEM fields, you might like to take a look at some of these books.

I’ll confess that I’m not an educator, but I think most of these books will be accessible to high school and college students, and a few to middle school students.  The list is also a reflection of my career and interests in engineering, public health, policy, and history.  Even with these biases, I think it is a good list for someone looking for STEM-related books.

How to Build an Android: The True Story of Philip K. Dick’s Robotic Resurrection by David F. Dufty

I was fascinated by robots as a kid.  I enjoyed reading Isaac Asimov’s robot stories.  I longed for the Omnibot 2000 in the Sears Wishbook.

Robots have come a long way.  In How to Build an Android, David F. Dufty describes the short strange life of a very complex robot made to look and talk like science fiction author Philip K. Dick.  The robot had a very sophisticated and lifelike head and complex artificial intelligence.  As with most complex things, it was the work of many people who had to solve a lot of problems.

If you’re interested in robotics, this is an interesting nontechnical book.  In addition, you’ll get introduced to some freaky sci-fi.  You may even get as (somewhat) legitimate reason to use the word “Dickhead” (capitalized, it refers to a fan of PKD, so don’t go using it on anyone).

The Big Roads: The Untold Story of the Engineers, Visionaries, and Trailblazers Who Created the American Superhighways by Earl Swift

The Interstate highway system in the United States is one of the most enormous structures built.  Some of the prospective STEM students who read this may actually be younger than the Intestate system, though in some sense it is never complete because it needs constant repair and maintenance.  The Interstates were completed in the 1990s, but the Federal-Aid Highways go back to 1916.

Earl Swift wrote an accessible history of the Interstates in The Big Roads.  If you interested in automobiles or transportation, it’s a good read.

Dreams of Iron and Steel by Deborah Cadbury

Deborah Cadbury describes seven wonders of engineering in Dreams of Iron and Steel.  It covers almost a century of history, but many of the events are concentrated in the Victorian Era.  That was a time of great technological innovation.

Though the book is history, many of the structures still stand.  Railways, the Brooklyn Bridge, the Suez and Panama Canals, and Hoover Dam stand testament to an age of big engineering.

The Physics of Superheroes by James Kakalios

Though the memory of Professor Wragg’s sneer prompts me to not make this confession, part of my interest in science and technology came from comic books.  Iron Man was cool.  Spider-Man’s web shooters were very cool.  Superhero comics are full of fantasy, admittedly, but the strange, unrealistic science and technology they depict have inspired many to study STEM in reality.

Physicist John Kakalios uses examples from comic books to explore real physics in The Physics of Supeheroes.  Sometimes comics get there science right.  Even when they get it wrong, it can be instructive.  If you know what people are talking about when they refer to the “New 52,” you may find this book to be a great introduction to physics.

1089 and All That: A Journey into Mathematics by David Acheson

Here is another confession: I’m not especially interested in math.  I endured a lot of math classes to study engineering.  Reading David Acheson’s 1089 and All That did not require such endurance.  For one reason, it is a short book.  For another, Acheson doesn’t expect his readers to be mathematicians; it is enough to follow the outline of the math he discusses.

I recommend this book because so many people have a fear of math.  1089 can be followed by many high school students and older folks with math phobias.  Just take a deep breath, relax, and follow along as well as you can.  You’ll see that math can be interesting, useful, and even beautiful in a way.

The Brooklyn Bridge: They Said it Couldn’t be Built by Judith St. George

Judith St. George’s The Brooklyn Bridge is a short history of and iconic bridge.  Written for the bridge’s 100^th anniversary, it is also the story of the engineers who sacrificed life and health to see it completed: John Roebling and his son Washington.  John Roebling was a German immigrant who built many suspension bridges and owed a wire-making business.  He gave his son and extraordinary education in bridge engineering for the time, and before beginning work on the Brooklyn Bridge he served as an officer in the Union Army during the Civil War.

Why should a cutting-edge STEM student read about a bridge that is almost 130 years old?  It’s because we still use and rely on very successful, centuries old technologies.  Improving and rebuilding our infrastructure will be an important part of our economy.  As recently as 2010, New York City and the federal government committed $500 million to repair and repaint the Brooklyn Bridge.

The Essential Engineer: Why Science Alone Will Not Solve Our Global Problems by Henry Petroski

STEM lumps together science, technology, engineering, and mathematics.  Is there a difference between science and engineering?  Is it important?

Henry Petroski, a professor of civil engineering and history and author of The Essential Engineer, believes there is an important difference.  At heart, science is about increasing knowledge.  Engineering is about invention.  Of course, new knowledge makes new invention possible.  Just as often, though, engineering runs ahead of science.  Sometimes science didn’t advance until someone invented the instruments to conduct new observations and experiments.  The invention of the microscope made possible the science of microbiology.  Steam engines were built and greatly improved before we had a modern scientific understanding of thermodynamics.  In fact, thermodynamics was to a large extent born out of desire to understand steam engines. In this sense, it is an engineering science (study of manmade things) as much as a natural science (study of natural things) or branch of physics.

Petroski’s focus in the book is the importance of engineering to policymaking, where it is often overshadowed by science.  Policy, science, and engineering play off of each other a lot.  Most of my career as an engineer has been related to government, policy, and regulatory compliance.

The Ghost Map: The Story of London’s Most Terrifying Epidemic—and How It Changed Science, Cities, and the Modern World by Steven Johnson

The Ghost Map by science writer Steven Johnson is the story of the birth of epidemiology.  Epidemiology is a medical science that uses statistics to help us understand how diseases operate in a population.  Using various statistical and geographic tools, long before we had computers and GIS, physician John Snow demonstrated that cholera, once a recurring plague that wiped out hundreds of thousands of people in some outbreaks, was a waterborne disease.  This understanding, initially met with much skepticism, allowed officials to intervene to prevent the spread of the disease.  For those who say of their math classes, “I’ll never us this,” here is a case where math (and science and policy) were used to make a great difference.

Undaunted Courage: Meriwether Lewis, Thomas Jefferson, and the Opening of the American West by Stephen Ambrose

It is not much publicized today that the Lewis and Clark expedition of 1804 to 1806 had a partly scientific mission.  Captains Lewis and Clark were charges with bringing back samples of the flora, fauna, and culture of the western territories.  It was also hoped that they would find a water passage to the Pacific Ocean.  In Undaunted Courage, Stephen Ambrose writes about the scientific mission as well as the policy, diplomacy, and commercial hopes the expedition carried.

Of course, what attracts most people to the Lewis and Clark expedition is that it was a great adventure.  There is a place in STEM fields for thoughtful adventurers and explorers. 

Buried Alive: The Terrifying History of Our Most Primal Fear by Jan Bondeson

A list like this deserves something strange, creepy, and more fun than you care to admit.  Right now, thousands of very young future STEM workers are catching bugs and snakes, breaking their toys to see what is inside, or staring into space with a weird expression of vacancy and concentration.

Jan Bondeson’s Buried Alive is not a morbid book.  It is sometimes humorous, especially in consideration of topic.  From a STEM point of view, Bondeson shows how knowledge accumulates over time.  The fears and activities of our forefathers may seem strange to us, but they sometimes made sense in light of what they knew.  Buried Alive doesn’t simply play off our fascination with the grotesque and death, though the book might not have been written if we lacked that fascination, I think it reminds us to approach our ancestors with a touch of grace and humility.  Maybe our progeny will show us the same courtesy.

If you’re looking for something for a younger student, check out this post→ from Joanne Loves Science or these recommendations→ from STEM Friday.  By the way, I also write about engineering, infrastructure and the environment at Infrastructure Watch.

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Write Naked by Jennifer Probst

Romance writer Jennifer Probst has written more than a score of published books. In Write Naked, she shares her experiences, both successes and mistakes, of building her career as a professional writer.

Probst was not an immediate success. She wrote six books before writing one that was published. One of the lessons of the book is that it takes persistence, time and effort to develop you skill and find a place for your work. Even after writing successful books, the book you’re working on can be a struggle; Probst confesses to finding challenges in writing her most recent books.

Success itself can be a challenge. When she finally made it, she made it big, with a large sale and a book that hit the bestseller lists. After that, the pressure was on. She felt the expectations of her editor and readers to produce another hit that they would love. The pressure to meet those expectations made the next book much harder. It was successful, but not as successful, which she found very disappointing. She points out the reality that you won’t hit a home run every time you step up to the plate, but a base hit is still a success.

I admit that I’m not a fan of romance. However, I am a bit in awe of the ability to many successful romance writers to produce. They turn out books and their books sell. This requires work—they have to get it done. Probst’s advice includes dealing with that aspect of writing. She treats it as her business. She writes every day. She sets goals. She creates deadlines (or gets them from her editor) and meets them. She sets aside time to promote her books and interact with readers. She also says no to things that don’t fit her life and career as a writer so her time and energy isn’t drained away from where it is needed.

Some might thing Probst’s revelation of her experience takes some of the romance out of writing. Of course, whether it is romantic or not, there are realities to making a career of writing. An aspiring writer will need to deal with it.

If you’re interested in this book, you may also be interested in

Finding Your Writer’s Voice by Thaisa Frank & Dorothy Wall

Just Write by Walter Dean Myers

Mastering Fiction Writing by Kit Reed

No Plot? Not Problem! A Low Stress-High Velocity Guide to Writing a Novel in 30 Days by Chris Baty

The Right to Write by Julia Cameron

Shut Up & Write! by Judy Bridges

Writing Down the Bones by Natalie Goldberg

Probst, Jennifer. Write Naked: A Bestseller’s Guide to Writing Romance and Navigating the Path to Success. Cincinnati: Writer’s Digest Books, 2017.

The Sherlockian by Graham Moore

Moore, Graham. The Sherlockian. New York: Twelve, 2010.

In The Sherlockian, Graham Moore tells two stories, both crime tales that are linked by a missing diary. In the modern story, a newly inducted member of the Baker Street Irregulars, a prominent group of Sherlock Holmes fan-scholars, sets out to solve a murder that occurs at a convention of the Irregulars. Seeking the solution to this mystery leads him to another, the attempt to find a lost diary of Arthur Conan Doyle, the creator of Holmes.

The second story is historical. It features Doyle and his friend Bram Stoker, author of Dracula. Doyle similarly starts out to solve one mystery and gets draw into another. He sets out to discover who sent him a letter bomb that actually contains a letter, though Doyle narrowly escapes death from the bomb. It leads him into seeking the killer of young women who are joined by radical politics and an odd tattoo.

The first track reads as much like a suspense-thriller than a mystery, though the hero is decidedly nerdier than is typical of such stories, as you might expect of a guy who has had is head buried in books for years. The Doyle story begins as something similar to the stories the actual man wrote to showcase his famous character, the fictional detective
he killed to be rid of then brought back to life. It becomes more realistic at progress, or at least much messier.

Though mostly serious in tone, the book has humorous moments. The hero is a guy who has found a way to make a living from having read a ton of books. His chief credential as a detective is that he knows a lot about Sherlock Holmes. He’s not the only Sherlockian to involve himself in the case; he is simply more competent and lucky than the others.



The historical touches are interesting. The real Doyle consulted with Scotland Yard, with varying success, though the crime described in The Sherlockian is fictional. Some of his papers, including a diary, disappeared after his death and resurfaced more than 70 years later in the hands of a distant Doyle relative. A battle of words and lawyers ensued involving the would-be seller of these documents, the Doyle heirs, and a prominent Irregular. The Irregular died under suspicious circumstances and the case is still considered unsolved in spite of the efforts of police and many amateur detectives. These real events inspired the book, though the author clearly distinguishes in a short note the touch of history from the mass of fiction.

If you’re interested in this book, you may also be interested in
The Book of Lies by Brad Meltzer
The Chinatown Death Cloud Peril by Paul Malmont
The Great Stink by Clare Clark