Thursday, December 18, 2008
Holiday Inn (Film)
Holiday Inn is one of my favorite movies. It has great music by Irving Berlin. It has performance by Bing Crosby and Fred Astaire; they only appeared together in one other movie. It’s a good romantic comedy, too. The film works in each of these areas.
Berlin originally conceived it as a showcase for his music, with a song for every holiday. He wrote the song “White Christmas” for the film and it went on to become one of the most popular songs ever. All the songs are solid and some are nearly as good as “White Christmas.” I think the song for Washington’s Birthday is the weakest, especially in comparison to the great tune for Lincoln’s Birthday, but in light of where it fits in the movie I feel like cutting it a little slack. I’m especially fond of “You’re Easy to Dance With.”
Crosby and Astaire provide good acting performance, but audiences rightly expect them to sing and dance and they deliver. Two of Astaire’s dance numbers are worth particular mention; the first is supposedly drunk and the other involves firecrackers. These two dances themselves are enough to make the movie worth seeing.
It’s a fair romantic comedy. There is a lot of chemistry between Crosby and Astaire, who deliver clever lines with snap. There is also good chemistry between them and their leading ladies, Virginia Dale and Marjorie Reynolds. The basic plot is boy meets girl, they fall in love, girl is ambivalent about ambitions, conniving friend takes advantage and sweeps away girl, repeat.
The film is an interesting look into race relations at the start of World War II. The film only has three black characters, a female house servant (played by Louise Beavers) and her two children. As if the role of cook-maid isn’t stereotypical enough, she is even called Mamie. The film plainly shows how things would have been done at the time, but seems to have slight moments of reticence about it. Here is an example.
On Lincoln’s Birthday, the white server-performers at Holiday Inn have darkened skin. The actual black people stay in the kitchen, out of sight of the guests. The song for the holiday focuses on Lincoln’s role in ending slavery. The original plan is to play it straight, but at the last minute Crosby’s character decides to change it to a blackface number to hide the identity of a starlet, his love interest, from his rivals. Even in a celebration of the end of slavery, the segregation is so complete that the white guests come no closer to interacting with black people than the make-up darkened skin of white performers.
Even so, the film isn’t about race. It’s a fun love story. It has great music and singing. It has wonderful dance numbers. It’s worth seeing, especially around Christmas or New Year’s Eve.
Thursday, July 14, 2011
Histories and Fallacies by Carl R. Trueman
Historian Carl R. Trueman reflects on the art of his discipline in Histories and Fallacies. The book is not an exhaustive guide to the techniques used by historians. It is a set of linked essays based on Trueman’s reflections on what is done right and wrong in his own work and that of others.
The opening chapter deals the value of history. Can one historical narrative be thought of as truer, or more reflective of what actually happened, than another? Can a historian, or anyone else, evaluate the merits of differing views of what happened and what they mean? Trueman argues that you can. Reflective people can weigh the evidence, with its strengths and weakness, and make reasonable decisions about it, even if the come to with strong points of view. As an example this, he looks at the work of holocaust deniers, who maximize niggling weaknesses in holocaust accounts, minimize the overall preponderance of evidence, and are careful to dress their work for the appearance of scholarliness.
Historians can also fall into the trap of making the evidence fit the theory rather than having a flexible theory that adapts to the evidence. As an example, Trueman points to Marxism. He acknowledges that Marxists brings to the fore the real effects of economics and class that may be overlooked by other historians. The problem is that Marxism excludes other historical causes, it’s all about class struggle, and has mechanisms to explain away contradictory evidence. Any over-commitment to a ridge explanatory system can lead a historian to drastic mental gymnastics and conclusions that are contrary to plain evidence and good sense.
A chapter is devoted to the pitfall of anachronism. A modern person can bring many notions to a historical document that didn’t exist in the mind of the writer or any of his contemporaries. Trueman illustrates this by comparing Reformation-era writing against Jews to twentieth century, particularly Nazi, anti-Semitic writings. The earlier writers had no modern notion of race Judaism was a matter of religion and belief, and therefore malleable. To the more modern anti-Semites, it is a matter of race, to them a concept of biology, and therefore unalterable.
Other fallacies and bad practices can trip up a historian. Some of them are summarized on one of the later chapters of the book.
Trueman is a historian of ideas who teaches church history. His examples generally come from these areas, though he touches on a great breadth of historical era, theories and techniques.
If you’re interested in this book, you may also be interested in
How to Read Literature Like a Professor by Thomas C. Foster
Maus by Art Spiegelman
The Politically Incorrect Guide to Western Civilization by Anthony Esolen
Monday, January 9, 2012
Life is So Good by George Dawson & Richard Glaubman
George Dawson was in his nineties when he learned to read. He was a centenarian when he and coauthor Richard Glaubman wrote his biography, Life is So Good. I think Dawson’s life was good, and not just because it has been so long.
Even a good life is sometimes hard. Most of Dawson’s life was hard. Black and poor were not auspicious beginnings for a boy in Texas at the beginning of the 20th Century. In the opening chapter, Dawson tells of how, as a boy, he witnessed the lynching of a young black man falsely accused of raping a young white woman. Dawson was ready to become bitter and withdraw from all contact with white people, but his father would not allow him to even consider it.
Dawson presents his parents and wise and pragmatic, making things better for themselves bit by bit. He picks it up and does the same thing in his own life, especially once he settled down to start his own family.
He had some wandering to do first. His early life of travel and adventure makes for interesting reading. He road trains all over North America, sometimes as a ticketholder and sometimes joining the hobos. He was able to find work wherever he went, mainly because there was no job so hard or unpleasant he was unwilling to try it.
Traveling opened his eyes, especially to race relations in the U.S. Growing up in the South, he thought the discrimination and oppression he was accustomed to be the way things were. In Mexico and Canada, even in parts of the U.S., he was treated like anyone else, regardless of color. Mexican villagers welcomed him like family and delighted in the novelty of someone so tall. Canadian lumbermen were curious about his home and happily directed him to the snow he had never seen before—it almost killed him. In his early days, he found it strange to be in places where no one cared which train car he was in or the restaurant at which he ate.
Things changed a lot in Dawson’s more than 100 years of life, though racism hasn’t disappeared. (I grew up in a town that was 99 percent white and I’m barely 40 years old. In the same county were villages that were almost entirely black.) Even in the face of difficulties, Dawson persisted and bit by bit made life better for himself and his family. When retirement came it wasn’t time to rest from his labors, it was time to pick up the education he had been denied as a boy because he had to work.
Dawson’s life story is worth reading simply because he is a witness to history who tells his story in an interesting and accessible manner. It’s worth reading because, without trying, it has a message too: don’t worry. Dawson recommends that people not worry if they want a good life. I think it’s very good advice. Arguably, though, he was working too hard most of his life to have time for worries, even though he had cause for them.
Saturday, December 10, 2016
The Powerhouse by Steve Levine
Tuesday, December 21, 2010
Paperboy by Henry Petroski
Henry Petroski is an engineering professor who is well known for his books on engineering and technology. Paperboy is a memoir of his boyhood.
This memoir is a reflection of the times, the 1950s, as well as the author’s life. It shows a microcosm of a nation recovering from World War II and gearing up for the space race. The paperboys of New York weren’t interested in reading the newspapers they delivered, so they weren’t consciously aware of the social forces at work around them. (Even so, Petroski uses headlines from the Long Island Press to show what was going on at the time.) A boy with Petroski’s talents might have gone into any number of things, but with Sputnik overhead, government policy and watchful teachers nudged him into engineering. It was a good fit.
Petroski doesn’t leave technology completely out of the picture. As a paperboy, he had to master the art of folding and flipping papers. He assembled and maintained his own bicycle. He watched his orderly uncle, an accountant, put together exactly what he needed to build an attic closet with no waist.
Young Petroski had many traits that would have made engineering attractive to him: curiosity about how things work, mechanical aptitude, facility with mathematics, some perfectionism, more pragmatism, ability to think both concretely and abstractly, appreciate that things are made and making involves choosing. I have known and worked with many engineers in my career in that profession and nearly all of them share at least a few of these traits with Petroski.
A particular part of Petroski’s school experience stands out to me because it illustrates how real life is different from a story. His high school algebra teacher, Mr. Duncan, took an immediate dislike to him, apparently because it picked up on algebra so easily. Duncan began to call Petroski “Herman Peterson,” provoked him and sent him out into the hall. The budding engineer sat in the hall, following the lessons through the door, and remaining the leading student in the class. This hardship continued until Petroski advanced into upper-class math courses. A story probably would have had some satisfying resolution, but real life experience involved just moving on.
In one section of his memoir, Petroski discusses newspaper titles. It’s the kind of list-making thing many engineers are prone to do. The weekly paper in my hometown was the Bloomfield Vindicator. I have never heard a name for newspaper that was cooler than Vindicator. I’m reminded by it of those show that were popular in the 1980s about a nameless stranger who comes into town to bring justice to oppressors of the downtrodden like The Equalizer, Stingray, and The Pretender (which may have been from the 1990s). A syndicate combined the Vindicator with another publication and given it the unimaginative title of North Stoddard Countian.
If you’re interested in this book, you may also be interested in
Copernicus’ Secret by Jack Repcheck
Descarte’s Secret Notebook by Amir D. Aczel
The Invention of Air by Steven Johnson
Newton and the Counterfeiter by Thomas Levenson
The Science of Leonardo by Fritjof Capra
Sunday, July 10, 2016
Rising Tide by James M. Barry
Thursday, December 2, 2010
Ed Wood Double Feature
I think Bride of the Monster (1956) is the first Ed Wood film I saw. I recall it showing on the Creature Feature, a late night film show broadcast out of Cape Girardeau and hosted by Misty Brew. Bride is not a bad movie. It’s about as good as a lot of low budget, sci-fi horror films from the 1950s.
In Bride, Bela Legosi plays an outcast scientist who intends to create a “race of atomic supermen” that will usher in a new age of his making, under his rule. His human experiments have not been successful and keeping ahead of the law and spies from his homeland led him to a remote American swamp. His animal experiments have been more successful, and his gigantic creation proves to be a useful way to dispose of the corpses of his unwilling human subjects. Mad science, nosy reporters, police, and spies crash in an atomic explosion of mayhem.
By contract, Night of the Ghouls (1958) has everything in it that is the worst of Wood. To start with, it seems to be a sequel to Bride, except that any continuity is accidental. Many of the actors are the same, but only two of the characters could are the same, Lobo (Tor Johnson) and Kelton the Cop (Paul Marco). There are constant reference to setting of the story and that strange things happened there once before, enough for me to think it’s referring to Bride, but they don’t exactly make sense and certainly aren’t necessary. I don’t know if issues with rights prevented Wood from making an outright sequel. I suspect his write-fast, film-fast style didn’t leave room for the careful checking of continuity a real sequel would require.
Another Woodism is the overuse of voiceover. The film begins and ends with soliloquies delivered from a coffin by newspaper psychic Criswell, which is entertaining in its goofy bombast. Criswell’s narrative continues through the film, though it is largely unnecessary. Wood is good enough to tell the story without the voiceover, but bad enough to use it anyway. Criswell delivers the lines with gusto, and possibly with thanks, for their better than most of the dialogue the other actors have to deal with.
Criswell narrates a section built on stock footage, which was a staple of low-budget and exploitation films and frequently used by Wood. The bad, and oddly entertaining, thing about this section is that it has practically nothing to do with the rest of the film. It’s an exploitation-style harangue on juvenile delinquency that depicts many young people dancing to rock and roll, racing cars and committing mostly petty crimes.
In Night, at least, Wood is not a good storyteller. He remains a great plotter though. A fake psychic set up shop to con wealthy clients who disparately desire to reach diseased spouses. It turns out he is actually very powerful medium who is unwittingly raising the dead from a nearby cemetery. These ghouls can’t stay in the realm of the living for long and they’re not going back to their graves alone. That could be an awesome horror story, but in Wood’s hand it doesn’t quite make it.
By the way, the malevolent medium of Night is named Dr. Acula. That is right, Wood straight up names a character Dr. Acula.
If you like old sci-fi horror films, you may like Bride of the Monster, which is typical of its low-budget ilk. If you want to see a bad movie that entertains in spite of, or possibly because of, its myriad flaws, look at Night of the Ghouls.
If your interested in these films, you may also be interested in
Bedlam
Isle of the Dead
Monday, January 19, 2009
Blink by Malcolm Gladwell
We make a great number of snap judgments regarding very complex issues and often these decisions are better than we might have made with much analysis. Gladwell is interested in how this counterintuitive situation could be.
The key is what Gladwell calls thin-slicing. We can make good decisions with very little information because our unconscious mind has a knack for identifying and using the information that make a difference. Too much information may even be a detriment to good decision-making because it obscures the important details.
Blinks are often good decisions, yet they can fail. There are times when the unconscious can make bad decisions. Often this is because the unconscious is biased with misinformation; Gladwell discusses a test for hidden racial bias in which even he, with a Jamaican mother, showed preference for whites. This test and others show that stress and lack of time can reduce the unconscious’ ability to make good decisions; it’s fast but not instant. The unconscious also isn’t so good at decisions where there are relatively few factors to consider and the stakes are low; conscious analysis does better then.
Understanding snap judgments and how they work, even if the details are hidden from our conscious minds, allows us to improve our decision making. First, we can recognize areas where our snap judgments are weak or strong and arrange to use the most appropriate type of thinking. Second, we can inform our unconscious minds. We can train ourselves to make better snap judgments. Gladwell demonstrates this through the informed, but quick and largely unconscious, judgments of experts.
In the afterward to the 2007 edition of the book, Gladwell calls for action, or at least reflection, base on the concept of the blink. One area was the disparity of conviction and imprisonment of blacks and whites. He tells the story of how screens that block musicians from judges resulted in more women breaking into major orchestras. People couldn’t hear the important evidence of a performer’s musical skill and talent once they had seen she was a woman and unconscious bias tainted their judgment. Likewise, programs that attack conscious prejudice may have little impact on unconscious racial bias, and to hide the race of defendants from juries might actually help them make better decisions by eliminating information that is less relevant.
Wednesday, June 3, 2020
Bored and Brilliant by Manoush Zomorodi
For some, the promise of
technology for easy access to information that
was supposed to make us more free has devolved into constant distraction that can feel like enslavement to a cell phone. Even people who have less extreme
views might still feel that it is too easy to get lost in games and social media, browsing online instead of being
present, procrastinating instead of getting things done.
A Mind for Numbers by Barbara A. Oakley
The Power of Habit by Charles Duhigg
The Procrastination Equation by Piers
Steel
Monday, July 19, 2010
Books That Made a Difference to Me
The Holy Bible
As a believer in Christ, this book is a touchstone for me. The Bible is one of the ways God reveals himself, and it is the most explicit, specific, definitive and accessible special revelation. Jesus compared the word of God to a mirror, and said those who didn’t do it were like someone walking away from a mirror and forgetting what they looked like. Within its pages, the metaphor of a sword is applied to God’s word. One the great uses of this sword is to, in indelicate terms, cut through the crap.
Simple Pictures are Best
By Nancy Willard
Illustrations by Tomie De Paola
This is a children’s book and I first read it as a boy. It has so influenced me that I sometimes use the phrase “simple pictures are best” in conversation. The moral of this parable is to keep it simple, don’t create unnecessary complications. I’m not immune to mission creep and function overload. However, this book helped me develop an early appreciation for focus, setting priorities and enjoying those things that do one thing very well.
Spider-Man Created by Stan Lee and Steve Ditko
I could carry on for some time about all that is great about Spider-Man. The essence of it is this: the core of Peter Parker and his story is ethics. Behind the mask, he is just a man and he is just as concerned with his family, friends and job as with battling supervillains. Like us, Peter faces the costly rewards of doing what is right and the painful price of choosing what is wrong in a complex world he doesn’t fully understand. What makes him a hero isn’t his power, it is his character.
War Against the Weak: Eugenics and America’s Campaign to Create a Master Race By Edwin Black
The atrocities of the Nazis were justified, in their minds, as a science-based policy for managing society. The science was eugenics; it originated in American. I was amazed that not only did it start here, but also one of its largest proponents and popularizers worked in my home state, Missouri. Black thoroughly traces eugenics from it roots in an America, both as a science and a policy, to its leap to other nations, its ultimate expression as policy in Nazi Germany and its aftermath, which continues to linger in science and politics. Today, calls for science-based policy are often in the news, but it is important that both policy and science be informed by ethics. (Edwin Black also wrote IBM and the Holocaust.)
The Road to Serfdom
By F. A. Hayek
Hayek devoted this book “to socialists of all parties.” His particular audience was the British intelligentsia (Hayek was an economics professor at the University of London and familiar with German intellectual life from his years in his native Austria). His message was a warning: socialism leads to totalitarianism. Socialism was a popular movement in the time Hayek wrote this book (first published in 1944). Even the United States looked to the communist, fascist and national socialist governments of the world as models to emulate (until we entered World War II and many of these governments became our enemies). Today, socialist ideas and policies are widely espoused, though few would put the socialist label on them, and their proponents seem to imagine, some may be convinced and some may pretend, that a planned society can still be a free one. Hayek demonstrates that socialist government and individual freedom cannot coexist for long.