The Phantom Unmasked by Kevin Patrick

The Phantom is a long-running newspaper comic strip that first appeared in the New York Journal in 1936.  He was a pulp-adventure hero who protected his jungle home while fighting piracy and crime around the world. His unique twist, at least visually, was his outfit of tights and trunks, with a domino mask to obscure his features. More than a year before the appearance of Superman, the Phantom was dressing like a superhero.

In parts of the world, people consider the Phantom to be the very first superhero. Though he persists in American newspaper pages, he has not been very popular in the U.S. in comparison to similar characters. In other part so of the world, notably Australia, Sweden and India, he is possibly the most well-known and followed comics characters. How did a middling American adventure comic become so popular overseas? Comics scholar Kevin Patrick wrote a dissertation about it, and has since turned than dissertation into his book, The Phantom Unmasked.

It started with the general popularity of newspaper comic strips in the United States. As the American market became saturated, the features syndicates that distributed comics sought to expand by marketing to foreign publishers. While they faced objections in some markets, they had the advantage of being cheap and plentiful. In addition, the American syndicates worked with local syndicates or publishers to adapt their comics to local tastes and customs. This included The Phantom.

Lee Falk, writer of the strip, conceived of a character who was likely to be popular by taking ideas from popular jungle stories and hero pulps. He noted that he took inspiration form Edgar Rice Burroughs’ Tarzan of the Apes (serialize in All-Story magazine) and Rudyard Kipling’s The Jungle Book. The name of the Phantom is suggested by The Shadow, one of the most popular pulp magazines. The Phantom marked his enemies with the stamp of his skull ring, similar to the signet of The Spider, who more often left his mark on a corpse than a living foe. The skull-mark itself may have been inspired by the death’s head ring of Operator 5; though that ring was loaded with an explosive charge.

Patrick traces the spread of The Phantom from the United States to overseas markets, especially Sweden, which would become a center of oversees Phantom media production, India and his homeland of Australia. While he considers the features of the strip that make it popular in these countries, he also explores the marketing and publishing practices of the features syndicates in America and abroad to show how The Phantom was a financial as well as a popular success. The Phantom Unmasked is as much a business history as it is a comics history, though the two have always fit closely together.

If you’re interested in this book, you may also be interested in

Comic Book Nation by Bradford W. Wright

Kirby by Mark Evanier

Men of Tomorrow by Gerard Jones

Miss Mizzou by J. B. Winter

Mr. America by Mark Adams

The Secret History of Wonder Woman by Jill Lepore

Superman versus the Ku Klux Klan by Rick Bowers

The Peerless Peer by Philip Jose Farmer

Why Comics? by Hilary Chute

Patrick, Kevin. The Phantom Umasked: America’s First Superhero. Iowa City: University of Iowa Press, 2017.

Investigating Lois Lane by Tim Hanley

Lois Lane is one of the most recognized names among superhero comic book characters even though she is not a superhero. The intrepid reporter made has been around for more than 80 years, and her history is recounted by Tim Hanley in Investigating Lois Lane.

Lois was not in the original Superman stories created by Jerry Siegel and Joe Schuster. As they worked and reworked the character, setting and supporting cast in an attempt to come up with something that would sell, they took inspiration or the girl reporter movies of the time to add a love interest for the man of steel. Several popular movies in the mid-1930s featured smart, tough, fast-talking, blonde female reporters such as Torchy Blane, a character that premiered in 1937’s Smart Blonde.

Schuster’s innovation was to make Lois brunette. He took inspiration from Jolan (Joanne) Kovacs, a high school student in Cleveland who advertised herself for modeling.  Schuster was apparently smitten with her—she was his model Lois, and all his other heroines resembled Lois—and they stayed in touch as she moved around the country pursuing her modeling career. They met up again in New York after World War II. He invited her to a ball—even rented a gown for her. Jerry Siegel was there, too, and she left with him. Siegel left his wife and young son to marry Kovaks.

Not only was Lois a career woman, an unusual thing when she premiered with Superman in 1938, she was also headstrong, cunning, independent and determined to become a top reporter. However, the writers of Lois’ stories were men; the first Lois Lane story written by a woman, Tasmyn O’Flynn, was published in 1982.  Though she remained a working woman, she was often depicted as a damsel in distress or a love-struck cheerleader for Superman.

Depictions of Lois changed over time as the status of women changed in American society. Sometimes she was at the forefront, as she briefly was in the women’s liberation movement during the 1970s. Other time she lagged and reflecting traditional role for women, or Superman and others shamed her unfeminine ambition. Too often she was simply a background player in Superman stories, even though she was more than able to carry a story on her own in the hands of writers who cared.

Such ups and downs will likely be Lois’ fate for a while. We can hope that she get the treatment she deserves with stories that let her shine.

If you’re interested in this book, you may also be interested in

The Book of Lies by Brad Meltzer

The Caped Crusade by Glen Weldon

Comic Book Nation by Bradford W. Wright

The DC Comics Guide to Writing Comics by Dennis O’Neil

Men of Tomorrow by Gerard Jones

Miss Mizzou by J. B. Winter

Reading Comics by Douglas Wolk

Reckless by Chrissie Hynde

The Secret History of Wonder Woman by Jill Lepore

Seduction of the Innocent by Max Allan Collins

Suggestible You by Erik Vance

The Supergirls by Mike Madrid

Superman versus the Ku Klux Klan by Rick Bowers

The Ten-Cent Plague by David Hajdu

Why Comics? by Hilary Chute

Hanley, Tim. Investigating Lois Lane: The Turbulent History of the Daily Planet’s Ace Reporter. Chicago: Chicago Review Press, 2014.

Atomic Habits by James Clear

Though we might like to imagine ourselves exercising a lot of conscious control over our lives, a lot—perhaps half—of what we do in a day is habitual. Our habits can make us or break us. Fortunately, we can change our habits.

 Of course learning new habits is not always easy, especially when it comes to breaking old habits. We’ve learned a lot about how we how our brains work in forming habits that can help. James Clear organizes this into a system in Atomic Habits.

 Before he gets started, though, Clear makes an interesting point. Our identities can be wrapped up in our habits. It can be hard to stop a behavior we identify with. It can be hard to start something new and stick with it if we think of it as out of character for ourselves. If we want to be different, we have to believe we can be different and picture ourselves that way.

 Clear lays out four laws for creating habits that are easy to adopt. The inverse of these laws can make a behavior more difficult and help us break bad habits.

 Effective habits are obvious (in your face cues about what to do), attractive, easy and they provide immediate rewards. The more of these characteristics you can bring to your new habit the better. Set up your environment and daily routines to bring the behavior you want into your awareness. Find ways to link it to other things you want. Remove obstacles and concentrate on small, doable changes.  Find a way to get something  out of performing now (consistent with you goal) to carry you until the more long-term payoffs of the behavior kick in.

 The inverse of these work to weaken bad habits. Put reminder and triggers of old behaviors out of sight. Find ways to make it distasteful and unappealing. Put barriers in the way of performing the old habit---make it harder. Creates disincentive and make it costly.

 Clear provides several examples from his own life and from others. The book is peppered with references to his web site where he provides additional examples, forms and worksheets.

 I previously wrote about this book here.

 If you’re interested in this book, you may also be interested in

The Big Thing by Phyllis Korkki

Blink by Malcolm Gladwell

Changing for Good by James O. Prochaska, John C. Norcross & Carlo C. DiClemente

The Checklist Manifesto by Atul Gawande

Get Smart! by Brian Tracy

How to Fail at Almost Anything and Still Win Big by Scott Adams

Level Up Your Life by Steve Kamb

One Small Step Can Change Your Life by Robert Maurer

Outliers by Malcolm Gladwell

The Power of Habit by Charles Duhigg

Secrets You Keep from Yourself by Dan Neuharth

Small Move, Big Change by Caroline L. Arnold

Succeed by Heidi Grant Halvorson

This Year I Will... by M. J. Ryan

 Clear, James. Atomic Habits: An Easy and Proven Way to Build Good Habits and Break Bad Habits. New York: Avery, 2018.

Faith by Jimmy Carter

President Jimmy Carter is well known for his Christian faith. Excepting a handful of famous pastors, Carter is one of the few Americans who is known as a Christian almost as much as he is known for other things; this is especially extraordinary for a former president.

Faith is the title and subject of his recent book. He addresses religious faith, but other types of faith are important to him as well.

For instance, each person need faith in himself to take action with hope to achieve positive results. We need faith in each other to live, work and trade together peaceably.

We even need some degree of faith in government. If we hope to achieve the ultimate purposes of government, justice, equality under the law and peace, we have to believe it can be done. Especially in a republic we need to believe we can achieve these goals through our institutions, laws and the people we elect to represent us.

“A country will have authority and influence because of moral factors, not its military strength; because it can be humble and not blatant and arrogant, because our peple and our country want to serve others and not dominate others. And a nation without morality will soon lose its influence around the world.”-Jimmy Carter, Faith (quoting a speech he presented in 1978)

There are also personal goals that require faith. Justice and equality may be the highest goals we can expect from government, but we want more. If we also hope for love, humility, generosity and kindness, we need another kind of faith.

For many, including Carter, this is religious faith. We find in religion reasons to believe that things like love are real and worthy of pursuing, even if we don’t always get it right.

For Christians, this faith is founded on the life, death and resurrection of Jesus Christ as the proof of God’s loving mercy and grace. It all starts with God, and we can hope to be better people through the empowerment of God and our grateful response to His love demonstrated in Jesus Christ. As Carter puts it, “It is not what we do for God that is important but what God does for us. Faith brings about good works, but doing good things does not result in faith."

For Carter, Jesus is worthy of consideration as an example of the ideal in human character. Being like Christ is being a better human being. As a Christian and Protestant, Carter believes he has a personal relationship with an ever-present Christ. The faith that underlies Carter’s career and achievements as a politician, philanthropist and peacemaker is that he does not walk alone, but he walks with a living Christ and with other believers who seek to follow Him and see His good will done in our time.

If you’re interested in this book, you may also be interested in

Defining Noah Webster by K. Alan Snyder

The Faith of JFK edited by T. S. Settel

God and Ronald Reagan by Paul Kengor

Hebrews

The Language of God by Francis S. Collins

Carter, Jimmy. Faith: A Journey for All. New York: Simon & Schuster, 2018.

The Holy Bible

It is hard to do the Bible justice in a few pages. In this review, I’ll only attempt to provide an outline. In particular I’ll discuss

-the major themes of the book,

-its major division, and

-the types of literature you’ll find in it.

THEMES

The primary theme of the Bible is the relationship between God and man. It’s a broken relationship. The authors of the various books address this in many ways. A couple of metaphors they use that I find particularly compelling are that of a marriage or a parent-child relationship. In these analogies, mankind is depicted as a cheating wife or a child who has run away to a destructive life. God is depicted as the faithful, loving husband or father who is reaching out to redeem, rescue and reconcile the one he loves.

God’s character is on display throughout the Bible. He is just and righteous, and his character is the foundation of morality. He also has great love and mercy. Fortunately, all of these traits are perfectly harmonized in God and shown to man in Jesus Christ. For those who have faith in Christ, the Holy Spirit works from within to recreate this character in them.

DIVISIONS

The major divisions of the Bible are the Old Testament and the New Testament. The Old Testament was written before the coming of Christ. It describes the fall of mankind into sin and God’s work to reconcile mankind to Himself with a focus on how this occurs in the formation (and eventual fall) of ancient Israel. The New Testament describes the coming of Christ and the establishment of the church, which is a fulfillment of the promises of God described in the Old Testament.

The major division of the Old Testament are

-history,

-writings, and

-prophets.

The historical books describe the history of man as a moral being, beginning with the fall into sin, and the God’s plan to save man worked out over time. As this plan unfolds, the history increasingly focuses on the Israelite kingdom. The writing are a set of poetic books. The prophets focus on a period of time leading to the ultimate decline of ancient Israel and predict the coming for Christ.

The New Testament can be roughly divided into

-the gospels, and

-the epistles.

The gospels describe the life of Christ and (in the related book of Acts) the establishment of the church. The epistles are message to the church that often deal with the practicalities of living the life Christ called his believers to live.

TYPES OF LITERATURE

The Bible is an assembly of many books, and there are many types of literature in each book. While the highly symbolic language of parts of the Bible get a lot of attention in some circles, most of it is written in a straightforward style. For instance, a lot of the Old Testament is historical narrative and a lot of the New Testament is letters from the apostles to the churches. Poetry is also commonly used. When reading the Bible, it’s important to know if the part your reading is a narration of events, a parable, a poem, or some other literary form.

The Holy Bible. New King James Version. Nashville, TN: Thomas Nelson, 1982.

As a Man Thinketh by James Allen

As a Man Thinketh, a short book written by James Allen, has become a staple of self-help literature. Many stripes of self-help teachers have referred to it since, from the mystical to the practical-minded.

As the title suggests, Allen teaches that a person’s life and achievements are results of his thoughts. Thoughts are the seeds. These seeds grow into actions. The fruit of actions are wealth or want, health or illness, joy or despair. It simply depends on the kinds of seeds you plant.

If you’re not intentionally planting seeds, preferably thoughts will produce salutary and beautiful results, your mind will be seeded with whatever falls there. Your life will be weedy, having mixed and low-value results.

Each chapters of the book is an essay on some aspect of Allen’s theme. They deal with character, life conditions, health, purposefulness, achievement, vision and peace. I each case, Allen suggests the life you have is the life you choose through your habits of thought.

If you’re interested in this book, you may also be interested in

Change Your Brain Change Your Body by Daniel G. Amen

The 4:8 Principle by Tommy Newberry

The Joy of Supernatural Thinking by Bill Bright

Think 4:8 by Tommy Newberry & Lyn Smith

Allen, James. As a Man Thinketh. White Plains, NY: Peter Pauper Press.

Jonah

Jonah is possibly the most known prophets of the Bible, aside from Moses, because of the oft-retold story a huge sea creature swallowing him. Like Obadiah, the message God delivered through Jonah was not for Israel, but for a foreign place. In Jonah’s case, it was Nineveh, the capital of the rising Assyrian Empire.

Assyria was a rival of Israel—eventually its empire would include the northern kingdom—so Jonah was reluctant to go when God told him to head to Nineveh. Jonah headed the opposite direction, took to see, his ship was nearly lost in a storm, he was tossed overboard and swallowed. He finally gave up and the sea creature spit him out on the shore.

Jonah was a whiner. He whined about God calling to him to a place he didn’t want to go and a people he didn’t like. When the hearts of the citizens of Nineveh were changed and God showed mercy to them, he complained that this was the reason he didn’t want to go—he knew God would show mercy to a repentant people and Jonah would have preferred that they perish.

Jonah is a lot like us: disobedient, petty, vindictive, whiney, selfish. God used him anyway, triumphantly in spite of Jonah’s bad attitude. God has mercy on the repentant sinners and rebukes the haughty prophet who is supposed to be a holy man.

I recommend reading Jonah if you haven’t gotten to it. It says a lot about the character of God and men. It is an interesting short story, too. The “whale” isn’t even the most interesting part of it.

Jonah. The Holy Bible. New King James Version. Nashville: Thomas Nelson, 1982.

The Caped Crusade by Glen Weldon

Based on his self-description in The Caped Crusade, Glen Weldon and I are close in age. Unlike Weldon, the limited selection of broadcast television channels in my rural community did not present 1960s Batman series. My childhood impressions of the Dark Knight came almost exclusively from the comics. My favorite version of Batman is the “World’s Greatest Detective” (when I came across his team-up with a very old Sherlock Holmes in Detective Comics 500, I had to have it). I’m also fond of the adventure hero who hues close to his pulp roots—basically the Shadow or Doc Savage in a bat suit (I also had to buy Batman 253, in which the awestruck superhero acknowledges the Shadow as an inspiration).

I suppose that I staked out my position on Batman because that is partly what Weldon’s book is about, the contradictions between Batman the character and Batman the idea, and the tension between stories loved by hardcore fans and stories appreciated by a wider audience who engage with Batman in diverse ways.

Weldon illustrates this tension, and the character’s shift as the pull is sometimes stronger in one direction or another, through the history of the character. He sees a cycle in Batman’s depiction. He starts as a dark loner. He becomes a father figure (most directly to Robin). He grows into the patriarch of a family (Robin, Alfred, Batgirl, and Huntress just to start a list). Then a desire to revitalize the character, get back to roots, or satisfy the core fandom returns him to the loner stage.

The hardcore fans Weldon writes of generally conceive Batman as serious. They want a Batman who is realistic and gritty. In my experience as a reader of comics, “serious,” “realistic” and “gritty” are often code words for prurience, grotesquery and gore. I’m not interested in that in comics or any other media.

These fans have a love-hate relationship with the Batman of other media (they just hate the Adam West version). The Tim Burton films revitalized public interest in Batman when the comics were in a serious sales slump. (The hardcore fans hate the Joel Schumacher movies. I’m with them on that.) In the Chris Nolan trilogy they finally got a Batman who is serious and has acceptance in the wider culture.

That culture is much wider now than ever, especially due to the Internet. Comics fandom was once very insular, and in some ways it still is. In the Internet age, many people are engaging the character and idea of Batman. Comic book fans, cosplayers, fan fiction writers, movie buffs, fashionistas, retro TV watchers, hipsters and a host of others are interacting with Batman’s stories, history, image and iconography. It is a world that some of the old hardcore fans may find discomfiting, but it may be a place where Batman can have lasting relevance.

Weldon plainly likes that prospect. In his view, the super-straight Adam West Batman and the grounded, brooding Chris Nolan Batman can coexist. They are both really Batman. People have always focused on the aspects of the character that resonated with them. They have also imposed on him interpretations that the writers and artists that created his stories never imagined. We do this with every text, but few texts have the longevity of Batman. That may be the Weldon’s other point. We can take any version of Batman as seriously as we want, or we can simply enjoy the stories. He is a fictional character after all.

If you’re interested in this book, you may also be interested in:

Amazing Fantastic Incredible by Stan Lee, Peter David & Colleen Doran

Comic Book Nation by Bradford W. Wright

The DC Comics Guide to Writing Comics by Dennis O’Neil

Fic by Anne Jamison

Kirby by Mark Evanier

Men of Tomorrow by Gerard Jones

Reading Comics by Douglas Wolk

The Secret History of Wonder Woman by Jill Lepore

Stan Lee by Jordan Raphael and Tom Spurgeon

The Ten-Cent Plague by David Hajdu

Will Eisner by Michael Schumacher

Wisdom from the Batcave by Cary A. Friedman

Weldon, Glen. The Caped Crusade: Batman and the Rise of Nerd Culture. New York: Simon & Schuster, 2016.

I Am Spock by Leonard Nimoy

Leonard Nimoy is well known for his portrayal of Spock on Star Trek television series and films. As a Vulcan, Spock is of a long-lived species, and his appearance in the 2009 reboot film and its 2013 sequel (Into Darkness) makes him a link between the new adventures and their predecessors. The actor passed away last year (2015).

I Am Spock is Nimoy’s memoir relating to his career as an actor and a director. Of course, Spock and Star Trek play an important role in that career, though Nimoy does not limit his reminiscence to the franchise.

Throughout the book, Nimoy imagines conversations with Spock. As an actor in a series where writers and directors change, he saw himself as a protector of the character (and suggested that other actors take similar attitudes to such characters). This made him passionate about a character known for being dispassionate. At the same time, he had the reasonable fear of being type casted and being unable to get other parts.

Fortunately, Nimoy was able to move on to other things after the three seasons of the original Star Trek series. On series television, he played Paris on Mission Impossible. He also had guest roles on a number of other shows. He also worked on the stage. One gets the impression for the book that Nimoy had relatively few interruptions in his career after bringing Spock to life, though not always with the steady paycheck that comes from being on a series.

Nimoy became interested in directing and tried his hand directing a few episodes of television shows. He got his chance to direct a feature film with Star Trek III: The Search for Spock. This was a success and he was offered the helm of the next film, The Voyage Home. He also had a great success as director of Three Men and a Baby.

As a Trek fan, I’m obviously interested in that part of his career. Even so, I found it almost a relief to break from that and read about Nimoy’s other projects. Though he does not present himself as religious, he seemed particularly to relish projects that provided a connection to his Jewish heritage. Even the distinctive Vulcan salute was taken by Nimoy from a temple ceremony he observed as a child.

The book was published in 1995, so it covers the period up to the sixth Star Trek film, The Undiscovered Country, and his appearance on two episodes of The Next Generation. He gave no hint of imagining that he would reprise the role of Spock 14 years later.

If you’re interested in this book, you may also be interested in

The Abolition of Man by C. S. Lewis

Fic by Anne Jamison

The Highly Sensitive Person by Elaine N. Aron

Nimoy, Leonard. I Am Spock. New York: Hachette, 1995.

General Epistles

The General Epistles are so called because most are addressed to the entire church. This is in contrast to the Pauline Letters, which are typically addressed to particular people or congregation. They are sometimes referred to as the Catholic Letters, catholic in this case referring to universal or for everyone.

These letters were written by different people at different times with somewhat different intentions. Even so, some common themes can be found in these books. Some themes that I observed are

-the importance of the Gospel taught by the apostles, and a defense against false teachers,

-that Christians should imitate the love and character of Christ,

-that helping others is a particularly important way to of practically emulating Christ, and

-encouragement for Christians, especially those who are suffering or persecuted.

The Gospel

The Gospel was central to the teaching of the apostles, as it is central to the church today. The writings of the apostles particularly emphasized the deity of Jesus Christ, His death on the cross for the atonement of our sins, and His bodily resurrection from the grave as proof of who He was and the authority of His teachings. Even in that first generation, the church was beset with people who tried to alter, twist, or reimagine God’s Word, putting aside the truth to suit themselves and their own agendas. These authors defend the Gospel against false teachers.

Character

Salvation involves an amazing transformation. It is also just the beginning of a life walking with God. God’s Word works in our minds, and the Holy Spirit works in our heart, to change us so we are increasingly more like Christ. The authors of these letters encourage believers to embrace this process and actively imitate Christ. If a person belongs to God, their character will show it, and it will show more as they mature.

Helping Others

One of the most practical ways to show what Christ is like, and to imitate him, is to help other. The authors of these letters encourage Christians to help the widowed, orphaned, hungry, imprisoned and oppressed, especially if there is a fellow Christian in need.

Encouragement

People suffered in the First Century, even as they do today. Christians in those days sometimes faced active persecution. Even where they were tolerated, their new beliefs and behaviors sometimes brought them into painful conflict with family and friends. The writers of these letters encouraged them to stick with the truth. God is with them and will help them overcome. Often it is the character of believers, especially the way they behave in suffering, that is the testimony that touches the heart of a love-one or even a stranger in a way that eventually brings them to Christ.

The General Epistles are

-James,

-First and Second Peter,

-First, Second and Third John, and

-Jude.

If you’re interested in reading these books, you may also be interested in reading

Deuteronomy

Exodus

Genesis

The Gospels

Gospel of John

Hebrews

Leviticus

The Most Effective Organization in the U.S. by Robert A. Watson & Ben Brown

Pauline Letters

Proverbs

The Secret History of Wonder Woman by Jill Lepore

Wonder Woman is one of most popular comic book characters. Because she is about to be featured in a film that will bring Batman and Superman together in epic battle, and is expected to be featured in a film of her own, the Internet is already beginning to buzz with concern over how badly she may be portrayed and hopes that the filmmakers will get her right. She has starred in some great stories, but often the stories about her have disappointed for various reasons. The difficulty of depicting a woman superhero has its roots in sorting out the roles of women in society, something we’re still working on. It is a struggle Wonder Woman was born to fight.

Jill Lepore explores the birth of this female superhero in The Secret History of Wonder Woman. In one of her various comics origins, the demigoddess was formed from the mud of Paradise Island, but Lepore describes how she was formed in the suffrage and feminist movements of the late 19^th and early 20^th centuries, and an unusual family with strong ties to these movements.

Wonder Woman first appeared in print in 1941. When she became the title character of her own comic, her creator came from behind his pseudonym, with some fanfare, and revealed himself as psychologist William Moulton Marston.

Marston’s lifestyle is known now, but it was a closely held secret during his lifetime. For all practical purposes, if not legally, he had two wives. Surprisingly, both women were feminists. They both loved Marston and found in this arrangement a way to live the lives they wanted. They had a pragmatic, flexible feminism that was accepting of the unconventional. I can hardly do it justice in a few words, but Lepore explores the early days of feminism that shaped the arrangement Marston had with these two women.

Marston met Elizabeth Holloway while they were undergraduates, he at Harvard and she at Mount Holyoke. They were both advocates of women’s suffrage. They married in 1915. Marston received a doctorate and Holloway a master’s degree. Holloway claimed to be deeply involved in Marston’s early research. The Marston household became full of writers and editors, and overtime attribution became a matter of convenience or marketing rather than identification of individual authorship.

Olive Byrne met Marston as an undergraduate at Tufts, where she became his research assistant. She quickly became more and moved into the Marston household. Eventually they worked out the arrangement that Holloway would work full-time (over time she had several jobs as an editor) while Byrne raised the children (each had two children with Marston). Byrne eventually felt the need to contribute the finances and in the 1930s wrote for Family Circle as Oliver Richards (Richards from the marriage and widowhood she faked to obscure the parentage of her children). Byrne, like the Marstons she joined, had ties to the feminist and birth control movements. She was the daughter of Ethel Byrne  and her aunt was the more famous Margaret Sanger.

Holloway, Byrne, and even Sanger, were to varying degrees the models for Wonder Woman. She was to be feminist propaganda, and under Marston’s pen she was. One would guess that this would have attracted criticism, but it was not the feminism of Wonder Woman that most stirred up critics.

Bondage was depicted on almost every page of Marston’s comics. In addition, Wonder Woman’s costume was skimpy. Lepore links the bondage in these comics to the use of bondage as a symbol used by suffragists and feminists. Sometimes Marston drew very consciously on images associated with these movements. In addition, the bondage represented notions of domination and submission rooted in Marston’s theories of personality and the relationship between the sexes. Bonds, and the breaking of them, represented the misappropriation of power by men and the power of women to free themselves and take their place as leaders in society. Similarly, Wonder Woman’s bare limbs were emblematic of her athleticism, strength, power and essential equality to make heroes. It’s hard to say that the depiction of Wonder Woman is completely free of sexual undertone, Marston wanted her to be beautiful. Lepore shows the clear link between the symbolism of Wonder Woman and the symbolism  of suffrage and feminism that Marston consciously referenced.

When Marston passed away in 1947, Wonder Woman fell into the hands of writers and editors who did not share his vision. She hasn’t been the same since. After World War II, the feminism she represented was not welcome in the broader culture or by the men who wrote her comics. Even after the second wave of feminism adopted her as an emblem in the 1970s, she’s not been quite at home. Perhaps we’ll have trouble getting Wonder Woman right as long as we have conflict about the roles of women in our culture.

If you’re interested in either comics or feminism, I recommend Lepore’s book. It is thoroughly researched and thoroughly readable.

If you’re interested in this book, you may also be interested in

Comic Book Nation by Bradford W. Wright

Kirby by Mark Evanier

Men of Tomorrow by Gerard Jones

Miss Mizzou by J. B. Winter

Reading Comics by Douglas Wolk

Stan Lee by Jordan Raphael and Tom Spurgeon

Superman versus the Ku Klux Klan by Rick Bowers

The Ten-Cent Plague by David Hajdu

Will Eisner by Michael Schumacher

Lepore, Jill. The Secret History of Wonder Woman. New York: Alfred A. Knopf, 2014.