Tuesday, March 24, 2020
Mr. America by Mark Adams
Sunday, April 18, 2021
Comic Art in America by Stephen Becker
Cartoons did not originate in the United States, but Americans were innovative in the art, and its artists invented the newspaper comic strip and comic book. Stephen Becker wrote a survey of American comics of all types from their origins until his book was published in 1959: Comic Art in America.
Becker covers
every type of cartoon in the book. Comic strips get a lot of attention because
that is where a lot of the development occurred and gave rise to something
distinctly American. Though comic strips are a thread throughout, Becker
devotes chapters to editorial cartoons, single-panel humor and even animation.
Many of the
comics Becker discusses are still published today, such as Beatle Bailey and Blondie.
Others are well-known because of their former popularity or lasting influence: Krazy Kat, Terry
and the Pirates, Flash Gordon. Others are largely
forgotten, even if they were pioneers of their time that shaped the work of
others or the popular taste. Fans of particular types of cartooning may notice
omissions that seem glaring, at least in hindsight; the chapter on comic books
makes no mention of Will Eisner, though perhaps his fame stems more
form later work.
Of course,
the intent was not to be exhaustive. It’s a single volume, not an encyclopedia. As a survey for a general audience,
it works very well. At the time, it probably reminded readers of old favorites
that had fallen out of print. It might introduce modern readers to those old
masters for the first time. Necessarily it does not address some of the great
work that came out after it was published; I suspect Becker would have been
delighted by Bill Watterson’s Calvin
and Hobbes, as many of us are.
Becker was
primarily a fiction writer. Comic Art in America is very informative, but it is not primarily
an academic book. Neither does Becker come off as entirely fan-ish, though he
certainly has the tone of someone who enjoys comics and finds them interesting,
especially humor and editorial comics from newspapers and magazines. He mixes commentary with history and spices things up gossipy tidbits.
The book was
published in a larger format to accommodate reproduction of comics that
originally appeared in an even larger broadsheet newspaper. Though it has the
look of a coffee table book, it is not dominated by images. The images are an
accompaniment to the text. Even so, one can enjoy it for the comics reproduced
in it, though many are of their time and may not make much sense without the
context provided by Becker.
If you’re interested in this book, you
may also be interested in
Becker,
Stephen. Comic Art in America: A Social
History of the Funnies, the Political Cartoons, Magazine Humor, Sporting
Cartoons and Animated Cartoons. New York: Simon and Schuster, 1959.
Saturday, April 7, 2018
The Society for Useful Knowledge by Jonathan Lyons
Thursday, June 4, 2020
Metering for America by Alfred Leif
Metering
for America is
something you’re unlikely to see published today. It is a company history in
the form of a hardback book.
I’m not especially interested in The American Meter Company. I’m a professional interested in the natural gas industry.
Author Alfred Lief gives attention to the wider gas industry throughout the book, from the early gas light companies that used gas manufactured from coal (or sometimes other things), the competition with electric lighting, expansion into gas for cooking and heating and finally the expansion of a national natural gas infrastructure.
Of course, there is plenty to be said about American Meter along the way. The second half of the book is arguably more about the company than about the gas industry in general.
Even so, I found the book fairly interesting, especially the discussions related to the development of gas up to World War I. It’s probably not of interest to a broad audience or widely available. I found my copy at a used book store in Omaha, Nebraska.
If you’re interested in this book, you may also be interested in
The Age of Edison by Ernest Freeburg
Contents Under Pressure by Sylvia
F. Munson
Empires of Light by Jill Jonnes
How We Got to Now by Steven Johnson
The Power Makers by Maury Klein
Leif, Alfred. Metering for America: 125 Years of the Gas Industry and American Meter Company. New York: Appleton-Century-Crofts, 1961.
Saturday, November 15, 2014
Better for All the World by Harry Bruinius
Saturday, July 29, 2017
Move by Rosabeth Moss Canter
Thursday, March 5, 2009
46 Pages by Scott Liell
In 1775, British citizens in the American colonies were seeking reform in the government of their king. By the summer of 1776, Americans were seeking independence from the oppressive rule of Britain. This change in public perspective made loosed the American Revolution. The thing that tipped the scales was a 46-page book.
That book was Common Sense by Thomas Paine. In 46 Pages, Scott Liell describes America contemplating its colonial condition and how a British lover of freedom and his essay tipped the scales toward independence.
Before Common Sense, Americans were seeking reform. They wanted more liberty within the British system. They were seeking to preserve their rights as British citizens. They weren’t sure they could enjoy those rights without the British government to protect them.
Loyalty to George III was widespread, also. Parliament might be awful bunch of oppressors, but the king was a benevolent father who would surely help his children if he understood their plight.
Paine attacked these notions. The king was just as responsible as Parliament for the oppression of the colonies. Parliament would not persist in a policy that was not also the king’s. In addition, a constitution and government that preserved a monarchy, with real powers and privileges, could not be trusted to preserve the rights of commoners.
Common Sense was widely read in America, and newspapers and pamphlets were full of response, both approbations and counterarguments, and speculation about the author (Paine did not include his name on the work). It was read and discussed by the founding fathers and influenced the thinking of many who were not already inclined toward independence. Benjamin Franklin encouraged Paine to come to America and write about the conflict between the colonies and their mother country, though he probably didn’t imagine Paine would create such a book.
46 Pages is an enjoyable, readable, short book. It provides a glimpse into the American revolution and demonstrates the power of ideas.
If your intersted in this book, you may also be interested in: Common Sense by Thomas Paine His Excellency by Joseph J. Ellis The Politically Incorrect Guide to Western Civilization by Anthony Esolen
Monday, November 14, 2016
Lights Out by Ted Koppel
Thursday, April 29, 2021
The Phantom Unmasked by Kevin Patrick
The Phantom is a long-running newspaper comic strip that first appeared in the New York Journal in 1936. He was a pulp-adventure hero who protected his jungle home while fighting piracy and crime around the world. His unique twist, at least visually, was his outfit of tights and trunks, with a domino mask to obscure his features. More than a year before the appearance of Superman, the Phantom was dressing like a superhero.
In parts of the world, people consider the Phantom to be the very first superhero. Though he persists in American newspaper pages, he has not been very popular in the U.S. in comparison to similar characters. In other part so of the world, notably Australia, Sweden and India, he is possibly the most well-known and followed comics characters. How did a middling American adventure comic become so popular overseas? Comics scholar Kevin Patrick wrote a dissertation about it, and has since turned than dissertation into his book, The Phantom Unmasked.
It started with the general popularity of newspaper comic strips in the United States. As the American market became saturated, the features syndicates that distributed comics sought to expand by marketing to foreign publishers. While they faced objections in some markets, they had the advantage of being cheap and plentiful. In addition, the American syndicates worked with local syndicates or publishers to adapt their comics to local tastes and customs. This included The Phantom.
Lee Falk, writer of the strip, conceived of a character who was likely to be popular by taking ideas from popular jungle stories and hero pulps. He noted that he took inspiration form Edgar Rice Burroughs’ Tarzan of the Apes (serialize in All-Story magazine) and Rudyard Kipling’s The Jungle Book. The name of the Phantom is suggested by The Shadow, one of the most popular pulp magazines. The Phantom marked his enemies with the stamp of his skull ring, similar to the signet of The Spider, who more often left his mark on a corpse than a living foe. The skull-mark itself may have been inspired by the death’s head ring of Operator 5; though that ring was loaded with an explosive charge.
Patrick traces the spread of The Phantom from the United States to overseas markets, especially Sweden, which would become a center of oversees Phantom media production, India and his homeland of Australia. While he considers the features of the strip that make it popular in these countries, he also explores the marketing and publishing practices of the features syndicates in America and abroad to show how The Phantom was a financial as well as a popular success. The Phantom Unmasked is as much a business history as it is a comics history, though the two have always fit closely together.
If you’re interested in this book, you may also be interested in
Comic
Book Nation by Bradford W.
Wright
Men
of Tomorrow by Gerard Jones
The
Secret History of Wonder Woman by Jill Lepore
Superman
versus the Ku Klux Klan by
Rick Bowers
The
Peerless Peer by Philip Jose
Farmer
Patrick, Kevin. The Phantom Umasked: America’s First Superhero. Iowa City: University of Iowa Press, 2017.