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Showing posts sorted by relevance for query actor. Sort by date Show all posts

Sunday, July 10, 2016

I Am Spock by Leonard Nimoy

Leonard Nimoy is well known for his portrayal of Spock on Star Trek television series and films. As a Vulcan, Spock is of a long-lived species, and his appearance in the 2009 reboot film and its 2013 sequel (Into Darkness) makes him a link between the new adventures and their predecessors. The actor passed away last year (2015).

I Am Spock is Nimoy’s memoir relating to his career as an actor and a director. Of course, Spock and Star Trek play an important role in that career, though Nimoy does not limit his reminiscence to the franchise.

Throughout the book, Nimoy imagines conversations with Spock. As an actor in a series where writers and directors change, he saw himself as a protector of the character (and suggested that other actors take similar attitudes to such characters). This made him passionate about a character known for being dispassionate. At the same time, he had the reasonable fear of being type casted and being unable to get other parts.

Fortunately, Nimoy was able to move on to other things after the three seasons of the original Star Trek series. On series television, he played Paris on Mission Impossible. He also had guest roles on a number of other shows. He also worked on the stage. One gets the impression for the book that Nimoy had relatively few interruptions in his career after bringing Spock to life, though not always with the steady paycheck that comes from being on a series.

Nimoy became interested in directing and tried his hand directing a few episodes of television shows. He got his chance to direct a feature film with Star Trek III: The Search for Spock. This was a success and he was offered the helm of the next film, The Voyage Home. He also had a great success as director of Three Men and a Baby.

As a Trek fan, I’m obviously interested in that part of his career. Even so, I found it almost a relief to break from that and read about Nimoy’s other projects. Though he does not present himself as religious, he seemed particularly to relish projects that provided a connection to his Jewish heritage. Even the distinctive Vulcan salute was taken by Nimoy from a temple ceremony he observed as a child.

The book was published in 1995, so it covers the period up to the sixth Star Trek film, The Undiscovered Country, and his appearance on two episodes of The Next Generation. He gave no hint of imagining that he would reprise the role of Spock 14 years later.

If you’re interested in this book, you may also be interested in


Nimoy, Leonard. I Am Spock. New York: Hachette, 1995.

Thursday, April 19, 2012

The Astounding, the Amazing, and the Unknown by Paul Malmont (234) & The Revenge of Kali-Ra by K. K. Beck (235)

Malmont, PaulThe Astounding, the Amazing, and the Unknown. New York: Simon & Schuster, 2011.

Beck, K. K.  The Revenge of Kali-Ra.

Paul Malmont clearly loves pulps. The Chinatown Cloud Peril is one of the most fun books I’ve ever read.  He revisits this territory in The Astounding, the Amazing and the Unknown.

Astounding places fictional versions of science fiction authors in a scientific mystery adventure some of them might have been glad to write.  Some of the characters are pulp authors who appeared in Peril (Robert Heinlein, L. Ron Hubbard, Walter Gibson, and Lester Dent, a fellow Missourian).  Others are authors of the era when the old pulps gave way to comics and sci-fi magazines (Isaac Asimov, L. Sprague de Camp, and editor John Campbell).

A group of science fiction writers, most of them scientist and engineers as well, are working for the Navy to turn crazy ideas into reality in a proto-DARPA.  They’re not producing a lot of results and their leader, former Naval officer Heinlein, is feeling the pressure.  They stumble upon the suggestion that inventor Nikola Tesla accidentally created a superweapon at Wardenclyffe, which is why the tower he built there came down.  Their search for answers leads them on a twisting trail from the underground rivers of New York to the heights of the General Electric hierarchy.  Red herrings about and these clever authors don’t catch on to the biggest one in the book.

The character development is interesting, too.  Heinlein is feeling left out of opportunities to make a real difference, but eventually gets an inkling that his stories can make a difference.  The seeds of Scientology are planted in Hubbard.  I think the strongest character development occurs in the fictional Asimov.  He goes through something like a conventional coming-of-age story.  He starts as a frightened youth, faces his fears and becomes a man.  In addition, is a loner struggling in his marriage who finds a way to bring his wife into partnership with him, having a passion for her that matched the passion he had for his work.  That is good stuff; it adds depth to a story that is mostly and-then-and-then suspense.

For the geeks (that includes me), there are appearances by fictional versions of many other people.  Authors include Nowell Page of The Spider, Hugh Cave, aka Justin Case, and Kurt Vonnegut as an Easter egg.  Actor Jimmy Stewart lends his skill as a pilot.  Mystic and rocket scientist Jack Parsons could spin off a weird tale of his own.  Even Manhattan Project physicists Robert Oppenheimer, Julian Schwinger, and Richard Feynman make an appearance.


While I’m writing about an homage to pulps, I’d like to mention The Revenge of Kali-Ra by K. K. Beck.  I wrote a review of it that got lost in a hard drive crash (even so, I named it one of the best books I read in 2010).  The story focuses on fictional pulp stories featuring the villainous vixen of the title, which may no longer be public domain and may be valuable because of a proposed movie base on them.  The scent of money is in the air, bad characters pick up the scent, decent people are caught up in the events, and mayhem ensues.  Kali-Ra isn’t as good as Astounding, but it’s a fun read.  Beck includes clips from ersatz Kali-Ra tales that are full of the type of florid language one might expect, even hope for, in pulp.


Paul Malmont also wrote The Chinatown Death Cloud Peril.

If you’re interested in this book, you may also be interested in
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Saturday, December 10, 2016

The Magic Power of Self-Image Psychology

Surgeon Maxwell Maltz proposed that we are powerfully motivated to—actually must—produce in reality our self-image. If one wants to improve his life, he must improve his self-image. Maltz elaborates this theory, along with advice on improving self-image, in The Magic Power of Self-Image Psychology.

In an early chapter, Maltz introduces a though experiment. He encourages you to imagine yourself in a theater. You’ll find that you are also the primary actor in the show. In addition you are the writer and director. This is your self-image and you are in control—if you want to be.

Maltz returns to this concept of watching a film or play throughout the book. You can recall previous successes and bring that sense of confidence and accomplishment into the present moment to help you act with boldness. You can imagine yourself taking on challenges and overcoming them before it happens. You can use your imagination to anticipate problems. People often do this to stir up their fear and talk themselves into withdrawing, but you can also do it to invent solutions and find answers to objections so that you can proceed with reasonable confidence.

After introducing the idea of self-image, Maltz uses the remaining chapters to discuss building a healthy self-image to help you be happier and more successful in various situations or aspects of life. This covers a lot of ground, which is not easily summarized. Some of the advice seemed useful and interesting to me.

For instance, he discusses goals. Goals should be your own (not someone else’s). They should be realistic. Visualize your success (in that theater in your mind).

It’s important to be yourself. Don’t be afraid of being different. Don’t be afraid of seemingly perfect people. Accept yourself as a human being with strength and weaknesses; don’t beat yourself up. Express yourself in positive ways.

It’s natural to experience fear. Be open about it; fears seem less bad when they are brought out into the light. Solve problems as well as you can—imperfect solutions can still make things better. Once you’ve done what you can, think about something else.

Throughout the book, Maltz reiterates the basic theme. Your unconscious mind is working to produce what you want. Give it good and clear instructions by having a good, positive, realistic self-image. Your imagination, Maltz refers to it as your “success mechanism,” will guide you.

Maxwell Maltz also wrote Creative Living for Today.

If you’re interested in this book, you may also be interested in


Maltz, Maxwell. The Magic Power of Self-Image Psychology. 1964. New York: Pocket Books, 1970.

Saturday, July 20, 2013

Rapt by Winifred Gallagher

Our brains can’t process all the stimuli to which we are exposed.  It selects to be more strongly aware of some stimuli that seem important and to suppresses awareness of others. It is like a spotlight that illuminates every detail of an actor and the scenery immediately next to him, but leaves the rest of the stage in twilight or even completed darkness. This process is attention.

Our experience of life is what we pay attention to. This is the thesis of Winifred Gallagher’s book Rapt. We may not always be happy, be can nearly always be focused and choose to pay attention to what brings us peace, joy, and a sense of meaning in the moment.

We have two types of attention. Gallagher calls the first “bottom up” attention. This is the our instinctive attention to things in our environment that are novel, potentially dangerous, or a potential opportunity.

Top down attention is intentional focus on what we choose. Our intentional focus can be very powerful, drilling into our target while leaving us unaware of things that might otherwise seem obvious. Gallagher recounts a humorous experiment in which subjects were asked to watch for a certain activity on a video. The subjects completely missed a man in a gorilla suit dancing around in the video because their top down attention was so intensely trained on the task they were instructed to pursue.

In the same manner that attention raises or lowers awareness of physical stimuli, it adjusts awareness of our own thoughts and feelings. Bottom up attention tends to focus on the most and least pleasant feelings, our highs and lows. Our top down attention can focus on any thought of feeling we want.

In turn, our thoughts and feelings affect our attention. When we are negative, our focus narrows to take in just a little. Feeling bad make our problem seem like the only thing in the world. Positive thoughts and feeling expands our attention, allowing us to take in more information. It switches us to mental broadband that allows us to be aware of more of our world both inside and out.

Attention is important to every aspect of life. Relationships are inherently paying attention to others. Intimacy in relationships is built on building common, positive experiences from paying attention to the same thing and to each other. Success requires intense, long-term attention to our goals. Fulfillment arises from taking on just-manageable challenges that hold our attention. Creativity involves a calm mindfulness that does not so much capture an idea as allow it to unfold in our awareness. Motivation comes from sorting out the competing voices in our mind and listening to the ones that advocate for our goals.

Our attentional style is shaped both by our genes and our culture. A significant part of what and how we pay attention is learned. Because of this, we can learn new ways of attending and direct our focus in new directions. If we learn to pay attention to positive emotions and opportunities for positive action, we can change our experience of life to have more peace, joy, and fulfillment.


If you’re interested in this book, you may also be interested in

Gallagher, Winifred. Rapt: Attention and the Focused Life. New York: Penguin, 2009.

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