The Instinct to Heal by David Servan-Schreiber

Depression and anxiety seem to be the new defining diseases of our age, especially in the West. These disorders, and even severe stress, can affect our health as much as smoking or obesity.

 French psychiatrist David Servan-Schreiber notes that drugs and talk therapy are not especially effective, though the side-effects can be serious. The operating theory behind antidepressant drugs may simply be wrong.

 Dr. Servan-Schreiber suggests we look elsewhere for solutions to depression. The roots of depression are in the emotional brain, rather than the thinking brain, the body and the interaction between them.

 Our brain is layered, an as you go deeper inward, you get to older structures similar to other life forms: first those similar to other primates, then to mammals and finally to reptiles. The wordy, analytical, thinking part of the brain is the newest outer layer, the neocortex. Anxiety and depression are more strongly linked to the inner parts of the brain, which is emotional, image-oriented and much more closely linked to the operations of the body.

 One aspect of the brain-body connection is the heart. The heart has a bundle of nerves associated with it that are practically a simple brain itself, and this heart-brain has a direct connection to the emotional brain in the head. Our emotional and physical states are closely tied this way. Servan-Schreiber discusses techniques related to heart coherence, the variation of heart rate in a regular patter, that can be calming to the heart and brain and put is in a relaxed, restorative mode. His book includes instructions on a type of meditation for increasing heart coherence.

 He also talks about a technique that uses eye movements similar to those that occur while we dream to help the emotional brain process trauma, called eye movement desensitization and reprocessing (EMDR). This therapy will require a trip to a psychiatrist or psychologist, but for the right patients it can provide quick results.

 There is the suggestion that some cases of depression can be a symptom of disease or other issues in the body, especially inflammation. One of the things one can do deal with this type of depression is to get more Omega-3 fatty acids. These can help improve the function of the brain by improving the coating on brain cells. Depression seems to be more prevalent in countries where the typical diet is lower in Omega-3. Exercise can also improve depression and anxiety, especially when it is done regularly; three times a week for 20 minutes is enough to see a benefit.

 In addition, relationships and community are important to mental health and a sense of wellbeing. The quality of ones relationships can have a great impact on physical and mental health. Over the last few decades, people have come to have fewer and shallower relationships and less connections to community and purpose. Servan-Schreiber’s advice on this particularly focuses on ways to communicate that resolve conflicts and build empathy.

 Depression and anxiety are complex. Servan-Schreiber provides a suite of options for treating it. One of these may be helpful along, and some may need to use various ones in combination. In any case, there are things you can do, especially with the aid of a physician or psychologist, to make things better.

 If you’re interested in this book, you may also be interested in

Anxious for Nothing by Max Lucado

The Beethoven Factor by Paul Pearsall

Change Your Brain Change Your Body by Daniel G. Amen

The Last Self-Help Book You'll Ever Need by Paul Pearsall

The Mindful Way through Depression by Mark Williams, John Teasdale, Zindal Segal & Joh Kabat-Zinn

Overwhelmed by Brigid Schulte

The Relaxation Response by Herbert Benson with Miriam Z. Klipper

Rewire Your Anxious Brain by Catherine M. Pittman & Elizabeth M. Karle

The Solution by Lucinda Bassett

Switch on Your Brain by Caroline Leaf

Timeless Healing by Herbert Benson with Marg Stark

 Servan-Schreiber, David. The Instinct to Heal: Curing Depression, Anxiety, and Stress Without Drugs and Without Talk Therapy. New York: Rodale, 2003.

Loving in Flow by Susan K. Perry

The concept of flow has become popular over the last couple of decades. According to social psychologist Susan K. Perry, couples can experience flow in their relationships. She describes how in Loving in Flow.

Couples who experience flow are engaged, often in everyday things. The take pleasure in their relationship and want to keep it going. The lose self-consciousness and develop a sense of “us.”

Flow is not a state you can stay in all of the time. You can learn to fall into flow more easily and stay in it longer. Ordinary couples with ordinary problems can experience more flow.

Perry covers a log of ground in this book. She gives advice dealing with conflict, better communication, a happier sex life, protecting your relationship from an affair and other potential areas of problems or improvements.

Along the way she shares stories of her own marriage and of couples she interviewed. She and her husband overcame things that have broken other marriages and moved on to something much better. You might find something to connect to, even hope, in the experiences of these couples.

Because she covers a lot of ground, I sometime lost the thread of flow. Attention seems to be an important aspect of flow working in a relationship. By focusing on you connection to you partner and the value of your relationship, you can keep other things in perspective. You can see what is going on around you and inside of you that may be a trigger for arguments. You attention to and care for your partner’s feelings will make you more empathetic. Focus on your partner can intensify connection during moments of intimacy, such as when you’re having sex. You magnify what you attend to, so give attention to what is best in your partner and the life you share to enjoy it and to fall in love again and again.

Perry provides a lot of practical advice. Readers will likely find several things they can do. The may also find encouragement in the tales of couples that overcame obstacles and gained a source of great satisfaction.

If you’re interested in this book, you may also be interested in

The Five Love Languages by Gary Chapman

Love and Respect by Emerson Eggerichs

Perry, Susan K. Loving in Flow: How the Happiest Couples Get and Stay that Way. Naperville, IL: Sourcebooks Casablanca, 2003.

The Beethoven Factor by Paul Pearsall

Sometimes it seems like we’re all sick and crazy. This may stem from a focus on trying to find and fix what is wrong with us. Psychologist Paul Pearsall referred to this as a pathogenic focus. In his book The Beethoven Factor, he discusses the field of positive psychology, which focuses on what is right with people and what we can learn from those who are well adjusted, happy and healthy. In particular, Pearsall focuses on thriving.

Thriving is growth in the aftermath, and even in the midst of, stressful situations. The people he discusses and learns from in his book, some patients of his and many his fellow patients in a cancer ward, often suffered greatly from disease, war, poverty and other hardships. These people had there ups and downs, but they managed an emotional upward trend.

The heart of thriving is a flexible explanatory style. We’re all telling ourselves stories that interpret and evaluate our lives. People who thrive are adaptive and creative in the stories they tell themselves, which allows them to savor and find meaning in their lives even while suffering.

Thriving can be paradoxical, especially from a pathogenic outlook: someone is becoming stronger in a situation that is expected to make them weaker. Those who thrive can defy the expectations the traditional view of healthy thinking. They work on themselves, which can sometimes make them seem aloof or insensitive. They can be in denial, but they use it to give themselves a temporary escape for pain and time to think. They can be hard to like because of their intensity; when someone is getting the most out of life, they may have little patience for interruptions, naysayers and whiners. They are reflective, which can make them seem withdrawn. They can be depressed, down on themselves and loose hope as they make their journey. Thriving is a process of learning, so it can take a long time, though sometimes someone will catch on quickly.

Pearsall offers a lot of advice on how to thrive, especially in the second half of the book (the first half focuses on introducing positive psychology and defining thriving). This section focuses on four aspects of thriving: hardiness, happiness, healing and hope.

Hardiness comes from our beliefs. Hardy people have beliefs that help them commit to engaging in living, finding a sense of control—which includes knowing when to let go of control—and seeing the difficulties they face and challenges they can cope with if not overcome.

Happiness is rooted in flow. It is focus and engagement in life. Happy people push aside distractions, expectations and striving for things that don’t really bring them joy.

Healing is fundamentally learning. We all suffer to some extent in our lives, and these periods of sickness or other hardship are telling us to slow down and pay attention. Healing people learn to make sense of what happens (in their own ways),  cope with it, and find meaning in their experiences.

Hoping is what Pearsall calls “cautious optimism.” People who hope find a way to hold onto their dreams, or come up with new dreams, without expecting on depending on them. They imagine that the world, imperfect as it is, may be the best possible world, so they get on with seeking all they can enjoy in it.

Pearsall offers his readers a big dose of practical grace. If you’re really finding your own way to cope with adversity in a way the truly engages life as fully as you can, you’re on the path to thriving and it is okay that you may not be the upbeat, outgoing, positive, realistic person that your psychologists, physicians, self-help books and friends think you should be. Living is learning, especially in times of sickness and difficulty; learning is challenging, slow work that requires focus and imagination. If you’re learning, you will struggle and be worn out sometimes. You’ll also be engaged in life in a way that puts you in an uneven, but upward trend, instead of spiraling downward in despair.

Paul Pearsall also wrote

The Last Self-Help Book You'll Ever Need

Toxic Success

If you’re interested in this book, you may also be interested in

The Relaxation Response by Herbert Benson with Miriam Z. Klipper

The Road Less Traveled by M. Scott Peck

Solve for Happy by Mo Gawdat

Pearsall, Paul. The Beethoven Factor: The New Positive Psychology of Hardiness, Happiness, Healing, and Hope.  Charlottesville, VA: Hampton Roads, 2003.

Empires of Light by Jill Jonnes

In the last decades of the 19^th Century, inventors and industrialists battled for dominance in the emerging market of electric energy. One of the major fronts of this conflict was the choice of DC (direct current) or AC (alternating current). Jill Jonnes explains the history of this pioneering age of electricity in Empires of Light.

Thomas Edison was a major player in the early days of electrification. He is known for developing a commercially viable incandescent light. The innovation that made his light commercially successful was that he developed an entire system for generating a distributing electric energy to make those lights work.

Edison designed a DC system, and he was a major proponent of DC. A weakness of his system was distance. He could only supply power over a distance of about a mile. If large areas were to be lit, a power station would be needed every mile. This made it hard for Edison to market the system for community lighting, though he successfully sold many systems to manufacturers, commercial establishments and very wealthy homeowners. In spite of the limitations, he built a system to light a portion of Manhattan; his Pearl Street station began powering lights in 1882.

Though it was not obvious at first, it soon became clear that high voltage AC could be transmitted over very great distances. The invention of transformers in Europe provided a way for voltage to be stepped up for transmission and stepped back down to levels appropriate for lighting.

George Westinghouse adopted the AC system. The advantages of AC soon make Westinghouse Electric Company a major competitor with Edison. Even Edison’s own salesman began to ask for an AC system to sell, though he was reluctant to have any involvement with AC.

Edison believed that AC and the high voltage used for its transmission were dangerous. He also had business and personal reasons to oppose the introduction of rival systems. He attacked the use of AC. He even went so far as to aid an AC opponent who successfully lobbied to make electrocution by AC power the official means of executing condemned prisoners in the state of New York.

Westinghouse pressed on and won high profile contracts that proved the safety and efficiency of his AC equipment. Notably, he had the major lighting contract for the White City of Chicago’s World Columbian Exposition of 1893. He also won the contract to build generators for the hydropower plant at Niagara Falls. The promise of inexpensive power drew major manufacturers to the area before the plant starting operating in 1895. This surprised the investors, who had though the city of Buffalo would be the target market.

Though transformers made AC a very viable system, it had other technological hurdles, such as difficulty powering motors. Serbian-born inventor Nikola Tesla solved this problem with his induction motor. Like Edison, Tesla invented an entire system for supplying electrical power to his motors, which could also easily accommodate incandescent and arc lighting. The Niagara Falls system was based on Tesla’s patented technology.

Tesla went on to invent and explore the potential of other electrical devices, notably fluorescent lights and radios. Unfortunately, he was never able to create commercial products from these later works. He fell on hard times and was quite poor for many of the last years of his life. He died in 1943.

After the formation of General Electric, which largely pushed him out of the management of the company, Thomas Edison moved on to other things. His later ventures were of mixed success, but his work on the phonograph and improvements to motion picture helped to launch the American entertainment industry. Edison passed away in 1931, semi-retired in Florida.

Westinghouse continued to grow his electrical empire. After the Panic of 1907, in which a banking crisis shook the economy, investors forced him out of the management of Westinghouse Electric. He had four other companies to run. He didn’t care for the way Wall Street did business so he got involved in Progressive politics. He died in 1914.

Jonnes includes a chapter that is a very good, brief introduction to the history of electrical science. She describes the discoveries of William Gilbert, Stephen Gray, Andreas Cuneus, Benjamin Franklin, Alessandro Volta, Sir Humphrey Davy, Hans Christian Oersted, André Marie Ampère, Zénobe-Théophie Gramme and Michael Faraday.

If you’re interested in this book, you may also be interested in

The Age of Edison by Ernest Freeburg

The Astounding, the Amazing, and the Unknown by Paul Malmont

The Fifth Heart by Dan Simmons

The Great Bridge by David McCollough

Jonnes, Jill. Empires of Light: Edison, Tesla, Westinghouse, and the Race to Electrify the World. New York: Random House, 2003.

The Picture of Dorian Gray by Oscar Wilde

Oscar Wilde’s novel The Picture of Dorian Gray is a classic of English literature. I’m writing a review of it because I want some horror to feature on Halloween.

Dorian Gray is, in my mind, a weird tale. Wilde produces a sense of creepiness that begins even in the seemingly light and hopeful first chapter. The title portrait is a supernatural object that horrifies and fascinates Gray. He is preserved in youth and beauty, and possibly even saved from the consequences of evil deeds, but the portrait become a mirror to his dark and sinful soul, something that eventually becomes too horrible for him to endure.

In addition to being a weird tale, it is a moral tale. Gray has beauty, wealth, and status, but he gives himself over to any kind of wickedness if their might be pleasure in it. At first, it is the infatuation of a hollow love for the actress Sibyl Vane. When she disappoints him on the stage by failing to present an ideal picture of love because acting it seems shallow compared to her real passion, he rejects her. Her suicide nearly turns him off the path he is pursuing, but when the thrill of the moment passed, he nearly forgot her. The sins of youth and ignorance turn more willful as he falls into using drugs and prostitutes. Eventually he murders a man. The book hints at other wrongdoing, possibly homosexuality, affairs with married women, seduction for the sake of its own pleasure, gossip, excessive drink, greed, blasphemy and leading  others into all these things.

The book could be a social commentary on the upper class of his time. With all the advantages they had, they were still corrupt. A fortunate life is not a sign of a good person. As with Job, poverty and hardship are not indications of an evil life.

Some think Wilde is exploring own life in the book. One can read hints of homosexuality in Basil Hallward’s feelings toward Gray (Basil paints the portrait), and in Gray’s feelings toward Lord Henry Wotton. Possibly Wilde was critiquing his own aestheticism, finding that it did not necessarily lead to a higher morality, but could as easily lead one to an immoral, selfish, and consuming pleasure-seeking.

In the book, Wilde never comes out and says what his intentions are, if he has any at all in terms of exploring himself, his society, or notions of beauty, art and morality. It seems clear, though, the Wilde suggests a person cannot be separated from his deeds and his consequences as Gray is with the aid of his magical painting. A man, his deeds, and their consequences may not be the same thing, but they are linked in a powerful way. When Gray tries to destroy the painting that bears the ugliness of his soul, he plunges the knife into his own heart.

Though some have accused Wilde of writing an immoral book, one could as easily argue that he wrote a very moral book. Gray is sympathetic to a degree, but he is an evildoer destroyed by the evil he did. The reader can contemplate issues of art, beauty, and morality for himself. Along the way, he can enjoy a creepy thrill.

If you’re interested in this book, you may also be interested in

The Amazing Adventures of Kavalier & Clay by Michael Chabon

Wilde, Oscar. The Picture of Dorian Gray.  1890. New York: Barnes & Noble, 2003.

On the Mainlines by William B. Claycomb & Katy Depot Historic Site edited by Deborah Biermann

Claycomb, William B. On the Mainlines: Railroading in Sedalia, Missouri. Sedalia, MO: Sedalia Heritage Foundation, 2003.

Biermann, Deborah, ed. Katy Depot Historic Site. Sedalia, MO: Sedalia Heritage Foundation, 2002.

Two small books describe the import of the railroads to the town of Sedalia, Missouri, and one of the architectural remnants that era, the Katy Depot. On the Mainlines by William B. Claycomb and Katy Depot Historic Site edited by Deborah Biermann are published by the Sedalia Heritage Foundation.



Neither book has the volume to be comprehensive histories of Sedalia railroading, though only the most die-hard devotees of railroad or Missouriana might read such a book. For the more casual reader, Claycomb’s monograph has lots of interesting tidbits about both of the major railroads that operated in Sedalia. Each short chapter covers an element of the railroad operations there, the depots, the shop yards, even the railroad hospital. A few stories and anecdotes are thrown in to spice it up.

Katy Depot Historic Site focuses on one structure and its part in the Sedalia rails. Built by the Missouri, Kansas & Texas Railroad (MKT or Katy), the depot was once hub of activity with rails running on both sides and features that might normally be found only in larger stations. Now it’s part of a state park and sets on an open stretch with easy access to a trail that follows the old rail line. The book briefly covers the history of the depot and the efforts of local organizations to preserve it.

Sedalia was built with the hope of attracting the railroads. The Missouri Pacific was the major railway, but the Katy railroad was also significant to the town. Sedalia’s fortunes rose and fell with the railroads, too. The state fair still attracts travelers to the town, and if you’re there you might check out some of town’s preserved railroad heritage.

If you’re interested in these books, you may also be interested in
Dreams of Iron and Steel by Deborah Cadbury

Google

The Ultimate Weight Solution by Phil McGraw

McGraw, Phil. The Ultimate Weight Solution: The 7 Keys to Weight Loss Freedom. New York: Free Press, 2003.

Psychologist Phil McGraw, television’s Dr. Phil, began to build his national reputation as a jury consultant for Oprah Winfrey when she was sued for statements she made about beef. It turned out his psychological practice was broader than reading potential jurors, and included weight management. McGraw has laid out his approach to weight management in The Ultimate Weight Solution.

McGraw describes seven “keys” to weight management. They seem to cover every aspect of life that relates to food. They can be loosely divided into two categories.

The first category involves discovering and counteracting mental and emotional issues that drive or support become on staying overweight. There are many subtle ways people may be sabotaging their weight-loss efforts. Some may have psychological issues that may require professional help, but many can use McGraw’s strategies to change their thinking and use new ways of coping with emotions that are more consistent with good health.

The second category focuses on behavioral change. In general, the approach is to institute healthy behaviors that will supplant unhealthy habits. Each key contains specific actions one can take to make practical changes. These strategies touch on habits, environment and relationships.

McGraw devotes more ink to the behavioral part. Ultimately, if one is going to attain and maintain a healthy weight, one must behave in a way will result in it.

The overall philosophy is that people behave the way they do for reasons. They may not be consciously aware of those reasons. Those reasons might not make sense if they were evaluated rationally. Even so, in some way a person finds the advantages of their behavior to be greater than the disadvantages. Change involves reevaluating the payoffs and costs of old behaviors and implementing new behaviors that have more desirable and rational payoffs.



A secondary philosophy that comes through is that one shouldn’t rely exclusively on one strategy, or even just diet and exercise, and especially not willpower. The keys touch on thoughts, emotions, habits, relationships, environments, exercise and diet. The more supports you have, the more likely you are to succeed.

As you might expect from a book on weight management, there is also information on nutrition and exercise. Obviously, how much we eat, what we eat, and our level of physical activity is behaviors that greatly and directly affect our weight.

McGraw provides some brief explanations of the science behind his strategies, including a bibliography of the works to which he refers. The book is not very technical, though. It is a practical guide aimed at people seeking to control their weight, not a clinical manual or textbook.

If you’re interested in this book, you may also be interested in
Change Your Brain Change Your Body by Daniel G. Amen
How Much Does Your Soul Weigh? by Dorie McCubbrey
I Can Make You Thin by Paul McKenna

How to Read Literature Like a Professor by Thomas C. Foster

Foster, Thomas C. How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines. New York: Quill, 2003.

Some associate learning and teaching literature with an English Lit requirement to read boring books they didn’t understand and being embarrassed by a teacher berating them for not seeing the significance of some obscure symbol. To top things off, the kid who seems to do best is someone they know to bullshit their way through everything (that kid is probably a professor now). So when Thomas Foster promises “a lively and entertaining guide” to reading literature (it says to right on the cover of the book), he faces a skeptical audience even among book lovers.

Foster delivers on the promise. His tone is light, sometimes humorous. His style is conversational. He resorts to only on technical term and it refers to a concept that runs through the whole book so the reader will have no trouble getting it.

What makes reading the book fun is that Foster has such fun reading and thinking about what he has read. He doesn’t want people to stop enjoying what they read to start analyzing. He wants them to keep enjoying novels, stories and poems for the interest, entertainment and beauty they way they always have. Keep the old fun and add to it the enjoyments of understanding a work in relation to the rest of literature.



This is the main point of the book (and that technical term, intertextuality): a book, story, poem, or play is part of the total body of literature and by asking ourselves how it relates to other things we’ve read, using both our intellect and our emotions, we can have a full understanding and enjoyment of it. Each chapter after the first discusses things that appear in literature, such as sex, violence, weather and allusions to other works.

The idea isn’t to give you a bunch of discrete things a reader should always be looking for and doing; Foster wants to enrich readers, not burden them. Instead, each is an example of different recurring themes in literature (intertextuality says it’s all connected) allowing a few concepts to be applied to many different things.

This conceptual focus makes the book easy to grasp. The reader doesn’t have to figure out how to read like a professor by wading through a bunch of dusty old books someone thinks is great. Foster shows how readers (and he as a professor) can get more out of reading whatever they want.

That kid who bullshitted his way to a high grade in your English Lit class is probably a professor now. Fortunately, Professor Foster isn’t he.

If you’re interested in this book, you may also be interested in
How to Talk About Books You Haven’t Read by Pierre Bayard

Writer Harvey Pekar Passed Away at 70

Writer Harvey Pekar was found dead in the early hours yesterday (July 12, 2010). He died at home in Cleveland Heights, OH, where he worked for many years as a file clerk at a Veterans Administration hospital in addition to writing semi-autobiographical comics and jazz reviews.

Pekar is probably best know for his comics, mostly published under the title American Splendor. He drew on his own life experiences and often wrote about seemingly mundane things that, cumulatively, have a great impact on life. The first anthology of these comics won the 1987 American Book Award.

The comics he wrote were drawn by a number of notable artists. Some of these are Robert Crumb, Dean Haspiel, Joe Sacco, and Frank Stack.

This work is the basis for the 2003 biopic that is also entitled American Splendor. The movie won the Grand Jury Prize at the Sundance Film Festival.

The cause of death has not been announced, though the Cuyahoga County Coroner announced an autopsy will be performed. Pekar suffered from a number of health problems including prostate cancer. He and his wife, Joyce Brabner, wrote about his battle with cancer in their book-length comic Our Cancer Year.

Pekar is survived by his wife, Joyce Brabner, and their foster daughter, Danielle Batone. He was born October 8, 1939, in Cleveland, where he lived for most of his life, notably excepting his time of service in the Navy.

Additional resources:
A PEKAR TRIBUTE: Collaborators & colleagues remember 'sweet, curmudgeonly' Harvey
Comic book icon Harvey Pekar dead at 70
Harvey Pekar, Cleveland comic-book legend, dies at age 70
Harvey Pekar dies at 70; comic book author known for 'American Splendor' series
Harvey Pekar lives on via the web
Harvey Pekar, RIP

American Splendor (Film)

The recent passing of Harvey Pekar put me in mind of American Splendor, a 2003 film based on his autobiographical comics. Pekar appears as himself in some documentary-style scenes and in others is played by Paul Giamatti. The film moves from the real to the recreated to comics-like pictures and animation. It may sound like a mishmash, but in bringing Pekar’s life to film, it works. The Sundance Film Festival awarded it the Grand Jury Prize.

Pekar was an interesting guy and I’d recommend reading at least some of his comics, which were drawn by several notable artists. For a quick introduction, see the film.

Stan Lee by Jordan Raphael and Tom Spurgeon

Raphael, Jordan, and Tom Spurgeon. Stan Lee and the Rise and Fall of the American Comic Book. Chicago: Chicago Review Press, 2003.


This biography of writer, editor and promoter Stan Lee is also a history of comics, particularly Marvel comics. Lee’s long career with Marvel, especially as its public face, has made them inseparable.

If you’re interested in the history of American comics, Lee’s career is worth considering. He started in the industry shortly after it became a popular media as a gopher for Captain America creators Joe Simon and Jack Kirby. Soon he was editor of a line of comics, which he actively worked on for parts of four decades before moving on to becoming the public face of comics and less successful efforts in other media.

Lee is best known for overseeing a revolution in comics in the 1960s. He introduced characters that were as notable for their flaws and human frailties as for their extraordinary abilities. He took elements from genres a varied as romance and giant monster stories to create relatable superheroes. This sparked a creative revival for the both Lee and the industry.

Lee is a great promoter and salesman, and one of his most daring creations has been his own public image. Raphael and Spurgeon are careful not to be caught up in the hype while still recognizing their subject’s contribution to popular culture and particularly to the characters he oversaw.

One of the interesting things that come out of the book, though the authors don’t focus on it directly, is Lee’s place as a writer. He entertained dreams of writing novels and screenplays, but didn’t. He only wrote one full screenplay and seemed to think it was an onerous chore. During his creative heyday in comics, the Marvel method involved Lee writing story concepts and synopses that were fleshed out by the artists with him adding the dialogue to the drawn pages. The system worked well for Marvel financially and seems to have been Lee’s forte.

The authors recognize this in summarizing Lee’s career. They say he may have been the greatest comic book editor ever. His famous creative contributions were collaborative efforts with artists and he got consistent quality from lesser contributors. He kept a marginal comics publisher going through tough time until he and others were ready start a creative renaissance in their medium.

Editor can be an inglorious position. The title suggests a secondary position to the writer and artist, but at his height he was very directly involve in the creation of Marvel comics. His ability to manage a burgeoning, collaborative, creative enterprise made the Marvel revolution possible.

Lee’s contribution as a writer, editor, creator and collaborator are obscured by his career as the public face of Marvel. He is a natural promoter and, some might fairly say, glory hound. His rise to celebrity almost necessitated the minimization of others contributions, which lead to strained relationships with his friends and the industry he represents. His public persona has cast a shadow on his career that both darkens his reputation and obscures the real value of his creative work.

If you’re interested in this book, you may also be interested in these fictional takes on comics history
The Amazing Adventures of Kavalier & Clay by Michael Chabon
The Book of Lies by Brad Meltzer

46 Pages by Scott Liell

Liell, Scott. 46 Pages. New York: MJF Books, 2003.


In 1775, British citizens in the American colonies were seeking reform in the government of their king. By the summer of 1776, Americans were seeking independence from the oppressive rule of Britain. This change in public perspective made loosed the American Revolution. The thing that tipped the scales was a 46-page book.

That book was Common Sense by Thomas Paine. In 46 Pages, Scott Liell describes America contemplating its colonial condition and how a British lover of freedom and his essay tipped the scales toward independence.

Before Common Sense, Americans were seeking reform. They wanted more liberty within the British system. They were seeking to preserve their rights as British citizens. They weren’t sure they could enjoy those rights without the British government to protect them.

Loyalty to George III was widespread, also. Parliament might be awful bunch of oppressors, but the king was a benevolent father who would surely help his children if he understood their plight.

Paine attacked these notions. The king was just as responsible as Parliament for the oppression of the colonies. Parliament would not persist in a policy that was not also the king’s. In addition, a constitution and government that preserved a monarchy, with real powers and privileges, could not be trusted to preserve the rights of commoners.

Common Sense was widely read in America, and newspapers and pamphlets were full of response, both approbations and counterarguments, and speculation about the author (Paine did not include his name on the work). It was read and discussed by the founding fathers and influenced the thinking of many who were not already inclined toward independence. Benjamin Franklin encouraged Paine to come to America and write about the conflict between the colonies and their mother country, though he probably didn’t imagine Paine would create such a book.

46 Pages is an enjoyable, readable, short book. It provides a glimpse into the American revolution and demonstrates the power of ideas.

If your intersted in this book, you may also be interested in: Common Sense by Thomas Paine His Excellency by Joseph J. Ellis The Politically Incorrect Guide to Western Civilization by Anthony Esolen

Common Sense by Thomas Paine

Paine, Thomas. Common Sense. Bradford Enlarged Edition. 1776. Reprinted in 46 Pages. Scott Liell. New York: MJF Books, 2003.

Thomas Pain came to America form his home in England at the encouragement of Benjamin Franklin. Franklin encouraged Paine to write about conflict the American colonies and Britain. The product was Common Sense.

Common Sense was an essay making the case for American independence. In a sense, it is two essays, one directly supporting the call for independence and one providing background on the impossibility of liberty under the British system.

The first parts of the essay deals with the concept of government in general. In particular, Paine argues against monarchy as a form of government. To him, monarchy is unnatural and hereditary monarchy insanity. Even a constitutional monarchy that gave real powers to a king, such as England had at the time, could not guarantee the peoples right, particularly in a colony where it was in the monarch’s and mother country’s interest for the colony to be dependent. Paine advocated throwing off the British monarchy and adopting a constitutional republic.

The latter half dealt with directly with American independence. Building on his earlier statements, he argued that America could not meet its potential if it did not act on its own interest. Paine saw a confluence of things, particularly the population and resources of the continent that made for the best possible time to pursue independence.

In this edition, Paine offered an answer to some of the detractors of his first edition, especially the pacifist among the Quakers. He argued that peace under Britain was impossible, but that independence would bring a lasting peace. In addition, there was already an aggressor on the continent in the form of British troops. To Paine, taking up arms against Britain was not to start a war, but a defense against foreign attacks.


Paine’s arguments seemed to tip the scale. Common Sense was widely read among the founding fathers. Within months of its publication, the Declaration of Independence was published.

If you're interested in Common Sense, you may also be intersted in:
His Excellency by Joseph J. Ellis
A Politically Incorrect Guide to Western Civilization by Anthony Esolen
Undaunted Courage by Stephen Ambrose