Showing posts sorted by relevance for query evil. Sort by date Show all posts
Showing posts sorted by relevance for query evil. Sort by date Show all posts

Saturday, January 3, 2009

Proverbs

Proverbs. The Holy Bible, New King James Version. Nashville, TN: Thomas Nelson, 1982.

Proverbs is a collection of wise sayings. Most are attributed to Solomon. A couple of chapters are attributed to Agur and Lemuel’s mother.



Though related proverbs are loosely grouped together, the book overall can seen disjointed. This is the partly the nature of a collection of sayings.

With the exception of a few longer, poetic sections, each proverb is a short saying, usually just a couple of lines. Often, the second line is a comparison or contrast to the first. A typical proverb may express essentially the same idea in two ways, or it may present opposite behaviors with their different results.

These sayings are intentionally short and often poetic because they are intended to be easy to remember. They are teaching tools.

What the proverbs teach are ethics. They encourage good behavior, righteousness, integrity, good character and wisdom. They discourage evil, injustice, deceit, bad character and foolishness.

The proverbs are founded on a religious understanding of the world. God exists and he has a plan for His creation. The world is a created order and understanding this order can lead to better decisions. God is just and ultimately sets everything right, even if it appears in the short-term that evil is rewarded and good has no effect.

Even though the proverbs have this religious outlook, they are not idealistic. Wisdom may begin with acknowledging God and His character, but it includes recognizing that our world is full of evil and corruption. Pitfalls abound with sexual immorality, strong drink, deceitful people, and corruption in business and government.

Living righteously in a corrupt world is not easy, and sometimes the advice on how to deal with evil and foolishness seems to conflict. While it is straightforward enough that we should never do what is evil, sometimes the proverbs advise to confront and sometime they advise to let things be. Sometimes the wisest thing is to turn tail and run.

This isn’t so much a matter of conflicting advice as recognition that wisdom isn’t a cookie-cutter approach to life. We learn wisdom over time as we mature. People are different and we learn to tailor our responses to them for the best effect. In addition, the wisest people are always learning, always seeking appropriate counsel, and always turning to God because they recognize they don’t know it all, haven’t seen it all and are far from perfect.

Monday, March 7, 2011

Scott Pilgrim vs. the World by Bryan Lee O’Malley

O’Malley, Bryan Lee. Scott Pilgrim vs. the World. Portland, OR: Oni Press, 2005.


Scott Pilgrim is an immature jerk. You might like him, though. He’s in a cool band. Though he’s a coward in ordinary thing, he’s incredibly brave in fantastical fisticuffs.

Scott Pilgrim vs. the World is a continuation of the titular character’s adventure that started in Bryan Lee O’Malley’s Precious Little Life. The boiled down version of the six-volume series of graphic novels is that Scott must defeat Ramona Flowers’ seven evil exes to win the right to date her.

In this second book, Scott defeats the second evil ex, a vain movie star who used to be a skate boarder. It’s a funny scene, but other parts of the book are better.

We get to see Scott create his own evil ex when he breaks up with his girlfriend, high-school girl Knives Chau. It’s probably a good thing for him to break up with Knives, but Scott is insensitive, selfish, and untruthful. In this sense, Knives isn’t evil in the grand sense of hating all that is good. She’s a wounded, jealous girl who is acting a little crazy, which is evil enough. It leads to one of the books fight scenes (they have the feel of video games and comics, which is a strange mix of weird and accepted in the fantasy of Toronto), which is longer and cooler than Scott’s fights.

Though Knives seems to be almost dismissed early in the book and could be dismissed as a nut in the middle, her story arc begins to open up in this volume. It’s not strictly a fall, but is a move from seemingly innocent ignorance to knowledge of the scary world of young adulthood and complicated relationships. Scott introduced her to this world, but he a poor guide. He would have been a poor guide even if he hadn’t abandoned her.

O’Malley reveals more about Scott’s other relationships. It looks like he might have a string of wounded exes. This includes band mate Kim and Envy Adams, leader of rival band The Clash at Demonhead.

O’Malley’s art in this and other Scott Pilgrims book is a little like manga with big-eyed characters. It is also simplified, cartoony. It has a rough feel. It’s better than I’ve made it sound. The black and white art is textured. It has varied, sometimes painterly, lines. It is full small touches that convey emotion, especially humor. Whatever one might think of the style, I’d say it is good comic book are because it interestingly conveys the story and reveals (not just depicts) the characters.

Bryan Lee O’Malley also wrote
Scott Pilgrim’s Precious Little Life


If your interested in this book, you may also be interested in
Maus by Art Spiegelman
Scott Pilgrim vs. the World (Film)

Saturday, April 22, 2017

Positive Words, Powerful Results by Hal Urban

Educator Hal Urban reminds his readers of the power of words in Positive Words, Powerful Results. Words create pictures in our minds. They influence our buying decisions and health. One of the most important things about words is that we can chose how to use them, whether to build up or to tear down.

Urban encourages people to use words to build up. Use kind, affirming, complimentary words. Tell people what they are doing right. Express interest in people and ask them about themselves.

In addition to influencing others, words can reveal what is going on inside of us. Our choice of words reveals whether our thoughts and feelings are positive or negative. As Jesus put it, “A good man out of the good treasure of his heart brings for that which is good; and an evil man out of the evil treasure of his heart brings for that which is evil; for out of the abundance of the heart his mouth speaks” (Luke 6:45).

If we want to produce positive words that help people, we need to be concerned about what goes into that treasure of our hearts. There is a lot of trash out there and if we don’t limit our exposure, we can easily become full of it. There is also plenty of good and we can seek it out. Just as we choose what we say, we can also choose much of what we hear.

Though it is couched in a discussion of the words we use, Urban is engaging a larger issue of how we treat each other. He encourages kindness, gentleness and generosity. These virtues may demand more than words, but they still demand expression in speech; they cannot be advanced by harshness and complaining.

Urban’s background as a teacher comes through both in the examples he draws on and the way he writes. The book is not written for children, but I think it is within the grasp of high school students and possibly younger children, particularly if an adult were going through the book with them.

If you’re interested in this book, you may also be interested in


Urban, Hal. Positive Words, Powerful Results: Simple Ways to Honor, Affirm, and Celebrate Life. New York: Fireside, 2004.

Tuesday, February 5, 2013

A good man out of the good treasure of his heart brings forth good


A good man out of the good treasure of his heart brings forth good; and an evil man out of the evil treasure of his heart brings forth evil.  For out of the abundance of the heart the mouth speaks.
-Luke 6:45

Sunday, April 12, 2015

The Picture of Dorian Gray by Oscar Wilde

Oscar Wilde’s novel The Picture of Dorian Gray is a classic of English literature. I’m writing a review of it because I want some horror to feature on Halloween.

Dorian Gray is, in my mind, a weird tale. Wilde produces a sense of creepiness that begins even in the seemingly light and hopeful first chapter. The title portrait is a supernatural object that horrifies and fascinates Gray. He is preserved in youth and beauty, and possibly even saved from the consequences of evil deeds, but the portrait become a mirror to his dark and sinful soul, something that eventually becomes too horrible for him to endure.

In addition to being a weird tale, it is a moral tale. Gray has beauty, wealth, and status, but he gives himself over to any kind of wickedness if their might be pleasure in it. At first, it is the infatuation of a hollow love for the actress Sibyl Vane. When she disappoints him on the stage by failing to present an ideal picture of love because acting it seems shallow compared to her real passion, he rejects her. Her suicide nearly turns him off the path he is pursuing, but when the thrill of the moment passed, he nearly forgot her. The sins of youth and ignorance turn more willful as he falls into using drugs and prostitutes. Eventually he murders a man. The book hints at other wrongdoing, possibly homosexuality, affairs with married women, seduction for the sake of its own pleasure, gossip, excessive drink, greed, blasphemy and leading  others into all these things.

The book could be a social commentary on the upper class of his time. With all the advantages they had, they were still corrupt. A fortunate life is not a sign of a good person. As with Job, poverty and hardship are not indications of an evil life.

Some think Wilde is exploring own life in the book. One can read hints of homosexuality in Basil Hallward’s feelings toward Gray (Basil paints the portrait), and in Gray’s feelings toward Lord Henry Wotton. Possibly Wilde was critiquing his own aestheticism, finding that it did not necessarily lead to a higher morality, but could as easily lead one to an immoral, selfish, and consuming pleasure-seeking.

In the book, Wilde never comes out and says what his intentions are, if he has any at all in terms of exploring himself, his society, or notions of beauty, art and morality. It seems clear, though, the Wilde suggests a person cannot be separated from his deeds and his consequences as Gray is with the aid of his magical painting. A man, his deeds, and their consequences may not be the same thing, but they are linked in a powerful way. When Gray tries to destroy the painting that bears the ugliness of his soul, he plunges the knife into his own heart.

Though some have accused Wilde of writing an immoral book, one could as easily argue that he wrote a very moral book. Gray is sympathetic to a degree, but he is an evildoer destroyed by the evil he did. The reader can contemplate issues of art, beauty, and morality for himself. Along the way, he can enjoy a creepy thrill.

If you’re interested in this book, you may also be interested in


Wilde, Oscar. The Picture of Dorian Gray1890. New York: Barnes & Noble, 2003.

Monday, February 18, 2013

Dr. Horrible, the Hamlet of Nerds

Okay, comparing Dr. Horrible’s Sing-Along Blog to Hamlet, one of the greatest plays in the English language, is the type of hyperbole writers, especially on the Internet, use to draw in a reader.  I presume it worked on you.


There are points of comparison. Both are tragedies. Both feature lead characters giving themselves over to being people they might not really have wanted to become, at least not at the beginning. Both carry a sense of terrifying inevitability.

Having hooked you with Hamlet, I’m going to carry on about Dr. Horrible.  The film plays on concepts of nerdiness, jocks, and what is the potential tragedy of a world in which nerds can’t find a place for themselves (though they seem to be everywhere). It does so in the nerdy context of superhero films and musicals, the mash up of these genres being geeky itself.

About the Film

Dr. Horrible’s Sing-Along Blog was produced as a serial for the Internet.  The film was written by Joss Whedon, his brothers Zack and Jed, and Maurissa Tancharoen to produce something during the 2007-2008 strike by the Writer’s Guild.  It appeared on the Dr. Horrible Web site in three parts in July 2008 and is now available on DVD.


The familiar star of the film is Neil Patrick Harris, who plays Barney on How I Met Your Mother. I don’t enjoy that show much, but fortunately Harris has found other outlets for his performing talent. It is unfair to say Dr. Horrible launched her career, but I think it helped Felicia Day achieve a new level, especially on the Internet.  She is everywhere now and produces the Geek & Sundry YouTube channel.

Plot Summary

Dr. Horrible (Harris) is an aspiring supervillain.  He is seeking entry into the Evil League of Evil, but his prospects are threatened by superhero Captain Hammer (Nathan Fillion).

The pursuit of supervillainy is complicated by Dr. Horrible’s double-mindedness even more than his nemesis.  As his alter ego Billy, the doctor is smitten with Penny (Day), a girl he meets at the Laundromat.  She meets and begins to date Captain Hammer. Hammer recognizes his enemy and flaunts the affair.

Dr. Horrible retreats from the situation and focuses on the League.  They are not impressed with his recent failures, but he can prove himself by killing someone in one of his capers.  He plans to kill Hammer. Things go wrong when Horrible sees Penny at the event where he plans to exact his revenge and begins to experience a change of heart.  Hammer gains control of Horrible’s death ray, which is overloading. In spite of Horrible’s warning, Hammer uses the weapon, which explodes, causing him pain but no apparent injury. Fragments of the death ray hit the crowd and kill Penny.

In one stroke, Horrible loses his love and gains his dead victim.  He is admitted to the League. He abandons hope and embraces evil.  It’s dark stuff for a musical comedy.

Dr. Horrible: Protagonist, Villain, Nerd
Dr. Horrible is a nerd.  As support of this notion, if it isn’t readily apparent, I turn to the characteristics of nerds identified by Benjamin Nugent in American Nerd.  He suggests that people associated nerds with machine like qualities. Nerds seem machine like in that they

  • like working with machines, having interest in technical subjects or complex hobbies, and
  • prefer direct, logical, rule-bound communication to indirect, emotional communication.

In his first appearance, Dr. Horrible is recording a vlog entry in his lab. Throughout the film, he talks about his inventions and uses them. He is clearly at home in the realm of technology. Not only that, he identifies himself with science and technology with his costume: long white (lab) coat, long rubber gloves, and goggles.

While comfortable with technology and talking about it, he is uncomfortable with emotional communication. He has trouble expressing his feelings to Penny, and he has trouble reading the signs that she might be attracted to him. In light of this, he is oddly eloquent on his vlog.  In Quiet, Susan Cain noted that introverts often communicate a lot through social media, and rise to leadership in online communities.  They communicate very well when relieved of the pressures and distractions of face-to-face communications. Nerdiness and introversion aren’t synonymous, but I think it strengthens the case for Dr. Horrible’s nerdiness in his preference for technologically mediated communication that is formalized through a script (an unscripted vlog would not be eloquent) and music (with rules for rhythm, pitch, and rhyme).

Captain Hammer: Antagonist, Hero, Jock

Captain Hammer is the antithesis of a nerd: a jock.  I turn again to American Nerd to help make this diagnosis. Nugent notes that the nerd image was at one time associated with immigrant communities that were rising in population and status. Immigrant pursuit of New World opportunities was shaped by their Old World perspective, so they sought upward mobility in artistic and intellectual professions.

The established upper class wanted to both maintain its dominance and distinguish itself from lower classes, especially immigrants. They adopted a preference for athleticism and a suspicion of excessive intellectualism. Book-learning had its place, but a boy who would take his place as active leader in business, political, and military affairs needed to learn how to win. Sporting fields and athletic competitions were seen as the classroom for these skills. Athleticism as associated with a certain class (because such vigorous leisure required time and resources).  This magnified the upper class sense of superiority.

We can see this in reflected Captain Hammer. His superhuman physical superiority seems to be a justification for his overall sense of being superior to others, especially the weaker and physically cowardly Horrible. Even his activities as a do-gooder seem to lack a moral motivation outside a vague noblesse oblige. He seems more interested in establishing and maintaining his status. For instance, his support of Penny’s campaign to end homelessness is motivated by the positive publicity he receives, not by love of his fellow man—he does not perceive value in homeless people.

The Tragedy of Dr. Horrible

Dr. Horrible, then, is a classic conflict between a typical nerd and a typical jock, except they are a supervillain and a superhero in a comic book-style world where such people exist. Where is the tragedy?

We’ve already noted the death of Penny. That is enough to make the film a tragedy, but not necessarily a nerdy one.

The tragedy of the nerd is to be trapped in alienation. Admittedly, nerds seem to be increasingly popular nowadays, but the more traditional image of a nerd is of one alienated from popular society because his machine-like qualities are not valued in a culture that sees emotional display and sensitivity as more worthy and human.

Nerds are not naturally loners, though. They have a long history of building their own communities. Science fiction fandom is a good example. Long before the Internet, sci-fi fans built communities of letter writing and zines around popular magazines. Before long, they began gathering at clubs and conventions. This culture carried over into comic book fandom (for more on this check out Men of Tomorrow by Gerard Jones). Nugent notes how a similar community of nerds, also readers popular magazines, formed around ham radio, where technological skill and rule-bound communication were prized.

We’ve noted that Dr. Horrible also seeks connection to a community. He specifically identifies his desire to be part of the League.  His quest for world domination is also motivated by a desire to connect with the wider community of humanity. He wants to take over the world not because he hates people, but because he longs for a logical meritocracy that would rid the world of all the trouble cause by emotionalism, celebrity culture, and doublespeak. In his fantasy, he would naturally rise to the top of such a society.

Captain Hammer frustrates these efforts at connection. He reinforces a culture of athleticism and emotional communication that Horrible cannot participate in. When he finds a sympathetic soul who may be able to help him make that connection, Hammer sweeps her away. At last, Horrible wins entry into a community, but the League is evil and inhumane, and can only serve to further dehumanize its members. The cost to Horrible to finally belong is high; he must turn his back on the rest of humanity and give up the hope of ever loving or being loved by another. He is completely alienated, cut off from meaningful and fulfilling connections to others.

The Sequel

A sequel is reported in the works and expected to be released this year.  I would expect most of the major characters to return.

I imagine many fans would like to see Day reprise her role as Penny, though the character died in the first film.  Because this is a superhero movie, there are several ways around this: time travel, cloning, robotic or holographic doubleganger (it’s a word, and it doesn’t need an umlaut), or reanimation (no zombies, please).  Maybe Dr. Horrible will try all of these things, each effort going more wrong than the last. He could be forced to team up with Captain Hammer to fend off an army of time-travel replicated, cyborg zombie Pennies, but I probably wouldn’t watch it because I’m creeped out by the walking dead.

Making Your Connection

You may be nerd seeking connection, too.  I’ve provided a little information below where you can find out about the people behind this film and the books I mentioned. They’re involved in other things and you may find that work interesting. Please do not cyberstalk them.  I don’t want that on my conscience.

Susan Cain
Facebook: AuthorSusanCain
Twitter: @susancain

Felicia Day
Facebook: Felicia Day
Google+: +Felicia Day
Twitter: @feliciaday
Web site: feliciaday.com
YouTube: Geek & Sundry

Nathan Fillion
Twitter: @NathanFillion

Neil Patrick Harris
Twitter: @ActuallyNPH

Gerard Jones
ComicBookDB: Gerard Jones
Red Room: Gerard Jones

Benjamin Nugent

Maurissa Tancharoen

Jed Whedon
IMDb: Jed Whedon
Twitter: @jedwhedon

Joss Whedon
Web site: whedonesque.com

Zack Whedon
Twitter: @ZDubDub

Google

Monday, June 4, 2012

A Wrinkle in Time by Madeleine L’Engle

L’Engle, Madeleine.  A Wrinkle in Time.  1962.  New York: Laurel-Leaf, 1976.


Though I review all the nonfiction books I read, I write about only a little about fiction.  Sometimes a fiction book hits so many areas of interest to me that I want to write about it.  A Wrinkle in Time is one.  It’s a classic, award-winning novel.  It’s a children’s or young adult book, and one is never too old for a good kid’s book.  It’s science fiction.  It’s informed by author Madeleine L’Engle’s Christian faith.

Margaret (Meg) Murphy is an awkward girl who doesn’t fit in.  Her family is unusual, too.  Her father is missing, though Meg stubbornly clings to hope that he will come home.  Her mother is a scientists, caring but somewhat unconventional.  Two of her brothers, twins, are pretty normal, if a little rough, and the third, the youngest, is a genius and most people find him unpleasantly odd.

Meg, her genius baby brother Charles Wallace and Calvin O’Keefe (an older, popular boy who keeps his oddness better wrapped) are pulled into an adventure in space by three creatures, seeming witches, aliens and more.  On another planet, they rescue Meg’s father and almost succumb to the powerful mind that rules the planet.  It is the things Meg dislikes most about herself that allows her to prevail.

A Wrinkle in Time is an adventure.  It is also a parable.  Part of the message is Christian.  The universe is God’s creation for His glory, and good creatures acknowledge and worship Him.  Yet there is evil, and Earth is infected with it.  Love overcomes evil.

It is tempting to see a political message.  On the world Meg visits, Camazotz, a single being rules all, taking responsibility for every decision, instilling uniformity so that everybody has the same things.  It is not hard to see this as a parallel to a communist state, where the government controls and distributes all resources.  It sounds like the nanny state as well, where people are relieved of the responsibilities of caring for themselves and making their own decisions.

It is this last point that I think is important to L’Engle whether or not is has political implications.  We are made to be individuals, unique and special, and we cannot be separated from responsibility for ourselves and our decisions and still have real joy, even if we have everything we seem to need.  When the “aunts” give gifts to the adventurers to prepare them for their trial, they give Meg her faults.  As Christians, we believe that everyone is uniquely made by God.  Our faults, shortcomings, imperfections make us needy of God’s grace, and His grace abounds in us to His glory.

In addition, IT, the mind-lord of Camazotz, is a finite being with finite imagination, thus the uniformity of the planet IT rules.  God is infinite, and His creation has enormous variety, abundance, scope and beauty beyond your imagination.  We can love, serve, and worship one God, we can all be imitators of Christ, and still each be a unique individual.

Before closing, I’d like to mention another Christian sci-fi classic, The Space Trilogy by C. S. Lewis.  There are some parallels between the works.  For instance, both L’Engle and Lewis, in Out of the Silent Planet, depict Earth as darkened and separated from communion with the larger universe because of the influence of human sin and the dominion of Satan.  IT, a big brain, reminds me of the Head from Lewis’ That Hideous Strength.


If you’re interested in this book, you may also be interested in
Google

Saturday, May 16, 2009

What I Read (3)

Date: April 24, 2005
Title: The 6-Day Body Makeover Author: Michael Thurmond Thoughts: Completed the program yesterday. Measured today. Lost 7 pounds and 5 ¾ inches (1 ¼ inches from the waist).


Date: May 2, 2005
Title: Write it Down, Make it Happen
Author: Henriette Anne Klauser
Thoughts: I wrote down more than 100 goals while reading this. It will be neat to see how many come to pass.


Date: May 6, 2005
Title: The Millionaire Real Estate Investor Author: Gary Keller, Dave Jenks & Jay Papasan
Thoughts: Whatever I invest in, it is time for me to start thinking like a millionaire.


Date: May 13, 2005
Title: Why Aren’t You Your Own Boss?
Author: Paul & Sarah Edwards & Peter Economy
Thoughts: Why not?

Because I haven’t had faith in God or myself.


Date: May 23, 2005
Title: God and Ronald Reagan Author: Paul Kengor
Thoughts: It is encouraging to se what great results can come from simple, enduring faith and vision. What is not possible for man is possible for God. When we stand up for what is right and call evil evil, we don’t stand alone. We stand with God.


Date: May 25, 2005
Title: Selling 101
Author: Zig Ziglar
Thoughts: As a business owner, I need to sell my services. I can sell. I will sell. I am a salesman and I am getting better at it every day.


Date: June 1, 2005
Title: Developing the Leader Within You Author: John C. Maxwell
Thoughts: According to Maxwell, most people don’t know how to succeed. Wouldn’t it be cool to learn and teach others?


Date: June 22, 2005
Title: The Gospel of Matthew (The Holy Bible, NKJV)
Thoughts: “Then behold, they brought him a paralytic lying on a bed. When Jesus saw their faith, He said to the paralytic, ‘Son, be of good cheer; your sins are forgiven you’” (Matthew 9:2).


Other parts of What I Read:
Part 1
Part 2

Thursday, January 13, 2011

Scott Pilgrim’s Precious Little Life by Bryan Lee O’Malley

O’Malley, Bryan Lee. Scott Pilgrim’s Precious Little Life. Portland, OR: Oni, 2004.

Precious Little Life is the first in series of critically-acclaimed graphic novels by writer-artist Bryan Lee O’Malley. This comic, like the others in the series, is a paperback book rather than a magazine.

Scott is 23 going on 17. He is immature, dating a high schooler, unemployed, and mooching off his roommate. He is even in a band, Sex Bob-omb. (When I was young, bands were cool and dangerous. Now they can be full of video game-playing, comics-reading nerds like Scott Pilgrim.) He runs from trouble. He is a jerk to nearly everyone he knows. Fortunately for him, they seem to care about him anyway and stand up to help him.


Scott’s immaturity is epitomized by his dating a high-school girl, Knives Chau, who hasn’t even kissed a boy. His friends and sister confront him, but he justifies himself. He seems satisfied with a simple, no-pressure relationship with a girl whose world of school and conservative, Chinese family is even smaller than his own.

His satisfaction with Knives disappears when he meets and falls in love with Ramona Flowers, a woman his own age who has a lot more going on. This is complicated by the fact that Knives is falling in love with him, or at least the adventure and independence he represents to her. In attempting a retreat to a simpler time (he even takes Knives by his childhood home, though is family moved out), he unwittingly open’s her eyes to a new world where she can try things she never imagined doing before.

That is only the beginning of the complications. To date Ramona, he must defeat her seven evil exes. Fortunately, Scott is a good fighter, having learned from video games (his defeated opponents disappear in a “pop” leaving a little pile of coins behind). In this volume, the first evil ex makes his appearance.

The fight may be the main fantasy element of the book, but fantastic things begin with Ramona, who skates through Scott’s dreams to deliver packages because a subspace highway runs through his head—and there isn’t much traffic there. An opposing band knocks out the crowd with lightning and Kirby crackle. Scott’s Toronto is a little bit magical.

One can probably read this book as a stand-alone story. However, it is definitely the start of a series. If you can’t leave something at “to be continued,” you may want to skim the series to see if you’re willing to commit. Alternatively, the movie adaption presents the main story line for the whole series.

If you’re interested in this book, you may also be interested in
Maus by Art Spiegelman
Scott Pilgrim vs. the World (Film)

Wednesday, November 5, 2008

Epic by John Eldredge

Eldredge, John. Epic: The Story God is Telling. Nashville, TN: Thomas Nelson, 2004.



Did you ever feel you were acting in a play or a character in a book? According to John Eldredge, you are a character in a story that is actually happening. The author and protagonist of that story is God.

The story begins with love and relationship before the beginning of time. God, the trinity of Father, Son and Holy Spirit, existed and had perfect love and relationship within him. Most stories start somewhere in the middle; there are things that have gone on before that are in the background. Even the Bible starts at the beginning of humankind, but much has happened before humans come on the scene. Eldredge believes one of the wonderful things about God’s story is that we are invited to be part of a wonderful relationship that has already been going on for a long time.

Evil also enters the scene before man. The first fall is that of angels, and of a particular angel who pridefully attempts to usurp God’s place. This enemy of God became the enemy of men, too, and by deceiving the first couple, he introduced sin and evil to all of us. At the root of this is pride and the belief that God is not as good as he claims; we need to watch out for ourselves. We go off on our own and soon fall into all kinds of trouble.

Like all epic stories, this one has a hero. The hero is God, who rescues us from the destruction we have brought on ourselves. Jesus, God the Son, is the great hero and lover of humankind. He humbled himself, gave his all, suffered torture and death to save us.

Fortunately, this story also has a happily-ever-after ending. For those who respond to God’s loving rescue, there is an eternity even better than we can imagine. This story does not end with our spirits floating in the clouds as we sing hymns on an unending Sunday morning. God’s plan is for us to be perfect men and women (with spirits and bodies) reigning eternally with him over a perfect creation. The creation that was corrupted by sin will be restored to perfection, and God is calling us to live in that world with him.

So how do we live in this story? Eldredge suggests we keep three things in mind. First, there is more to this story than meets the eye. The world we cannot see is a bigger part of reality than the world we can see. Second, we are at war with a real enemy. He is the enemy of God and he is our enemy, too. Finally, we have important roles in this story. If we are to fulfill our roles, we must be alert and believe that what we do is important.

Tuesday, November 13, 2012

Scott Pilgrim and the Infinite Sadness by Bryan Lee O'Malley

O’Malley, Bryan LeeScott Pilgrim and the Infinite SadnessPortland, OR: Oni Press, 2006.

Scott Pilgrim and the Infinite Sadness is the third in Bryan Lee O’Malley’s epic series of graphic novels of the title character’s journey from immaturity to—well, so far just being slightly less of a self-centered jerk.  In some ways, this book is the story of Envy Adams, ostensibly Scott’s evil ex.

Envy is the girl that broke Scott’s heart.  To make things worse, she is the lead singer of an awesome band, The Clash at Demonhead.  It turns out Scott broke her heart, too.  She moved on to date another jerk.  Todd Ingram isn’t a shlubby, mooching bassist for a little band like Scott.  Todd is a bassist for a famous band, and he’s handsome, powerful, attractive, secretly womanizing, and endowed with superpowers acquired through veganism—he is a total jerk.  Oh, and he’s one of the evil exes Scott must defeat to date his new girlfriend, Ramona Flowers.


It sounds like a soap opera.  It’s better because it has kickass fight scenes.  It also has character development.  It’s not an easy arc for Envy.  She comes in with the upper hand, ready to exact revenge.  She leaves in defeat.  It’s not all bad.  Vengeful Envy was very much in touch with her anger.  Defeated Envy was also in touch with her sadness and regrets, a sense of her losses and mistakes.  She gained perspective.

This is a middle chapter for many of the other characters in the series.  They don’t change much.  The book provides some of Scott and Ramona’s history.  Some subplots take a step forward.

Based on the close of the book, I suspect Envy will return.  It would be okay if she didn’t.  She reached a point where she could move on.  She completed a pilgrimage, essentially going from one place to another, though it may not have been where she planned to go.  She can find a new bassist and start another journey.

I’d like to mention in my last few words on Infinite Sadness something about the setting of the book.  It takes place in Montreal, actually a fantastical, magical version of the city in which vegans are telekinetic.  The setting is urban and the characters are all young.  It is an alien world to me.  I grew up in a rural area.  When I was a young man in the city, I was in college or working professionally.  At 24 years old, the age of Envy, I was working as an environmental engineer, writing permits and inspecting wastewater treatment plants.  The world in which a guy like Scott plays bass in a band, squanders his days with a high school, mooches of his roommate and still dates a woman who is out of his league is nearly as fantastical one in which a delivery girl uses the space in his head traverse space at supernatural speeds (he’s not using the space much).

Bryan Lee O’Malley also wrote


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Friday, November 28, 2008

A Politically Incorrect Guide to Western Civilization by Anthony Esolen

Esolen, Anthony. The Politically Incorrect Guide to Western Civilization. Washington, DC: Regnery, 2008.

Our civilization is on the verge of disintegration. However, by recovering the best of our historic culture, philosophy, religion and government, the wisdom of our ancestors, we can recover the great things we’ve lost and continue to enjoy the advancements they’ve made possible. That’s Anthony Esolen’s message in this book.

Esolen is unabashedly conservative and religious. He sees this as keeping with the best traditions of the West. He wants to build on the hard won lessons of history, not throw it out because a new age supposedly calls for new thought.

He does not romanticize the ancients. The Greeks who bequeathed to us logic and democracy practice some of the worst kind of rhetoric and abuse of power. The Romans who had some wisdom in affairs of family and state pervert patriarchy with misused authority and undermine industry with slavery. Even the Church, with its worldview that made the best of Western Civilization possible, could go astray. If anything is consistent through history, it’s that evil people do evil things and even people of good intentions can fall short of their ideals.

Our age has dispensed with ideals. Many of the historic revolutions that advanced human happiness were surprisingly conservative in that they carried with them the best traditions of the past. The revolution we’re experiencing discards tradition as irrelevant and dangerously ignores the lessons of even the recent past. Government takes the place of God, or takes on nearly god-like power, scientific management of society supplants individual kindness and community and convenience and convention take over for law and ethics.

In spite of the alarm he sounds, Esolen is optimistic. Western Civilization, especially the Christian West, is built on hope, a hope in One who is good and active in accomplishing good in the lives of men. He doesn’t say abandon the present, but neither abandon our past, especially not the One that gives meaning to the story of human history.

Thursday, January 24, 2013

Second Kings

In the Hebrew Bible, First and Second Kings are one book.  Collectively, they are a history of the Israelite monarchy.   During most of this period, it is dual monarchies because two southern tribes make up the kingdom of Judah, the remaining tribes being Israel.

Second Kings covers a period of about 250 years.  It begins in the reign of Ahaziah.  It ends with the fall of Judah to Babylon.

Fall is an appropriate word.  The book describes the decline of the Israelite monarchy.  It is strongly associated with moral decline and apostasy.  Israel was called out to be God’s people.  Instead, they worshiped the gods of the people who occupied the land before them or of their neighbors.  Sometimes this idol worship was introduced and encouraged by the kings.  Some of the practices associated with these foreign religions included temple prostitution, sodomy, and child sacrifice.

When God established ancient Israel as a nation, he made a covenant with them.  If they followed Him, He would cause them to prosper in the land He gave to them.  If they did not, and especially if they abandoned Him to worship other gods and do evil, he would cut them off from the land and let their enemies overcome them.  That is exactly what happened.


Israel, the northern kingdom, succumbed first.  It fell during the reign of Hoshea.  It became a vassal state to Assyria.  More than that, the Assyrians removed the Israelite population to other lands and resettled Israel with people from across its empire.  Chapter 17 is an indictment against Israel, listing its crimes the judgment of expulsion from the land.

God did not let Israel go easily.  Much of the first half of the book is devoted to the exploits of Elijah and Elisha.  These prophets called people back to God and stood up against the influence of false religions.  Later, Isaiah would warn against the coming captivity to Assyria.

Judah held out longer, in part probably because of fitful reforms by kings such as Hezekiah and Josiah.   None of the kings of Israel committed themselves to god, but some of the kings of Judah turned their hearts to God, restoring the worship of God and sometimes even breaking down the idols of false gods.  Even so, they fell like their brothers to the north.

Babylon was the empire that overtook Judah during the reign of Zedekiah.  Zedekiah himself was appointed by Babylon after it took his nephew Jehoiachin as a prisoner.  Babylon also moved much of the population.  The poor were left to tend the farms, but anyone with status, military skill, training in crafts, or education was moved to Babylon to serve there.  The Israelite monarchy was finally broken and replaced with a Babylonian governor.

If you’re interested in this book, you may also be interested in

Second Kings.  The Holy Bible.  New King James Version.  Nashville: Thomas Nelson, 1982.

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Monday, July 7, 2014

Second Chronicles

Second Chronicle continues the history of Israel from First Chronicles (originally they were one book). It covers a period of almost four centuries, beginning with the reign of Solomon and ending as the Babylonian captivity started.

The chronicles are books of comparisons and contrasts. There was something alike about all the periods when the kings of Israel were successful and the people thrived. Likewise, periods of defeat and loss all shared a common element. These thriving and dying periods similarly were unlike in a key way.

The key factor was the faithfulness of the king, and the people, to God. When the kings sought God and the people worshipped Him, he blessed them and caused to rise in wealth and power.  When the king and people sought their own ways, especially to worship the idols and practice the sins of neighboring kingdoms, God let them fall into the hands of their enemies. Eventually, Israel was completely taken over by Babylon.

This pattern could play out even if the reign of a single king. Some hard-hearted kings would start well but stray from God and lead the people away with him. Some evil kings responded to God’s call of repentance and reconciliation, and their turnaround could bring the whole kingdom back to God.

One could argue that the kingdom was at its peak during the reign of Solomon. He built the temple, he reigned in peace, and he stored up great wealth for himself and his kingdom. In spite of his wisdom, he strayed, too. Though he never abandoned the worship of God, he suffered for his sins, suffering he brought onto himself.

Even so, Solomon was the model of a good king. His reign takes up more pages than others in the book. A lot happened during that time, especially the building of the temple. The temple was the symbol of God’s presence with the nation of Israel, and His blessing is central to the prosperity of the nation, so it makes sense that His temple received a lot of attention.

Other notable kings include Jehoshaphat, Hezekiah, and Josiah. These leaders were associated with revivals, the destruction of idols, the restoration of worshipping God, and generally successful reigns. As an engineer, I take special note of Hezekiah, who was famous for building a reservoir and underground aqueduct to supply water to Jerusalem.

If you’re interested in this book, you may also be interested in


Second Chronicles. The Holy Bible. New King James Version. Nashville, TN: Thomas Nelson, 1982.