Showing posts sorted by relevance for query pleasure. Sort by date Show all posts
Showing posts sorted by relevance for query pleasure. Sort by date Show all posts

Sunday, November 9, 2008

Happier by Tal Ben-Shahar

Ben-Shahar, Tal. Happier: Learn the Secrets of Daily Joy and Lasting Fulfillment. New York: McGraw-Hill, 2007.

Happier is based on a popular class Dr. Ben-Shahar teaches at Harvard University. The author refers to happiness as the ultimate currency, and in that light, it is not surprising that so many people are seeking more of it.

Ben-Shahar frames happiness as a balance of present and future benefits. Many people sacrifice present pleasure for hopes of a more desirable future; they’re rat-racers. Hedonists seek momentary pleasures without regard for the future. Those who’ve given up on finding happiness in both the present and future are nihilists. Happiness is found in a life that has future benefits that is enjoyable along the way.

Happiness is about more that just pleasure, which is hollow by itself. Happy people lead lives they find meaningful. In a sense, a meaningful life provides the ultimate future benefit. Pairing meaning with enjoyment along the way, present pleasure, leads to happiness. This doesn’t lead to a life free of negative emotions or perpetual positivity; Ben-Shahar thinks that is unrealistic and probably unfulfilling and throughout the book reminds readers of the balanced definition of happiness.

The middle section of the book tackles some of the practical matters of happiness in education, work and relationships. School is all about present sacrifice for future payoff. That mindset can send people in to careers they find to be meaningless drudgery. The same attitudes can come into relationships. Happiness in the real world sometimes means setting aside the expectations of others and society and acting on what you personally find meaningful and pleasurable. Not everyone has the luxury of putting off all obligations and doing their own thing, but nearly everyone can do something to introduce more happiness into their lives.



In closing, Ben-Shahar offers a number of “meditations.” These chapters offer exercises, of both practice and thought, for building happiness on our lives.

Wednesday, May 27, 2020

The Pleasure of Finding Things Out by Richard P. Feynman

The Pleasure of Finding Things Out is a collection of interviews and speeches of physicist and Nobel Prize winner Richard P. Feynman. The theme that runs through most of these items is Feynman’s ideas about what science is and how it is practiced.

 To Feynmen, the essence of a proper scientific attitude is doubt (a version of this idea goes back to RenĂ© Descartes). It is an honest acceptance that you don’t know anything for certain, and you may accept other ideas about what is most likely true about the world in light of new experiences and better measurements. Science is the testing of ideas to see if they conform to reality and the knowledge that accumulates as a result.

 The physicist is critical of some of the social sciences, some parts of psychology and education research. They use experiment and measurement and other forms from science, but they do not produce results in the manner of the physical sciences. He doesn’t suggest the end of research in these areas, but that they tend to present findings as if there is “scientific” certainty when things are actually very uncertain.

 Feynman led an interesting life, and I took particular interest in his experiences related to very important engineering and policy issues in his lifetime. In one of the interviews, Feynman discussed his work on the Manhattan Project and life at Los Alamos. The editor included Feynman’s minority report on the investigation of the destruction of the space shuttle Challenger, which resulted in the death of all the astronauts on board.

 Richard Feynman also wrote

Six Easy Pieces

 If you’re interested in this book, you may also be interested in:

The Astounding, the Amazing, and the Unknown by Paul Malmont

Descarte’s Secret Notebook by Amir D. Aczel

Einstein’s Clocks, Poincare’s Maps: Empires of Time by Peter Galison 

The Girls of Atomic City by Denise Kiernan

Newton and the Counterfeiter by Thomas Levenson

Planck by Brandon R. Brown

The Powerhouse by Steve Levine

 Feynman, Richard P. The Pleasure of Finding Things Out. Jeffrey Robbins, ed. Cambridge, MA: Helix Books, 1999.


Sunday, April 12, 2015

The Picture of Dorian Gray by Oscar Wilde

Oscar Wilde’s novel The Picture of Dorian Gray is a classic of English literature. I’m writing a review of it because I want some horror to feature on Halloween.

Dorian Gray is, in my mind, a weird tale. Wilde produces a sense of creepiness that begins even in the seemingly light and hopeful first chapter. The title portrait is a supernatural object that horrifies and fascinates Gray. He is preserved in youth and beauty, and possibly even saved from the consequences of evil deeds, but the portrait become a mirror to his dark and sinful soul, something that eventually becomes too horrible for him to endure.

In addition to being a weird tale, it is a moral tale. Gray has beauty, wealth, and status, but he gives himself over to any kind of wickedness if their might be pleasure in it. At first, it is the infatuation of a hollow love for the actress Sibyl Vane. When she disappoints him on the stage by failing to present an ideal picture of love because acting it seems shallow compared to her real passion, he rejects her. Her suicide nearly turns him off the path he is pursuing, but when the thrill of the moment passed, he nearly forgot her. The sins of youth and ignorance turn more willful as he falls into using drugs and prostitutes. Eventually he murders a man. The book hints at other wrongdoing, possibly homosexuality, affairs with married women, seduction for the sake of its own pleasure, gossip, excessive drink, greed, blasphemy and leading  others into all these things.

The book could be a social commentary on the upper class of his time. With all the advantages they had, they were still corrupt. A fortunate life is not a sign of a good person. As with Job, poverty and hardship are not indications of an evil life.

Some think Wilde is exploring own life in the book. One can read hints of homosexuality in Basil Hallward’s feelings toward Gray (Basil paints the portrait), and in Gray’s feelings toward Lord Henry Wotton. Possibly Wilde was critiquing his own aestheticism, finding that it did not necessarily lead to a higher morality, but could as easily lead one to an immoral, selfish, and consuming pleasure-seeking.

In the book, Wilde never comes out and says what his intentions are, if he has any at all in terms of exploring himself, his society, or notions of beauty, art and morality. It seems clear, though, the Wilde suggests a person cannot be separated from his deeds and his consequences as Gray is with the aid of his magical painting. A man, his deeds, and their consequences may not be the same thing, but they are linked in a powerful way. When Gray tries to destroy the painting that bears the ugliness of his soul, he plunges the knife into his own heart.

Though some have accused Wilde of writing an immoral book, one could as easily argue that he wrote a very moral book. Gray is sympathetic to a degree, but he is an evildoer destroyed by the evil he did. The reader can contemplate issues of art, beauty, and morality for himself. Along the way, he can enjoy a creepy thrill.

If you’re interested in this book, you may also be interested in


Wilde, Oscar. The Picture of Dorian Gray1890. New York: Barnes & Noble, 2003.

Saturday, May 7, 2016

Song of Solomon

What is an erotic poem doing in the middle of the Bible? The Song of Solomon, or Song of Songs, is a beautiful poem, but some find it hard to reconcile with the more solemn books on either side of it (in most editions, it is between Ecclesiastes and Isaiah).

The poem celebrates the courtship, marriage and continuing union of a couple.  This couple is the King, referred to as the Beloved (Solomon), and the Shulamite, one of his favorite wives. In much of the poem, the Beloved and the Shulamite express their love for each other and the delight they experience in being loved by each other.

Though it is masked in metaphor, there is clearly physical attraction and pleasure in the relationship. The Shulamite compares her husband to a feast, and she is deeply satisfied (maybe pleasantly drunk) from enjoying him. The Beloved compares his wife to a beautiful garden, and he wants to smell every flower and taste every fruit.

Some have taken the entire book to be a metaphor for something else. It has been read at Passover by Jews, who see it as a reference to the God (the King) initiation relationship (marriage) to Israel (the humble and lowly Shulamite). Christian scholars have often taken it as a metaphor of the relationship between Christ and the church, which is often referred to as the bride of Christ in the New Testament.

These ideas no doubt have merit, but I would not want to lose the more straightforward story of the song. Marriage can be full of passion and pleasure. A committed couple can find ways to make that passion last and continue to enjoy each other. God created marriage, and I think He wants husbands and wives to enjoy each other in many way, including sex.

The poem has multiple narrators and take place in multiple settings. In addition to the Beloved and the Shulamite, we here from the ladies of the court, the Shulamites’ brothers, and other possible guests of a wedding feast or similar event. The original text does not readily identify shifts in speaker or setting except through internal clues, such as changes in pronouns. Many editions of the Bible including notes or headers to make understanding the poem easier, but these are the addition of editors.


Song of Solomon. The Holy Bible. New King James Version. Nashville: Thomas Nelson, 1982.

Ecclesiastes

Solomon’s reflections on his life, Ecclesiastes, are surprisingly dark.  We might be surprised that such an accomplished, wealthy, and famous man might experience such emptiness and disappointment.

After all, his list of achievements is long. He built the temple to God his father, David, had longed to build. He had incredible wisdom that brought him widespread fame. His reign was a time of unusual peace when foreign nations paid tribute to Israel. He had the opportunity and means to indulge every pleasure, curiosity and whim.

When he measure this against the scale of eternity, he found all these accomplishments, all the things he learned, built and experienced, to be worthless. “Vanity” is the word you’ll find repeated in most translations. The wealth amassed over a lifetime passes on to others. Great structures crumble; if they last centuries, their builders are forgotten. Pleasures are fleeting. We all die, and what we do isn’t worth much. Solomon is frank about his disappointment and frustration, “All is vanity.”

How can someone live in such a world? God made the world, and His creation is not devoid of good. In the later chapters of the book, Solomon encourages people to fear God, do their best, and enjoy the simple pleasures of life. He looks around and finds people who eat and drink, enjoy their families, and work hard at something productive. He sees that it is good. It may not last, but it is still good, and people should enjoy life.

Between the lamentations of the early chapters and the conclusion, there is a collection of proverbs. Wisdom is valuable. A wise person will do more good, enjoy more and better pleasure, and avoid a lot of pain.

If you’re interested in this book, you may also be interested in


Ecclesiastes. The Holy Bible. New King James Verson. Nashville: Thomas Nelson, 1982.

Sunday, April 17, 2016

You Can, You Will by Joel Osteen

In You Can, You Will, megachurch pastor Joel Osteen discusses qualities of a winner. Actually, Osteen might say that you’re already a winner, you just need to start believing and acting one to see in come to fruition.

First, winners have a vision and they stay focused on in. A practical way that Osteen suggests to keep your vision before your eyes is to put things in your environment, like sayings or objects, that remind you of your vision.

Winners stay focused on their goals. In particular, they don’t get derailed by trying to please everyone or to please people who are never happy. They know the difference between being kind and generous and taking improper responsibility for the happiness of others.

Osteen encourages people to expect good things to happen. Reinforce this belief by actively remembering good things that have happened to you in the past.

Be positive intentionally. Do your best to enjoy whatever you can in your current situation, even while you hope and work for something better.

Winners strive for excellence. Do the best you can and look for ways to improve. Show your desire for excellence by taking care of yourself and your things.

Always be growing. If you’re not working to improve your abilities, you’ll get left behind. Besides, if you have big dreams, there are probably many things you need to learn and improve on your way to achieving them.

Make service a lifestyles. Try to make life actually better for actual people. As a bonus, you’ll have more satisfaction with life.

Finally, be enthusiastic. Stir up your passion. It’s easy to get bogged down and discouraged, so you have to intentionally maintain a good attitude that will carry you through rough times.

Mostly, this is standard self-help material. Osteen touches on a more deeply and fundamentally Christian topic in the chapter on serving others. The Bible repeatedly describes God as a helper of the poor, widowed, orphan and oppressed. He repeatedly expresses the pleasure he takes in His people when they help needy people.

Though he doesn’t devote a chapter too it, Osteen emphasizes the need to surround yourself with good people. You need to spend time with people who will challenge and encourage you. Spend as much time as you can with people you want to be like.

Joel Osteen also wrote I Declare.

If you’re interested in this book, you may also be interested in

Osteen, Joel. You Can, You Will: 8 Undeniable Qualities of a Winner. New York: Faith Words, 2014.

Sunday, April 13, 2014

It's Not About Me by Max Lucado

Many of our problems arrive from our focus on us. The cure, which leads to fulfillment, is a life focused on Christ. Max Lucado makes the case for this idea in his book It’s Not About Me.

Everything and everyone was made to reveal the glory of God. God is holy. It is hard to imagine how higher and more is God than anything else is, and He made everything else. Contact with God changes us and we become holy, different and set apart, too. When Moses was given a glimpse of God, his face shown so that people were afraid to look at him.

We are to shine, too, as mirrors that reflect the glory of God. We have reason to praise Him. He is our stable foundation; He never changes though all else does. He saved us entirely for His own purposes and pleasure even though we could never deserve it. He redeems our suffering, and our fleeting suffering for His name’s sake will be rewarded with eternal blessing. If we have success in life, it is His gift. Even our bodies are His and make to glorify Him, so it important for us to take care of our bodies and avoid sin.

I found a personal connection to one of the stories recounted by Lucado. As a Texan, he was aware of the collapse of the Queen Isabella Causeway on September 15, 2001,when it was struck by a barge. I was vacationing nearby in Corpus Christi at the time. One of my in-laws reacted in fear, assuming my wife and I must have been trapped, or worse killed (even though the bridge collapsed in the middle of the night), and frantically called anyone in the family or at work who might have some contact with us. A close relative of mine shrugged it off, saying a call from the Texas Highway Patrol would come if something happened to us. One reacted with fear (surely, something was wrong), one reacted with faith (we were in God’s hands, whatever happened).

You might note that this happened only days after terrorists crashed airplanes into the World Trade Center towers in New York. On the first day of that vacation, we were struck by another car under strange circumstances in Arkansas, leaving us stuck in Morrilton; we ended up skipping a planned stop at Hot Springs. The collapsing bridge was the last straw, we were too heartsick to enjoy our vacation and we came home early.

Even after all that, we were grateful. We were alive and well when so many others were not. We had our family with us when others did not. We knew God was with us, comforting us, and that even if the worst had happened to us, we would be with Him, which is the thing our hearts long for.

If you’re interested in this book, you may also be interested in

I previously posted a review of this book here->.


Lucado, Max. It’s Not About Me. Nashville, TN: Integrity, 2004.

Monday, November 8, 2010

Love and Respect by Emerson Eggerichs

Eggerichs, Emerson. Love and Respect. Nashville: Integrity, 2004.

When I first heard about this book a few years ago, it was misrepresented a little. There was a lot of discussion about the concept that wives should give their husbands unconditional respect. This was a novel idea, which may be why it got most of the attention, and many women met it with confusion and suspicion.

The book has just as much to say to husbands, and it directs them to give unconditional love to their wives. In fact, as the title implies, love and respect go hand in hand.



The basic premise is that women value love and men value respect. This leads them to have very different perspectives. In a marriage, these differing perspectives can cause serious misunderstanding that spin out of control.

Eggerichs refers to this situation as the crazy cycle. Trying to get love from their husbands, women do things that seem disrespectful to men. Trying to get respect from their wives, men do things that seem unloving to their wives. Without live, wives react without respect. Without respect, husbands act without live. Unless one of the spouses steps up to try something different, this cycle accelerates, damaging the marriage.

That leads to the alternative, which Eggerichs calls the energizing cycle. A wife’s respect motivates her husband’s love. A husband’s love motivates his wife’s respect. I doesn’t matter which spouse starts, but someone has to start even though it can be difficult. Eggerichs' confidence that this will work is in his assumption that each spouse has good will. It not a spouse’s intent to be disrespectful or unloving, they’re just trying a misguided strategy to get the respect or love they desire. When one spouse makes the effort to treat the other respectfully or lovingly, the other will be won over and respond with love or respect. It is an application to marriage of Zig Ziglar’s axiom that you can get what you want by helping others get what they want. A couple that makes a concerted effort to treat each other this way can keep themselves energized and spend a lot less time on the crazy cycle.

In the life of a Christian, there is a relationship that is even more important than the marriage. Our relationship with God is the basis of the rewarded cycle. Regardless of how our spouse reacts, when we treat them with love and respect, we are being loving, respectful and obedient to God. God, who is looking to give eternal rewards to his children for good works, takes pleasure in this. (Eggerichs’ isn’t saying we earn salvation through any kind of good work because that is the free gift of God in Christ and something we could never get on our own merits.) This life of obedience can lead to a freedom, maturity and relationship with God that is joyful and valuable even for those who can draw their spouses onto the energizing cycle.

Most of the chapters are devoted to the energizing cycle and how wives can show respect to their husbands and husbands can show respect to their wives. Eggerichs uses helpful anagrams. Each of these chapters ends with a short list of practical ways to show love or respect to a spouse. The appendices also include ways to remind ourselves to be loving or respectful and to ask for the love or respect we need.

If you’re interested in this book, you may also be interested in
The Five Love Languages by Gary Chapman

Thursday, April 5, 2012

Creative Living for Today by Maxwell Maltz

Maltz, MaxwellCreative Living for Today1967New York: Pocket Books, 1973.


Maxwell Maltz is known for his self-help books, especially Psycho-Cybernetics.  He got into the field because of observations he made as a plastic surgeon.  He found that the change in appearance he created brought about a transformation in some, freeing them to be happy, engaged people.  Others were just as depressed and disappointed after the surgery as before.  The difference, he decided, was self-image.

In Creative Living for Today, Maltz encourage people to have a positive, realistic self-image.  He says life should be lively: creative, interesting, engaging, adventurous.  For too many, life is dull, disconnected, and fearful.  We can choose which kind of life we lead, and it is largely a matter of how we think about ourselves.

Maltz intends the book to be practical inspiration for living the good life.  In it, he offers advice on how to practically improve your self-image and your life.

Goals are very important to Maltz. Large and small, long-term and daily, goals give us something to move toward.  Goals and self-image have an effect on each other.  To pursue a goal, we must be able to image we can achieve it.  Achieving challenging, realistic goals strengthens our self-image as people who can succeed.  In addition, activity and productivity is pleasurable in itself.  Endeavor to enjoy what you do.

Engagement is another major issue for the author.  To withdraw from life, and especially to isolate yourself from other people, is to separate yourself from pleasure.  Relationships with people are some of the greatest things we can enjoy.  Admittedly, life and relationships can be difficult, but that is something we all face.  Maltz argues that engagement is good, even necessary, and if we see ourselves as capable of living well and having good relationships even in the face of difficulties, which he says is true, then our self-image will help us live it.

Maltz doesn’t present a world where we can have perfection if we just think right.  Everybody gets hurt; we all have emotional scars.  Maturity is learning to accept this imperfect world and living creatively in it.  We must occasionally create some mental space for ourselves to be refreshed so we can engage life with energy, learn to forgive ourselves and others, and constantly tend our self-image.

Maltz illustrates his points with many stories.  Most of these come from his own life, sometimes his dealings with patients, but often drawing on other experiences.

If you’re interested in this book, you may also be interested in
Google

Thursday, June 4, 2020

500 Books Reviewed on Keenan's Book Reviews

500 Books Reviewed on Keenan’s Book Reviews

I’ve posted reviews of 500 books on this blog. Here are links to the 50 most recent posts. Further down are links to more reviews.

First Time Reviews

A Mind for Numbers by Barbara A. Oakley

Anxious for Nothing by Max Lucado

Atomic Habits by James Clear

Become a Better You by Joel Osteen

The Beethoven Factor by Paul Pearsall

 

Bigger than Life by Marilyn Cannaday

Billion Dollar Whale by Tom Wright and Bradley Hope

The Boom by Russell Gold

Bored and Brilliant by Manoush Zomorodi

Chief Engineer by Erica Wagner

 

The Computers of Star Trek by Lois Gresh & Robert Weinberg

Contents Under Pressure by Sylvia F. Munson

Enchantress of Numbers by Jennifer Chiaverini

Essentialism by Greg McKeown

Feeding the Fire by Mark E. Eberhart

 

The Frackers by Gregory Zuckerman

Get Your Sh*t Together by Sarah Knight

The Girls of Atomic City by Denis Kiernan

God’s Equation by Amir Aczel

Good Naked by Joni B. Cole

Happiness is a Choice by Barry Neil Kaufman

 

Haunted Jefferson City by Janice Tremeear

The Instinct to Heal by David Servan-Schreiber

It’s Not Always Depression by Hilary Jacobs Hendel

The Johnstown Flood by David McCollough

Late Bloomers by Rich Karlgaard

Learn Python 3 the Hard Way by Zed A. Shaw

Lift by Daniel Kunitz

 

Living Low Carb by Johnny Bowden

Lost Connections by Hari Johnson

Loving in Flow by Susan K. Perry

Making the American Body by Jonathan Black

The Math Myth and Other STEM Delusions by Andrew Hacker

 

Metering for America by Alfred Leif

Mr. America by Mark Adams

Move Ahead with Possibility Thinking by Robert H. Schuller

Pascal’s Wager by James A. Connor

The Pleasure of Finding Things Out by Richard P. Feynman

Plotting and Writing Suspense Fiction by Patricia Highsmith

 

Range by David Epstein

The Revenge of Analog by David Sax

Scan Artist by Marcia Biederman

Scott Pilgrim's Finest Hour by Bryan Lee O'Malley

Smarter Faster Better by Charles Duhigg

 

Stat-Spotting by Joel Best

Super Attractor by Gabrielle Bernstein

Unimaginable by Jeremiah H. Johnston

Why We Get Fat and What to Do About It by Gary Taubes

Write Naked by Jennifer Probst

You are a Badass Every Day by Jen Sincero

 

Additional and Expanded Reviews

Atomic Habits by James Clear

The Introvert’s Way by Sophia Dembling

 

Continuation of list of 500 books reviewed

First 25 Reviews

Reviews 26-50

Reviews 51-75

Reviews 76-100

Reviews 101-150

Reviews 151-200

Reviews 201-250

Reviews 250-300

Reviews 301-350

Reviews 351-400

Reviews 401-450

Thursday, January 13, 2011

Into the Depths of God by Calvin Miller

Miller, Calvin. Into the Depths of God. Minneapolis, MN: Bethany House, 2000.

I’ve wanted to read this book again since the first time I read it. I’m not sure why I was drawn back to a book that challenged me to live a kind of life I wasn’t leading, nor is it easy. Even so, I hunger and thirst for God, like every other Christian, and find myself seeking more of the One for whom my heart most yearns.

Miller begins by challenging worldliness. He puts it more elegantly than that. We live in an age of that values pleasure, material wealth, and making the most of the moment. Even spirituality is focused on how it makes us feel good, though it is rarely so blunt. The alternative to these things is a deeper relationship with the One who satisfies because of who He is.

I’m particularly challenged by Millers take on self-denial. He is far from ascetic. If anything, he is an advocate of art, desire, engagement, and action. Self-denial for a Christian isn’t about the sins we give up (though we should eschew sin); it’s about the things we take up as part of the new life we have. We love God more than any other thing. We see to please Him and obey him rather than to please people. We seek His will instead of ours.



This kind of godliness, this ravenous hunt for more of God, does not make use remote from the world. It draws us into the work God is doing in the world. Christ took on humanity and entered our world to save people and part of what He want His saved people to do is continue the work of saving people until He comes again. I’m reminded of how Jesus said he saw the work His Father was doing and He did the same work. That is how Christians are supposed to be. Each of has a calling; we see some work our Father is doing and we are to do it to as imitators of our savior.

It’s not dogged work. It should be joyous living. Whatever we do, we should do with as much excellence, beauty and art as we can because we are in a relationship with the most beautiful One, the author of beauty in nature and the ultimate inspiration for beauty in art. A Christian’s calling is the most imaginative, creative and fulfilling thing he can do.

It is not an easy life to live. It goes against the grain of the world. It takes us out of the insular coziness churches. We must face truths than can make us uncomfortable. We must humbly acknowledge God and our need for Him in everything.

I fear I’ve made it sound esoteric. Focusing on intimacy with God who is infinite, but deigned to take on humanity and suffer the punishment for our sins so we could have an eternal relationship with Him, seems a world away from helping our neighbors in need, serving the sick, and standing up for the oppressed. Yet in deeper living, these seemingly disparate things are intimately linked. When we abide in Christ, He enables us to live this life of service, and in working close to Him this way, we deepen our relationship with him.

It’s rare for me to read a book twice. I think I could read Into the Depths of God a third time and get more out of it. It whets my appetite for God.

You can find my previous, brief review of this book here.

If you’re interested in this book, you may also be interested in
The Great Divorce by C. S. Lewis
The Joy of Supernatural Thinking by Bill Bright
Walking with God by John Eldredge

Tuesday, October 16, 2012

Reading Like a Writer by the Aptly Named Francine Prose

Prose, FrancineReading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write ThemNew York: HarperCollins, 2006.

Reading Like a Writer is different than the other books about reading that I’ve read so far.  Francine Prose doesn’t discuss judging what you read, but learning from it.  She wants readers, like herself and the aspiring writers she teaches, to look at how great writers accomplish what they do.  In that sense it is as much a book about writing as it is about literary criticism.

The book is organized with writing in mind.  Prose covers topics that are of interest to writers of fiction: words, sentences, paragraphs, narrative, character, dialogue, details and gesture.  In each chapter she discusses these issues using examples from works of classic literature.  I confess that I’ve read very few of the books she references, but she provides enough of a quotation or explanation that you don’t need to have read the book to follow her illustrations.  You don’t need to have a degree in literature to follow; this book might serve as an introduction to some classic literature.

The method Prose proposes is close reading.  This is slow, attentive reading.  It can be very purposeful, such as seeking out every time an author uses a particular word or concept.  Of course, to read with such a particular purpose in mind suggest you or someone else has already done a close reading with a more general purpose of paying attention and noticing how the book affects you and how the author accomplishes those effects.

Close reading is not intended to be a dry and analytical.  Books can be enjoyable, moving and fun.  If a fiction book doesn’t have some emotional impact on you, even if simply the pleasure of entertainment, then why would you bother to read it?  Close reading includes taking in the beauty of a story and the words used to express it.  You may not want to approach every book this way, but great books are worth the time and effort.

This book might be interesting to the critic or reviewer, professional or amateur.  I think it will be more interesting to aspiring writers who want to learn from the masters.  Prose has several masters to recommend and an approach to setting at their feet as they teach.  She won’t tell you how to write.  As much as there may be rules to writing there are examples of great writers who have bent or broken them. Reading Like a Writer may help you discover how writers did it well and hopefully you’ll continue that course on your own.

If you’re interested in this book, you may also be interested in
How to Talk About Books You Haven’t Read by Pierre Bayard

Google

Tuesday, December 2, 2008

The Thin Man (Film)

The Thin Man. Writ. Albert Hackett and Frances Goodrich. Dir. W. S. Van Dyke. With William Powell and Myrna Loy. Metro-Goldwyn-Mayer, 1934.

This film is based on the excellent Dashiell Hammett book of the same title. It was so popular MGM made five sequels from 1936 to 1947: After the Thin Man, Another Thin Man, Shadow of the Thin Man, The Thin Man Goes Home and Song of the Thin Man. The writers changed, but most of the films were directed by W. S. Van Dyke and all of them starred William Powell and Myrna Loy as the charming couple, Nick and Nora Charles.

It is the charm of the Charles’ that makes the movies such a pleasure to watch. The characters have great chemistry Hammett’s book; Powell and Loy bring it to the screen. Part of their charm comes from their witty banter. I think part of it comes from the happy marriage of the couple. They delight in each other, tolerate each other’s weaknesses and gently push each other to be better. And though they fit traditional gender roles, as you would expect at the time the films were made, and it is clear that Nick is a professional detective and Nora an amateur, they seem more equal than most fictional couples in today’s films and television.



As a series, the films handle the couple in another unusual way. They age. They age naturally. In the first pair if films, as in the book, Nora is a young heiress and Nick older and worldlier. In the middle pair of films, they’re parents of a young son. By the last film, they’re an established couple and even Nora can’t follow the slang of the hipster characters.

The chemistry between Powell and Loy is great. Some other quality actors appear in the films as well, like Maureen O’Sullivan in The Thin Man. The sequels include performances from James Stewart and Keenan Wynn. Some uncredited (and not as great) appearances include Shemp Howard and a guy who I think might be Tor Johnson.

The crime solving in The Thin Man sticks close to the book, but adapted to work well on film. As crime stories, the sequels vary in quality, complexity and suspense. If you’re looking for a great mystery, you may want to look elsewhere. Crime solving is the backbone of the plots of these films, but the plots are largely an excuse to watch Nick and Nora do their thing.

(Thanks, Roger, for loaning me the box set of these films on DVD.)