Showing posts sorted by relevance for query Thomas Moore. Sort by date Show all posts
Showing posts sorted by relevance for query Thomas Moore. Sort by date Show all posts

Monday, April 26, 2021

Dark Nights of the Soul by Thomas Moore

 Psychotherapist Thomas Moore, a former Catholic monk, expressed some unusual ideas about depression in his book Dark Nights of the Soul. I feel I should preface my comments with a caveat. If you have clinical depression, or think you might, please seek help from an appropriate professional in psychology, counseling or medicine. If you need medication, take it. I think you can undertake the kind exploration that Moore suggests without abandoning traditional therapies, especially if you need them to mitigate extreme symptoms that threaten your life and health.

 Moore isn’t necessarily talking about clinical depression, though he doesn’t exclude it. He finds the term depression limiting. If someone is depressed, they have a disease and there is a treatment for it. It is a matter of curing and dealing with symptoms.

As an alternative to this approach, Moore focuses on the opportunities in depression, persistent dark moods and hard times—dark nights may take any of these forms—as opportunities to mature, grow and heal the soul. Instead of rushing to get by depression and get better, sit with it, explore it and learn from it.  It could be a calling from your truest self to examine your life and become deeper, more engaged person. Instead of a curse, the dark night may turn out to be a gift.

Moore draws heavily on religion and mythology. He also discusses dreams. In the mode of Carl Jung, he sees value in symbols to illuminate what is going on in your life, as well as the value of symbolic and ritual action.

For instance, he draws a model from myth for the experience of depression. It begins with a separation or departure. One feels cut off, alone or isolated, especially from normal life. In a myth, this leaving of normal life is the beginning of an adventure. The mythic adventurer enters a new world, often and underworld, where he is challenged and gains a new perspective. These challenges help him discover who he really is. It is helpful to be able to move back and forth between the underworld and night to the upper world and day, to be able to benefit from the darkness without being consumed by it. In the end, the adventurer returns to his normal life, but it is not always easy because he is changed by his experiences in the underworld. Hopefully the lessons of his dark night well help him integrate his new life with the best of his old home.

Perspective seems to be one of the big benefits of a dark night. Everything looks different in the dark. You can reevaluate what things mean to you, the seeming trash that is truly a treasure and the seeming treasure that is truly worthless. It's a chance to clear out the clutter. It pushes you to accept that the darkness is real and part of you. Because the underworld is essentially your inner life, you can find by exploring it those places that are abandoned, ignored, neglected or run over roughshod by your outer life.

Each chapter takes on the exploration of various aspects of life that may bring about a dark night. These include love, sex, marriage, family, art, beauty, anger, disease and aging.

These journeys into darkness need not be undertaken alone. Sometimes you need professional help. The honesty and vulnerability needed to properly explore the dark parts of yourself could help you be a more open person and deepen your relationship with others. To succeed in the journey, it helps to have the attitude toward yourself of a graceful healer participating in your own life, and that attitude can make you receptive to the healing grace of others and your role as a helper of others.

If you’re interested in this book, you may also be interested in

The Beethoven Factor by Paul Pearsall

The Last Self-Help Book You'll Ever Need by Paul Pearsall

The Road Less Traveled by M. Scott Peck

Moore, Thomas. Dark Nights of the Soul: A Guide to Finding Your Way through Life’s Ordeals. New York: Gotham Books, 2004.

Sunday, May 18, 2014

Reading Comics by Douglas Wolk

Douglas Wolk’s book Reading Comics has two major sections. In the first section, outlines a framework for comic book criticism. First, he makes it clear that the comic book (or graphic novel) is a distinct medium. Comics are not half-assed attempts at some other media such as film or prose.

Next he draws a distinction between mainstream comics and art comics. Mainstream comics have always been an corporate effort. It is corporate in the sense that it has been controlled by publishers. It is also corporate because most mainstream comics are the product of a team (a writer, an artist—sometimes separate penciller and inker—a colorist, and a letterer). Both of these types of corporate authorship give rise to a house style.

This gives rise to one of the major points of distinction between mainstream and art comics. Mainstream comics are dominated by a house style. Art comics are an expression of the style of the cartoonist. There is an element of auteurism in this understanding of art comics. An art comic, to a much greater degree than a mainstream comic, is a single artist’s interpretation of what he sees or envisions. Art comics are valued as an expression of their creators’ visions. The more skillful the cartoonist, the more likely he is to produce good comics.

There is more to Wolk’s framework of comics criticism than this, but it seems to me to be the central element. Wolk does not claim to be making a comprehensive system of criticism. Comic books are too new a medium for that, especially because comics criticisms is necessarily younger.

In the second section of the book, Wolk discusses the works of particular cartoonists. Some of these work heavily or mostly in mainstream comics, but the focus remains on how the artist interprets and expresses his vision in comics, with or without the expectations of mainstream comics.

One of the great examples of this is Alan Moore. Moore’s work for mainstream publishers had turned the mainstream, and especially the superhero genre, on its head while still producing comics that work excellently as mainstream comics. Moore bucks the trend of artsy cartoonists by being a writer only; all of his comics are mainstream-style collaborations with an artist. Wolk mentions several works of Moore, but the grand example is Watchmen. Moore, and especially Watchmen, has cost a long shadow on mainstream comics. He has pushed the mainstream to be much better, and eager imitators have unfortunately produced some horrible comics by learning all the wrong lessons.

Several cartoonists receive attention: the dark, strange visions of Steve Ditko (cocreator of Spider-Man), the epically deep world-building and beautiful drawing of Jaime Hernandez, the epic opus of Cerebus comics by Dave Sim, the artistry of Will Eisner, the power of Frank Miller (sometimes overpowering), and the consciousness-expanding ouvre of Grant Morrison (another writer, but not artist).

Even though the book is not new, it introduced me to cartoonists and comics that were new to me. It was worth the read for that, though Wolk’s perspective on the development of mainstream and art comics is interesting, too.

If you’re interested in this book, you may also be interested in


Douglas Wolk. Reading Comics: How Graphic Novels Work and What They Mean. Cambridge, MA: Da Capo, 2007.

Wednesday, August 31, 2011

200 Books Reviewed on Keenan’s Book Reviews

First Time Reviews

365 Thank Yous by John Kralik
The Abolition of Man by C. S. Lewis
Acts
American Splendor by Harvey Pekar
Batman created by Bob Kane

Caves of Steel by Isaac Asimov
Change Your Brain Change Your Body by Daniel G. Amen
The Checklist Manifesto by Atul Gawande
The DC Comics Guide to Writing Comics by Dennis O’Neil
The Drunkard’s Walk by Leonard Mlodinow

The Essential Engineer by Henry Petroski
Exodus
Finding Your Writer’s Voice by Thaisa Frank & Dorothy Wall
God’s Secretaries by Adam Nicolson
The Gospel of John

The Gospels
Have a New You by Friday by Kevin Leman
Histories and Fallacies by Carl R. Trueman
How to Get Control of Your Time and Your Life by Alan Lakein
How to Read Literature Like a Professor by Thomas C. Foster

How to Write & Present Technical Information by Charles H. Sides
How to Write Horror Fiction by William F. Nolan
I Can Make You Thin by Paul McKenna
In the Beginning by Alister McGrath
Jonah Hex created by John Albano and Tone DeZuniga

Judge Dredd created by John Wagner and Carlos Ezquerra
King James Bible
Little Shifts by Suzanna Beth Stinnet
Love and Respect by Emerson Eggerichs
Newton and the Counterfeiter by Thomas Levenson

Numbers
On Becoming a Leader by Warren Bennis
Our Cancer Year by Harvey Pekar and Joyce Brabner
Paperboy by Henry Petroski
The Pilgrim’s Progress by John Bunyan

The Procrastination Equation by Piers Steel
Romans
Scott Pilgrim’s Precious Little Life by Bryan Lee O’Malley
Scott Pilgrim vs. the World by Bryan Lee O’Malley
The Sherlockian by Graham Moore

The Ten-Cent Plague by David Hajdu
Thanks! by Robert A. Emmons
True Blood by Charlaine Harris
The Ultimate Weight Solution by Phil McGraw
Vital Friends by Tom Rath

Walk Away the Pounds by Leslie Sansone
War Against the Weak by Edwin Black
Wide as the Waters by Benson Bobrick
Writing for Comics with Peter David
Zorro created by Johnston McCulley

Additional and Expanded Reviews

The Holy Bible
Into the Depths of God by Calvin Miller
The Road to Serfdom by F. A. Hayek
Simple Pictures are Best by Nancy Willard, illustrated by Tomie de Paola

Continuation of list of 200 books reviewed

First 25 Reviews
Reviews 26-50
Reviews 51-75
Reviews 76-100
Reviews 101-150

Sunday, January 26, 2014

Fic by Anne Jamison

Have you ever finished a book, or series, or experienced the cancellation of a television show, and wanted more? Have you loved something you read or watched, but found some aspects frustrating or missing? That feeling has motivated people to write their own stories of characters or settings originated by other authors. This is fanfiction, or fanfic, or as English professor Anne Jamison puts it in the title of her book, simply Fic.

Fanfiction has a long history. Jamison starts her history with the first hugely popular, serial character in English literature, Sherlock Holmes. Arthur Conan Doyle’s stories inspired others to write their own tales of ratiocination, sometimes tongue-in-cheek, featuring the consulting detective and his physician companion, John Watson. Those with means sometimes had their works printed and circulated among friends. Other may have changed the names and sought to publish their stories.

Sherlockian fanfic introduces one the themes of the book, the relationship between authors, and their works, readers and publishers. Jamison traces how attitudes about these relationships have changed over time.

Another thing that changed over time, with significant effects on fanfic, is technology. The rise of television inspired fanfic based on media, rather than exclusively on written sources, particularly the in relation to Star Trek. Access to mimeographs and photocopiers allowed the community of fans to communicate, and distribute fanfic, through ‘zines.

The medium of choice for fanfic is now clearly the internet because it allows for such inexpensive and easy distribution. As an example of how the internet changed fanfic, Jamison turns to the example of Harry Potter, whose ascendancy in popular culture corresponded with the development of the internet as we know it. Twilight fanfic, in contrast to many others, was born in the age of the internet, and has been home to views that put it at odds with other fandoms, though such conflicts have been common as fandoms have expanded.

If you are unfamiliar with fanfic, you should probably be warned that a lot of it involves romantic and sexual pairings between characters who were not romantically involved in the source material. There is a lot of sex. There is every type of sexuality you can imagine, and possibly a few you’ve never heard of. Fanfic communities have provided an outlet for people to explore alternatives to the mainstream, often from the safety of some anonymity, especially in relation to sexuality. Interestingly, fanfic has been less adventurous in other areas, such as racial and cultural diversity, sticking close the relatively narrow diversity of the source media, though some fanfic attempts to depict a more diverse world.

Though I have only spoken of Jamison as the author of Fic, many contributed to the book. Most are writers with some connection to fanfic, and a few are academics. I would describe the book as semi-academic. It has the form of an academic book that describes the history and various aspects of a topic (fanfic) through a collection of related works by various authors. It is unlike typical academic books in that the style of all the contributors is personal and informal. Like fanfic is to its sources, Fic takes and academic form that is familiar and loved (at least by an academic) and brings to it something else that is loved, and even transformative.

If you’re interested in this book, you may also be interested in


Jamison, Anne. Fic: Why Fanfiction is taking Over the World. Dallas, TX: Smart Pop, 2013.

Saturday, October 19, 2013

300 Books Reviewed on Keenan’s Book Reviews

I’ve posted reviews of 300 books on this blog. It’s hard to believe.  Here are links to the 50 most recent posts. Further down are links to more reviews.

First Time Reviews






Additional and Expanded Reviews


Continuation of list of 250 books reviewed