Friday, April 23, 2021

The Apparitionist by Peter Manseau

Photography was introduced to the United States at around the same time that a new religion was born in the nation. Spiritualism promised a connection to the dead in their realm through human mediums, and some thought photography might capture physical manifestations of spirits. Peter Manseau tells the story of the first spirit photographer in The Apparitionist.

The man who captured the first supposed spirit photograph was an amateur at the time. William Mumler thought he had made in error in cleaning the glass on which the photonegative was captured when a faint image appeared in a self-portrait he shot in 1862. He was using the photo studio owned by Hannah Stuart. The married photographer, soon to be widowed and soon after that to be Mrs. Mumler, was a Spiritualist, and she convinced him that the image was not an error, but an apparition. The photos caught the attention of the Spiritualist press, first in the New York-based Herald of Progress, then in Mumler’s hometown of Boston in the Beacon of Light, which published the address of the Stuart studio.

Soon the studio was producing many spirit photographs; they even took orders by mail from across the country. Bostonian Spiritualists compared photos and found evidence that Mumler was faking the images. Discredited, the Mumler’s moved to New York to quietly offer spirit photographs again. Their practice there let to criminal prosecution in 1869. Photographers knew of ways to produce such images, but no investigators could figure out what Mumler was doing. Though the judge gave did not suggest the photos actually captured images of spirits, he rejected the prosecution’s case because it did not adequately support the charges of fraud and similar crimes.

Even with such tepid vindication, the atmosphere in New York was too hot for the Mumlers, so they returned to Boston. Though Mumler continued to take spirit photos, he had developed a much deeper understanding of the art and science of photography. He developed a process that allowed for the direct reproduction of photos on newsprint; founded the Photo-Electrotype Company of Boston and licensed his process to companies in other cities. This allowed newspapers and magazines to less expensively reproduce images without preparing an engraving first.

Manseau also discussed the development of photography in the United States after the art was introduced here. This includes American pioneers of photography such as Samuel Morse, also inventor of the telegraph, and Civil War battlefield photographers Matthew Brady and Alexander Gardner.

If you’re interested in this book, you may also be interested in

The Age of Edison by Ernest Freeburg

Arthur & George by Julian Barnes

Billion Dollar Whale by Tom Wright and Bradley Hope

Buried Alive by Jan Bondeson

Chief Engineer by Erica Wagner

Empires of Light by Jill Jonnes

Enchantress of Numbers by Jennifer Chiaverini

The Explorer King by Robert Wilson

The Man Who Loved Books too Much by Allison Hoover Bartlett

The Real World of Sherlock Holmes by Peter Costello

Scan Artist by Marcia Biederman

Super Attractor by Gabrielle Bernstein

Manseau, Peter. The Apparitionists: A Tale of Phantoms, Fraud, Photography, and the Man Who Captured Lincoln’s Ghost. New York: Houghton Mifflin Harcourt, 2017.

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