Rath, Tom. Vital Friends. New York: Gallup Press, 2006.
Do we need scientific research to tell us that friends make us more happy, healthy, engaged, and productive? Apparently we do, at least in the context of work.
Tom Rath describes the work he and his associates at The Gallup Organization have undertaken to study friendship and identify important friendship roles in his book Vital Friends. He uses the term vital friend to describe someone who significantly improves your life, who you wouldn’t want to live without, to distinguish him or her from less close friends or acquaintances.
Rath begins with a discussion of friendship in general. He describes the benefits of friendship to human health and happiness.
From there he moves into friendships at work, which is more the focus of the book. People who have a best friend at work enjoy many benefits in terms of their satisfaction with their employer, work, and compensation. Employers benefit from more engaged, safe, and productive employees.
Unfortunately, the traditional culture of many workplaces discourages friendship, both among peers as well as at different levels. Those businesses suffer the results of less engaged employees like lower productivity, quality and customer satisfaction (at the extreme, actively disengaged employees may sabotage their employers).
Part of Rath’s purpose is to help organizations turn this around and create opportunities for their employees to develop friendships with each other. A part of the book is devoted to these ideas.
A larger part of the book is useful to individuals who are looking to indentify vital friends, or friends who might become vital. Through their research, Gallup identified eight roles that friends play in our lives that correlate to our engagement at work and our overall sense of wellbeing. Each is described in some detail. Rath provides pointers on how to find people who may fill these roles for you, strengthen friendships with those who do, and how to be a better friend of this type if it is your inclination. He assumes that no friend can fulfill all these roles, and you and your friends will be more satisfied if you rely on them for their strengths and not try to fit them into another mold.
This aspect of the book is supported by on online tool in which you can answer questions about your friends and the way they relate to you. It’s designed to help you identify which friends play what roles in your life. It is meant to be a launching pad for discussions with your friends, both as a way to express you gratitude for the ways they help you and to help them be even better friends to you (you may find them responding in kind). I didn’t use this tool because the book was loaned to me. Even so, reading the chapters on the roles will give you ideas to make your own determinations of what friend are filling these roles in your life and who might fill the gaps.
The book wraps up with a description of the research that supports the ideas it presents. The research-oriented sections are in appendices; the main text has a much more casual style.
I started this review with a somewhat flippant question about needing science to tell us what we should already know about needing friends. The thing Vital Friends adds is a framework for identifying and discussing important friendships. You probably don’t want to over-intellectualize your friendships, but you may find it helpful to have some specific ideas and terms you can use as a springboard for your own thoughts and discussions with friends.
Tom Rath also co-wrote How Full Is Your Bucket?
If you’re interested in this book, you may also be interested in
Henry Huggins by Beverly Cleary
Undaunted Courage by Stephen Ambrose
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Showing posts sorted by relevance for query play. Sort by date Show all posts
Thursday, March 10, 2011
Saturday, April 7, 2018
Overwhelmed by Brigid Schulte
Stress
is shrinking your brain. If you’re living in the parts of the West, especially America, culture
and policy that glorify work achievement and idealize the nuclear family result
in a lot of time stress. There is hope. Brigid
Schulte explores the problem and the hope for something better in Overwhelmed.
Time stress especially falls hard on women. Schulte
researches this issue in some detail. I’ll admit that I skimmed some of this
part—I’m a man and I have no children. Even so, I think it is a worthy topic.
Men and women both need more sanity and space in their lives, and it is clear
to me that women suffer more from “contaminated” time.
The idea of contaminated time caught my attention. This is time, usually
intended for leisure,
when we are thinking of other things that need to be done, usually some kind of
work.
Leisure is not just about having time to not work, it is about how you feel. If
you’re distracted or stressed out by worrying about work, you’re not really
experiencing leisure.
Schulte takes a broad approach to her subject. In part she explores
American child care policy,
even interviewing Pat Buchanan
on his role in shaping it. She visits The
Netherlands to see how they approach work, family and play. She talks to
experts in psychology
and leisure along the way.
I’ll admit I came to the book looking for answers for my own sense of
being overwhelmed. The tough answer is that culture and policy change slowly,
so the stressors are not going away anytime soon (though Schulte’s book
suggests cultural and policy changes that might help). In the meantime, you can
make choices about how you live, work and think about things. Here are some
tips I gleaned from the book that might help with those choices.
-Realize that life is short.
-Decide what you want. Make it a top priority.
-You cannot make time. You can only choose how to use the time you
have.
-Believe that you can make your life better.
-Be grateful.
If you’re interested in this book, you may also be interested in
Friday, March 27, 2009
How to Write Mysteries by Shannon OCork
OCork, Shannon. How to Write Mysteries. Cincinnati, OH: Writers’ Digest Books, 1989.
How to Write Mysteries is a quick summary of writing crime novels from start to finish. It doesn’t deal much with what it’s going to take to get you to set down and do it, but it is full of advice on what make mysteries work.
To OCork, a mystery is a like a game you play with your readers. A mystery novel is puzzle and the reader is trying to solve it by figuring out who committed the crime, typically murder. The writer must play fair by providing all the clues needed to figure it out, but at the same time provide an interesting story that obfuscates and distracts.
OCork speaks of this in terms of the real story and the apparent story. The real story is the solving of the mystery. The apparent story is all the stuff the characters must go through, some directly related to unraveling the crime and some tangential, to accomplish it.
The book deals with the mechanics of writing a mystery novel: types of mysteries, plot development, style, character development, pace, dialogue and more. It also covers what to do after you've written your book: manuscript preparation, submitting to publishers and starting your next book.
OCork uses examples throughout to illustrate her point. Some come from published works, but many come from a story she makes up for the purpose of illustration. It’s not a novel, but it does illustrate how one thing builds on another, from plot to the full story. Using this common example shows how everything ties together.
In one chapter, OCork addresses the writer’s life. It is a lot of work. If you’re making a living as a writer, or hoping to, it is your work. That means making the sacrifices needed to do the work you want, but also enjoying the fruit of it.
How to Write Mysteries is a quick summary of writing crime novels from start to finish. It doesn’t deal much with what it’s going to take to get you to set down and do it, but it is full of advice on what make mysteries work.
To OCork, a mystery is a like a game you play with your readers. A mystery novel is puzzle and the reader is trying to solve it by figuring out who committed the crime, typically murder. The writer must play fair by providing all the clues needed to figure it out, but at the same time provide an interesting story that obfuscates and distracts.
OCork speaks of this in terms of the real story and the apparent story. The real story is the solving of the mystery. The apparent story is all the stuff the characters must go through, some directly related to unraveling the crime and some tangential, to accomplish it.
The book deals with the mechanics of writing a mystery novel: types of mysteries, plot development, style, character development, pace, dialogue and more. It also covers what to do after you've written your book: manuscript preparation, submitting to publishers and starting your next book.
OCork uses examples throughout to illustrate her point. Some come from published works, but many come from a story she makes up for the purpose of illustration. It’s not a novel, but it does illustrate how one thing builds on another, from plot to the full story. Using this common example shows how everything ties together.
In one chapter, OCork addresses the writer’s life. It is a lot of work. If you’re making a living as a writer, or hoping to, it is your work. That means making the sacrifices needed to do the work you want, but also enjoying the fruit of it.
Friday, December 21, 2012
STEM Books
I’ve reviewed 39 STEM-related
books (and counting). STEM is an acronym
for science,
technology,
engineering, and mathematics. As you may have seen in the news, there is a
push to improve STEM education,
interest students in STEM fields, and grow the number of workers
in these fields. The idea is that these
will be the skills needed by workers of the future. If you’re a STEM educator or a student
considering a career in STEM fields, you might like to take a look at some of
these books.
I’ll confess that I’m not an educator, but I think most of these books
will be accessible to high school and college students, and a few to middle
school students. The list is also a
reflection of my career and interests in engineering, public
health, policy,
and history. Even with these biases, I think it is a good
list for someone looking for STEM-related books.
I was fascinated by robots as a
kid. I enjoyed reading Isaac Asimov’s
robot stories. I longed for the Omnibot
2000 in the Sears Wishbook.
Robots have come a long way. In How to Build an Android, David F. Dufty
describes the short strange life of a very complex robot made to look and talk
like science
fiction author Philip K.
Dick. The robot had a very
sophisticated and lifelike head and complex artificial
intelligence. As with most complex
things, it was the work of many people who had to solve a lot of problems.
If you’re interested in robotics, this is an interesting nontechnical
book. In addition, you’ll get introduced
to some freaky sci-fi. You may even get
as (somewhat) legitimate reason to use the word “Dickhead” (capitalized, it
refers to a fan of PKD, so don’t go using it on anyone).
The Interstate
highway
system in the United States
is one of the most enormous structures built.
Some of the prospective STEM students who read this may actually be
younger than the Intestate system, though in some sense it is never complete
because it needs constant repair and maintenance. The Interstates were completed in the 1990s, but the Federal-Aid
Highways go back to 1916.
Earl
Swift wrote an accessible history of the Interstates in The Big Roads. If you interested in automobiles
or transportation,
it’s a good read.
Deborah
Cadbury describes seven wonders of engineering in Dreams of Iron and Steel. It covers almost a century of history, but
many of the events are concentrated in the Victorian Era. That was a time of great technological
innovation.
Though the book is history, many of the structures still stand. Railways, the Brooklyn
Bridge, the Suez
and Panama
Canals, and Hoover
Dam stand testament to an age of big engineering.
Though the memory of Professor Wragg’s sneer prompts me to not make
this confession, part of my interest in science and technology came from comic
books. Iron Man was
cool. Spider-Man’s
web shooters were very cool. Superhero
comics are full of fantasy,
admittedly, but the strange, unrealistic science and technology they depict
have inspired many to study STEM in reality.
Physicist John
Kakalios uses examples from comic books to explore real physics in The Physics of Supeheroes. Sometimes comics get there science
right. Even when they get it wrong, it
can be instructive. If you know what
people are talking about when they refer to the “New 52,” you may find this
book to be a great introduction to physics.
Here is another confession: I’m not especially interested in math. I endured a lot of math classes to study
engineering. Reading David
Acheson’s 1089 and All That did
not require such endurance. For one
reason, it is a short book. For another,
Acheson doesn’t expect his readers to be mathematicians; it is enough to follow
the outline of the math he discusses.
I recommend this book because so many people have a fear of math. 1089
can be followed by many high school students and older folks with math
phobias. Just take a deep breath, relax,
and follow along as well as you can.
You’ll see that math can be interesting, useful, and even beautiful in a
way.
Judith
St. George’s The Brooklyn Bridge is a short history of and iconic bridge. Written for the
bridge’s 100th anniversary, it is also the story of the engineers
who sacrificed life and health to see it completed: John Roebling and his son Washington. John Roebling was
a German immigrant who built many suspension
bridges and owed a wire-making business. He gave his son
and extraordinary education in bridge engineering for the time, and before
beginning work on the Brooklyn Bridge he served as an officer in the Union Army during the Civil War.
Why should a cutting-edge STEM student read about a
bridge that is almost 130 years old? It’s
because we still use and rely on very successful, centuries old technologies. Improving and rebuilding our infrastructure will be an important part of our economy. As recently as 2010, New York City and the federal government committed $500 million to
repair and repaint the Brooklyn Bridge.
STEM lumps together science, technology, engineering, and
mathematics. Is there a difference
between science and engineering? Is it
important?
Henry
Petroski, a professor of civil
engineering and history and author of The Essential Engineer, believes
there is an important difference. At
heart, science is about increasing knowledge. Engineering is about invention. Of course, new knowledge makes new invention
possible. Just as often, though,
engineering runs ahead of science.
Sometimes science didn’t advance until someone invented the instruments
to conduct new observations and experiments.
The invention of the microscope
made possible the science of microbiology. Steam engines
were built and greatly improved before we had a modern scientific understanding
of thermodynamics. In fact, thermodynamics was to a large extent
born out of desire to understand steam engines. In this sense, it is an
engineering science (study of manmade things) as much as a natural science
(study of natural things) or branch of physics.
Petroski’s focus in the book is the importance of engineering to
policymaking, where it is often overshadowed by science. Policy, science, and engineering play off of
each other a lot. Most of my career as
an engineer has been related to government, policy, and regulatory compliance.
The Ghost Map by science writer Steven
Johnson is the story of the birth of epidemiology. Epidemiology is a medical
science that uses statistics to
help us understand how diseases operate in a population. Using various statistical and geographic
tools, long before we had computers and GIS, physician
John Snow
demonstrated that cholera,
once a recurring plague
that wiped out hundreds of thousands of people in some outbreaks, was a waterborne
disease. This understanding,
initially met with much skepticism, allowed officials to intervene to prevent
the spread of the disease. For those who
say of their math classes, “I’ll never us this,” here is a case where math (and
science and policy) were used to make a great difference.
It is not much publicized today that the Lewis
and Clark
expedition of 1804
to 1806 had a
partly scientific mission. Captains
Lewis and Clark were charges with bringing back samples of the flora, fauna, and culture of the
western territories. It was also hoped
that they would find a water
passage to the Pacific Ocean. In Undaunted Courage, Stephen Ambrose
writes about the scientific mission as well as the policy, diplomacy, and
commercial
hopes the expedition carried.
Of course, what attracts most people to the Lewis and Clark expedition
is that it was a great adventure. There is a place in STEM fields for thoughtful
adventurers and explorers.
A list like this deserves something strange, creepy, and more fun than you care to
admit. Right now, thousands of very
young future STEM workers are catching bugs and snakes, breaking
their toys to see
what is inside, or staring into space with a weird expression
of vacancy and concentration.
Jan
Bondeson’s Buried Alive is not a
morbid book. It is sometimes humorous,
especially in consideration of topic.
From a STEM point of view, Bondeson shows how knowledge accumulates over
time. The fears and activities of our
forefathers may seem strange to us, but they sometimes made sense in light of
what they knew. Buried Alive doesn’t simply play off our fascination with the grotesque and death, though the
book might not have been written if we lacked that fascination, I think it
reminds us to approach our ancestors with a touch of grace and humility. Maybe our progeny will show us the same courtesy.
If you’re looking for something for a younger student, check out this post→
from Joanne
Loves Science or these
recommendations→ from STEM
Friday. By the way, I also write
about engineering, infrastructure and the environment at Infrastructure Watch.
Google
Friday, July 24, 2009
How Much Does Your Soul Weigh? by Dorie McCubbrey
McCubbrey, Dorie. How Much Does Your Soul Weigh? Diet-Free Solutions to Your Food Weight and Body Worries. New York: HarperResource, 2002.
Dr. Dorie McCubbrey calls herself the “Don’t Diet” Doctor. McCubbrey has a real doctorate in bioengineering. She bases her approach to better health and life from not dieting more on her work as a licensed professional counselor.
Success in weight management and overcoming eating disorders is an inside job. Throughout the book, this is contrasted with the external sources of weight problems and attempts to deal with them.
According to McCubbrey, weight problems have their source in trying to fit ourselves to standards that come from the world around us. Even seemingly healthy people can have weight problems and eating disorders that come from this external orientation. To deal with these, people play “games” which are strategies and behaviors for controlling weight that don’t deal with the real problems.
McCubbrey herself suffered these problems and played many of these games. Her struggles with body image and perfection led hear into anorexia, bulimia, excessive exercise and periods of being overweight.
The solution to these issues, and to the broader issue of living well, is intuitive self-care. Practicing intuitive self-care involves getting in touch with one’s inner wisdom about what is good in eating, exercise and living. It is living from the inside out instead of the outside in.
McCubbrey offers strategies for practicing intuitive self-care. She describes them as feeding the soul. This “diet” for the soul involves learning to love, listen to, and express your true self. To help readers practice this soul diet, she offers several recipes, which are exercises to practice. Some of these deal directly with the way people eat and think about eating. Others are directed toward meditation and discovery of one’s true desires.
The book is in many ways more of a self-help book that a diet plan. It doesn’t focus on changing behavior of lifestyles (lifestyle change is one of the games), but on living from the soul.
Dr. Dorie McCubbrey calls herself the “Don’t Diet” Doctor. McCubbrey has a real doctorate in bioengineering. She bases her approach to better health and life from not dieting more on her work as a licensed professional counselor.
Success in weight management and overcoming eating disorders is an inside job. Throughout the book, this is contrasted with the external sources of weight problems and attempts to deal with them.
According to McCubbrey, weight problems have their source in trying to fit ourselves to standards that come from the world around us. Even seemingly healthy people can have weight problems and eating disorders that come from this external orientation. To deal with these, people play “games” which are strategies and behaviors for controlling weight that don’t deal with the real problems.
McCubbrey herself suffered these problems and played many of these games. Her struggles with body image and perfection led hear into anorexia, bulimia, excessive exercise and periods of being overweight.
The solution to these issues, and to the broader issue of living well, is intuitive self-care. Practicing intuitive self-care involves getting in touch with one’s inner wisdom about what is good in eating, exercise and living. It is living from the inside out instead of the outside in.
McCubbrey offers strategies for practicing intuitive self-care. She describes them as feeding the soul. This “diet” for the soul involves learning to love, listen to, and express your true self. To help readers practice this soul diet, she offers several recipes, which are exercises to practice. Some of these deal directly with the way people eat and think about eating. Others are directed toward meditation and discovery of one’s true desires.
The book is in many ways more of a self-help book that a diet plan. It doesn’t focus on changing behavior of lifestyles (lifestyle change is one of the games), but on living from the soul.
Sunday, August 16, 2015
Changing Minds by Howard Gardner
Psychologist
Howard
Gardner considers the ways people alter their thoughts and behavior in his
book Changing Minds. Gardner is known
for his work in multiple intelligences, which play a part in changing minds,
though I won’t focus on that aspect of it here.
The heart of the book is the mind-changing factors. To be effective, a
mind-changing effort will use multiple factors. Some appeal to the mind such as
a rational approach (reason) and relevant data (research). Some appeal to the
heart such as right feeling (resonance). Others could appeal to both: resources
and rewards and real world events. In addition, a mind-changer must prepare for
resistance; it is difficult to change a mind, especially to change the theories
of how the world works the people form in youth.
Garnder illustrates these concepts at work through several historical
examples, some recent, as well as some examples from his own life. These are
arranged by scale, from influencing the large, heterogeneous population of a
nation down to an individual changing his own mind (even if he won’t admit he
did). He also discusses direct attempts to change minds (by political
and business
leaders)
and indirect attempts (through science
and the arts).
As someone who spends part of his time presenting training on safety in
an industrial setting, changing behaviors is important to me. My coworkers need
to be able to recognize hazards in our workplace and take appropriate steps
protect themselves or each other (that is only part of a safety program, but it
is an important part). I haven’t decided yet how to apply these concepts, but it
seems to me that the mind-changing factors identified by Gardner give me a
framework for estimating how effective a training might be by seeing which
factors I am using and incorporating additional factors.
Gardner, H. Changing Minds: The
Art and Science of Changing Our Own and Other People’s Minds. Boston: Harvard
Business School Press, 2004.
Sunday, July 10, 2016
I Am Spock by Leonard Nimoy
Leonard
Nimoy is well known for his portrayal of Spock on Star Trek television
series and films.
As a Vulcan,
Spock is of a long-lived species, and his appearance in the 2009
reboot film and its 2013
sequel (Into Darkness) makes him a link
between the new adventures and their predecessors. The actor passed away last
year (2015).
I Am Spock is Nimoy’s memoir relating
to his career as an actor
and a director.
Of course, Spock and Star Trek play
an important role in that career, though Nimoy does not limit his reminiscence
to the franchise.
Throughout the book, Nimoy imagines conversations with Spock. As an
actor in a series where writers and directors change, he saw himself as a
protector of the character (and suggested that other actors take similar
attitudes to such characters). This made him passionate about a character known
for being dispassionate. At the same time, he had the reasonable fear of being
type casted and being unable to get other parts.
Fortunately, Nimoy was able to move on to other things after the three
seasons of the original Star Trek
series. On series television, he played Paris on Mission Impossible. He also had
guest roles on a number of other shows. He also worked on the stage. One gets
the impression for the book that Nimoy had relatively few interruptions in his
career after bringing Spock to life, though not always with the steady paycheck
that comes from being on a series.
Nimoy became interested in directing and tried his hand directing a few
episodes of television shows. He got his chance to direct a feature film with Star Trek III: The Search for Spock.
This was a success and he was offered the helm of the next film, The Voyage Home. He also had a great
success as director of Three Men and a Baby.
As a Trek fan, I’m obviously
interested in that part of his career. Even so, I found it almost a relief to
break from that and read about Nimoy’s other projects. Though he does not
present himself as religious, he seemed particularly to relish projects that
provided a connection to his Jewish heritage.
Even the distinctive Vulcan salute was taken by Nimoy from a temple ceremony he
observed as a child.
The book was published in 1995,
so it covers the period up to the sixth Star
Trek film, The Undiscovered Country, and his
appearance on two episodes of The Next Generation. He gave no hint
of imagining that he would reprise the role of Spock 14 years later.
If you’re interested in this book, you may also be interested in
Tuesday, August 24, 2010
How to Read Literature Like a Professor by Thomas C. Foster
Foster, Thomas C. How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines. New York: Quill, 2003.
Some associate learning and teaching literature with an English Lit requirement to read boring books they didn’t understand and being embarrassed by a teacher berating them for not seeing the significance of some obscure symbol. To top things off, the kid who seems to do best is someone they know to bullshit their way through everything (that kid is probably a professor now). So when Thomas Foster promises “a lively and entertaining guide” to reading literature (it says to right on the cover of the book), he faces a skeptical audience even among book lovers.
Foster delivers on the promise. His tone is light, sometimes humorous. His style is conversational. He resorts to only on technical term and it refers to a concept that runs through the whole book so the reader will have no trouble getting it.
What makes reading the book fun is that Foster has such fun reading and thinking about what he has read. He doesn’t want people to stop enjoying what they read to start analyzing. He wants them to keep enjoying novels, stories and poems for the interest, entertainment and beauty they way they always have. Keep the old fun and add to it the enjoyments of understanding a work in relation to the rest of literature.
This is the main point of the book (and that technical term, intertextuality): a book, story, poem, or play is part of the total body of literature and by asking ourselves how it relates to other things we’ve read, using both our intellect and our emotions, we can have a full understanding and enjoyment of it. Each chapter after the first discusses things that appear in literature, such as sex, violence, weather and allusions to other works.
The idea isn’t to give you a bunch of discrete things a reader should always be looking for and doing; Foster wants to enrich readers, not burden them. Instead, each is an example of different recurring themes in literature (intertextuality says it’s all connected) allowing a few concepts to be applied to many different things.
This conceptual focus makes the book easy to grasp. The reader doesn’t have to figure out how to read like a professor by wading through a bunch of dusty old books someone thinks is great. Foster shows how readers (and he as a professor) can get more out of reading whatever they want.
That kid who bullshitted his way to a high grade in your English Lit class is probably a professor now. Fortunately, Professor Foster isn’t he.
If you’re interested in this book, you may also be interested in
How to Talk About Books You Haven’t Read by Pierre Bayard
Some associate learning and teaching literature with an English Lit requirement to read boring books they didn’t understand and being embarrassed by a teacher berating them for not seeing the significance of some obscure symbol. To top things off, the kid who seems to do best is someone they know to bullshit their way through everything (that kid is probably a professor now). So when Thomas Foster promises “a lively and entertaining guide” to reading literature (it says to right on the cover of the book), he faces a skeptical audience even among book lovers.
Foster delivers on the promise. His tone is light, sometimes humorous. His style is conversational. He resorts to only on technical term and it refers to a concept that runs through the whole book so the reader will have no trouble getting it.
What makes reading the book fun is that Foster has such fun reading and thinking about what he has read. He doesn’t want people to stop enjoying what they read to start analyzing. He wants them to keep enjoying novels, stories and poems for the interest, entertainment and beauty they way they always have. Keep the old fun and add to it the enjoyments of understanding a work in relation to the rest of literature.
This is the main point of the book (and that technical term, intertextuality): a book, story, poem, or play is part of the total body of literature and by asking ourselves how it relates to other things we’ve read, using both our intellect and our emotions, we can have a full understanding and enjoyment of it. Each chapter after the first discusses things that appear in literature, such as sex, violence, weather and allusions to other works.
The idea isn’t to give you a bunch of discrete things a reader should always be looking for and doing; Foster wants to enrich readers, not burden them. Instead, each is an example of different recurring themes in literature (intertextuality says it’s all connected) allowing a few concepts to be applied to many different things.
This conceptual focus makes the book easy to grasp. The reader doesn’t have to figure out how to read like a professor by wading through a bunch of dusty old books someone thinks is great. Foster shows how readers (and he as a professor) can get more out of reading whatever they want.
That kid who bullshitted his way to a high grade in your English Lit class is probably a professor now. Fortunately, Professor Foster isn’t he.
If you’re interested in this book, you may also be interested in
How to Talk About Books You Haven’t Read by Pierre Bayard
Saturday, April 7, 2018
Nearing Home by Billy Graham
In his 90s evangelist Billy Graham
wrote about the challenges of aging in Nearing Home. The title is a reference
to approaching death
and to looking forward to being with God and loved ones
who are already with Him in heaven.
That thread runs through the book, Graham’s focus is on living as an
old person in this time and this world. Old age can and
should be a time of purposeful
living as much as any other stage of life. This is because of as much as in
spite of the difficulties.
Graham did not shy away from the difficulties of aging. Our bodies lose
strength. Our memories
weaken. Ache, pains and illnesses
beset us. More friends
and family we have loved a long time pass away.
Graham encouraged his readers to prepare for aging and death some of
this is practical advice for handling affairs in this world. Get your finances
in order. Put documents together so your wishes will be know and followed if
you are incapacitated. Wisely consider when to retire and
what it will mean to leave the work
world you are accustomed to for something new, though possibly even more
meaningful.
Don’t let old age slip up on you. In addition to preparing for worldly
concerns, it is especially important to lay a good foundation in Christ. As Graham
put it, “God designs transitions and provides the grace to embrace what
follows.”
Older people have important parts to play. Retirement can give you the
time to be engaged in your family, church
and community
in a way you could not have pursued while working full time. You can encourage
other because you remember many times when God has demonstrated His love, faithfulness
and power in
your life. You can set an example of aging with dignity and grace, even if it
seems like no one is paying attention.
As I wrote this review of Nearing
Home, I heard of the passing of Delores
O’Riordan. In enjoyed the music
of her band, The
Cranberries, at the peak of their popularity about 20 years ago. I was
young; I had little money and few responsibilities in those days. I should have
enjoyed them more than I did. O’Riordan died at the age of 46; we were the same
age. That is too young to die in my opinion.
At any age, we may be nearer to death than we know, for the Christian
nearer home. Even if we are still young, or see ourselves as young, it is wise
to consider that an in to this life is coming, and many years of aging may come
before it. We should consider how to be ready for aging and death and how to
leave a legacy, a good example, we will want to leave.
If you’re interested in this book, you may also be interested in
Graham, Billy. Nearing Home:
Life, Faith, and Finishing Well. Nashville,
TN: Thomas
Nelson, 2011.
Monday, November 14, 2016
Circles by James Burke
Circles is a collection of essays that science
journalist
James Burke
wrote for Scientific American. These 50 short histories
focus on science and technology,
as you might expect from the magazine that
originally published them. Burke also covers culture and literature,
which are inextricably tangled in those other subjects anyway.
The conceit of these essays is that they start and end at more or less
the same place, making a circle. These trips through history, like history
itself, are hardly tidy little circles. Burke skips from place to place, person
to person, and period to period like a mad time traveler. The jumps are not
random, each step has a connection to its predecessor, eventually finding a
connection back to the starting point. Even so, the effect is sometimes
chaotic.
I think Burke wanted to convey something of the chaos of history. It is
easy to look at the history of some bit of science or technology and see it as
a clearly delineated arc. We make superhighways from early concept to
full-fledged idea and fly by everything else without noticing it. Burke takes
the scenic route, noting the oddball side trips and serendipitous stumbles that
are the typical milestones of our creeping advancement in knowledge.
The approach doesn’t allow Burke to dive deep into any subject, but
that is not what he wanted to do. That is why I would recommend it to other
amateur historians. You can play the honeybee with Burke, flitting from flower
to flower and sipping the nectar of each. Along the way you are likely
something that intrigues you. You could start a historical journey of your own.
James Burke also wrote The Pinball Effect.
If you’re interested in this book, you may also be interested in
Burke, James. Circles: 50 Round
Trips through History, Technology, Science, Culture. New York: Simon
& Schuster, 2000.
Tuesday, September 21, 2010
Boris Karloff Double Feature
I watched a Boris Karloff double feature over the weekend. Isle of the Dead (1945) is a tale of a modern man struggling against the ancient superstitions that were ingrained in him during his childhood. Tension runs high on the plague-infested island of his nightmares.
Bedlam (1946) is a combination of horror movie and morality play. It seems ripe for a remake as the story of a young woman who leaves the life of privilege she struggled so hard to attain to fight for better treatment of the mentally ill in the 18th Century. They could skip the horror-style poetic justice, but then it would just be a thriller or maybe a gritty version of the feel-good movie.
Both films deal with the classic horror theme of live internment. To better understand this fear, especially in the time when these films were set, and possible enrich your viewing, read Buried Alive by Jan Bondeson.
Bedlam (1946) is a combination of horror movie and morality play. It seems ripe for a remake as the story of a young woman who leaves the life of privilege she struggled so hard to attain to fight for better treatment of the mentally ill in the 18th Century. They could skip the horror-style poetic justice, but then it would just be a thriller or maybe a gritty version of the feel-good movie.
Both films deal with the classic horror theme of live internment. To better understand this fear, especially in the time when these films were set, and possible enrich your viewing, read Buried Alive by Jan Bondeson.
Monday, July 7, 2014
Second Chronicles
Second
Chronicle continues the history
of Israel from
First
Chronicles (originally they were one book). It covers a period of almost
four centuries, beginning with the reign of Solomon and
ending as the Babylonian
captivity
started.
The
chronicles are books of comparisons and contrasts. There was something alike
about all the periods when the kings of Israel were successful and the people
thrived. Likewise, periods of defeat and loss all shared a common element.
These thriving and dying periods similarly were unlike in a key way.
The key
factor was the faithfulness
of the king, and the people, to God. When the kings
sought God and the people worshipped Him,
he blessed them
and caused to rise in wealth
and power. When the king and people sought their own
ways, especially to worship the idols and practice
the sins of
neighboring kingdoms, God let them fall into the hands of their enemies.
Eventually, Israel was completely taken over by Babylon.
This pattern
could play out even if the reign of a single king. Some hard-hearted kings
would start well but stray from God and lead the people away with him. Some
evil kings responded to God’s call of repentance and reconciliation, and their
turnaround could bring the whole kingdom back to God.
One could
argue that the kingdom was at its peak during the reign of Solomon. He built
the temple, he
reigned in peace,
and he stored up great wealth for himself and his kingdom. In spite of his wisdom, he
strayed, too. Though he never abandoned the worship of God, he suffered for his
sins, suffering he brought onto himself.
Even so,
Solomon was the model of a good king. His reign takes up more pages than others
in the book. A lot happened during that time, especially the building of the
temple. The temple was the symbol of God’s presence with the nation of Israel,
and His blessing is central to the prosperity of the nation, so it makes sense
that His temple received a lot of attention.
Other
notable kings include Jehoshaphat,
Hezekiah,
and Josiah.
These leaders were associated with revivals, the
destruction of idols, the restoration of worshipping God, and generally
successful reigns. As an engineer,
I take special note of Hezekiah, who was famous for building a reservoir and
underground aqueduct
to supply water
to Jerusalem.
If you’re
interested in this book, you may also be interested in
Tuesday, October 28, 2008
The Chinatown Death Cloud Peril by Paul Malmont
Malmont, Paul. The Chinatown Death Cloud Peril. New York: Simon & Schuster, 2006.
There is trouble in Chinatown. The war god that sets faction against faction in Asia stretches a tentacle across the world to stir plots and revenge in America. Heroes rise to meet this menace, very unlikely heroes: writers.
Malmont takes real life writers of pulp magazines, who he clearly regards with great respect and affection, and puts fictional versions of them in the middle of the kind of adventure they may have written. Some of these writers were legends in their time, but may be little know today. For instance, the main characters are Walter Gibson, who wrote The Shadow as Maxwell Grant, and Lester Dent, who penned Doc Savage as Kenneth Robeson. Other names may be more familiar to modern readers of genre fiction, especially L. Ron Hubbard and Robert Heinlein. H. P. Lovecraft plays a brief but pivotal role in a creepy way suited to his weird tales. Several lesser know pulp writers play lesser roles in the story.
I enjoyed these intrusions of biography into the wild fiction. I don’t think anyone would need to be a fan of pulps to enjoy the book. If someone enjoys adventure stories, he’ll probably enjoy this one. The characters sometimes discuss what might be real, if improbable, and what is pulp, a good yarn. Malmont puts the pulp first.
Malmont achieves the right balance of fact and fiction by throwing out the balance. It’s fiction first. The reality is informative and fun, but Malmont makes it work double duty. It is biography and history, but it also helps the reader connect to the characters and their world, which does much to serve the fictional story.
The best thing about the book is that it is fun. It’s a thriller that thrills. It’s a twisty tale that doesn’t try to throw the reader, but sweep them along.
There is trouble in Chinatown. The war god that sets faction against faction in Asia stretches a tentacle across the world to stir plots and revenge in America. Heroes rise to meet this menace, very unlikely heroes: writers.
Malmont takes real life writers of pulp magazines, who he clearly regards with great respect and affection, and puts fictional versions of them in the middle of the kind of adventure they may have written. Some of these writers were legends in their time, but may be little know today. For instance, the main characters are Walter Gibson, who wrote The Shadow as Maxwell Grant, and Lester Dent, who penned Doc Savage as Kenneth Robeson. Other names may be more familiar to modern readers of genre fiction, especially L. Ron Hubbard and Robert Heinlein. H. P. Lovecraft plays a brief but pivotal role in a creepy way suited to his weird tales. Several lesser know pulp writers play lesser roles in the story.
I enjoyed these intrusions of biography into the wild fiction. I don’t think anyone would need to be a fan of pulps to enjoy the book. If someone enjoys adventure stories, he’ll probably enjoy this one. The characters sometimes discuss what might be real, if improbable, and what is pulp, a good yarn. Malmont puts the pulp first.
Malmont achieves the right balance of fact and fiction by throwing out the balance. It’s fiction first. The reality is informative and fun, but Malmont makes it work double duty. It is biography and history, but it also helps the reader connect to the characters and their world, which does much to serve the fictional story.
The best thing about the book is that it is fun. It’s a thriller that thrills. It’s a twisty tale that doesn’t try to throw the reader, but sweep them along.
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