You are a Badass at Making Money by Jen Sincero

Making money starts in your mind according to Jen Sincero, author of You are a Badass at Making Money. Your wealth, or lack of it, has a lot to do with your mindset.

The things we think and say, even and maybe especially in your subconscious mind, affect our behavior related to money. If you’re making less than you want, you probably have beliefs and thoughts that are holding you back.

Fortunately, you can change your mind. Much of Sincero’s book is focused on ways you can get a new perspective on money and change your habits of thought. New behaviors and more money should follow.

Of course, changing deeply ingrained beliefs and habits that you’ve practice for years can be difficult. It requires persistence and determination.

It also requires action. At first, you’re unlikely to know how you’re going to make more money. You’ll have some ideas, and you should act on them. You’ll have questions and you should seek out answers.

Sincero suggests you’ll have help along the way. This is where things get a little far out. She says there is a universal intelligence trying to give you what you want. Our consistent thoughts tell the universe what we want and how much we want it. If we want positive things, like being rich enough to do a lot of cool stuff, we should have strong positive emotions as much as we can right now.

This notion of universal intelligence is common to self-help literature, especially related to wealth. Sometimes the power is ascribed to the subconscious mind, as in the case of Maxwell Maltz, but often this power is seen to rest in some outside or all permeating force, which is some people’s conception of God.

Actually, a lot of the ideas you’ll find in Sincero’s book are common to the genre. The humorous and entertaining way she presents the material is unique. Books like this are sometimes dense, brow-beating or far out there, but Sincero’s humorous, easy-going tone and straightforward style makes for easy reading.

Jen Sincero also wrote You are a Badass.

If you’re interested in this book, you may also be interested in

Acres of Diamonds by Russel H. Conwell

Creative Living for Today by Maxwell Maltz

Gratitude by Melody Beattie

The Magic Power of Self-Image Psychology by Maxwell Maltz

Make Miracles in Forty Days by Melody Beattie

Mindset by Carol S. Dweck

The Secret of the Ages by Robert Collier

Secrets of the Millionaire Mind by T. Harv Eker

Write It Down, Make It Happen by Henriette Anne Klaus

Sincero, Jen. You are a Badass at Making Money: Master the Mindset of Wealth. New York: Viking, 2017.

The Explorer King by Robert Wilson

Clarence King was probably the most well-known American scientist of his time. It doesn’t hurt that his scientific reputation was built on exploration of the then still wild west of the United States of that he could spin a tale. Robert Wilson recounts the life of the accomplished geologist in The Explorer King.

King was born in 1842. He was raised in Newport, Massachusetts. He was educated at Yale’s Sheffield Scientific School.

As a young man, King was enamored of art critic John Ruskin. Ruskin thought the rugged Alps of Europe to be the best subject of art for their beauty, colorfulness, ruggedness and variety. When he met western geologists and mountaineers through mentors at Sheffield, he wanted to be part of it.

He headed out for California in 1863 and became part of the state’s geologic survey. He would spend the next decade studying the geology and geography of the American west, especially its mountains. He showed great physical prowess and courage as a mountaineer.

After working on the California survey, he went on to lead surveys. In 1864, he was chosen to lead a survey of Yosemite.

He built on his reputation from the Yosemite survey to lobby Congress to fund a survey of the 40^th Parallel, roughly the route the transcontinental railroads would follow. Though it was under the auspices of the Army Corp of Engineers, it was the first federally-funded scientific endeavor that was completely staffed by civilians. While working on this survey, he was the first to discover active glaciers in the U.S. His team published new methods of silver smelting to make the mines for productive (the survey’s first report dealt with mining in order to show the commercial value of their research to money-conscious Congressmen).

The 40^th Parallel survey made King famous, though not because of the many contributions to science that came from it. King’s team heard rumors of a diamond discovery in Colorado. It would have been very embarrassing for them to have walked over such a valuable mineral resource without observing it. They tracked down the site of the discovery and determined it was a hoax; the site had been planted with rough diamonds and other uncut gemstones that the con men had bought mostly with money from their marks. Stories of massive fraud sells newspapers, especially when the names of big money men in San Francisco and New York are attached to it. King was the hero of the story.

When the U.S. Geological Survey was created, King was appointed to be its first director. His career as a scientist was already on the decline. He would turn his attention to making money in mining, but he would not be successful. He would have no money when he died.

This leads to an interesting point about King, though it is not the focus of Wilson’s biography. King had nothing to leave for his secret family. He was married to a black woman. This was a very unusual thing at the time. To protect his reputation, he kept the marriage a secret. He did not even reveal to his wife his real identity until shortly before he died (she knew him as James Todd). His friend John Hay provided for Ada Copeland Todd (and the five children she had with King) after King died in 1901.

If you’re interested in this book, you may also be interested in

A Professor, a President, and a Meteor by Cathryn J. Prince

The Fifth Heart by Dan Simmons

Sea of Glory by Nathaniel Philbrick

Undaunted Courage by Stephen Ambrose

Wilson, Robert. The Explorer King: Adventure, Science, and the Great Diamond Hoax—Clarence King in the Old West. New York: Scribner, 2006.

The Big Con by David W. Maurer

Maurer, David W.  The Big Con: The Story of the Confidence Man.  1940.  New York: MJF, 2009.

Even as it was coming off the press in 1940, The Big Con was describing history.  The confidence game described by David W. Maurer had evolved with the times, opportunities, and creativity of the con men, and it surely didn’t stop evolving 70 years ago.  Even so, it’s an interesting history.

Maurer was a linguist who studied the jargon of criminals.  The book includes a glossary of terms used by con artists in the early 20^th Century.  If you want to talk like a character in a hardboiled crime story, check it out.

This study led him to the culture and methods of confidence men.  Con men were the kings of grifters. The grift involved nonviolent crimes, in contrast to the heavy rackets.  The confidence game was the highest grift because the marks would give their money to the grifter.  It was a game of intelligence and acting (and deceit) that tripped up the greedy.  Con men had to be able to mix with legitimate society and seem to fit in with people who had regular jobs, legitimate business, and money.  The appearance of respectability was so important that con men avoided the company of other criminals and cultivated associations with straight citizens (maybe just a little bent).

The Big Con is not a textbook for running a con game.  It does give you a pretty good idea of how con men worked.  Maurer concentrates on the big cons: the wire, the rag, and the pay-off.  These games all convince the mark to get involved in a crooked scheme for sure-thing bets on horses or stocks.  They give him a taste of winning, and then send him off to get all the money he can get his hands on.  When the big money is in, the scheme falls apart and everybody needs to skip town to escape suspicion.  A hooked mark is convinced he was onto something and may come back to try again.  Even if he is suspicious, he has little recourse because turning in the con men means admitting involvement in something shady and possibly criminal.

Maurer summarizes several short cons, too.  Some of these may still be around.  I saw a version of the wipe depicted on and episode of CSI: New York.  Because it was a CSI: show, the con artist was murdered; obviously not part of the plan.

The big cons are not one man operations.  Maurer describes the con mob.  He also discusses the relationship between con artists and crooked officials and other criminals.  He is interested in culture as well as methods.

Maurer comes off as having some a fascination with the con men, even a kind of admiration.  I don’t think he admired what they did.  He seemed to respect the skill it took to pull a successful con, especially to do it over and over.   The con men come off as charming, probably because they were.  They had to be charming, they had to be able to read people, and they had to recognize people who had the right combination of money and greed to make a good mark.

If you’re interested in this book, you may also be interested in

The Man Who Loved Books too Much by Allison Hoover Bartlett

Newton and the Counterfeiter by Thomas Levenson

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Billion Dollar Whale by Tom Wright and Bradley Hope

I’m feel stuck in trying to describe Billion Dollar Whale, by Wall Street Journal reporters Tom Wright and Bradley Hope. Part of what boggled my mind is the sheer size of the crime they describe, the theft of an estimated $5 billion dollars. That’s right, billion. The other is the number of corrupt people needed to pull it off. Some were neck deep in the scheme, but a lot of people had to look the other way or squelch concerns in order for this to occur and for it to go on for so long.

 The true story focuses on a man name Jho Low. He grew up in Malaysia. His father made millions in business and sent a young low to be educated in the UK and US (the Wharton school at University of Pennsylvania), where he started making connections at the prestigious schools he attended. While the Lows were wealthy—even in the US, $15 million is a lot of money—he was rubbing elbows with scions of families that controlled orders of magnitude more wealth. He wanted to run in those circles.

 I once read that you can’t con and honest man—traditional cons involved roping a mark into something that is morally dubious if not outright criminal. Low was fortunate to have found many dishonest people who were willing to help him, including the prime minister of Malaysia at the time, Najib Razak, the stepfather of one of Low’s Wharton friends. He also made contacts in the Middle East through Wharton and his British prep school. With the help of Razak and a Saudi ambassador, Low created a Malaysian sovereign fund. Instead of investing the billions of dollars the fund borrowed from investors—with the aid of American banks—Low and his conspirators siphoned of most of the money. He never intended to pay it back.

 Low like to party. This is where the story gets really crazy. His partying led him to contact—and in some cases even friendship—with American celebrities. Low pulled money out of the Malaysian fund to finance the making of the film The Wolf of Wall Street, which is about the huge fraud committed by Jordan Belfort, who was played by Leonardo Dicaprio in the film. (Dicaprio was far from the only celebrity in Low’s circle, and part of the fascination of the book is seeing how he used his access to access these people.) Low’s theft and excesses almost makes Belfort seem like an amateur.

 As the book was published, Low’s scheme had finally collapsed after seven years, though he and some of his conspirators were still at large and had access to at least some of their stolen money in spite of American, Swiss and Singaporean efforts to seize assets of those involved in the scam. It is frustrating to think that he may get away with it. It is also frustrating to realize that billions may never be repaid to investors, the people are Malaysia are stuck with enormous debts that will be a drag on their economy for decades and the truly beneficial investments that might have been made with that money will never occur.

 Wright, Tom & Bradley Hope. Billion Dollar Whale: The Man Who Fooled Wall Street, Hollywood, and the World. New York: Hachette, 2018.

Reposition Yourself by T. D. Jakes

We’re not always where we want to be in life, but we can make it better if we’re willing to change. Megachurch pastor T. D. Jakes offers advice on making positive change in his book Reposition Yourself.

To make a change, you need to face the truth. For most of us, a hard truth is that we have a lot to do with our problems. We bring ourselves to an unhappy, unfulfilled state through our own apathy, lack of passion, settling for less than our best, passivity, poor money management and lukewarm relationship with God.

Another hard truth is that life is unfair. Bad stuff happens to all of us, and to some more than others. Success demands perseverance and flexibility.

People who successfully change take effective action. They are attentive to their situation and to themselves, developing a strong sense of their gifts and purpose. They are intentional, setting definite goals and putting themselves in environments and around people who support what they want to achieve. Thee have a plan, recognizing that it is inevitable that things will that they will face setbacks, but a delay in achieving their goals does not mean they will be denied success.

Humility is another key to successful change, though I don’t recall Jakes putting it so bluntly. Humility begins with recognition that we need God; we need the cleansing and power we can only receive through Jesus Christ. Our humility is grown through gratitude. In thanksgiving we appreciate what we have, learn contentment, and gain strength from our struggles. Humility also protects us from the pitfalls of success such as excessive self-reliance, neglect of important relationships or becoming coopted for the agendas of others.

Along the way to way, it is good to make some money. Money gives you options. Jakes offers some advice on managing money so you can make yours grow and have more freedom.

Jakes, T. D. Reposition Yourself: Living Life without Limits. New York: Atria, 2007.

Stealing Plots

I previously wrote about “stealing” characters.  In that essay, I described several characters from popular fiction and how they might be seen as variations on the same character template.  I suggested that a writer can modify and reimagine existing characters to create new ones.  Actually, I think that is probably how most characters are born, even if the authors aren’t consciously aware of it.

Similarly, plots can be “stolen.”  Some have suggested that there are a very limited number of plots, so in a sense all writers are stealing from a small pool.  On the other hand, there is a lot more to a story than just the plot, so it may not matter.  Let me illustrate the idea with some examples.

A Christmas Carol is one of the most popular, and I think one of the best, ghost stories ever written.  Charles Dickens’ novella was first published in 1843.  The story has been adapted to the stage (including opera), many films, radio, television (my wife and I are fond of the 1984 version with George C. Scott as Scrooge), comic books, and numerous pastiches.

The plot is well known.  Ebenezer Scrooge begins as a miser.  On a certain Christmas Eve, he is confronted by the ghost of his former business partner and three spirits who represent Christmases past, present and future.  The visions they show him convince Scrooge that his single-minded pursuit of money has deprived him of life.  He awakes Christmas morning as a new man committed to relating to his fellow man and putting his money to use.

Let’s reverse Scrooge.  Make him an extremely generous person instead of a miser.  In that case, he might be something like George Bailey.  Bailey, played by Jimmy Stewart, was the generous man at the heart of It’s a Wonderful Life.  His dream is to travel the world.  Instead, he delays his dream again and again to help his neighbors, his brother, and eventually his own wife and children.  It comes to a head when a mistake by his uncle brings imminent ruin to the savings and loan George runs. Faced with ruin, George sees himself as an utter failure.  He contemplates suicide in hopes that his insurance policy will rescue his family from financial ruin.

At this point, he receives a spiritual visit like Ebenezer.  In this case it is a single spirit, an angel named Clarence.  Like the Christmas ghosts, Clarence shows George a vision.  This is also an inversion of Dickens’ tale.  Instead of showing him a history of missed opportunities and blindness to the needs of others, Clarence reveals an alternate world in which George and his generous acts did not exist.  His brother is dead.  His wife is a frightened spinster (it’s hard to believe Donna Reed would have been overlooked by the marriageable men of Bedford Falls even holed up in the library with her glasses on).  The people are mired in poverty because he hadn’t been there to fight for access to credit so they could build homes and businesses.  The town is under the thumb of the miserly landlord Mr. Potter, himself a type of unreformed Scrooge.

Like Scrooge, George is changed by his vision.  He sees that his life is worth something and that his sacrifices bought him a lot of love.  In the end, returned from his walk in the dark alternate universe, that love is displayed by a return of generosity from his many friends that saves him.

These beloved stories don’t have the same plot.  However, one is a variation or alteration of the plot of the other.  This plot archetype doesn’t have to be so serious.

Topper, either the book by Thorne Smith or the movie starring Cary Grant, is an example of this plot played for laughs.  Cosmo Topper is a banker.  He is bored with his job.  He is somewhat alienated from his wife who clings to respectability.  He has money and status, even what might have been considered a good marriage in a time when such relationships were as much about business as love, but he has no fun and it is wearing on him.

The ghosts are a piece of work, too.  George and Marion Kerby are a wealthy couple who die in a car accident.  Instead of shuffling off to the afterlife, they find themselves stuck on earth.  They have never done something substantive, either good or bad, in their entirely frivolous lives.  They decide to fix the situation by helping their old friend Topper.

In this case, all the major characters are a type of Scrooge.  Topper has let his job, money, and status keep him from a life of fun and serious connection.  The Kerbys had so little meaningful connection to other people that they neither helped nor harmed another soul.  Even Topper’s wife Clara has sacrificed intimacy in her marriage to focus on social climbing.

So Topper is visited by spirits like Scrooge and Bailey.  Instead of taking a serious look at life, it is presents a screwball comedy.  The Kerbys drag Topper into all kind of risqué situations he would normally not get into.  Misunderstandings abound and Topper is embarrassed repeatedly.  The ghosts are have good intentions, but they are not very competent.  Topper feigns irritation at the hijinks, but in his heart is having a ball and doesn’t want the haunting to end.  Clara feels humiliated by all the trouble Topper is getting into, but fear of losing him to a wild life reminds her of how much she loves him.

Through a series of screwy events, the characters undergo a Scrooge-like change.  The Toppers loosen up and rekindle their love.  They discover that their intimacy as a couple is more important than jobs, wealth or status, though they don’t have to completely give up those things.  The Kerbys take responsibility for themselves and their actions.  They finally put Topper’s needs ahead of their own and do something substantively good, opening the doors of heaven.

You can probably see that these stories are related by more than similarities in plot.  They have a common theme.  All of these stories are about connecting to others in relationships.  Bailey is a little different from the others in that he starts out blind to all the good that has resulted from his seemingly humble touching of the lives of others.  Scrooge, the Toppers and the Kerbys are isolated for various reasons, mostly of their own making, and need to discover that relating to others is the main thing.

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From virtue comes money and every other good of man

I tell you that virtue is not given by money, but that from virtue comes money and every other good of man, public as well as private.

-Socrates

What I Read (7)

Date: January 23, 2006
Title: Don’t Grow Old—Grow Up! Author: Dorothy Carnegie
Thoughts: “The moment a man’s attention is center on service to others, he becomes more dynamic, more forceful and harder to resist” (quote from the book).

Date: January 30, 2006
Title: The Great Bridge
Author: David McCollough
Thoughts: A good book about a great accomplishment.

Date: February 26, 2006
Title: Positive Imaging Author: Norman Vincent Peale
Thoughts: The launch of Infra Consulting LC in March 2006 receives a huge, positive response from potential clients and the media. Within days I’m having consultations and negotiating contracts for grant writing and management consulting projects. I have a training session scheduled for April that is filling fast. (I didn’t launch my business until November 2006 and it didn’t go this smoothly.)

Date: March 13, 2006
Title: Change the Way You See Everything Author: Kathryn D. Cramer & Hank Wasiak
Thoughts: Connie and I have been talking about similar things for months. We just didn’t have the term ABT. Though Cramer & Wasiak suggest ABT is more than just positive thinking, it seems not far from Peale and Carnegie. Thinking isn’t magic, it leads to action.

Date: April 19, 2006
Title: Getting Started in Consulting
Author: Allen Weiss
Thoughts: I will be a successful consultant. I am attracting great clients to me and my business.

Date: May 11, 2006
Title: The Success Principles Author: Jack Canfield with Janet Switzer
Thoughts: I’m going to achieve all the good I can imagine now and even more.

Date: May 16, 2006
Title: Self-Love
Author: Robert H. Schuller
Thoughts: “Man is a dignity seeker” (quote from the book).

Date: June 26, 2006
Title: The 21 Irrefutable Laws of Leadership Tested by Time Author: James L. Garlow
Thoughts: “I tell you that virtue is not given by money, but that from virtue comes money and every other good of man, public as well as private,” Socrates.

Other parts of What I Read
Part 1, Part 2, Part 3, Part 4, Part 5,
Part 6

Follow Your Heart by Andrew Matthews

Matthews, Andrew. Follow Your Heart. New York: Price Stern Sloan, 1997.
ISBN 0-8431-7491-9

Follow Your Heart is like a short course in the major concepts of happy living. That Andrew Matthews wrote it in a light, simple style gives it and advantage over many similar self-help books.

Matthews sees life as series of lessons. Our job is to learn, change and improve. Instead of fighting against and imperfect world, we learn to be better people and make the world a little better in the process. We’re not here to change the world, but to change ourselves.

In this light, success is more about being happy and having peace than about having money and the trappings of wealth. A person who does what he loves to do often finds he doesn’t need much. A person who develops his talents into excellent skills often finds himself equipped to make plenty of money.

This kind of success is available to everyone. Matthews says, “The universe has no favorites.” The universe is governed by natural laws and we can all understand and use them. Matthews discusses some of these laws. The laws aren't easy ways to get what you want. The laws require patience and effort. This relates to another of Matthews’ precepts, “When you fight life, life always wins.”

One of the ultimate things we can do to be better and help others be better is to love others. According to Matthews, the great expressions of love are forgiveness and acceptance. People aren’t going to be perfect and aren’t going to follow all the rules me make up for them. When we free others from our hurts and expectations, we free ourselves from self-imposed misery, too.

Follow Your Heart isn’t especially original in its message and methods, but neither are many other self-help books. Where it stands out is in a style that is straightforward, lighthearted, humorous and brief.



If you’re interested in this book, you may also be interested in
Attitude is Everything by Jeff Keller
Happier by Tal Ben-Shahar

The Wright Brothers by David McCollough

Brothers Orville and Wilbur Wright rose to fame at the beginning of the 20^th Century by building the first successful manned, powered flying machine. In popular culture, they tend to be presented as geniuses who went out to Kitty Hawk and started flying one day. In his biography of these men, The Wright Brothers, David McCollough does not dispel the notion of genius, but he focuses on their courage, determination, careful study, methodical approach, and persistence in the pursuit of something they believed could be.

As boys, the brothers were inspired by a toy to consider the possibility of flight. As grown men, they made a careful study of it. Before beginning their experiments, they gathered the available information, including contacts with earlier experimenters in flight such as Octave Chanute and Samuel Pierpont Langley (the director of the Smithsonian Institute who’s “aerodrome” was a failed early flyer). When they began conducting their own experiments with kites (and later using a small wind tunnel they made), they found the published data to be lacking in useful or correct information.

Therefore, it was mainly on their own that the brothers invented their flyers and the means of piloting them. They had the practical view that inventing a flying machine included inventing the method for controlling it in flight.

An interesting note is that the Wrights funded their experiments and first airplanes with their own money. Their bicycle shop must have produced a decent income, but they lived modestly. They lived in a modest home together with their father and sister until after they completed built three working airplanes, the third model being the one they demonstrated publicly. Even after they began to make money making airplanes and decided to build a new, larger house, they shared it. Wilbur’s only request for the new house was that he have his own bedroom and bathroom.

McCollough emphasizes how much the success of Wilbur and Orville was a family affair. They were close to their widowed father, who survived Wilbur by two years. Once they began to demonstrate their airplane and make a build a business on it, their sister Katherine became a social manager for them, and she share a house with Orville until she married at the age of 52 (she passed away three year later). Orville had a long life and saw many improvements in aviation after he sold the company, including Charles Lindbergh’s trans-Atlantic flight and the use of bombers in World War II.

The book is fairly brief. McCollough concentrates on the period when the Wrights were most involved in experimenting with, building, and ultimately demonstrating their invention. Even so, one gets a sense of what the brothers and their immediate family and friends were like.

David McCollough also wrote The Great Bridge. 

If you’re interested in this book, you may also be interested in

Make a Joyful Sound by Helen Elmira Waite

McCullough, David. The Wright Brothers. New York: Simon & Schuster, 2015.

You Can Write a Column by Monica McCabe Cardoza

Cardoza, Monica McCabe. You Can Write a Column. Cincinnati, OH: Writer’s Digest Books, 2000.

Cardoza offers no false hope for aspiring columnist. Writing a good column, repeatedly, is hard work. Selling a column, and making a living at it, is very hard work. You may have reasons to write a column, and work to get it in print, even if you don’t intend to make money directly from it.

You Can Write a Column is a short book of practical advice. It covers the how to of both writing and selling columns.

Though writing a good column can be difficult, if you have a lot of enthusiasm for your subject and appropriate knowledge of it, column writing could be a lot of fun. If you have a compelling perspective, a strong voice and credentials of the practical sort, you may also have the making of a successful column.

Cardoza points out that many columnists write for reasons other than making money from it. They may wish to express their opinions, build their professional reputations, see their names in the paper or make a living from parallel efforts.

Even so, selling and writing seem to never be far separated. Selling a column starts with writing the kind of column that well sell. Writing starts with and idea of the kind column you want to write refined with an understanding of the potential market for it.

Cardoza presents practical advice in all these areas. The book includes a few exercises, particularly in those chapters relating to developing the column. The exercises don’t constitute a step-by-step process to creating a successful column. Cardoza points out that if such a process existed, newspaper editors would be using it.

There is a lot in this little book for readers with realistic expectations. You won’t reduce your work by reading book. However, the clear direction, sharper ideas and useful information you may gain can make your work much more effective.



If your interested in this book, you may also be interested in You Can Write for Magazines by Greg Daugherty.

You Can Write for Magazines by Greg Daugherty

Daugherty, Greg. You Can Write for Magazines. Cincinnati, OH: Writer’s Digest Books, 1999.

You Can Write for Magazines is a practical primer on writing and selling magazine articles. This short book is loosely divided into three parts: how magazines work, how to write types of articles that are popular, and how to handle the business of writing.

As an editor, Daugherty is familiar with how magazines work. Since this is a book for writers, it treats the subject lightly and briefly. It’s enough to help the novice freelancer know what to expect without unnecessary detail. In an early chapter, he juxtaposes what is going on with the writer with what is happening at the magazine.



For the hopeful freelancer, the several chapters on popular types of articles are likely to be of most interest. These chapters are short and won’t save writers any of the hard work of putting together articles. They will help them start of in the right direction and avoid problems. This section works well as a possible reference. Since each chapter deals with a single type of article, one can turn to it for relevant pointers without sorting through the entire book. They also highlight the types of materials magazines use beside long feature articles.

The final chapters are very important to those freelancers who might hope to make a little money from their efforts. They cover the art of selling, the writer’s rights and money management. As in the rest of the book, Daugherty concentrates on the essential facts that will be useful to the writer, especially a beginner.

Throughout, Daugherty’s own writing style can be a lesson to beginning magazine writers. He sticks to the main points, focuses on the important aspects of his subject, organizes each chapter well and writes with an appropriate tone. Each chapter could be an article on some aspect of magazine writing.

Lost Connections by Hari Johnson

Depression and anxiety are growing problems in the West. The model of depression as a chemical imbalance in the brain is breaking down, and antidepressants are ineffective. (I’m not suggesting you should stop taking antidepressants. Even if they are not working out for you, discuss it with your physician first.) Where do we turn to find relief?

 Johann Hari considers this problem in his book Lost Connections. Hari was a long-time sufferer of depression and taker of ever-increasing doses of antidepressants. He was happy with the model that depression was a chemical imbalance that was beyond his control and a pill could fix it. The problem was that a pill didn’t fix it; he was still depressed.

 First, it isn’t all in your head—or even in your chemistry. Though there is a physiological, and even hereditary, aspect to depression that can make some more susceptible, depression is triggered by our experience and social environments. Depression is a symptom of problems in your life. To Hari, depression is essentially a social disease and it requires social treatments.

 Though Hari does not claim to have completely uncovered the causes of depression, he outlines several that are supported by research. He describes them all as types of disconnection.

 For example, many are disconnected from meaningful work. They have no sense of control over their work. There is no connection between effort and reward, and the work can be humiliating drudgery. In addition, work has become much less secure; many have no idea if they’ll have work next week or even tomorrow.

 Related to this is disconnection from status. Research of primates suggests that depression is an expression of low status intended to protect apes from the abuse of their neighbors. In highly stratified cultures, like the United States, stress is higher than in cultures with more status equality. Low status people are under constant stress, and high status people experience extreme stress when their status is challenged.

 Most of all, we are disconnected from other people. We are less likely than ever to belong to a church, club, civic group, professional organization, sports league or similar structure of getting together with other face-to-face, bonding over common interests and building relationships. Neighborhoods are no longer communities; they’re just clusters of homes.

 Though it is more challenging than taking a pill, the solution to depression is to reconnect in those areas where we have become disconnected. It is especially important to reconnect to other people. If you want to feel better, do something to make someone else’s life better.

 The difficulty is that it is hard to get better on your own. Fortunately, if you’re willing to take a step, there are things you can do. On the bigger scale, we need cultural reform that supports personal relationships, meaningful values, meaningful work, empathy, hope and time in natural settings. There is no money to be made in prescribing a community garden, a book club or a job where one is treated with respect, so the money will probably continue to pour into drugs (whether they work or not), until we demand—and start to create for ourselves—something better.

 If you’re interested in this book, you may also be interested in

The Beethoven Factor by Paul Pearsall

Change Your Brain Change Your Body by Daniel G. Amen

The Last Self-Help Book You'll Ever Need by Paul Pearsall

The Relaxation Response by Herbert Benson with Miriam Z. Klipper

Switch on Your Brain by Caroline Leaf

Suggestible You by Erik Vance

Timeless Healing by Herbert Benson with Marg Stark

Vital Friends by Tom Rath

 Hari, Johan. Lost Connections: Uncovering the Real Causes of Depression—and the Unexpected Solutions. New York: Bloomsbury, 2018.

Rock Breaks Scissors by William Poundstone

People are terrible at producing randomness. We are very bad at recognizing it, too. In his book Rock Breaks Scissors, William Poundstone describes the ways we misunderstand randomness. In addition, he shows how knowledge of this blind spot can help us to make better decisions, or at least help us to avoid being duped by fraudster or our own minds.

The early chapters of the book describe how researchers have come to identify our biases related to randomness perception, even if we do not wholly understand it. Poundstone avoids the textbook psychology and pulls examples from interesting sources such as mass experiments in parapsychology (designed to sell radios) and a machine that beats people at a child’s outguessing game using a simple algorithm.

These experiments reveal two important things about our perceptions for randomness. First, we are almost incapable of intuitively recognizing true randomness and prone to identify as random things that aren’t. In addition, we have all manner of unconscious preferences that show themselves when we try to be random, though we’re unaware of their appearing.

The book takes its title from another child’s outguessing game: rock-paper-scissor. I risk angry comments with this description, because some people take the game very seriously. Serious players have strategies for playing the game. These strategies probably provide little advantage over advanced players, but may give you an edge over ordinary players. My own impromptu experiment seemed to confirm it. (This is another trap we fall into: seeing patterns and drawing conclusions from small data sets that may be random.)

Another way our inability to be random is used is in detecting fraud. We can expect certain sets of number to occur in certain distributions of frequency. For instance, Benford’s law describes the frequency of first digits in numbers. The most common first digit is one, and the frequency declines for each digit to nine (leading zeros are ignored for the first digit). If the distribution of first digits is different, and especially if there are thresholds that may be associated with incentives, then there may be some fudging of the number. In other cases, you might expect the frequency of occurrence to be equal, such as the last two digits of numbers. People will avoid digit pairs that don’t seem random and unconsciously favor certain pairs. An uneven distribution of these pairs could be another sign of fraud. Keep this in mind when you’re preparing your taxes.

The utility of Poundstone’s strategies varies widely. The outcome of rock-paper-scissors means little to most of us (I would not risk something I care greatly about on it). On the other hand, a patient, long-term investor might gain an edge on the market that could amount to a lot of money over time. The chapter for homebuyers might also save you a lot of money by helping you avoid an overpriced market. Use caution, though. Poundstone is pointing out how you might outguess people, because people have trouble with randomness. You’re not going to outguess the lottery because truly random things can’t be outguessed.

William Poundstone also wrote Fortune’s Formula.  If you’re interested in this book, you may also be interested in

Chance by Amir Aczel

The Drunkard’s Walk by Leonard Mlodinow

The Numbers Game by Michael Blastland & Andrew Dilnot

Poundstone, William. Rock Breaks Scissors: A Practical Guide to Outguessing and Outwitting Almost Everybody. New York: Little, Brown and Company, 2014.

Marvel Comics: The Untold Story by Sean Howe

Marvel Comics has a long history in comic books, especially superhero comics. It’s first superheroes, the Human Torch and the Sub-Mariner, debuted in 1939 and the company is currently unrolling popular series of films based on a The Avengers, a superhero team that first appeared in comics in 1963.

The extended, interconnected, iterative melodrama of Marvel’s comics is a complicated fictional world. The real-world company has a complicated history, too. It started as a scion of a pulp magazine publisher seeking diversify and is now a part of media powerhouse Walt Disney Company. Sean Howe provides a detailed history of the company in Marvel Comics: The Untold Story.

Howe divides the history of the Marvel into five major ages. He discusses the early history of the company, but Marvel as we know it today could mark its origins in the resurgence of superhero comics of the early 1960s, after a post-World War II slump that all but the most popular titles.

The succeeding ages roughly correspond to the decades. The 1960s marked the birth of modern Marvel. The 1970s were a time of artistic experimentation when comics, especially Marvel, were embraced on college campus and in the counterculture.

In the 1980s, kids who grew up reading Marvel became adults writing the comics. It was also a time when corporate culture began to consume the company—though the priority of making money, executive interference and possibly shady business was something that went back to the days of the pulps. This decade also marked a change in the way comics were sold, shifting from newsstands and grocery-store spinners to specialty shops, which created opportunities and problems for comics publishers.

The 1990s was a period of excess. Comics creators were finally making money (at least some of them were), but old contentions between publishers—especially Marvel—and writers and artists led to the rise of superstars spinning off to publish works to which they would retain the rights. The growth in comics collecting encouraged marketing practice, especially at Marvel, that eventually led to a bust.

Throughout this time, Marvel’s various owners had been attempting to transition the company from a comics publisher to a media company that leveraged its intellectual property in many ways. In the 2000s, Marvel has done that. A criticism often leveled against Marvel today is that the comics are driven by decisions to make the characters marketable in other media, especially movies and toys.

Comics have come a long way since I started reading them as a kid. For one thing, they cost 10 times as much. Howe wraps up with the opinion that Marvels products are better, and in some ways I agree. However, I think comics often uses the words mature and adult when they are simply prurient, and that the improvement in printing quality is not always accompanied by improvements in story or art. I have mixed feelings about the multi-issues stories designed for collection into graphic novels aimed at book retailers, but I think the event-driven mega-crossovers that have become standard for Marvel and DC don’t move me much—I’d rather read a good short story than an overblown novel.

If you’re interested in this book, you may also be interested in

Amazing Fantastic Incredible by Stan Lee, Peter David & Colleen Doran

Comic Book Nation by Bradford W. Wright

Kirby by Mark Evanier

Men of Tomorrow by Gerard Jones

1939 by David Gelernter

Stan Lee by Jordan Raphael and Tom Spurgeon

The Ten-Cent Plague by David Hajdu

Howe, S. Marvel Comics: The Untold Story. New York: HarperCollins, 2012.