Even as it was coming off
the press in 1940, The Big Con was
describing history. The confidence game
described by David W. Maurer had evolved with the times, opportunities, and
creativity of the con men, and it surely didn’t stop evolving 70 years
ago. Even so, it’s an interesting
history.
Maurer was a linguist who
studied the jargon of criminals. The
book includes a glossary of terms used by con artists in the early 20th
Century. If you want to talk like a
character in a hardboiled crime story, check it out.
This study led him to the
culture and methods of confidence men.
Con men were the kings of grifters. The grift involved nonviolent
crimes, in contrast to the heavy rackets.
The confidence game was the highest grift because the marks would give
their money to the grifter. It was a
game of intelligence and acting (and deceit) that tripped up the greedy. Con men had to be able to mix with legitimate
society and seem to fit in with people who had regular jobs, legitimate
business, and money. The appearance of
respectability was so important that con men avoided the company of other
criminals and cultivated associations with straight citizens (maybe just a
little bent).
The Big Con is not a textbook
for running a con game. It does give you
a pretty good idea of how con men worked.
Maurer concentrates on the big cons: the wire, the rag, and the pay-off. These games all convince the mark to get
involved in a crooked scheme for sure-thing bets on horses or stocks. They give him a taste of winning, and then
send him off to get all the money he can get his hands on. When the big money is in, the scheme falls
apart and everybody needs to skip town to escape suspicion. A hooked mark is convinced he was onto
something and may come back to try again.
Even if he is suspicious, he has little recourse because turning in the
con men means admitting involvement in something shady and possibly criminal.
Maurer summarizes several
short cons, too. Some of these may still
be around. I saw a version of the wipe
depicted on and episode of CSI: New York. Because it was a CSI: show, the con artist was murdered; obviously not part of the
plan.
The big cons are not one man
operations. Maurer describes the con
mob. He also discusses the relationship
between con artists and crooked officials and other criminals. He is interested in culture as well as
methods.
Maurer comes off as having
some a fascination with the con men, even a kind of admiration. I don’t think he admired what they did. He seemed to respect the skill it took to
pull a successful con, especially to do it over and over. The con men come off as charming, probably
because they were. They had to be
charming, they had to be able to read people, and they had to recognize people
who had the right combination of money and greed to make a good mark.
If you’re interested in this
book, you may also be interested in
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