Showing posts sorted by relevance for query underground. Sort by date Show all posts
Showing posts sorted by relevance for query underground. Sort by date Show all posts

Monday, September 2, 2013

London Under by Peter Ackroyd

London is an ancient city. The Romans established a settlement their a thousand years ago, but they weren’t the first inhabitants of the valley. It sits on soil into which everything slowly sinks. Rivers that brought life to the valley became choked with filth and were buried. The ground under London is thick with history, and the infrastructure of a modern metropolis mingles with the remains of its ancestors. Peter Ackroyd describes what is beneath the surface of that great city in London Under.

Ackroyd goes back to the earliest settlers of the area and the archeological remains of their lives. Their holy places were overbuilt by Roman temples. The temples dedicated to Roman gods were overbuilt by churches. Old paths became Roman roads. The filth of a city covered these roads and turned them back into dirt paths. Modern people paved them anew with brick, and later asphalt or concrete. It’s all still there, though, one thing layered over the other, but often still following the outlines ancient paths.

As you might expect from a man with who has worked with water, some of my favorite chapters relate to the rivers and sewers. London was built around rivers. As the population grew, these rivers became open sewers, carrying away all manner of waste until they were too filthy and stinking to bear. These rivers were enclosed and became underground sewers. As the city grew, it overwhelmed the sewers and turned the Thames into a stinking mess. Eventually it inconvenienced Parliament enough that they engaged the problems seriously in the 19th Century, putting in place interceptor sewers that carried the waste away from the city. Many of the sewers that are now more than a century old are still in use.

Another feature of London that fascinates my engineering side is the Underground. The city has the oldest underground railway system. The first lines are more than 150 years old. It was built in bits and pieces by competing private companies, though now it is a unified system. The Underground has become such a part of London life that a literature related to it has developed. The tunnels have been the settings of novels and the inspiration for poems.

World War II and the Cold War were another significant phase of buried construction. The British government built many tunnels and bunkers to protect government resources threatened by war. During World War II, so many people sought shelter in the Underground that the government was forced to provide shelter space for people escaping the bombs.

Like any modern city, London now has an extensive underground infrastructure. Pipelines carry drinking water, sewerage, electric and telephone wires, fiber optic cables and all the other things that connect people to services in their homes and workplaces.  These important systems are hidden underground, out of site and possibly too often out of mind, where their work apparently does not disturb the sleeping remains of the many things that had come before.

If you are interested in this book, you may also be interested in


Ackroyd, Peter. London Under: The Secret History beneath the Streets. New York: Anchor, 2011.

Tuesday, April 20, 2021

Underground by Will Hunt

Will Hunt has been fascinated with underground places since his childhood discovery of an abandoned tunnel in his hometown. Perhaps abandoned isn’t quite right; Hunt found signs of occasional human occupation in the old tunnels. He pursued his interest in underground places and the way people used and experienced them around the world. He describes these experiences, and what these hidden chambers mean, in Underground.

Hunt’s explorations took him into both manmade spaces and natural caves. He retells adventures from the Paris catacombs and a trip across the city that was almost entirely underground. He entered mines and saw shrines miners created for the spirits (or monsters) that live in them, beings that are sometimes generous and sometimes dangerous. Perhaps these are relatives to the spirits, strange creatures and gods reputed to live in natural caves.

Caves and tunnels are important to varying degrees to almost all religions. Shamans, priests and philosophers have long traveled under the earth to seek insight or communication with other worlds. Hunt ties this to the hallucinations and distorted sense of time humans experience when they are deprived of sensory stimulation. He does not denigrate these experiences, but sees them as something universally human. The altered state of consciousness one might enter in the utter darkness of a cave is simply another way the mind works, and possibly the root of all religion.

People did not always understand what was underground, and we are still making discoveries. Even two centuries ago, the world under our feet was a mystery. As a fan of Missouriana, I was attracted to Hunts telling of the life John Cleves Symmes. A St. Louis-based trader and former Army officer, Symmes was a proponent of a hollow earth theory. We were not living in the inner world, but he imagined there were worlds within ours existing on a series of concentric spheres. From 1818 until his death in 1829, he traveled the country lecturing on this theory and raising money to mount an expedition. He never made that trip to inner worlds, but he was an inspiration to the authors of hollow earth stories such as Edgar Allen Poe, H. G. Wells, Edgar Rice Burroughs and Frank L. Baum.

If you’re interested in this book, you may also be interested in

A Professor, a President, and a Meteor by Cathryn J. Prince

The Astounding, the Amazing, and the Unknown by Paul Malmont

The Big Roads by Earl Swift

The Brooklyn Bridge by Judith St. George

The Explorer King by Robert Wilson

The Girls of Atomic City by Denise Kiernan

London Under by Peter Ackroyd

Rising Tide by James M. Barry

Road to the Sea by Florence Dorsey

Second Chronicles

The Water Room by Christopher Fowler

Hunt, Will. Underground: A Human History of the World Beneath Our Feet. New York: Spiegel & Grau, 2018.

Sunday, September 23, 2018

Why Comics? by Hilary Chute


I enjoyed reading comic books as a kid. Sometimes I enjoy reading them as an adult. Comics have always been for adults (and kids, too). While popular superhero comics have told stories of the physical and moral paragons of our fantasies, comics have also been a place accessible to those who didn’t see themselves represented in other media. The combination of words and pictures, sometimes more of a juxtaposition, that are the language of comics can powerfully present a point of view. Hilary Chute considers the power of comics to communicate the experience of individuals and subcultures in Why Comics?

While Chute focuses on comic books, she considers cartooning more broadly, especially the early cartoons that appeared in British magazines (quickly imitated in the U.S.) and the American newspaper comic strip. While some newspaper comics were designed to appeal to kids, many were meant to attract adult readers. They often depicted people from poor and immigrant communities. In addition, cartooning could also be very artistic and even in the early days of comic strips some artists were recognized for the quality of their images and storytelling, such as Winsor McCay and George Herriman.

Because Chute generally focuses on groups that were historically or currently marginalized, much of the book focuses on underground and independent comics. I’ll admit that I’ve not particularly been a fan of underground comics. My earliest introduction to underground comics in the 1980s was mostly to 1960s and 1970s books that featured drug culture and bizarre or pornographic depictions of sex. In the subsequent years, I’ve come across some incredibly good underground, literary or artistic comics. Chute discusses some of them such as Art Spieglman’s Maus, Marjane Satrapi’s Persepolis and Harvey Pekar’s American Splendor. I’m a Midwesterner and I was amazed to see Pekar’s depictions of scenes I might see in my own town.

Comics were born as a mass media, which may explain some of the stigma attached to them, and mainstream comics have always been produced in factory-like manor with a division of labor (writer, penciler, inker, etc.). Some creators were uncredited, or one name appeared on the work of many (this practice was common in the newspaper comic strips, too). Undeground and art comics were more often the work of an auteur, who produced the entire work. This opened up comics to more individual perspectives that strayed farther from the mainstream. Comics can powerfully represent personal experience or memories because it is like memory: it mixes words and images, it can readily present comparisons and contrasts, and it can show past, present, future, real and imagined on the same page.

I don’t plan on adding a lot of underground comics to my reading list, but I did enjoy Chute’s book. If someone is looking for an introduction to comics that are outside the mainstream and done well, Why Comics? is a good place to start.

If you’re interested in this book, you may also be interested in

Chute, Hilary. Why Comics?: From Underground to Everywhere. New York: Harper, 2017.

Thursday, April 19, 2012

The Astounding, the Amazing, and the Unknown by Paul Malmont (234) & The Revenge of Kali-Ra by K. K. Beck (235)

Malmont, PaulThe Astounding, the Amazing, and the Unknown. New York: Simon & Schuster, 2011.

Beck, K. K.  The Revenge of Kali-Ra.

Paul Malmont clearly loves pulps. The Chinatown Cloud Peril is one of the most fun books I’ve ever read.  He revisits this territory in The Astounding, the Amazing and the Unknown.

Astounding places fictional versions of science fiction authors in a scientific mystery adventure some of them might have been glad to write.  Some of the characters are pulp authors who appeared in Peril (Robert Heinlein, L. Ron Hubbard, Walter Gibson, and Lester Dent, a fellow Missourian).  Others are authors of the era when the old pulps gave way to comics and sci-fi magazines (Isaac Asimov, L. Sprague de Camp, and editor John Campbell).

A group of science fiction writers, most of them scientist and engineers as well, are working for the Navy to turn crazy ideas into reality in a proto-DARPA.  They’re not producing a lot of results and their leader, former Naval officer Heinlein, is feeling the pressure.  They stumble upon the suggestion that inventor Nikola Tesla accidentally created a superweapon at Wardenclyffe, which is why the tower he built there came down.  Their search for answers leads them on a twisting trail from the underground rivers of New York to the heights of the General Electric hierarchy.  Red herrings about and these clever authors don’t catch on to the biggest one in the book.

The character development is interesting, too.  Heinlein is feeling left out of opportunities to make a real difference, but eventually gets an inkling that his stories can make a difference.  The seeds of Scientology are planted in Hubbard.  I think the strongest character development occurs in the fictional Asimov.  He goes through something like a conventional coming-of-age story.  He starts as a frightened youth, faces his fears and becomes a man.  In addition, is a loner struggling in his marriage who finds a way to bring his wife into partnership with him, having a passion for her that matched the passion he had for his work.  That is good stuff; it adds depth to a story that is mostly and-then-and-then suspense.

For the geeks (that includes me), there are appearances by fictional versions of many other people.  Authors include Nowell Page of The Spider, Hugh Cave, aka Justin Case, and Kurt Vonnegut as an Easter egg.  Actor Jimmy Stewart lends his skill as a pilot.  Mystic and rocket scientist Jack Parsons could spin off a weird tale of his own.  Even Manhattan Project physicists Robert Oppenheimer, Julian Schwinger, and Richard Feynman make an appearance.


While I’m writing about an homage to pulps, I’d like to mention The Revenge of Kali-Ra by K. K. Beck.  I wrote a review of it that got lost in a hard drive crash (even so, I named it one of the best books I read in 2010).  The story focuses on fictional pulp stories featuring the villainous vixen of the title, which may no longer be public domain and may be valuable because of a proposed movie base on them.  The scent of money is in the air, bad characters pick up the scent, decent people are caught up in the events, and mayhem ensues.  Kali-Ra isn’t as good as Astounding, but it’s a fun read.  Beck includes clips from ersatz Kali-Ra tales that are full of the type of florid language one might expect, even hope for, in pulp.


Paul Malmont also wrote The Chinatown Death Cloud Peril.

If you’re interested in this book, you may also be interested in
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Monday, July 7, 2014

Second Chronicles

Second Chronicle continues the history of Israel from First Chronicles (originally they were one book). It covers a period of almost four centuries, beginning with the reign of Solomon and ending as the Babylonian captivity started.

The chronicles are books of comparisons and contrasts. There was something alike about all the periods when the kings of Israel were successful and the people thrived. Likewise, periods of defeat and loss all shared a common element. These thriving and dying periods similarly were unlike in a key way.

The key factor was the faithfulness of the king, and the people, to God. When the kings sought God and the people worshipped Him, he blessed them and caused to rise in wealth and power.  When the king and people sought their own ways, especially to worship the idols and practice the sins of neighboring kingdoms, God let them fall into the hands of their enemies. Eventually, Israel was completely taken over by Babylon.

This pattern could play out even if the reign of a single king. Some hard-hearted kings would start well but stray from God and lead the people away with him. Some evil kings responded to God’s call of repentance and reconciliation, and their turnaround could bring the whole kingdom back to God.

One could argue that the kingdom was at its peak during the reign of Solomon. He built the temple, he reigned in peace, and he stored up great wealth for himself and his kingdom. In spite of his wisdom, he strayed, too. Though he never abandoned the worship of God, he suffered for his sins, suffering he brought onto himself.

Even so, Solomon was the model of a good king. His reign takes up more pages than others in the book. A lot happened during that time, especially the building of the temple. The temple was the symbol of God’s presence with the nation of Israel, and His blessing is central to the prosperity of the nation, so it makes sense that His temple received a lot of attention.

Other notable kings include Jehoshaphat, Hezekiah, and Josiah. These leaders were associated with revivals, the destruction of idols, the restoration of worshipping God, and generally successful reigns. As an engineer, I take special note of Hezekiah, who was famous for building a reservoir and underground aqueduct to supply water to Jerusalem.

If you’re interested in this book, you may also be interested in


Second Chronicles. The Holy Bible. New King James Version. Nashville, TN: Thomas Nelson, 1982.

Wednesday, October 31, 2012

Men of Tomorrow by Gerard Jones

Jones, GerardMen of Tomorrow: Geeks, Gangsters, and the Birth of the Comic BookNew York: Basic Books, 2004.


Reviewing Gerard Jones’ history of the comic book industry makes me feel like I’m pitching a new show to the cable networks.  It’s a little like Mad Men.  There is less suavity, but plenty of smoking, drinking, and womanizing.  There is room for some gratuitous nudity.  Many of the comics publishers came from got started in spicy pulps and nudie mags.  They were hustlers from the street, too, many with mob connections.  So we can have a touch of Boardwalk Jungle, though the violence is contained to the muscular fantasies of young men wanting to overcome a sense of powerlessness.  Of course, there may be comparisono to The Big Bang Theory, especially when you have scenes of young men working side-by-side at typewriters and drawing boards, helping and competing with each other.  Most aren’t geniuses, but plenty are awkward and pretentious.  It even has a great name: Men of Tomorrow.


The book is a mostly chronological look at the development of comics.  It starts with the pulp publishers.  As the pulps declined for various reasons of economics and taste, the comics rose their peak in World War II.  Patriotic superheroes were depicted punching Hitler in the face before America entered the war.  Superhero comics declined after the war, especially due to competition from television, though other genres did well.  Some of them, especially crime and horror, attracted the attention of reformers who wanted a clean and upright media safe for children and a culture longing for conformity and peace.  Comics found a new life as baby boomers came of age, partly because of interest in new dysfunctional heroes of Stan Lee and his collaborators and partly because cheap underground comics were exploring the youth counterculture.  Finally, comics became an almost mainstream medium, especially superheroes who successfully moved into film and other media.


There are almost too many people discussed in this book to mention.  Harry Donenfeld and Jack Liebowitz built a shady distributor of sex stories and porn into a pillar of a major media corporation.  Along the way, their conflict with Superman creators Jerry Siegel and Joe Shuster became the stuff of comics legend that occasionally broke into mainstream consciousness.  In many retellings of this story, Donenfeld and Liebowitz are demonized and Siegel and Shuster lionized.  Jones mostly resists this urge, treating the New York publishers with some fairness and showing how the cartoonists from Cleveland were the cause of some of their own trouble.  There is a host of other notables from trash publishing (Hugo Gernsback and Bernarr McFadden), organized crime (Frank Costello and Mayer Lansky), failed teachers and academics (Charlie Gaines and William Moulton Marston), and finally from comics (Charlie Biro, Bob Kane, Jack Cole, Jack Kirby, and many more).

Many of these people grew up in Jewish immigrant families.  Their successes and failures in the 1920s and 1930s, their readiness for war in the 1940s, and their search for an identity both American and Jewish in the postwar year reflects the journey of a larger community.  In addition to being a story of comics, it is a story of how Jews, immigrants, science fiction, and geeks moved from the edges of American society toward the mainstream—or maybe the mainstream widened to encompass them.

If you’re interested in this book, you may also be interested in
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Thursday, April 1, 2010

What I Read (End)

Date: November 27, 2008
Title: His Excellency
Author: Joseph J. Ellis
Thoughts: A readable and balanced biography of a great man.

Date: December 25, 2008
Title: The Spirit
Author: Darwyn Cooke
Thoughts: Great, fun detective stories.

Date: December 28, 2008
Title: Wisdom from the Batcave
Author: Cory A Friedman
Thoughts: A fun way to look at serious ethics.

Date: January 3, 2009
Title: Blink
Author: Malcolm Gladwell
Thoughts: The good, the bad and the hope of snap judgments.

Date: January 5, 2009
Title: The Unfinished Game
Author: Keith Devlin
Thoughts: It’s comforting that someone as smart as Pascal had trouble grasping probabilities, though he was handicapped by having to invent the idea first.

Keith Devlin also coauthored The Numbers behind NUMB3RS.

Date: January 15, 2009
Title: The Water Room
Author: Christopher Fowler
Thoughts: An interesting and enjoyable detective story, but he main draw to me was the underground rivers of London.

Date: January 22, 2009
Title: The Joy of Supernatural Thinking
Author: Bill Bright
Thoughts: A very challenging book.

Date: January 31, 2009
Title: The Big Necessity
Author: Rose George
Thoughts: It’s amazing how many people could have better lives if they could just dispose of their shit, and how hard it seems to be to accomplish it.

Date: February 24, 2009
Title: Why Good Things Happen to Good People
Author: Stephen Post & Jill Neimark
Thoughts:
“The generous soul will be made rich,
And he who waters will be watered himself” (Proverbs 11:25).

Date: March 1, 2009
Title: How to Write Mysteries
Author: Shannon OCork
Thoughts: Lots of good ideas. Now to put them to use.

Date: March 17, 2009
Title: The Emotional Energy Factor
Author: Mira Kirshenbaum
Thoughts: “Worry never comes up with good ideas. It never yields comfort. It never brings your ship to any safe harbor” (quote from the book).

Date: March 26, 2009
Title: Mastering Fiction Writing
Author: Kit Reed
Thoughts: “You’re going to have to write a lot of crap in your life before you write anything good, so you might as well get started” (quote from the book).

Books I Want to Write
Goal Setting that Works
A hardboiled, science fiction crime story
The Prodigal
Phin

Other parts of What I Read:
Part 1, Part 2, Part 3, Part 4, Part 5,
Part 6, Part 7, Part 8, Part 9, Part 10,
Part 11, Part 12

Friday, August 14, 2009

Maus by Art Spiegelman

Maus is a compelling, true story of survival, love and loss. It’s a skillfully told story that follows a Polish Jew from youthful success through the holocaust and into being a difficult old man. The reader, like the author, can at the same time be awed by his resourcefulness and reeling from his maddening, petty behavior. The Pulitzer-winning tale is told through a medium that is generally associated with juvenile, fantasy adventure stories.

Maus is a powerful story of the holocaust and a complicated story of a son and his father. Vladek Speigelman survived horrors that killed many and had the presence of mind to help his wife come through it, too. This resilient man was full of flaws, miserly, racist, and competitive with his son, underground comics writer and artist Art Spiegelman.

In this sense, Maus is Art’s story. He is trying to have a relationship with his difficult father. He is trying to record his family’s amazing history. He and his father are both still coping with the death of his mother. Art’s love, awe, anger and frustration come through.


His sense guilt comes through, too. Art struggles with telling a story he can’t full appreciate. He wishes at one moment that he had lived through the holocaust so he could understand what his parents suffered.

Though Vladek seems to not think on it, Art speculates that his father’s need to be the best and to save stem from survivor’s guilt. Evens so, he presents plenty of evidence that Vladek’s parsimony, fastidiousness and vanity were with him before the Nazi invasion of Poland and might have contributed to his survival, along with a lot of luck.

Art Spiegelman didn’t seek easy answers about his father or the holocaust. Maus may be more about living with the questions and facing personal and societal history honestly even when we don’t have the answers.