Reckless by Chrissie Hynde

As I get older, I start noticing some strange connections. If Peter Parker aged naturally, he’d be the same age as my father. I also learned that Chrissie Hynde, lead singer of the Pretenders (one of my favorite bands), is only three years younger than my parents. I can hardly believe it, though there is an unreliable part of my mind that seems convinced that I’m still in my early 20s.

This bit about Hynde’s age is hardly the most interesting thing in her autobiography, Reckless. You find many things you normally find in autobiographies. For instance, her early childhood in Ohio was surprisingly and pleasantly normal.

Things get more interesting in her teen years. She became a teenager in the 1960s and she was swept up into the youth culture of the time. She had two loves, music and drugs.

Hynde did a lot of drugs. She doesn’t dwell on the term addiction, but she doesn’t hide that she clearly was addicted. She subjected to herself to may dangers and abuses for the sake of getting high. A person would not do that if she was thinking straight, but addicts don’t think straight.

Unfortunately, drugs got in the way of the music. Drugs took the lives of many innovative musicians of the 1960s and 1970s, and Hynde mentions many of them that she knew. Two members of the Pretenders, Jimmy Scott and Pete Farndon, died of drug-related causes. It seems that there are several occasions in her story, before the Pretenders, when her dream of being in a band was interrupted by drugs, either her own pursuit of them or her potential bandmates’.

Hynde was adventurous. She traveled far from her childhood home in Akron to Canada, Mexico and France before settling in London. London became her home, largely because of the music scene. There she finally put together a band, though an unusual British band with an American lead. She met an amazing number of other musicians, famous then or later, who were there. It may seem like name dropping to discuss the Clash or the Sex Pistols, but these were people she knew and she lived their ups and downs with them.

The final section of the book, covering the career of the Pretenders, is surprisingly short. Admittedly, the original line-up did not last long due to the deaths of Scott and Farndon.

Hynde’s tone is not nostalgic. She has nostalgia for a Midwestern urbanism that was almost dead by the time she came along. She speaks frankly about her own days. She expresses a strong sense of agency and does not blame anyone for the way they treated her or depict herself as a victim. She seems to regret that the drugs people thought would set them free did not, and that as addicts they kept using drugs long after they knew it was a trap.

If you’re interested in rock and roll (and rhythm and blues and punk), you’ll likely enjoy this book. Hynde clearly loves this music and was around when it was undergoing much innovation. She was friends with some of the first stars of punk. He story is also an interesting section of the 1960s and 1970s. For instance, she was a student at Kent State University and witnessed the protests and other events that led to the National Guard firing on students.

If you’r interested in this book, you may also be interested in

Professional Amateur by T. A. Boyd

The Ten-Cent Plague by David Hajdu

Hynde, Chrissie. Reckless: My Life as a Pretender. New York: Doubleday, 2015.

This Year I Will... by M. J. Ryan

Many of us make New Year’s resolutions, but few of us keep them. There is less interest on the statistics of other goals, but it seems likely that resolutions are hard to keep whenever we make them. Self-help author and consultant M. J. Ryan would like to change that sorry state of affairs. Her book This Year I Will… has advice on how to turn goals into action and dreams into reality.

Ryan makes the important point that much of our behavior is habitual. We have repeated behaviors so many times that we unthinkingly return to them when we encounter the stimulus that triggers them. To complicate the matter, our behaviors fill a need or solve a problem. If they hadn’t they wouldn’t have become ingrained habits.

You don’t have to delve into you half-remembered childhood to change behavior, though. You just need to identify the underlying need or problem and find other means of dealing with them. Ideally, the new behaviors will also help you meet your goals instead of getting in the way.

I suppose I have made it sound easy.  It is not, and Ryan does not promise quick fixes. In fact, she warns her readers they will face internal resistance to change. There are parts of brain, power emotional parts that exert a lot of control over us, that see change as a threat and will not easily leave the familiar path. Ryan offers advice on how to handle this, and even how to get our emotional brain to help us instead of hinder our change.

The book is organized into short chapters. Ryan suggests you can go directly to the parts you need and return to the other parts later, or when they seem more useful. Instead of being a book you read through once, she wants This Year I Will… to be a reference you can return to when you need fresh ideas or a refresher on techniques you’ve used before.  Some of the subjects that stood out to me were

• concentrate on “what” instead of “why,”
• dealing with doubt,
• taking action,
• focusing on one or a few changes at a time,
• taking one step at a time (though sometimes we need a big goal to motivate us),
• track your progress (I’m a believer in this),
• have a Plan B (and C, and D…),
• tips for effective visualization,
• performance review, and
• remember to have fun.

There is more than that. The book is not a collection of unrelated mini-chapters. Though the book isn’t necessarily made to be read linearly, I found that later chapters tend to build on earlier ones. There is also a subtle shift from an almost wholly practical to a somewhat philosophical view. You’re not just doing a better job of setting and achieving goals. The goals you achieve and the habits you form shape and define your life.

If you’re interested in this book, you may also be interested in

One Small Step Can Change Your Life by Robert Maurer

Secrets You Keep from Yourself by Dan Neuharth

Succeed by Heidi Grant Halvorson

Ryan, M. J. This Year I Will…: How to Finally Change a Habit, Keep a Resolution, or Make a Dream Come True. New York: MJF, 2006.

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The Physics of Superheroes by James Kakalios

Kakalios, J. The Physics of Superheroes. New York: Gotham Books, 2005.

The Physics of Superheroes is a fun introduction to physics. Kakalios is a physics professor at the University of Minnesota, and childhood comic book fan, who created a freshman physics class that used examples from comic books to illustrate physics principles rather than traditional examples.

This book is not a physics textbook. For one thing, it is very light on math. Calculus was a prerequisite to the physics classes I took in college, but you can follow this book with no more math than a high school student would know. If higher math is necessary for a thorough understanding, Kakalios provides a general concept and moves on. This is a book for the nonspecialist.

Though written for a nontechnical audience, the book covers the range of physics you would find in an undergraduate physics curriculum. It moves from classical mechanics to thermodynamics to quantum mechanics. It demonstrates how seemingly esoteric and strange physical phenomena, particularly in the realm of quantum mechanics, make possible the technology that is all around us.

What makes the book entertaining is the use of comic books as sources of illustrations. Much of what is in comics is more fantasy than physics. Kakalios allows a “miracle exception” to explain the superheroes’ powers, but from their examines their feats form the point of view of solid science. Sometimes the comics get the science right.

Judging from the tone of the book, it seems that Kakalios has an affection for comic books. Though the main subject is physics, a secondary subject is the history of comics and some of their major characters. The comics fan will find something to enjoy as well as those seeking an approachable introduction to physics. Maybe it can bridge the gap between those with the button down collars and those in the Black Adam tee shirts.

This book shares something with more academic texts, namely footnotes. Kakalios’ footnotes deal more with the comics than the physics; he deals with the physics in the main text, but sometimes an explanatory note about the comics’ characters is helpful to the uninitiated. Some footnotes are tongue-in-cheek comments that lighten the tone of the more serious segments.

Order this book here

Boris Karloff Double Feature

I watched a Boris Karloff double feature over the weekend. Isle of the Dead (1945) is a tale of a modern man struggling against the ancient superstitions that were ingrained in him during his childhood. Tension runs high on the plague-infested island of his nightmares.



Bedlam (1946) is a combination of horror movie and morality play. It seems ripe for a remake as the story of a young woman who leaves the life of privilege she struggled so hard to attain to fight for better treatment of the mentally ill in the 18th Century. They could skip the horror-style poetic justice, but then it would just be a thriller or maybe a gritty version of the feel-good movie.

Both films deal with the classic horror theme of live internment. To better understand this fear, especially in the time when these films were set, and possible enrich your viewing, read Buried Alive by Jan Bondeson.

Scott Pilgrim’s Precious Little Life by Bryan Lee O’Malley

O’Malley, Bryan Lee. Scott Pilgrim’s Precious Little Life. Portland, OR: Oni, 2004.

Precious Little Life is the first in series of critically-acclaimed graphic novels by writer-artist Bryan Lee O’Malley. This comic, like the others in the series, is a paperback book rather than a magazine.

Scott is 23 going on 17. He is immature, dating a high schooler, unemployed, and mooching off his roommate. He is even in a band, Sex Bob-omb. (When I was young, bands were cool and dangerous. Now they can be full of video game-playing, comics-reading nerds like Scott Pilgrim.) He runs from trouble. He is a jerk to nearly everyone he knows. Fortunately for him, they seem to care about him anyway and stand up to help him.


Scott’s immaturity is epitomized by his dating a high-school girl, Knives Chau, who hasn’t even kissed a boy. His friends and sister confront him, but he justifies himself. He seems satisfied with a simple, no-pressure relationship with a girl whose world of school and conservative, Chinese family is even smaller than his own.

His satisfaction with Knives disappears when he meets and falls in love with Ramona Flowers, a woman his own age who has a lot more going on. This is complicated by the fact that Knives is falling in love with him, or at least the adventure and independence he represents to her. In attempting a retreat to a simpler time (he even takes Knives by his childhood home, though is family moved out), he unwittingly open’s her eyes to a new world where she can try things she never imagined doing before.

That is only the beginning of the complications. To date Ramona, he must defeat her seven evil exes. Fortunately, Scott is a good fighter, having learned from video games (his defeated opponents disappear in a “pop” leaving a little pile of coins behind). In this volume, the first evil ex makes his appearance.

The fight may be the main fantasy element of the book, but fantastic things begin with Ramona, who skates through Scott’s dreams to deliver packages because a subspace highway runs through his head—and there isn’t much traffic there. An opposing band knocks out the crowd with lightning and Kirby crackle. Scott’s Toronto is a little bit magical.

One can probably read this book as a stand-alone story. However, it is definitely the start of a series. If you can’t leave something at “to be continued,” you may want to skim the series to see if you’re willing to commit. Alternatively, the movie adaption presents the main story line for the whole series.

If you’re interested in this book, you may also be interested in
Maus by Art Spiegelman
Scott Pilgrim vs. the World (Film)

On a Grander Scale by Lisa Jardine

Christopher Wren (1632-1723) is famous as an architect. In particular, he is known for the mark he made on the architectural landscape of London after the Great Fire of 1666. St. Paul’s cathedral, where he is buried, may be the crowning example of his work, but he designed and built many churches and public buildings in what may have been an early model for a modern architectural and construction firm.

As any biographer of Wren must, Lisa Jardine covers his career as an architect in On a Grander Scale. She also emphasizes other aspects of his life, specifically the effect political upheaval may have had on his personal outlook and career, and his involvement in scientific pursuits leading to the establishment of the Royal Society.

Wren has a privileged lifestyle as a child. His father (also Christopher) and uncle had posts as Anglican clergy that brought the close to Charles I. Wren spent some important years of his childhood in a house in the walls of Whitehall. His family remained royalists during the Commonwealth and Protectorate periods, leaving them little access to the favored clerical and political positions they had enjoyed. The young Wren effectively operated as a secretary and assistant to academically minded, ousted royalists who turned to science and invention to establish their fortunes. His mathematical sharpness, mechanical handiness, and facility for drawing gained him favor in this group of Renaissance physicians, physicists, chemists and astronomers. While still a young man, he joined them as a peer and gained an appointment as an astronomy professor.

Wren remained active in these scientific circles, even when he was much in demand as an architect and royal construction manager (Surveyor-General of the King’s Works). With his good friend Robert Hooke (curator of experiments for the Royal Society as well as a designer in Wren’s office), he looked for opportunities to incorporate scientific study into buildings. The work of the precursor of the Royal Society was very collaborative, and Jardine shows how Wren took that into his later scientific and architectural practices. His willingness to collaborate with people he trusted was probably a contributing factor to his success as an administrator of so many building, scientific, business, public and political projects.

When the monarchy was restored, Charles II attempted to reward those who had been loyal to his father, or their sons. Wren never became greatly wealthy or powerful through preferment, but he did rise to some prominence and had a successful career in public service. Charles I made him Surveyor-General, and he was reappointed by James II, co-monarchs William and Mary, Queen Anne, and George I. He was charming, astute, cautious and conscientious, which served him well on his long career. He was perhaps too cautious (or upright), because he never gained the wealth many of his mentors and peers achieved.

Jardine shows how Wren was among a group of men who pinned their hopes on a restored monarchy that was never as glorious as they hoped it would be. Even so, Wren was resourceful, as were his family and sponsors, and he rose to a career that his talent for science and hard work made possible. She sets him in the context of his time and particularly of his relationships. These relationships were with other men whose fathers fell from favor with the monarchy, mentors and peers in the scientific community (especially his close friend Hooke), and trusted assistants in his architectural practice. Wren is regarded as genius, and Jardine would agree, but he is also very much a part of a community of similar people who, to varying degrees, shared his fate and aided his success.

If you’re interested in this book, you may also be interested in

Descarte’s Secret Notebook by Amir D. Aczel

The Feud that Sparked the Renaissance by Paul Robert Walker

The Science of Leonardo by Fritjof Capra

Jardine, Lisa. On a Grander Scale: The Outstanding Life of Christopher Wren. New York: HarperCollins, 2002.

Have a New You by Friday by Kevin Leman

Leman, Kevin. Have a New You by Friday: How to Accept Yourself, Boost Your Confidence and Change Your Life in 5 Days. Grand Rapids, MI: Revell, 2010.



By “new you”, Leman doesn’t mean a completely different person. Part if his plan is for you to accept yourself. He does mean a happier more successful you, which is probably more in line with what you really want.

The book is organized into a chapter for every day of the weekday. Leman’s style is light, so you probably can read a chapter a day with no problem. If you thoughtfully complete the exercises in each chapter, it will may a little more time. Some are simple, but as the week progresses, deeper thinking is called for.

In broad terms, Leman calls for you to know and accept yourself, recognize the lies you tell yourself and live with a new perspective. Much of the book addresses self-knowledge.

Leman addresses several areas of self-knowledge. First is temperament. He uses the classical humors (choric, melancholy, phlegmatic, and sanguine), though he humorously compares them to dog breeds. Next, he addresses way birth order effects personality. Birth order is one of Leman’s specialties. Midweek, he explores early childhood memories and the rulebooks we’ve written unawares based on these memories. I found this to be one of the most difficult chapters, but in some ways, I think it is one of the meatiest. The final aspect of self-knowledge is your love language. By understanding the things that make you feel loved, you can ask for what you need. You can also discover they ways the people close to you feel loved and begin to improve your relationship with them.

By the time we’re adults, our personality is set. Leman isn’t trying to give you an entirely new personality. Accept that you have certain strengths and weaknesses and begin using that knowledge to build a happier life. The truth can set you free to make new decisions that lead to new outcomes instead of taking the same paths that have always lead to frustration.

One of the things you can change is you’re rulebook. These are concepts of how the world works we formed as children. Being children, i.e. ignorant and immature, we formed some wrong ideas that can be driving our behavior even in adulthood. As adults, we can take a look at those rules a see if they are true and if they are helping us live the life we want. With the knowledge and maturity we have as adults, we can begin to counter wrong and unproductive rules (lies we tell ourselves) and develop new rules. Your rulebook won’t change in an instant, but you can train yourself to approach things from a new perspective instead of reacting unthinkingly.

In the Friday chapter, Leman lays out the program for implementing the new you. A couple of the best points are to take baby steps and give yourself room to fail. By the time you’ve been through the first four days, you’ll see that you come to be where you are by many steps over a long time. Getting to a new you will be similarly incremental, and old ways are bound to reassert themselves periodically. Leman encourages you to give yourself some grace, forgive yourself for stumbling, and take the next little step to get moving in a good direction again.

If you’re interested in this book, you may also be interested in
The Five Love Languages by Gary Chapman
Little Shifts by Suzanna Beth Stinnet
One Small Step Can Change Your Life by Robert Maurer

Mr. America by Mark Adams

Benarr Macfadden was named Bernard McFadden by his parents; he chose the modified name to suit himself. He was born into severe poverty in the Missouri Ozarks shortly after the Civil War. He would become a self-made millionaire famous for his physique, his stunts and his opinions. Mark Adams recounts his story in Mr. America.

Macfadden became fascinated with health and bodybuilding as a youth in St. Louis, where is visited a gym with his uncle. He had been sick much of his childhood, which is not surprising given the poverty, malnutrition and undeveloped medicine of the time. With hard work and a knack for self-promotion, he was eventually able to afford to join the gym (it cost $15 for an initial membership, close to $400 today).

Macfadden pursued a lot of jobs as a kid and young adult, spending very little time in school. In bodybuilding and training he found his way into a career. Particularly, he started to follow a career path that had been blazed by another strongman, Eugen Sandow. Mcfadden saw Sandow’s performances, organized by Franz Ziegfeld, Jr., at the Columbian Exhibition in Chicago. He began doing a version of Sandow’s act and even took it to his distant mentor’s adopted homeland, England.

When he returned from his year in England, he brought back another idea borrowed from Sandow. He began publishing a magazine titled Physical Culture. The magazine was an outlet for him to sell exercise equipment and promote his ideas about fitness, diet, sex, nudity, marriage and other topics related to health and happiness. It was the foundation of what grew into a publishing empire in which Macfadden helped to pioneer true confession (long before Jerry Spring and Oprah Winfrey), celebrity culture and tabloid journalism. He is promotion of health information set the path for American health experts that followed with a mix of quackery and sound notions that turned out to be ahead of their time.

I’d be glad to go on about Macfadden, his accomplishment and his sometimes strange life. Instead, I should just suggest you read Mr. America.

Actually, I had been looking forward to reading Mr. America. I’ve seen Adam’s book referenced by other who have discussed Macfadden in the context of fitness, health culture and popular publishing. Macfadden led and interesting life suitable for a novel. Adam’s biography doesn’t quite read like a novel, but it is entertaining and approachable, and I recommend it to those interested in Macfadden or in the popular culture of the early 20^th Century.

If you’re interested in this book, you may also be interested in

The Age of Edison by Ernest Freeburg

Better for All the World by Harry Bruinius

The Fifth Heart by Dan Simmons

Life is So Good by George Dawson & Richard Glaubman

Making the American Body by Jonathan Black

Men of Tomorrow by Gerard Jones

Miss Mizzou by J. B. Winter

The Power Makers by Maury Klein

Rising Tide by James M. Barry

The Secret History of Wonder Woman by Jill Lepore

War Against the Weak by Edwin Black

Adams, Mark. Mr. America: How Muscular Millionaire Bernarr Macfadden Transformed the Nation Through Sex, Salad, and the Ultimate Starvation Diet. New York: It Books, 2009.

Stan Lee by Bob Batchelor

Stan Lee is the face of comic books to many and has become a sort of celebrity in his more than 70-year long career as a storyteller. He began to hone his image on the college lecture circuit in the 1960s while he created a new type of superhero, typified by the Fantastic Four and Spider-Man, in collaboration with artists including Jack Kirby and Steve Ditko. It was a role Lee was ready for; he had been trying out ways to promote comic books and himself since the 1940s.

Bob Batchelor presents Lee’s life in Stan Lee: The Man behind Marvel. Though not a long biography, it starts with Lee’s childhood in New York City and runs through his 95^th year, when he is still producing ideas for comics and television.

Lee was present nearly at the beginning of comic books. He started as an assistant to Joe Simon and Jack Kirby, the creators of Captain America. When they moved on after contentions with Timely Comics, a forerunner to Marvel, Lee stepped up to become editor while still a teenager.

Lee was ready to quit comics by the time the 1960s. He craved to work in a respectable field and was tired of chasing trends. The right combination of opportunity and encouragement from his wife pushed Lee to write the kind of comics he would want to read, and it became a sensation.

Though Lee will always be associated with Marvel comics, by the 1980s his focus was shifting to television and film. It was a rough transition for Lee, but he had some success, especially in the production of animated adaptions of Marvel characters that were popular in the 1990s.

Lee has stumbled some in his post-Marvel career, notably the debacle of new media company Stan Lee Media. He seems to have recovered somewhat with POW! Entertainment.

Lee has detractors, which Batchelor acknowledges. Batchelor doesn’t refute those detractors, but his take on Lee is overall very positive. Lee appears to be someone who tries not to be tied down by his past, neither dwelling on his failures nor being content with many successes.

Lee was a central figure in creating some of the most popular characters and stories in the world. Well into his 90s, he is still working and coming up with ideas that find their way into print, television and the Internet.

If you’re interested in this book, you may also be interested in

The Amazing Adventures of Kavalier & Clay by Michael Chabon 

Amazing Fantastic Incredible by Stan Lee, Peter David & Colleen Doran

The Book of Lies by Brad Meltzer

Comic Book Nation by Bradford W. Wright

In Memory Yet Green by Isaac Asimov

Kirby by Mark Evanier

Marvel Comics: The Untold Story by Sean Howe

Men of Tomorrow by Gerard Jones

Reading Comics by Douglas Wolk

Spider-Man

Stan Lee by Jordan Raphael and Tom Spurgeon

The Ten-Cent Plague by David Hajdu

Will Eisner by Michael Schumacher

Batchelor, Bob. Stan Lee: The Man behind Marvel. New York: Rowman & Littlefield, 2017.

Bigger than Life by Marilyn Cannaday

Doc Savage starred in a pulp magazine that ran for 16 years. It was one of the most popular adventure magazines of the time. Each of the 182 issues featured a novel-length story by Kenneth Robeson, a house name owned by publisher Street & Smith. Each was supervised by the author contracted to produce them, Lester Dent, who wrote 165 of them himself. That was on top of writing stories and articles for other magazines and later in his career writing six novels.

 Dent, a native of La Plata, Missouri, was remarkable in ways that go far beyond his prolific catalogue of pulp adventure tales. Marilyn Cannady tells his personal story in Bigger Than Life.

 Bigger Than Life is the only book-length biography of Dent that I’m aware of. It is, unfortunately, a fairly short book. There is not much know about Dent’s childhood, partly because he didn’t talk or write much about it, though he was clearly shaped by his upbringing on isolated ranches and farms in Oklahoma, Wyoming and Missouri.

 Savage pursued fantastical adventures in the magazine; Dent was a real-world adventurer. He learned to sail, and hunted for treasure in the Caribbean using a metal detector of his own design. He was a pilot and ham radio operator. His interest in sailing, aircraft and technology informed many of his stories, both in Doc Savage and other magazines.

 Each chapter is written somewhat like an essay that focuses on a particular aspect of Dent’s life or career. This can make the book seem a bit disjointed, especially in comparison to biographies that take a more strictly chronological approach.

 Cannady, like Dent, grew up in La Plata. Her own experiences in the area, including a brief stint working at Dent’s aerial photography business, provide a flavor of what his life was like in Missouri.

 If you’re interested in this book, you may also be interested in

The Astounding, the Amazing, and the Unknown by Paul Malmont

The Chinatown Death Cloud Peril by Paul Malmont

Men of Tomorrow by Gerard Jones

Mr. America by Mark Adams

1939 by David Gelernter

Pulp Art by Robert Lesser

 Cannaday, Marilyn. Bigger Than Life: The Creator of Doc Savage. Bowling Green, OH: Bowling Green State University Popular Press, 1990.

The Genius in All of Us by David Shenk

David Shenk has good news. Geniuses aren’t born, and very few of us have genetic limitation on our capacities.  Just to make sure you get it, his book is entitled The Genius in All of Us.

Shenk challenges the notion that genius, talent, and the potential to excel in a field is something a few people are born with, lucky people who hit the jackpot in the genetic lottery.  He is not entirely an advocate of nurture in the nature-versus-nurture debate.  He looks at new science that suggests that that is a false notion to begin with.  Traits, including intelligence, develop form the interaction of genes and the environment.

Genes are not a blueprint that determine out traits.  Genes influence our reaction to the environment.   The environment influences the expression of our genes.  It’s complex.  Shenk devote a chapter to epigenetics.  This is material in our cells that protect and support the function of our genes.  Our epigenes influence the expression of our genes, are influenced by the environment, and most astounding are hereditable.  Environmental and behavioral factors can change the epigenes in ways that are passed on to offspring for generations and affect the expression of genes in those offspring.

Unless we have some unusual genetic disorder, the lesson of this book is that our genes are just one card in the hand we are dealt, and genes are not necessarily the most important card.  Genes are important, but so are a lot of other things.  Our traits are malleable, shaped by genes, environment, and behavior, and to the degree that we can influence those things we can change our traits.  We can become geniuses.

The bad news is the road to genius is not an easy one.  Mozart and Michael Jordon have in common that they put in a lot of time over a many years deliberately practicing and improving their skills.  Beethoven and Yo-Yo Ma may seem like born prodigies, but they were surrounded my music, music teachers, encouragement, challenges, competition, high expectations, and opportunities from birth.  Abundant practice and continuing improvement from early childhood helped them become very competent musicians as children, and many more years of deliberate practice, commitment, and mentoring resulted in the genius they exhibited as adults.

Based on this, Shenk presents a chapter on how to become a genius.  Genius may not be quite the right word, especially if you starting something later in life after years of thinking you had little ability.  However, I think his advice is likely to lead to great improvement, even above normal success and excellence.  The first piece of advice is to find your motivation.  If you have the motivation to devote a lot of time to practice, and the commitment push yourself to always seek improvement, you will get better and with time will be excellent.  Shenk also has a lot to say about how this information can help parents and educators see the potential in children and contribute to the development of their traits and their success in any field.

I was very impressed with this surprisingly short book.  Actually, if you include the extensive notes, which are worth reading, it is not a short book.  It opened my eyes to a new, and I think more fruitful, way of looking at the way people develop.

Shenk, David.  The Genius in All of Us:  Why Everything You’ve Been Told About Genetic, Talent, and IQ Is Wrong.  New York: Doubleday, 2010.

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The Gospel of Luke

Luke. The Holy Bible. New King James Version. Nashville: Thomas Nelson, 1982.

The Gospel of Luke is one of the four brief biographies of Jesus’ earthly ministry found in the Bible. Each gospel has a different tone and focus, though Luke and the other Synoptic Gospels cover many of the same events. Luke takes on the tone of a journalist or biographer, setting out to write an “orderly account” of the life and ministry of Jesus. Luke doesn’t claim to have been a follow of Christ during the time covered in this book (unlike other gospel writers Matthew and John). He does indicate (in his other book, Acts) that he was a member of the early church and at different times a companion of Peter and Paul. He based his gospel on the eyewitness accounts of the Apostles and other early disciples he knew.

It’s hard to give Luke or other Biblical books a fair treatment in a few hundred words. Some characteristics of book distinguish it from the other accounts that are noteworthy to me.

Jesus as a person. More than the other gospels, I think Luke brings out the personality and character of Jesus. Luke shows Jesus to be wise, kind, patient, loving, generous, faithful and humble. Jesus is also strong, direct, determined, forceful, bold, tough and uncompromising. These may seem like incongruent sets of characteristic today, but Luke was presenting Jesus as the perfect man. The soft side of Jesus is attractive, but it would have done little good if he lacked the hardness to do what he did and demand what he demanded.

The place of women. All the gospels acknowledge that women were the first to witness the resurrected Jesus. Luke seems to give special attention to recognizing women among Jesus’ disciples both during his ministry and in the early church (in Acts).


Comprehensiveness and modernity. Luke set out to give a careful and reasonably full account of Jesus’ life. As you might expect, it covers Jesus’ teachings, but it also give a lot of attention his early childhood and throughout foreshadows, through Jesus’ own prediction, his death and resurrection. In these regards, it is more reads more like a modern biography than the other gospels.

Arthur & George by Julian Barnes

I was going read only fiction over the holidays and give myself a break from writing reviews.  So I picked up Arthur & George by Julian Barnes.  I remembered I reviewed The Sherlockian by Graham Moore and began to feel obligated to review this other novel about Arthur Conan Doyle as well.

The books are very different.  The Sherlockian is a thriller and it is entirely fictional.  Barnes’ book is a more literary, historical novel based on real events.  If he had been writing a thriller, the story would have started when Doyle got involved in overturning the wrongful conviction of solicitor George Adelji for mutilating and killing animals in the rural community where he was raised by a Scottish mother and an Indian father who converted to Anglicanism and served as a vicar.  This doesn’t occur until you’ve already read 70 percent of the book.  Barnes doesn’t indulge the achronologic order a novel permits, but he does take his time, gets into the heads of his protagonists, and takes a long look at side stories.  This is why I refer to it as a literary novel in contrast to a thriller, which is more to-the-point and plot driven.

I wonder why Barnes decided to write a novel instead of a nonfiction account of the events.  I suspect there was plenty of source material.  Doyle was a prolific writer.  Newspapers abounded in England at the time.  Clues to the truth can be found in even the most obfuscatory court and government documents.  The Adelji case led to new laws, including the introduction of appeals courts to the British criminal justice system.  I suspect he wanted to explore themes that interested him without too strictly bound to a factual narrative.

There is the suggestion of a theme in the opening chapters.  Doyle and Adelji are introduced through their childhood exposures to death, something that would have been common in the 1800s.  Doyle famously became a spiritualist.  He was committed to the idea that death was passage into another life and that gifted people could communicate with the departed.  I do not know if Adelji’s views are on the record, but Barnes depicts him as something between neutral and skeptical.  He also seems indifferent and uncurious.  The only fact he is sure of is that everyone dies.  What happens after death, if anything, is unknown, and he finds the evidence of an afterlife to be weak.  These views are not contrasted; they are juxtaposed.

Ethics may be another theme.  Doyle derived his ethical view from his notions of chivalry.  Adelji, who comes across as a high-functioning person with Asperger’s syndrome, found his place in the order and logic of the law.  There was plenty of unethical activity, or at least human venality, presented in the story: racism, eugenic notions, sloppy police work, unjust courts, and heel-dragging bureaucrats.

I might have preferred a straight nonfiction account of the events.  Barnes novelization worked for me, though.  It was certainly more effective than the partial fictionalization attempted by David Gelernter in his history of the 1939 World’s Fair.

If you’re interested in this book, you may also be interested in

The Astounding, the Amazing, and the Unknown by Paul Malmont

The Great Stink by Clare Clark

The Sherlockian by Graham Moore

Barnes, Julian.  Arthur & George.  New York: Alfred A. Knopf, 2006.

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Scott Pilgrim’s Progress

Scott Pilgrim vs. the World. Writ. Michael Bacall. Dir. Edgar Wright. With Michael Cera. Universal, 2010.

Scott Pilgrim vs. the World is a cool movie. It has cool music. It has super-cool, video game-inspired special effects. It has nerdy-cool actors like Michael Cera. It’s based on the series of cool graphic novels by Bryan Lee O’Malley.


Scott is on a pilgrimage—his name is even Pilgrim, in case it wasn’t clear. Like Christian in The Pilgrim’s Progress by John Bunyan, Scott is on a journey from childishness to maturity. Bunyan’s work is an allegory for the Christian life. This film is secular with a heavy dose of fantasy.

Scott’s immaturity is signaled at the beginning of the movie by his announcement that he is dating a high-school girl. Though he is 22, he is spending his time with a 17-year-old girl who hasn’t even kissed a boy. He even shows her his childhood home, though none of his family lives there anymore.

Bunyan’s Christian begins his journey when he feels the great burden he is under (his sin). Scott gets started when he sees Ramona Flowers in a dream and falls in love. Christian travels with a series of guides and sometimes-unreliable companions. Ramona becomes Scott’s companion, too, though she is more inspiration than guide.

The sojourning Christian overcomes a number of obstacles on his to the Celestial City. Bunyan’s geography represents thing that can derail seekers and Christians on their way to maturity in Christ. Scott must battle Ramona’s seven evil exes. They seem to represent the worst aspects of his personality such as childishness, pride, jealousy and manipulation. What seems to be his struggle to prove his worthiness to date Ramona becomes is battle to move from overlong boyhood to responsible manhood.

Scott Pilgrim differs from other journey stories in that it borrows structures from video games. This is more than just special effects. When a video game enthusiast sees Scott get an extra life after one of his battles, they expect it to come into play again later in the story. I think it is a very cool way of cool the way it plays out. I might not make immediate sense to a non-gamer. Video games are mastered by repetition, where a player repeats a level until he overcomes it or his avatar dies. In life, we don’t have get to repeat periods of defeat with new insight, though we often face variations on the same problem until we learn to deal with it a better way. The game-style story gives Scott a do-over in the face of his defeat, but like we would like life to be, he plays it differently and becomes a better person because of it.

If you’re interested in this film, you may also be interested in
American Splendor (Film)
Maus by Art Spiegelman