Sunday, October 28, 2018
Making the American Body by Jonathan Black
Tuesday, April 27, 2021
The Dawn of Innovation by Charles R. Morris
Over the course of the 19th Century, the United States transformed from a frontier nation dependent on trade with former colonizing nations to a leading manufacturer and exporter of goods. Charles R. Morris describes how America accomplished this change in The Dawn of Innovation.
The forces that led to the development of an American system of manufacturing were practical and cultural. There were labor shortages, especially for skilled labor. Americans in every field were interested in mechanizing work to get it done with the people and skills available. Americans were also largely middle class, at least in their way of thinking. They had to have the means to cross the Atlantic, and once here wage pressure and the availability of resources quickly made many people middle class. The middle class valued improvement and economic independence. In the U.S. they were free from the limiting class structures of Europe.
The middle class were also consumers. They were interested in the goods and lifestyle associated with wealth, but at prices they could afford. And there were a lot more of them that the handful of rich people who were the consumers of traditional luxury goods. Americans wanted to produce, market and distribute goods on a mass scale that was hard for Europeans of the time to even imagine.
The cloth-making industry was one of the first to bring together the aspects of modern manufacturing: specialization, organization of work flow, mechanization and automation. American cloth makers took—sometimes stole—these things from the British. A leap that the Americans made, but not the British, was to apply these same concepts to all kinds of production.
The organization of work was especially helpful in the U.S., where the skilled workers needed for precision machine making were few. Morris uses the arms industry as an example of American leadership in the transformation from craft piecework to an organized workflow with uniform standards.
Morris also undertakes some myth busting. Eli Whitney is associated with first rifles—really the first manufactured goods—to have interchangeable parts, which is a hallmark of modern manufacturing. Whitney and others promised interchangeability to win contracts with the Army, but he never achieved it; it took him a while to even become a good gun maker. It took decades of work by others to achieve interchangeable parts. This was both a matter of organizing work and developing more precise machining equipment.
Morris shows how innovations accumulated over time to create American manufacturing leadership. He shows how the culture and natural environment were incubators for such development.
If you’re interested in this book, you may also be interested in
The Gentleman Scientists by Tom
Schachtman
Mayflower by Nathaniel Philbrick
The Power Makers by Maury Klein
The Society for Useful Knowledge by Jonathan
Lyons
Waste and Want by Susan Strasser
Morris, Charles R. The Dawn of Innovation: The First American Industrial Revolution. New York: Public Affairs, 2012.
Sunday, July 10, 2016
The Imperial Cruise by James Bradley
Tuesday, July 13, 2010
Writer Harvey Pekar Passed Away at 70
Pekar is probably best know for his comics, mostly published under the title American Splendor. He drew on his own life experiences and often wrote about seemingly mundane things that, cumulatively, have a great impact on life. The first anthology of these comics won the 1987 American Book Award.
The comics he wrote were drawn by a number of notable artists. Some of these are Robert Crumb, Dean Haspiel, Joe Sacco, and Frank Stack.
This work is the basis for the 2003 biopic that is also entitled American Splendor. The movie won the Grand Jury Prize at the Sundance Film Festival.
The cause of death has not been announced, though the Cuyahoga County Coroner announced an autopsy will be performed. Pekar suffered from a number of health problems including prostate cancer. He and his wife, Joyce Brabner, wrote about his battle with cancer in their book-length comic Our Cancer Year.
Pekar is survived by his wife, Joyce Brabner, and their foster daughter, Danielle Batone. He was born October 8, 1939, in Cleveland, where he lived for most of his life, notably excepting his time of service in the Navy.
Additional resources:
A PEKAR TRIBUTE: Collaborators & colleagues remember 'sweet, curmudgeonly' Harvey
Comic book icon Harvey Pekar dead at 70
Harvey Pekar, Cleveland comic-book legend, dies at age 70
Harvey Pekar dies at 70; comic book author known for 'American Splendor' series
Harvey Pekar lives on via the web
Harvey Pekar, RIP
Sunday, December 21, 2014
A Professor, a President, and a Meteor by Cathryn J. Prince
Saturday, April 7, 2018
The Gentleman Scientists by Tom Schachtman
Saturday, November 15, 2014
Better for All the World by Harry Bruinius
Thursday, April 29, 2021
The Phantom Unmasked by Kevin Patrick
The Phantom is a long-running newspaper comic strip that first appeared in the New York Journal in 1936. He was a pulp-adventure hero who protected his jungle home while fighting piracy and crime around the world. His unique twist, at least visually, was his outfit of tights and trunks, with a domino mask to obscure his features. More than a year before the appearance of Superman, the Phantom was dressing like a superhero.
In parts of the world, people consider the Phantom to be the very first superhero. Though he persists in American newspaper pages, he has not been very popular in the U.S. in comparison to similar characters. In other part so of the world, notably Australia, Sweden and India, he is possibly the most well-known and followed comics characters. How did a middling American adventure comic become so popular overseas? Comics scholar Kevin Patrick wrote a dissertation about it, and has since turned than dissertation into his book, The Phantom Unmasked.
It started with the general popularity of newspaper comic strips in the United States. As the American market became saturated, the features syndicates that distributed comics sought to expand by marketing to foreign publishers. While they faced objections in some markets, they had the advantage of being cheap and plentiful. In addition, the American syndicates worked with local syndicates or publishers to adapt their comics to local tastes and customs. This included The Phantom.
Lee Falk, writer of the strip, conceived of a character who was likely to be popular by taking ideas from popular jungle stories and hero pulps. He noted that he took inspiration form Edgar Rice Burroughs’ Tarzan of the Apes (serialize in All-Story magazine) and Rudyard Kipling’s The Jungle Book. The name of the Phantom is suggested by The Shadow, one of the most popular pulp magazines. The Phantom marked his enemies with the stamp of his skull ring, similar to the signet of The Spider, who more often left his mark on a corpse than a living foe. The skull-mark itself may have been inspired by the death’s head ring of Operator 5; though that ring was loaded with an explosive charge.
Patrick traces the spread of The Phantom from the United States to overseas markets, especially Sweden, which would become a center of oversees Phantom media production, India and his homeland of Australia. While he considers the features of the strip that make it popular in these countries, he also explores the marketing and publishing practices of the features syndicates in America and abroad to show how The Phantom was a financial as well as a popular success. The Phantom Unmasked is as much a business history as it is a comics history, though the two have always fit closely together.
If you’re interested in this book, you may also be interested in
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Book Nation by Bradford W.
Wright
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The
Peerless Peer by Philip Jose
Farmer
Patrick, Kevin. The Phantom Umasked: America’s First Superhero. Iowa City: University of Iowa Press, 2017.