Reckless by Chrissie Hynde

As I get older, I start noticing some strange connections. If Peter Parker aged naturally, he’d be the same age as my father. I also learned that Chrissie Hynde, lead singer of the Pretenders (one of my favorite bands), is only three years younger than my parents. I can hardly believe it, though there is an unreliable part of my mind that seems convinced that I’m still in my early 20s.

This bit about Hynde’s age is hardly the most interesting thing in her autobiography, Reckless. You find many things you normally find in autobiographies. For instance, her early childhood in Ohio was surprisingly and pleasantly normal.

Things get more interesting in her teen years. She became a teenager in the 1960s and she was swept up into the youth culture of the time. She had two loves, music and drugs.

Hynde did a lot of drugs. She doesn’t dwell on the term addiction, but she doesn’t hide that she clearly was addicted. She subjected to herself to may dangers and abuses for the sake of getting high. A person would not do that if she was thinking straight, but addicts don’t think straight.

Unfortunately, drugs got in the way of the music. Drugs took the lives of many innovative musicians of the 1960s and 1970s, and Hynde mentions many of them that she knew. Two members of the Pretenders, Jimmy Scott and Pete Farndon, died of drug-related causes. It seems that there are several occasions in her story, before the Pretenders, when her dream of being in a band was interrupted by drugs, either her own pursuit of them or her potential bandmates’.

Hynde was adventurous. She traveled far from her childhood home in Akron to Canada, Mexico and France before settling in London. London became her home, largely because of the music scene. There she finally put together a band, though an unusual British band with an American lead. She met an amazing number of other musicians, famous then or later, who were there. It may seem like name dropping to discuss the Clash or the Sex Pistols, but these were people she knew and she lived their ups and downs with them.

The final section of the book, covering the career of the Pretenders, is surprisingly short. Admittedly, the original line-up did not last long due to the deaths of Scott and Farndon.

Hynde’s tone is not nostalgic. She has nostalgia for a Midwestern urbanism that was almost dead by the time she came along. She speaks frankly about her own days. She expresses a strong sense of agency and does not blame anyone for the way they treated her or depict herself as a victim. She seems to regret that the drugs people thought would set them free did not, and that as addicts they kept using drugs long after they knew it was a trap.

If you’re interested in rock and roll (and rhythm and blues and punk), you’ll likely enjoy this book. Hynde clearly loves this music and was around when it was undergoing much innovation. She was friends with some of the first stars of punk. He story is also an interesting section of the 1960s and 1970s. For instance, she was a student at Kent State University and witnessed the protests and other events that led to the National Guard firing on students.

If you’r interested in this book, you may also be interested in

Professional Amateur by T. A. Boyd

The Ten-Cent Plague by David Hajdu

Hynde, Chrissie. Reckless: My Life as a Pretender. New York: Doubleday, 2015.

Interesting Stuff Feb. 17, 2011

Comics Code Authority Seal of Approval
-Archie Drops CCA in February
-Censors and Sensibility: RIP, Comics Code Authority Seal Of Approval, 1954 - 2011
-Comics Code Authority—Defunct Since 2009?
-Comics Code Authority is Dead
-DC Replaces Comics Code Approval
-The Ten-Cent Plague by David Hajdu

Deconstructing Lichtenstein: Source Comics Revealed and Credited
February is Earthquake Preparedness Month (Missouri)
Interesting Stuff Jan. 27, 2011

Joanne Siegel, Inspiration for Lois Lane, Passes
-Joanne Siegel dies, widow of Superman co-creator, model for Lois Lane
-Joanne Siegel, Inspiration Behind Superman’s Lois Lane, Dies at 93
-Joanne Siegel, the Inspiration for Lois Lane, Passes Away at 93
-Joanne Siegel, the Model for Lois Lane, Passes at 93
-Joanne Siegel, Widow of Superman Creator Jerry Siegel, Dies at 93
-RIP: Joanne Siegel

National Engineers Week (February 20-26)
-Discover Engineering
-Future City Competition
-Let’s Celebrate Engineers
-National Engineers Week Foundation
-Popsicle Stick Bridge Contest

The New York Public Library’s Extremely Useful Predecessor
Teenager Invents Working Solar Death Ray, Athenians Rejoice

Case Closed (Vol. 2) by Gosho Ayoama

Gosho Ayoama. Case Closed. Vol. 2. 1994. San Francisco: VIZ, 2004.

Case Closed is a collection of short detective stories in comic form (manga). They were originally published in Japan under the title “Meitantei Conan” (Detective Conan). That is the straightforward part.

The hero is a teenager with a genius for solving crime, Jimmy Kudo. He stumbles onto something and a crime organization poisons him. Instead of killing him, the drug shrinks him down to the size of a first grader. He commits himself to finding the men who did it. To protect himself and his friends for the criminals who think he is dead, he takes on the name Conan Edogawa (from mystery authors Conan Doyle and Rumpo Edogawa) and takes up with his unsuspecting girlfriend, Rachel, and her father, mediocre private investigator Richard Moore. To get this back-story, you’ll need to read the first volume or see early episodes of the anime series that closely follows the manga.



Other than that, the stories are straightforward tales of ratiocination in the Western tradition started by Edgar Allen Poe and taken up so well by Doyle in his Sherlock Holmes stories. For someone interested in getting familiar with manga, Japanese comics, this may be a good place to start. The mystery story is familiar to Westerners and the art is in the manga style.

This particular volume has three stories. Gosho Ayoama’s method is to present a complete mystery story and occasionally include stories that touch on Jimmy’s broader quest to return to his normal size and bring his shrinkers to justice. You don’t have to be invested in the larger story to enjoy reading the individual mysteries.

Though Jimmy appears to be a young child, and has adventures with kids from his elementary school class, the stories are not for children. There is murder and other crimes, violence and gore, and children in imminent danger. Conan has a particular knack for provoking killers into coming after him.

Stan Lee by Bob Batchelor

Stan Lee is the face of comic books to many and has become a sort of celebrity in his more than 70-year long career as a storyteller. He began to hone his image on the college lecture circuit in the 1960s while he created a new type of superhero, typified by the Fantastic Four and Spider-Man, in collaboration with artists including Jack Kirby and Steve Ditko. It was a role Lee was ready for; he had been trying out ways to promote comic books and himself since the 1940s.

Bob Batchelor presents Lee’s life in Stan Lee: The Man behind Marvel. Though not a long biography, it starts with Lee’s childhood in New York City and runs through his 95^th year, when he is still producing ideas for comics and television.

Lee was present nearly at the beginning of comic books. He started as an assistant to Joe Simon and Jack Kirby, the creators of Captain America. When they moved on after contentions with Timely Comics, a forerunner to Marvel, Lee stepped up to become editor while still a teenager.

Lee was ready to quit comics by the time the 1960s. He craved to work in a respectable field and was tired of chasing trends. The right combination of opportunity and encouragement from his wife pushed Lee to write the kind of comics he would want to read, and it became a sensation.

Though Lee will always be associated with Marvel comics, by the 1980s his focus was shifting to television and film. It was a rough transition for Lee, but he had some success, especially in the production of animated adaptions of Marvel characters that were popular in the 1990s.

Lee has stumbled some in his post-Marvel career, notably the debacle of new media company Stan Lee Media. He seems to have recovered somewhat with POW! Entertainment.

Lee has detractors, which Batchelor acknowledges. Batchelor doesn’t refute those detractors, but his take on Lee is overall very positive. Lee appears to be someone who tries not to be tied down by his past, neither dwelling on his failures nor being content with many successes.

Lee was a central figure in creating some of the most popular characters and stories in the world. Well into his 90s, he is still working and coming up with ideas that find their way into print, television and the Internet.

If you’re interested in this book, you may also be interested in

The Amazing Adventures of Kavalier & Clay by Michael Chabon 

Amazing Fantastic Incredible by Stan Lee, Peter David & Colleen Doran

The Book of Lies by Brad Meltzer

Comic Book Nation by Bradford W. Wright

In Memory Yet Green by Isaac Asimov

Kirby by Mark Evanier

Marvel Comics: The Untold Story by Sean Howe

Men of Tomorrow by Gerard Jones

Reading Comics by Douglas Wolk

Spider-Man

Stan Lee by Jordan Raphael and Tom Spurgeon

The Ten-Cent Plague by David Hajdu

Will Eisner by Michael Schumacher

Batchelor, Bob. Stan Lee: The Man behind Marvel. New York: Rowman & Littlefield, 2017.

Just Write by Walter Dean Myers

Myers, Walter Dean.  Just Write: Here’s How!  New York: Collins, 2012.

Walter Dean Myers is an author of mostly of books for children and young adults.  That is the primary audience for Just Write: Here’s How!

Myers makes no bones about it.  Writing is hard work.  Myers, and he believes most other successful writers, has a process that helps he prepare for, write, and complete books.  A writer needs to love the process of writing if he hopes to complete books and have them be of good quality.

Having said that, Just Write is not a highly technical book.  Myers’ process if fairly straightforward.  He uses a simple outline to get started (actually two: one for fiction and one for nonfiction).  He fleshes these out into more detailed outlines.

Preparation is important to Meyers.  Partly this is the hard work of putting together a good outline and developing an understanding of your main character.  He also advocates plenty of research.  Writers, especially when they are young, write about things they haven’t experienced personally, and research will serve both as a personal education and a source of authenticity for the book.

Don’t skimp on preparation and don’t shy away for rewriting.  Myers considers rewriting important.  He welcomes input from his editor that will make his books better.

Many examples come from Myers’ experience.  He especially draws upon his unexpectedly pleasant success co-writing Kick with Ross Workman, a teenager at the time they collaborated.  The process of working on Kick and other books provides illustrations for the points he makes.  He holds up Workman as an example of someone with the attitude, work ethic, an especially interest in the process of writing that leads to success as a writer.  Workman had the diligence and humility to learn, deal with feedback, and follow his book through to the end.

Workman also experienced the kind of crisis of confidence that Myers thinks is typical.  A young writer will need to face this crisis and find the courage to continue and improve his work.

Myers’ style in this book is informal, conversational and direct.  It is also personal.  He writes about how he came to be a writer and how it has affected his life.  He writes with a purpose, and that broader purpose to connect to and help kids has led him to speak to kids in trouble both to understand and to encourage them.  Though written for youth, it may be a good place to start for budding writers of any age.

If you’re interested in this book, you may also be interested in

Finding Your Writer’s Voice by Thaisa Frank & Dorothy Wall

Mastering Fiction Writing by Kit Reed

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