Friday, December 21, 2012
Superman versus the Ku Klux Klan by Rick Bowers
Thursday, June 10, 2010
The Brooklyn Bridge by Judith St. George
Published shortly before the centennial of the Brooklyn Bridge, this book is a short history of bridge. The story of the bridge is necessarily the story of the Roeblings, the family responsible for designing the bridge and overseeing its construction.
When the builders completed the bridge in 1883, it was at the end of 14 years of construction. The plan for the bridge went back further to 1857 when engineer and German immigrant John Roebling first proposed a bridge across the East River to connect New York to Brooklyn. At the time, the only communication across the river was by ferry. Roebling was the leading suspension bridge engineer in the United States.
The bridge would not get needed support until after the Civil War. In the mean time, Roebling’s son Washington would be come a skilled engineer in own right, studying Rensselaer Polytechnic Institute, getting a practical education working with his father and studying bridge-building techniques in Europe in the company of his wife, Emily. He also was trained in leadership, having risen to the rank of colonel in the Army during the Civil War.
The bridge took a great toll on the Roeblings. John was killed by tetanus early in the development of the project. Washington’s health was ruined by caisson’s disease (the bends) and for many years Emily acted as his hand, feet, eyes and ears on the bridge project.
St. George’s brief book is a quick read, but for its brevity still a good overview of the bridges development and construction. It includes several photos and illustrations. It seems suitable for younger readers, but is not too simplistic for an adult reader who wants a quick introduction to the bridge and its early history.
If you’re interested in this book, you may also be interested in
Dreams of Iron and Steel by Deborah Cadbury
The Great Bridge by David McCollough
Steam by Andrea Sutcliffe
Related articles:
Brooklyn Bridge getting a $500 million makeover
Saturday, April 22, 2017
Road to the Sea by Florence Dorsey
Saturday, November 24, 2018
Chief Engineer by Erica Wagner
Tuesday, March 24, 2020
Mr. America by Mark Adams
Tuesday, October 28, 2008
Dreams of Iron and Steel by Deborah Cadbury & The Lighthouse Stevensons by Bella Bathurst
The oldest of these (still standing like all but one of the other projects) is the Bell Rock lighthouse. The Bell Rock sank many ships that sought shelter from North Sea storms in Scotland’s Firth of Forth. Robert Stevenson, grandfather of author Robert Louis Stevenson, designed and oversaw the construction of a tower on it. The rock was a formidable construction site. It sat eleven miles from land. High tide covered it with as much as 16 feet of water. Low tide exposed an area only 250 by 130 feet. Yet Stevenson and his men built a 100-foot, stone tower on it. They did it 200 years ago.
By the middle of the nineteenth century, several wonders were built almost at once. The Great Eastern, built by Isambard Kingdom Brunel, was twice the size of any other ship. Though a commercial failure, it set the standard for the next generation of ships.
Brunel launched his ship into a dirty and diseased Thames. Joseph Bazalgette sought to make the river safer for London residents. He built sewers under an ancient city that had grown to 2.5 million people and sprawled over 80 square miles.
In the American West, rival firms raced across the continent to build a railroad that would unite a nation recovering from civil war. In New York, John and Washington Roebling tackled the broad East River with their Brooklyn Bridge. They risked their lives and reputations on the longest span of the day and a material untested in bridges—steel.
The twentieth century inaugurated bigger feats. First proposed in 1879 by Vicomte Ferdinand de Lesseps of France, builder of the Suez Canal, the Panama Canal defeated most of those tried to build it. Even the United States poked at the mountains in futility until John Stevens, a railroad engineer, upgraded the infrastructure and equipment. When Stevens left the canal, a frustrated Theodore Roosevelt put military officers in charge. Lieutenant Colonel George Goethels, an engineer with extensive lock and dam experience, saw the canal through to its completion shortly before World War I.
The final project, America’s “damn big dam”, was build during the Depression. Hoover Dam was huge and constructed under difficult conditions. But construction engineer Frank “Hurry up” Crowe pushed and planned to get it done early and under budget.
Cadbury treats each project separately. However, they are linked by common elements.
Tragedy and setbacks touched each one. Thousands of men, usually poor laborers and sometimes children, were killed or injured to make these huge structures. They were beset by lack of financing, reluctance to try new methods and materials, bankrupt contractors, political opposition, corruption, greed, prejudice, and other human imperfections.
At their best, these engineers and their wonders are linked by the same qualities that appear in the best of engineering today. They had a vision to make people safer, healthier, richer, and freer. They created solutions to immense problems.
Robert Stevenson’s triumph at Bell Rock won the confidence of the Northern Lighthouse Board. It also launched an association between the Stevenson family and Scottish lighthouses that lasted four generations. During their tenures in the office of engineer for the board, Stevenson and his sons dominated the design, construction, and operation of the lights. Bella Bathurst tells their story in The Lighthouse Stevensons (New York: HarperCollins, 1999).
This book has its own kind of variety: technical, professional, and personal. It covers the construction and technology of several lighthouses, the masterpieces of Robert and his three sons. They not only built towers, but also improved their design and the design of the lamps, reflectors, optics, and mechanical systems that operated in them. One even studied the waves that assaulted their works.
It shows that engineering is more than simply design and construction. The Stevensons were also managers, fundraisers, businessmen, public servants, purchasing agents, manufacturers, contractors, and more. Their work included a broad section of what engineers do.
The book is also a biography of these four men that reveals the dynamics of the family. Robert insisted his sons join the family profession and business. Only one, David, seemed to take to it naturally. Only David’s sons filled the next generation of lighthouse Stevensons. Alan and Tom were more inclined to work in literature and the arts. Alan proved himself to be a capable engineer by building a 138-foot light at Skerryvore that could withstand the elements and exhibit a simple beauty. He became so disabled by disease, Bathurst suggests it was muscular sclerosis, that he gave up his work with the lighthouses. He managed to work irregularly as a writer. His works include and encyclopedia article on lighthouses and a translation of Greek poems. Tom shared Alan’s artistic leaning, but not his intensity and focus. He and David eventually divided the engineering work for the Northern Lights.
Not everyone is cut out to be an engineer, of course. As Robert Louis Stevenson said about his internship in the profession, “He is a wise youth, to be sure, who can balance one part of genuine life against two parts of drudgery between four walls and for the sake of one, manfully accept the other.” But some managed to catch what Marion Allen, a laborer on the Hoover Dam, called constructitis. “Sometimes one thinks he is cured,” said Allen, “only to have a relapse when he goes by fresh concrete or catches the smell of fresh sawdust from new lumber. Anyone with this affliction has to start construction of some kind, even of only to dig a hole and fill it up again.”
Order this book here.
Thursday, April 5, 2012
Judges
Wednesday, October 31, 2012
The Guns of the South by Harry Turtledove
Friday, April 23, 2021
The Apparitionist by Peter Manseau
Photography was introduced to the United States at around the same time that a new religion was born in the nation. Spiritualism promised a connection to the dead in their realm through human mediums, and some thought photography might capture physical manifestations of spirits. Peter Manseau tells the story of the first spirit photographer in The Apparitionist.
The man who
captured the first supposed spirit photograph was an amateur at the time. William Mumler thought he had made in error in
cleaning the glass on which the photonegative was captured when a faint image
appeared in a self-portrait he shot in 1862. He was using the photo studio owned by Hannah Stuart. The married photographer, soon to be
widowed and soon after that to be Mrs. Mumler, was a Spiritualist, and she
convinced him that the image was not an error, but an apparition. The photos
caught the attention of the Spiritualist press, first in the New York-based Herald of Progress, then in Mumler’s hometown of Boston in the Beacon
of Light, which
published the address of the Stuart studio.
Soon the
studio was producing many spirit photographs; they even took orders by mail
from across the country. Bostonian Spiritualists compared photos and found
evidence that Mumler was faking the images. Discredited, the Mumler’s moved to
New York to quietly offer spirit photographs again. Their practice there let to
criminal prosecution in 1869. Photographers knew of ways to produce such images, but no
investigators could figure out what Mumler was doing. Though the judge gave did
not suggest the photos actually captured images of spirits, he rejected the
prosecution’s case because it did not adequately support the charges of fraud and similar crimes.
Even with
such tepid vindication, the atmosphere in New York was too hot for the Mumlers,
so they returned to Boston. Though Mumler continued to take spirit photos, he
had developed a much deeper understanding of the art and science of photography. He developed a
process that allowed for the direct reproduction of photos on newsprint;
founded the Photo-Electrotype Company of Boston and licensed his process to
companies in other cities. This allowed newspapers and magazines to less expensively reproduce images
without preparing an engraving first.
Manseau also
discussed the development of photography in the United States after the art was
introduced here. This includes American pioneers of photography such as Samuel Morse, also inventor of the telegraph, and Civil War battlefield photographers Matthew Brady and Alexander Gardner.
If you’re interested in this book, you
may also be interested in
The Age of Edison by Ernest Freeburg
Arthur & George by Julian
Barnes
Billion Dollar Whale by Tom
Wright and Bradley Hope
Chief Engineer by Erica Wagner
Empires of Light by Jill Jonnes
Enchantress of Numbers by Jennifer
Chiaverini
The Explorer King by Robert Wilson
The Man Who Loved Books too Much by Allison
Hoover Bartlett
The Real World of Sherlock Holmes by Peter
Costello
Scan Artist by Marcia Biederman
Super Attractor by Gabrielle Bernstein
Manseau,
Peter. The Apparitionists: A Tale of
Phantoms, Fraud, Photography, and the Man Who Captured Lincoln’s Ghost. New
York: Houghton Mifflin Harcourt, 2017.