The Caped Crusade by Glen Weldon

Based on his self-description in The Caped Crusade, Glen Weldon and I are close in age. Unlike Weldon, the limited selection of broadcast television channels in my rural community did not present 1960s Batman series. My childhood impressions of the Dark Knight came almost exclusively from the comics. My favorite version of Batman is the “World’s Greatest Detective” (when I came across his team-up with a very old Sherlock Holmes in Detective Comics 500, I had to have it). I’m also fond of the adventure hero who hues close to his pulp roots—basically the Shadow or Doc Savage in a bat suit (I also had to buy Batman 253, in which the awestruck superhero acknowledges the Shadow as an inspiration).

I suppose that I staked out my position on Batman because that is partly what Weldon’s book is about, the contradictions between Batman the character and Batman the idea, and the tension between stories loved by hardcore fans and stories appreciated by a wider audience who engage with Batman in diverse ways.

Weldon illustrates this tension, and the character’s shift as the pull is sometimes stronger in one direction or another, through the history of the character. He sees a cycle in Batman’s depiction. He starts as a dark loner. He becomes a father figure (most directly to Robin). He grows into the patriarch of a family (Robin, Alfred, Batgirl, and Huntress just to start a list). Then a desire to revitalize the character, get back to roots, or satisfy the core fandom returns him to the loner stage.

The hardcore fans Weldon writes of generally conceive Batman as serious. They want a Batman who is realistic and gritty. In my experience as a reader of comics, “serious,” “realistic” and “gritty” are often code words for prurience, grotesquery and gore. I’m not interested in that in comics or any other media.

These fans have a love-hate relationship with the Batman of other media (they just hate the Adam West version). The Tim Burton films revitalized public interest in Batman when the comics were in a serious sales slump. (The hardcore fans hate the Joel Schumacher movies. I’m with them on that.) In the Chris Nolan trilogy they finally got a Batman who is serious and has acceptance in the wider culture.

That culture is much wider now than ever, especially due to the Internet. Comics fandom was once very insular, and in some ways it still is. In the Internet age, many people are engaging the character and idea of Batman. Comic book fans, cosplayers, fan fiction writers, movie buffs, fashionistas, retro TV watchers, hipsters and a host of others are interacting with Batman’s stories, history, image and iconography. It is a world that some of the old hardcore fans may find discomfiting, but it may be a place where Batman can have lasting relevance.

Weldon plainly likes that prospect. In his view, the super-straight Adam West Batman and the grounded, brooding Chris Nolan Batman can coexist. They are both really Batman. People have always focused on the aspects of the character that resonated with them. They have also imposed on him interpretations that the writers and artists that created his stories never imagined. We do this with every text, but few texts have the longevity of Batman. That may be the Weldon’s other point. We can take any version of Batman as seriously as we want, or we can simply enjoy the stories. He is a fictional character after all.

If you’re interested in this book, you may also be interested in:

Amazing Fantastic Incredible by Stan Lee, Peter David & Colleen Doran

Comic Book Nation by Bradford W. Wright

The DC Comics Guide to Writing Comics by Dennis O’Neil

Fic by Anne Jamison

Kirby by Mark Evanier

Men of Tomorrow by Gerard Jones

Reading Comics by Douglas Wolk

The Secret History of Wonder Woman by Jill Lepore

Stan Lee by Jordan Raphael and Tom Spurgeon

The Ten-Cent Plague by David Hajdu

Will Eisner by Michael Schumacher

Wisdom from the Batcave by Cary A. Friedman

Weldon, Glen. The Caped Crusade: Batman and the Rise of Nerd Culture. New York: Simon & Schuster, 2016.

Writing: Steal Characters

A lot of writing revolves around characters. For some writers, characters are central, and they’re drives, decisions, history, and idiosyncrasies move the story. A popular series character can be the jackpot for a writer, especially a genre writer.

Great characters are all around. How do you find them? Do as your predecessors in inventing great characters. Steal them.

I’m not suggesting that you actually steal characters. Nor am I suggesting that the writers I’ll be discussing stole their characters. It’s a matter of looking around in literature and life for real and fictional people then reworking them, consciously and unconsciously, into your own character.

Let me draw an illustration. Let’s take a popular character and see how other popular characters are in some way a reworking of it. These connections are my invention. I have not idea what the creators of these characters were thinking. I doubt most of them were thinking along these lines.

Let’s start with the Lone Ranger. Created by George W. Trendle (written by Fran Striker) in 1933 for the radio, the Lone Ranger saw success in several media, especially television. Before looking at the masked strangers successors, look at his predecessors. There were white-hatted cowboy heroes before the ranger. His contribution was the secret identity and the avoidance of lethal force. These heroes were white knights transformed for the gunpowder age. You might see those chevaliers as vaguely Christianized versions of mythological questers like Odysseus and Hercules.



Now imagine that the Lone Ranger is an antihero, his bullets are deadly lead and he uses a lot of them. You might picture something like Jonah Hex. John Albano and Tony DeZuniga created Hex in 1971. He is a scarred frontiersman who roams the West, not necessarily protecting the innocent, but collecting bounties or dealing deadly justice.

Maybe you like that the Lone Ranger avoids deadly force. Let’s keep that, but make him a pulp-era vigilante. That is what Trendle and Striker did in when they created the Green Hornet for the radio in 1936. They even made the Hornet a distant relative, though not a descendant, and imitator of the Ranger. The Hornet is darker, though. Instead of riding a white horse, he drives the Black Beauty. He sometimes pretends to be a criminal, but it is mainly to allow him to infiltrate gangs and break them apart from the inside. In spite of this, he avoids killing just as his predecessor did (I guess Seth Rogan didn’t notice that).

What if the Lone Ranger was a costumed superhero? He might be Batman, created by Bob Kane in 1939. Bruce Wayne’s identity isn’t hidden from the audience, but his costumed crusade against crime could have been modeled on the horseman. Batman writer Bill Finger gave Batman a code of ethics that would have made the Ranger proud. Not only did Batman eschew deadly force, he rarely used a gun at all. In appearance, at least, Batman resembles Zorro more than the Lone Ranger. (Batman comics tie him to Zorro, too. Several authors have depicted it as the move the Waynes had just seen when Bruce’s parents were killed by a criminal). Zorro himself might be taken as a Latin American spin on the Ranger, except he was created 14 years earlier by Johnston McCulley.

Not all of these ostensible progeny are as good as Batman. Put the Ranger in a talking car and you might end up with something like Knight Rider. Put Jonah Hex on a motorcycle in a futuristic megacity and you might get Judge Dredd. (The Judge Dredd comics weren’t bad, just not my cup of tea. The Sylvester Stallone movie was bad.)

The Lone Ranger is an archetypal hero, which is how we can so easily draw connections between him and characters that came before and after. It doesn’t denigrate Trendle and Striker to say they drew on archetypes, or even specific characters or people, in creating his own character. It’s a compliment that they created a character that was so popular, enduring, and inspiring to other writers.

Think of your own twist on the Lone Ranger archetype. You might have other characters you love that you could call on. Take your favorite romance heroine and put her in a completely different setting (Charlaine Harris put Sookie Stackhouse in a Louisiana full of vampires). You could put a detective in the far future (Isaac Asimov did in Caves of Steel). Bring a dragon into the atomic age (yeah, Godzilla). You could make a dragon a slave to the boilermakers in a steampunk fantasy—hey, maybe I’ll do that.

Miss Mizzou by J. B. Winter

Miss Mizzou was a secondary character in the Steve Canyon comic strip. She may not have stood out from the other bombshells in the cartoon pilot’s adventures, but she made quite an impression on the university from which she took her name (my alma mater, the University of Missouri) and the town that proudly housed it (Columbia). J. B. Winter talks about the girl in the overcoat (and maybe nothing else) and her impact in a mid-Missouri community in his book Miss Mizzou: A Life Beyond Comics.

Milton Caniff was a very well regarded cartoonist. His work on Terry and the Pirates was an inspiration to many in the field. He left that strip in 1947 to start another adventure comic, Steve Canyon, which he would own. He spoke at the University of Missouri in 1949. It bore the nicknamed Mizzou even before then though the university did not officially embrace it until 2004. Caniff apparently enjoyed the trip because he chose Mizzou as the name of a character he introduced in 1952, and made Columbia her hometown.

Caniff took inspiration from waitress he knew as a student at Ohio State University, Marilyn Monroe, and, more directly, dancer and model Bek Stiner. Miss Mizzou, played by Stiner, appeared was introduced on television before appearing in newspapers. Caniff and Stiner, in the characters overcoat, appeared on the Bob Considine Show about a month before her adventure with Canyon ran.

Columbians and Mizzou students jumped on the opportunity to celebrate. The Missouri Student Government Association organized publicity events that Stiner attended over a weekend about a month after the character appeared in newspapers. In 1954, a journalism fraternity proposed a Miss Mizzou-themed contest and calendar as a fundraiser; Caniff agreed to let them do it. The contest ran from 1955 to 1971, and the skits that became associated with it were popular.

Winter’s slender book is a quick read, but still very informative. He concentrates mostly on the character’s impact on the titular school and city than on her adventures in the comics. Even so, comics fans may enjoy the book because few character have been embraced by community in this fashion or had such an influence

If you’re interested in this book, you may also be interested in

Men of Tomorrow by Gerard Jones

Superman versus the Ku Klux Klan by Rick Bowers

Will Eisner by Michael Schumacher

Winter, J. B. Miss Mizzou: A Life Beyond Comics. Lexington, KY: CreateSpace, 2014.

The Fifth Heart by Dan Simmons

Novelist Henry James seems like an unlikely partner to fictional detective Sherlock Holmes. Dan Simmons pairs them in his novel The Fifth Heart. James provides Holmes with access to the inner circle of American politics, where Holmes investigates the death of Clover Adams, wife of historian Henry Adams. Together, they thwart an attempt to assassinate President Grover Cleveland at the opening of the Chicago Columbian Exhibition.

In some ways, Simmons draws from the weakest of genre writing, such as the fortunate happenstance of James and Holmes meeting on the bank of the Seine, where the story begins. Simmons writing in this style is not weak, though. He also writes in more literary style, though not a densely written as James’ novels, and uses the likes of upper-class dinner parties to explore social customs and mores.

One of the ways Simmons creates a deep sense of the setting is by constantly dropping names. Many of the characters in the book, or their real counterparts, were famous or well-connected in their day and actually knew each other, such as Adams, the Hays, James, and Samuel Clemens. They also knew, or knew about, a lot of other famous or well-connected people, so the discussion of all these names seems natural. I started jotting down the names, and I recorded more than 100 (some are listed below). Some were fictional (like Hercule Poirot), but many were real people.

On the whole, the novel is a good adventure full of interesting characters. Simmons goes a little deep into philosophy in a consideration of what it means to be a real person, or the potential reality of fictional people (Holmes suspects he may be fictional). The book can be enjoyed without sweating that point.

In a sense, all the characters in the book are fictional, even if they are based on real people. The Holmes of this novel describes the symptoms that indicate he may be fiction, such as the fog he experiences between adventures, and the James of this novel experiences the same thing. Of course, many of us experience arriving home from work and having almost no recollection of driving, so some fogginess may be a natural part of memories and the way we form them (or don’t form them).

If you’re interested in this book, you may also be interested in

Fic by Anne Jamison

The Peerless Peer by Philip Jose Farmer

The Seven-Per-Cent Solution by Nicholas Meyer

The Sherlockian by Graham Moore

Simmons, Dan. The Fifth Heart. New York: Little, Brown and Company, 2015.

Henry Adams

Marian (Clover) Hooper Adams

Irene Adler [fictional]

Alexander Agassiz

William Waldorf Astor

Henry Ward Beecher

John Bonfield

Paul Bourget

William G. Brock

Daniel Hudson Burnam

James Donald Cameron

Walter Camp

Enrico Caruso

Samuel Clemens (Mark Twain)

Frances Folsom Cleveland

Grover Cleveland

Willkie Collins

Edward Compton

Stephen Crane

Captain Sir George Mansfield Smith Cumming

Charles Dodgson (Lewis Carroll)

Montague Druitt (suspected of being Jack the Ripper)

Andrew L. Drummond

Edmund Gosse

H. Rider Haggard

Carter Henry Harrison

Adelbert “Del” Hay

Clara Hay

Helen Julia Hay

John Hay

Sven Anders Hedin

Mycroft Holmes [fictional character]

Oliver Wendell Holmes, Jr.

Sherlock Holmes [fictional character]

Isabella Beecher Hooker

Edward Hooper

William Dean Howells

Victoria Woodhull

Henry Irving

Henry James

Francis Scott Key

Phillip Barton Key

Clarence King

Rudyard Kipling

Peter Kropotkin

Fritz Krupp

Louis Jean-Baptist Lepine

Henry Cabot Lodge

Robert McClaughry

George McClellan

Charles Macready

Errico Maltesta

William Melville

Sebastian Moran [fictional character]

James Nolan Moriarty [fictional character]

Richard Monckton Milnes

Carl Gottfried Neumann

Charles H. Pearson

Hercule Poirot [fictional character]

Henry Rathbone

Elisee Reclus

Henrietta Reubell

Henry Hobson Richardson

Edmund Rice

Elizabeth Robins

William Rockhill

Theodore Roosevelt

John Singer Sargent

Rudolph Schnaubelt

Heinrich Schliemann

William Seward

Daniel Sickles

Teresa Bagioli Sickles

Ainsworth Rand Spofford

Edwin Stanton

Elizabeth Cady Stanton

Adlai E. Stevenson

Robert Louis Stevenson

Harriet Beecher Stowe

Benjamin Tayloe

Annie Royle Taylor

Minnie Temple

Emile Jean-Horace Vernet

Carl Aver von Welsbach

A. B. Walkley

Fanny White

Garnet Wolseley

Constance Fenimore Woolson

Epistles

Most of the New Testament is epistles, or letters, sent from church leaders to the churches.  Most of these letters were written by Paul, which are collectively known as the Pauline Letters.  The other epistle writers are James, Peter, John, and Jude.

*

The church was growing rapidly and dispersed through the nations around the Mediterranean Sea.  Both in Jerusalem and in the churches founded by missionaries or Christians fleeing persecution, there was a need for sound teaching and a way to bind them together into the larger body of Christ.  The epistles served this purpose.

The epistles cover a lot of ground.  Some of them are fairly long and heavy on instruction.  Others are short, more newsy and encouraging.  Themes that I find recurring in the epistles are: a reiteration of the Gospel emphasizing the centrality of Christ, living as a Christian with character and good relationships, and words of warning and encouragement.

Reiterating the Gospel: The Centrality of Christ

The epistles repeatedly summarize the Gospel.  We have all sinned. Christ came to atone for our sins through His death on the Cross.  His righteousness is imputed to those who receive Him.  He was resurrected, as foretold, as proof of that He was Christ and as evidence of the resurrection we will experience.

The epistle-writers vigorously defended who they knew Christ to be.  He was God (he was divine, God-the-Son, a person of the godhead).  He was incarnated; God became flesh and lived as a human being.  He died on the cross, physically dying as a man.  He was resurrected, and that resurrection was a bodily restoration and transformation, not merely a spiritual continuance.

Christian Living: Character and Relationships

Now that these Christians were saved, what did it mean for the way they lived?  This is still an important question for Christians.   We are to abandon sin and do what is right, exhibiting a Christ-like character.  That character is typified by faith, self-control, humility, and especially love.

One of the toughest problems we face in life, and one of the most important, is our relationships.  The epistle-writers address how we are to relate to each other in church, marriage, family, work, and business.

Warning and Encouragement

The early church was beset by false teachers.  These people twisted the scripture to suit their own purposes.  It has not stopped.  These letters warn us to look out for falsehood and show us how to spot it.

Even more than this, though, these letters are full of encouragement.  We are not alone; God is with us always as the Holy Spirit indwells us.  Whatever trials, temptations, or opposition we face, we can live the life God has called us to in Christ.  Not only that, the difficulties we face in ourselves and around us in this sinful world will pass, and we will be resurrected to live forever in the perfect love and peace of God.

The epistles are:

Romans     1 Corinthians     2 Corinthians

Galatians     Ephesians     Philippians

Colossians     1 Thessalonians     2 Thessalonians

1 Timothy     2 Timothy     Titus

Philemon     Hebrews     James

1 Peter     2 Peter     1 John

2 John     3 John     Jude

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General Epistles

The General Epistles are so called because most are addressed to the entire church. This is in contrast to the Pauline Letters, which are typically addressed to particular people or congregation. They are sometimes referred to as the Catholic Letters, catholic in this case referring to universal or for everyone.

These letters were written by different people at different times with somewhat different intentions. Even so, some common themes can be found in these books. Some themes that I observed are

-the importance of the Gospel taught by the apostles, and a defense against false teachers,

-that Christians should imitate the love and character of Christ,

-that helping others is a particularly important way to of practically emulating Christ, and

-encouragement for Christians, especially those who are suffering or persecuted.

The Gospel

The Gospel was central to the teaching of the apostles, as it is central to the church today. The writings of the apostles particularly emphasized the deity of Jesus Christ, His death on the cross for the atonement of our sins, and His bodily resurrection from the grave as proof of who He was and the authority of His teachings. Even in that first generation, the church was beset with people who tried to alter, twist, or reimagine God’s Word, putting aside the truth to suit themselves and their own agendas. These authors defend the Gospel against false teachers.

Character

Salvation involves an amazing transformation. It is also just the beginning of a life walking with God. God’s Word works in our minds, and the Holy Spirit works in our heart, to change us so we are increasingly more like Christ. The authors of these letters encourage believers to embrace this process and actively imitate Christ. If a person belongs to God, their character will show it, and it will show more as they mature.

Helping Others

One of the most practical ways to show what Christ is like, and to imitate him, is to help other. The authors of these letters encourage Christians to help the widowed, orphaned, hungry, imprisoned and oppressed, especially if there is a fellow Christian in need.

Encouragement

People suffered in the First Century, even as they do today. Christians in those days sometimes faced active persecution. Even where they were tolerated, their new beliefs and behaviors sometimes brought them into painful conflict with family and friends. The writers of these letters encouraged them to stick with the truth. God is with them and will help them overcome. Often it is the character of believers, especially the way they behave in suffering, that is the testimony that touches the heart of a love-one or even a stranger in a way that eventually brings them to Christ.

The General Epistles are

-James,

-First and Second Peter,

-First, Second and Third John, and

-Jude.

If you’re interested in reading these books, you may also be interested in reading

Deuteronomy

Exodus

Genesis

The Gospels

Gospel of John

Hebrews

Leviticus

The Most Effective Organization in the U.S. by Robert A. Watson & Ben Brown

Pauline Letters

Proverbs

Proverbs

Proverbs. The Holy Bible, New King James Version. Nashville, TN: Thomas Nelson, 1982.

Proverbs is a collection of wise sayings. Most are attributed to Solomon. A couple of chapters are attributed to Agur and Lemuel’s mother.



Though related proverbs are loosely grouped together, the book overall can seen disjointed. This is the partly the nature of a collection of sayings.

With the exception of a few longer, poetic sections, each proverb is a short saying, usually just a couple of lines. Often, the second line is a comparison or contrast to the first. A typical proverb may express essentially the same idea in two ways, or it may present opposite behaviors with their different results.

These sayings are intentionally short and often poetic because they are intended to be easy to remember. They are teaching tools.

What the proverbs teach are ethics. They encourage good behavior, righteousness, integrity, good character and wisdom. They discourage evil, injustice, deceit, bad character and foolishness.

The proverbs are founded on a religious understanding of the world. God exists and he has a plan for His creation. The world is a created order and understanding this order can lead to better decisions. God is just and ultimately sets everything right, even if it appears in the short-term that evil is rewarded and good has no effect.

Even though the proverbs have this religious outlook, they are not idealistic. Wisdom may begin with acknowledging God and His character, but it includes recognizing that our world is full of evil and corruption. Pitfalls abound with sexual immorality, strong drink, deceitful people, and corruption in business and government.

Living righteously in a corrupt world is not easy, and sometimes the advice on how to deal with evil and foolishness seems to conflict. While it is straightforward enough that we should never do what is evil, sometimes the proverbs advise to confront and sometime they advise to let things be. Sometimes the wisest thing is to turn tail and run.

This isn’t so much a matter of conflicting advice as recognition that wisdom isn’t a cookie-cutter approach to life. We learn wisdom over time as we mature. People are different and we learn to tailor our responses to them for the best effect. In addition, the wisest people are always learning, always seeking appropriate counsel, and always turning to God because they recognize they don’t know it all, haven’t seen it all and are far from perfect.

Defining Noah Webster by K. Alan Snyder

Snyder, K. Alan. Defining Noah Webster: A Spiritual Biography. Washington, DC: Allegiance Press, 2002.

Noah Webster was in interesting man in interesting times. A young man during the American Revolution, he became interested in politics and went on to know many of the statesmen of that era, especially amongst his fellow Federalists . He was published the first magazine of original material in America and edited a Federalist newspaper, sometimes drawing fire from his own party for his evenhanded reporting. He is best known for writing educational materials, readers, texts, and especially his dictionary.



K. Alan Snyder covers this biographical fare in Defining Noah Webster. He is more interested in the philosophical and religious arc of Webster’s life and how his views changed, especially after his conversion to Christianity.

Webster was raised in the Congregational church of his family in Connecticut and attended Yale, which was still ostensibly a religious college at the time. (Incidentally, later in life he would help to establish Amerherst because, among other things, he found Harvard, itself originally a seminary, to be too liberal.) As he reached adulthood and had to fend for himself, he turned away from the faith and sought guidance in literature and philosophy. He is hardly the only Enlightenment-era youth to seek to perfect himself through reason .

Snyder sees Webster falling under the influence of Scottish Common Sense philosophy. After reading his book, I can’t tell you much about Common Sense philosophy, though Snyder provides just enough to follow how it appears in Webster’s activities and writings in the early part of his career. The major themes are that reason must be guided by conscience, and that as a person matures and develops reason, reason should take the drivers seat and direct his other faculties. Thus, Webster’s educational views include inculcating moral values. Common Sense also viewed political philosophy as part of moral philosophy. Webster valued character in politicians and thought foolish put public trust in people whose private morals were questionable.

While Webster’s views were not opposed to Christianity, his real faith through much of his career as an educator, author, politician, and public figure was in reason, not in Christ. As he saw his country grow and become factious and reported the horrors that developed during the French Revolution, he became disillusioned with the idea that reason, even if guided by a trained conscience, could cure people of moral shortcomings.

Webster converted to Christianity at the age of about 50, to the delight of his wife and daughters. He did not make a disillusioned retreat to religion. He was born again and the experience changed his perspective on everything. The final chapters are the meat of the book. Snyder writes about how this conversion changed Webster’s views on politics and education and influenced his dictionary.

Webster remained a staunch Federalist. However, the reasoning behind his political views changed. He found the roots of republican government in the Bible-base wisdom of America’s Christian settlers. Solid character, especially Christ-like character, became an even more important requirement for elected officials.

Before his conversion, Webster steered clear of what he saw as the overuse of the Bible in readers. Afterward, he no longer trusted natural conscience and reason. People were too prone to error and selfishness. They needed revelation from God’s Word as a reliable to guide to what is right.

These Christian views are prominent in Webster’s dictionary, though largely removed from its successors. Webster traced etymologies with the notion of finding the true meaning of a word in its origins in an Adamic tongue. His illustrations of meanings frequently reflected his Christian views.

If you’re interested in this book, you may also be interested in
His Excellency by Joseph J. Ellis
The Invention of Air by Steven Johnson
The Politically Incorrect Guide to Western Civilization by Anthony Esolen
Triumvirate by Bruce Chadwick

The Spirit by Darwyn Cook

The Spirit. Written by Darwyn Cooke and Jeph Loeb and drawn by Darwyn Cooke. New York: DC Comics 2007.

This book collects the first six issues of DC’s new line of The Spirit with writing and penciling by Darwyn Cooke and the one-shot Batman/The Spirit written by Cooke and Jeph Loeb with pencils by Cooke. The Spirit was created Will Eisner and originally ran as newspaper insert in the 1930s and 1940s.

I think Cooke handles The Spirit well. To fans, the character is almost as iconic as the likes of Superman. However, Superman has been continually published since his creation with contributions for many writers and artists. The Spirit ceased publication over 50 years ago and has only appeared in reprints. This could pose a problem for some. Do you keep the character historical, do you modernize him, and how do you make it work?

Cooke handles it the way most comics with such long-lasting character do, he ignores it as much as possible. He has kept what is distinctive and great about The Spirit and his supporting cast and simply written and drawn very good new stories.



The Spirit stories are hardboiled detective tales with a touch of superhero adventure and a big dose of humor. The stories cover a wide emotional range, but the tendency is toward the lighthearted. This is in keeping with Eisner’s work and done well by Cooke, who seems to be involved in several detective-oriented comics projects.

Cooke’s drawing style differs from Eisner’s, though I suspect he could imitate Eisner well if he wanted to. Where the new Spirit resembles the old is in it use of design and layout. This is one of those things Eisner brought to The Spirit that made it great and that Cooke does very well. The layout and design element produces two things. First, it results in some stunning and interesting images. Second, and probably more important, it creates a strong integration of image, action and story. This is something all comics should do, but it is done especially in Eisner and Cooke’s Spirit tales. A great example is the first few pages of Batman/The Spirit. A visually interesting device smoothly transitions an opening dialogue to an action sequence. The action builds to an image that cleverly integrates elements from previous frames that is both a dynamic part of the action and static graphic that serves as something like title page. The effect is magnified because it is presented after the turn of a page.

The fans of the original Spirit stories will find much to enjoy in the new ones. For someone unfamiliar with The Spirit, but liking action-filled detective stories, you’ll find some of the finest here.

The Holy Bible

It is hard to do the Bible justice in a few pages. In this review, I’ll only attempt to provide an outline. In particular I’ll discuss

-the major themes of the book,

-its major division, and

-the types of literature you’ll find in it.

THEMES

The primary theme of the Bible is the relationship between God and man. It’s a broken relationship. The authors of the various books address this in many ways. A couple of metaphors they use that I find particularly compelling are that of a marriage or a parent-child relationship. In these analogies, mankind is depicted as a cheating wife or a child who has run away to a destructive life. God is depicted as the faithful, loving husband or father who is reaching out to redeem, rescue and reconcile the one he loves.

God’s character is on display throughout the Bible. He is just and righteous, and his character is the foundation of morality. He also has great love and mercy. Fortunately, all of these traits are perfectly harmonized in God and shown to man in Jesus Christ. For those who have faith in Christ, the Holy Spirit works from within to recreate this character in them.

DIVISIONS

The major divisions of the Bible are the Old Testament and the New Testament. The Old Testament was written before the coming of Christ. It describes the fall of mankind into sin and God’s work to reconcile mankind to Himself with a focus on how this occurs in the formation (and eventual fall) of ancient Israel. The New Testament describes the coming of Christ and the establishment of the church, which is a fulfillment of the promises of God described in the Old Testament.

The major division of the Old Testament are

-history,

-writings, and

-prophets.

The historical books describe the history of man as a moral being, beginning with the fall into sin, and the God’s plan to save man worked out over time. As this plan unfolds, the history increasingly focuses on the Israelite kingdom. The writing are a set of poetic books. The prophets focus on a period of time leading to the ultimate decline of ancient Israel and predict the coming for Christ.

The New Testament can be roughly divided into

-the gospels, and

-the epistles.

The gospels describe the life of Christ and (in the related book of Acts) the establishment of the church. The epistles are message to the church that often deal with the practicalities of living the life Christ called his believers to live.

TYPES OF LITERATURE

The Bible is an assembly of many books, and there are many types of literature in each book. While the highly symbolic language of parts of the Bible get a lot of attention in some circles, most of it is written in a straightforward style. For instance, a lot of the Old Testament is historical narrative and a lot of the New Testament is letters from the apostles to the churches. Poetry is also commonly used. When reading the Bible, it’s important to know if the part your reading is a narration of events, a parable, a poem, or some other literary form.

The Holy Bible. New King James Version. Nashville, TN: Thomas Nelson, 1982.

No Excuses by Brian Tracy

In his book No Excuses!, self-help, business and sales author Brian Tracy says that there are several strategies that can lead to success. Self-discipline makes them all work.

For Tracy, self-discipline is the same as self-control, self-denial, delayed gratification and self-mastery. As you might guess from this description, he relates discipline to character. One of the important aspects of exercising discipline, even more than what you achieve by it, is who you become by it. Self-discipline leads to greater character, courage and persistence.

Self-discipline is also important to having a great personal life. Our relationships with spouses, children and friends, our physical fitness, and even our happiness and internal peace can be improved by discipline.

Of course, as you would expect from Tracy, he addresses the importance of discipline in business and work. Discipline is important to success in every aspect of business.

If you’ve read many self-help or business books, you may have seen many of the ideas presented by Tracy in No Excuses! Even so, some are so simple, powerful, possibly obvious and often overlooked that they bear repeating.

-Always be improving your skills.

-Writing down your goals greatly increases the likelihood you will complete them.

-When you are at work, work.

-If you want to be wealthy, save money.

-Spend most of your time on your most valuable activities.

Tracy presents an interesting idea that you may not have seen elsewhere. Happiness is not an end to itself; it is not something you achieve. Instead, happiness arises out of the process of doing what you love, having great relationships and meeting needs. To paraphrase the cliché, happiness doesn’t come from reaching a destination, it comes from enjoying the journey.

Tracy brings up another worthy concept about discipline. Disciplining yourself in one area helps you to discipline yourself in another. Every chapter in the book is about using self-discipline in a different aspect of life. Don’t burn out trying to do it all at once. Pick an area or two that you find most important or needful and begin disciplining yourself in those areas. When you make a habit of being disciplined in those areas, it will be easier to be more self-disciplined in other areas as well.

If you’re interested in this book, you may also be interested in

How to Get Control of Your Time and Your Life by Alan Lakein

The Procrastination Equation by Piers Steel

The Richest Man Who Ever Lived by Steven K. Scott

The Thinking Life by P. M. Forni

Tracy, Brian. No Excuses! The Power of Self-Discipline. New York: MJF, 2010.

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