The Phantom Unmasked by Kevin Patrick

The Phantom is a long-running newspaper comic strip that first appeared in the New York Journal in 1936.  He was a pulp-adventure hero who protected his jungle home while fighting piracy and crime around the world. His unique twist, at least visually, was his outfit of tights and trunks, with a domino mask to obscure his features. More than a year before the appearance of Superman, the Phantom was dressing like a superhero.

In parts of the world, people consider the Phantom to be the very first superhero. Though he persists in American newspaper pages, he has not been very popular in the U.S. in comparison to similar characters. In other part so of the world, notably Australia, Sweden and India, he is possibly the most well-known and followed comics characters. How did a middling American adventure comic become so popular overseas? Comics scholar Kevin Patrick wrote a dissertation about it, and has since turned than dissertation into his book, The Phantom Unmasked.

It started with the general popularity of newspaper comic strips in the United States. As the American market became saturated, the features syndicates that distributed comics sought to expand by marketing to foreign publishers. While they faced objections in some markets, they had the advantage of being cheap and plentiful. In addition, the American syndicates worked with local syndicates or publishers to adapt their comics to local tastes and customs. This included The Phantom.

Lee Falk, writer of the strip, conceived of a character who was likely to be popular by taking ideas from popular jungle stories and hero pulps. He noted that he took inspiration form Edgar Rice Burroughs’ Tarzan of the Apes (serialize in All-Story magazine) and Rudyard Kipling’s The Jungle Book. The name of the Phantom is suggested by The Shadow, one of the most popular pulp magazines. The Phantom marked his enemies with the stamp of his skull ring, similar to the signet of The Spider, who more often left his mark on a corpse than a living foe. The skull-mark itself may have been inspired by the death’s head ring of Operator 5; though that ring was loaded with an explosive charge.

Patrick traces the spread of The Phantom from the United States to overseas markets, especially Sweden, which would become a center of oversees Phantom media production, India and his homeland of Australia. While he considers the features of the strip that make it popular in these countries, he also explores the marketing and publishing practices of the features syndicates in America and abroad to show how The Phantom was a financial as well as a popular success. The Phantom Unmasked is as much a business history as it is a comics history, though the two have always fit closely together.

If you’re interested in this book, you may also be interested in

Comic Book Nation by Bradford W. Wright

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Mr. America by Mark Adams

The Secret History of Wonder Woman by Jill Lepore

Superman versus the Ku Klux Klan by Rick Bowers

The Peerless Peer by Philip Jose Farmer

Why Comics? by Hilary Chute

Patrick, Kevin. The Phantom Umasked: America’s First Superhero. Iowa City: University of Iowa Press, 2017.

The Dawn of Innovation by Charles R. Morris

Over the course of the 19^th Century, the United States transformed from a frontier nation dependent on trade with former colonizing nations to a leading manufacturer and exporter of goods. Charles R. Morris describes how America accomplished this change in The Dawn of Innovation.

The forces that led to the development of an American system of manufacturing were practical and cultural. There were labor shortages, especially for skilled labor. Americans in every field were interested in mechanizing work to get it done with the people and skills available. Americans were also largely middle class, at least in their way of thinking. They had to have the means to cross the Atlantic, and once here wage pressure and the availability of resources quickly made many people middle class. The middle class valued improvement and economic independence. In the U.S. they were free from the limiting class structures of Europe.

The middle class were also consumers. They were interested in the goods and lifestyle associated with wealth, but at prices they could afford. And there were a lot more of them that the handful of rich people who were the consumers of traditional luxury goods. Americans wanted to produce, market and distribute goods on a mass scale that was hard for Europeans of the time to even imagine.

The cloth-making industry was one of the first to bring together the aspects of modern manufacturing: specialization, organization of work flow, mechanization and automation. American cloth makers took—sometimes stole—these things from the British. A leap that the Americans made, but not the British, was to apply these same concepts to all kinds of production.

The organization of work was especially helpful in the U.S., where the skilled workers needed for precision machine making were few. Morris uses the arms industry as an example of American leadership in the transformation from craft piecework to an organized workflow with uniform standards.

Morris also undertakes some myth busting. Eli Whitney is associated with first rifles—really the first manufactured goods—to have interchangeable parts, which is a hallmark of modern manufacturing. Whitney and others promised interchangeability to win contracts with the Army, but he never achieved it; it took him a while to even become a good gun maker. It took decades of work by others to achieve interchangeable parts. This was both a matter of organizing work and developing more precise machining equipment.

Morris shows how innovations accumulated over time to create American manufacturing leadership. He shows how the culture and natural environment were incubators for such development.

If you’re interested in this book, you may also be interested in

The Gentleman Scientists by Tom Schachtman

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Waste and Want by Susan Strasser

Morris, Charles R. The Dawn of Innovation: The First American Industrial Revolution. New York: Public Affairs, 2012.

The Apparitionist by Peter Manseau

Photography was introduced to the United States at around the same time that a new religion was born in the nation. Spiritualism promised a connection to the dead in their realm through human mediums, and some thought photography might capture physical manifestations of spirits. Peter Manseau tells the story of the first spirit photographer in The Apparitionist.

The man who captured the first supposed spirit photograph was an amateur at the time. William Mumler thought he had made in error in cleaning the glass on which the photonegative was captured when a faint image appeared in a self-portrait he shot in 1862. He was using the photo studio owned by Hannah Stuart. The married photographer, soon to be widowed and soon after that to be Mrs. Mumler, was a Spiritualist, and she convinced him that the image was not an error, but an apparition. The photos caught the attention of the Spiritualist press, first in the New York-based Herald of Progress, then in Mumler’s hometown of Boston in the Beacon of Light, which published the address of the Stuart studio.

Soon the studio was producing many spirit photographs; they even took orders by mail from across the country. Bostonian Spiritualists compared photos and found evidence that Mumler was faking the images. Discredited, the Mumler’s moved to New York to quietly offer spirit photographs again. Their practice there let to criminal prosecution in 1869. Photographers knew of ways to produce such images, but no investigators could figure out what Mumler was doing. Though the judge gave did not suggest the photos actually captured images of spirits, he rejected the prosecution’s case because it did not adequately support the charges of fraud and similar crimes.

Even with such tepid vindication, the atmosphere in New York was too hot for the Mumlers, so they returned to Boston. Though Mumler continued to take spirit photos, he had developed a much deeper understanding of the art and science of photography. He developed a process that allowed for the direct reproduction of photos on newsprint; founded the Photo-Electrotype Company of Boston and licensed his process to companies in other cities. This allowed newspapers and magazines to less expensively reproduce images without preparing an engraving first.

Manseau also discussed the development of photography in the United States after the art was introduced here. This includes American pioneers of photography such as Samuel Morse, also inventor of the telegraph, and Civil War battlefield photographers Matthew Brady and Alexander Gardner.

If you’re interested in this book, you may also be interested in

The Age of Edison by Ernest Freeburg

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Billion Dollar Whale by Tom Wright and Bradley Hope

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Chief Engineer by Erica Wagner

Empires of Light by Jill Jonnes

Enchantress of Numbers by Jennifer Chiaverini

The Explorer King by Robert Wilson

The Man Who Loved Books too Much by Allison Hoover Bartlett

The Real World of Sherlock Holmes by Peter Costello

Scan Artist by Marcia Biederman

Super Attractor by Gabrielle Bernstein

Manseau, Peter. The Apparitionists: A Tale of Phantoms, Fraud, Photography, and the Man Who Captured Lincoln’s Ghost. New York: Houghton Mifflin Harcourt, 2017.

Comic Art in America by Stephen Becker

Cartoons did not originate in the United States, but Americans were innovative in the art, and its artists invented the newspaper comic strip and comic book. Stephen Becker wrote a survey of American comics of all types from their origins until his book was published in 1959: Comic Art in America.

Becker covers every type of cartoon in the book. Comic strips get a lot of attention because that is where a lot of the development occurred and gave rise to something distinctly American. Though comic strips are a thread throughout, Becker devotes chapters to editorial cartoons, single-panel humor and even animation.

Many of the comics Becker discusses are still published today, such as Beatle Bailey and Blondie. Others are well-known because of their former popularity or lasting influence: Krazy Kat, Terry and the Pirates, Flash Gordon. Others are largely forgotten, even if they were pioneers of their time that shaped the work of others or the popular taste. Fans of particular types of cartooning may notice omissions that seem glaring, at least in hindsight; the chapter on comic books makes no mention of Will Eisner, though perhaps his fame stems more form later work.

Of course, the intent was not to be exhaustive. It’s a single volume, not an encyclopedia. As a survey for a general audience, it works very well. At the time, it probably reminded readers of old favorites that had fallen out of print. It might introduce modern readers to those old masters for the first time. Necessarily it does not address some of the great work that came out after it was published; I suspect Becker would have been delighted by Bill Watterson’s Calvin and Hobbes, as many of us are.

Becker was primarily a fiction writer. Comic Art in America is very informative, but it is not primarily an academic book. Neither does Becker come off as entirely fan-ish, though he certainly has the tone of someone who enjoys comics and finds them interesting, especially humor and editorial comics from newspapers and magazines. He mixes commentary with history and spices things up gossipy tidbits.

The book was published in a larger format to accommodate reproduction of comics that originally appeared in an even larger broadsheet newspaper. Though it has the look of a coffee table book, it is not dominated by images. The images are an accompaniment to the text. Even so, one can enjoy it for the comics reproduced in it, though many are of their time and may not make much sense without the context provided by Becker.

If you’re interested in this book, you may also be interested in

American Splendor (Film)

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Miss Mizzou by J. B. Winter

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Why Comics? by Hilary Chute

Becker, Stephen. Comic Art in America: A Social History of the Funnies, the Political Cartoons, Magazine Humor, Sporting Cartoons and Animated Cartoons. New York: Simon and Schuster, 1959.

The Frackers by Gregory Zuckerman

The United States experienced a major change in energy in the 2000s. Prior to the boom in oil and natural gas production, the nation was concerned  with declining production—oil production peaked in 1970—increasing demand and increasing reliance on foreign oil. New technology, particularly horizontal drilling and hydraulic fracturing, or fracking, have made previously challenging sources of oil and gas economically feasible to access. The result is increased energy supply, lower prices for natural gas, and less reliance on foreign sources.

 The story of this turnaround is not founded on government policies or one of the massive energy companies. These energy resources from shales and other difficult rocks have been made available by players who started out as small time wildcatters and landmen. They took the risk on developing difficult resources in the United States and developing the technologies that made them economically feasible. As politicians wrung their hands and big companies sought greener pasture oversees, these men held onto hope and kept digging until they found solutions.

 Gregory Zuckerman recounts the story of some of these men and the businesses they built in The Frackers. This is a book of business journalism. That is more interesting than it may sound. It is a story with some drama as players face ups and downs that sometimes lead to ruin and sometimes to outrageous wealth. It has had a significant impact on the American economy as well.

 It may be a uniquely American story, too. The United States is one of the very few countries in which individuals own the rights to the minerals, including oil and gas, that are under their land. This meant people could try even when it seemed they were likely to lose, and have little interference in their losses. A few of them lost and lost until they won and won big.

 Zuckerman acknowledges concerns related to fracking. He finds that the environmental concerns have been somewhat overblow, and that it can be done safely if appropriate measure are taken, though that hasn’t always been the case. Appropriate environmental regulation can protect human health and the environmental while continuing to give us access to these energy sources.

 Another concern is that low energy prices may reduce the impetus for developing alternative and renewable energy. This is still the best long-term option. Zuckerman finds some hope in the story of the frackers though. Their belief and persistence resulted in big changes, but it took time. The developers of the next generation energy sources may have their breakthrough, too, in the next couple of decades if they keep at it.

 If you’re interested in this book, you may also be interested in

Contents Under Pressure by Sylvia F. Munson

 Zuckerman, Gregory. The Frackers: The Outrageous Inside Story of the New Billionaire Wildcatters. New York: Portfolio/Penguin, 2013.

Lost Connections by Hari Johnson

Depression and anxiety are growing problems in the West. The model of depression as a chemical imbalance in the brain is breaking down, and antidepressants are ineffective. (I’m not suggesting you should stop taking antidepressants. Even if they are not working out for you, discuss it with your physician first.) Where do we turn to find relief?

 Johann Hari considers this problem in his book Lost Connections. Hari was a long-time sufferer of depression and taker of ever-increasing doses of antidepressants. He was happy with the model that depression was a chemical imbalance that was beyond his control and a pill could fix it. The problem was that a pill didn’t fix it; he was still depressed.

 First, it isn’t all in your head—or even in your chemistry. Though there is a physiological, and even hereditary, aspect to depression that can make some more susceptible, depression is triggered by our experience and social environments. Depression is a symptom of problems in your life. To Hari, depression is essentially a social disease and it requires social treatments.

 Though Hari does not claim to have completely uncovered the causes of depression, he outlines several that are supported by research. He describes them all as types of disconnection.

 For example, many are disconnected from meaningful work. They have no sense of control over their work. There is no connection between effort and reward, and the work can be humiliating drudgery. In addition, work has become much less secure; many have no idea if they’ll have work next week or even tomorrow.

 Related to this is disconnection from status. Research of primates suggests that depression is an expression of low status intended to protect apes from the abuse of their neighbors. In highly stratified cultures, like the United States, stress is higher than in cultures with more status equality. Low status people are under constant stress, and high status people experience extreme stress when their status is challenged.

 Most of all, we are disconnected from other people. We are less likely than ever to belong to a church, club, civic group, professional organization, sports league or similar structure of getting together with other face-to-face, bonding over common interests and building relationships. Neighborhoods are no longer communities; they’re just clusters of homes.

 Though it is more challenging than taking a pill, the solution to depression is to reconnect in those areas where we have become disconnected. It is especially important to reconnect to other people. If you want to feel better, do something to make someone else’s life better.

 The difficulty is that it is hard to get better on your own. Fortunately, if you’re willing to take a step, there are things you can do. On the bigger scale, we need cultural reform that supports personal relationships, meaningful values, meaningful work, empathy, hope and time in natural settings. There is no money to be made in prescribing a community garden, a book club or a job where one is treated with respect, so the money will probably continue to pour into drugs (whether they work or not), until we demand—and start to create for ourselves—something better.

 If you’re interested in this book, you may also be interested in

The Beethoven Factor by Paul Pearsall

Change Your Brain Change Your Body by Daniel G. Amen

The Last Self-Help Book You'll Ever Need by Paul Pearsall

The Relaxation Response by Herbert Benson with Miriam Z. Klipper

Switch on Your Brain by Caroline Leaf

Suggestible You by Erik Vance

Timeless Healing by Herbert Benson with Marg Stark

Vital Friends by Tom Rath

 Hari, Johan. Lost Connections: Uncovering the Real Causes of Depression—and the Unexpected Solutions. New York: Bloomsbury, 2018.

Feeding the Fire by Mark E. Eberhart

Mankind is hungry for energy. The United States is a huge consumer of energy, and our lifestyle depends on it. This makes us, and other developed countries, vulnerable. The burning of fossil fuels is leading to a changing climate that could have many negative ramifications. Our dependence on foreign sources of fuel, especially oil, have embroiled us in wars oversees and made us uncomfortable allies with nations that do not share our values.

Chemistry professor Mark E. Eberhart suggests that we need a good energy diet. Unfortunately, after spending a couple of chapters of Feeding the Fire setting up the idea, he ends up having only a little to say about an energy diet in the final chapter of the book.

In between, however, he tells an interesting history of energy from the big bang to our age. He also provides a primer in thermodynamics aimed at an audience that hasn’t studied science or engineering. If the book had purported to be about that, I’d probably be speaking about it in glowing terms. If you’re looking for a book that explains energy and how it works that is written for an audience with little scientific background, this is a good option.

Though most of the book concerns itself with the dispersal of energy through the universe and the development of technology, the energy diet is mainly a matter of policy. The central element of Eberhart’s vision is an “energy-industrial complex” modeled on the way the U.S. military works with industry on the long-term development, delivery and reliability of technology. U.S. energy policy is so disjointed that in practice we have no policy, but with imagination and discipline (and arguably the setting aside of partisanship for matters of national security that transcend it) we could develop a comprehensive policy that gets our efforts moving toward a more secure, efficient and cleaner future. It doesn’t even need to be a perfect policy, just a commitment to take specific actions and set specific standards to make things better over time.

Eberhart has some specific recommendations, especially related to the development of electric vehicles and supporting technolgies. In the 12 years since Feeding the Fire was published, we’ve made some headway on many of them. This is in spite of the fact that we still do not have a comprehensive energy policy.

If you’re interested in this book, you may also be interested in

A Professor, a President, and a Meteor by Cathryn J. Prince

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Bottled Lightning by Seth Fletcher

The Computers of Star Trek by Lois Gresh & Robert Weinberg

Empires of Light by Jill Jonnes

How We Got to Now by Steven Johnson

I Am Spock by Leonard Nimoy

My Inventions by Nikola Tesla

The Power Makers by Maury Klein

The Powerhouse by Steve Levine

Rust by Jonathan Waldman

Eberhart, Mark E. Feeding the Fire: The Lost History and Uncertain Future of Mankind’s Energy Addiction. New York: Harmony Books, 2007.

The Johnstown Flood by David McCollough

On Memorial Day 1889, a storm struck western Pennsylvania. Floods were common enough in the mountain community of Johnstown and the surrounding villages. This one was extraordinary. Upstream the valley sat a structure that was poised to make the flood much worse, the dam at South Fork Reservoir.

David McCullough describes the flood and the devastating dam break in The Johnstown Flood. It was the worst disaster in the United States up until its time with more than 2,000 people killed by the huge wave that swept down the valley, with more killed by fire and disease in the aftermath.

The dam had originally built by the State of Pennsylvania too supply water for a canal. Within a few years the canal was closed because the railroad provided freight and passenger transportation through the area. The dam changed hands several times after that. I fell into disrepair. Somewhere along the line someone salvaged the pipes that allowed one to control the water level behind the dam; though in it partly collapsed state it no longer held much water.

This changed when developers bought the dam and surrounding property to build a resort for the wealthy industrialists of Pittsburgh. The dam was rebuilt with indifference to materials and methods. The drain pipes were never restored. The spillway was obstructed by a grate (to keep the fish in the stocked lake from disappearing downstream) and low bridge. By the time of the flood, perhaps since it was repaired, there was a slight dip in the center of the dam, creating an unknown, unprotected second spillway. This dip was hard to see with the eye on the large dam, but a survey to measure the elevations would have turned it up.

The dam filled and the lake became quite large. The vacationers sailed ships on it. The water level was commonly within a couple of feet of the spillway, and there was no practical way for the dam operators to control that water level. It was a disaster waiting to happen.

Many of the people of Johnstown expressed concern that the dam was a danger to the city. However, the prevailing view was that the wealthy elite of Pittsburgh would have it built right; very few endeavored to assess it for themselves. Similarly, the members of the South Fork Fishing and Hunting Club, including such prominences as Andrew Carnegie, had faith that the developer did the work right, and they put no effort into checking it out.

When the floodwaters overtopped the earthen dam, it collapsed quickly, unleashing a deadly wave of possibly 20 million tons of water. It is hard to imagine the devastation caused by the wave, even 15 miles downstream in Johnstown. McCullough describes it, sometimes in great detail, based on reports from the time. The rolling wall of water seems awesome at first, but as it begins to destroy homes and injure and kill people, it becomes sickening as well.

The people of that valley recovered with admirable speed and took over the cleanup and restoration of their town the very next day. Soon aid came from across the country, and especially from elsewhere in Pennsylvania, including the National Guard and a still young American Red Cross.

As the initial terror of the event subsided, attention turned to the club at South Fork. Though the press, including the Engineering News, laid blame on the club and the shoddy, unprofessional work done to rebuild the dam, the courts never held the club or its members accountable. The courts, mostly in Pittsburgh where club members held sway, accepted that it was an act of God. It’s clear to more objective observers that a properly built dam would probably have survived the flood, or at the very least would have had a much less damaging failure. Though McCullough suggests the residents of Johnstown and the members of the club were too trusting, he does not shy away from the negligence of those who rebuilt the dam in a way that would almost surely lead to the disaster that came.

David McCollough also wrote

The Great Bridge

The Wright Brothers

If you’re interested in this book, you may also be interested in

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Genesis

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On the Mainlines by William B. Claycomb

The Power Makers by Maury Klein

Rising Tide by James M. Barry

Road to the Sea by Florence Dorsey

McCullough, David. The Johnstown Flood. New York: Simon & Schuster, 1968.