The Phantom Unmasked by Kevin Patrick

The Phantom is a long-running newspaper comic strip that first appeared in the New York Journal in 1936.  He was a pulp-adventure hero who protected his jungle home while fighting piracy and crime around the world. His unique twist, at least visually, was his outfit of tights and trunks, with a domino mask to obscure his features. More than a year before the appearance of Superman, the Phantom was dressing like a superhero.

In parts of the world, people consider the Phantom to be the very first superhero. Though he persists in American newspaper pages, he has not been very popular in the U.S. in comparison to similar characters. In other part so of the world, notably Australia, Sweden and India, he is possibly the most well-known and followed comics characters. How did a middling American adventure comic become so popular overseas? Comics scholar Kevin Patrick wrote a dissertation about it, and has since turned than dissertation into his book, The Phantom Unmasked.

It started with the general popularity of newspaper comic strips in the United States. As the American market became saturated, the features syndicates that distributed comics sought to expand by marketing to foreign publishers. While they faced objections in some markets, they had the advantage of being cheap and plentiful. In addition, the American syndicates worked with local syndicates or publishers to adapt their comics to local tastes and customs. This included The Phantom.

Lee Falk, writer of the strip, conceived of a character who was likely to be popular by taking ideas from popular jungle stories and hero pulps. He noted that he took inspiration form Edgar Rice Burroughs’ Tarzan of the Apes (serialize in All-Story magazine) and Rudyard Kipling’s The Jungle Book. The name of the Phantom is suggested by The Shadow, one of the most popular pulp magazines. The Phantom marked his enemies with the stamp of his skull ring, similar to the signet of The Spider, who more often left his mark on a corpse than a living foe. The skull-mark itself may have been inspired by the death’s head ring of Operator 5; though that ring was loaded with an explosive charge.

Patrick traces the spread of The Phantom from the United States to overseas markets, especially Sweden, which would become a center of oversees Phantom media production, India and his homeland of Australia. While he considers the features of the strip that make it popular in these countries, he also explores the marketing and publishing practices of the features syndicates in America and abroad to show how The Phantom was a financial as well as a popular success. The Phantom Unmasked is as much a business history as it is a comics history, though the two have always fit closely together.

If you’re interested in this book, you may also be interested in

Comic Book Nation by Bradford W. Wright

Kirby by Mark Evanier

Men of Tomorrow by Gerard Jones

Miss Mizzou by J. B. Winter

Mr. America by Mark Adams

The Secret History of Wonder Woman by Jill Lepore

Superman versus the Ku Klux Klan by Rick Bowers

The Peerless Peer by Philip Jose Farmer

Why Comics? by Hilary Chute

Patrick, Kevin. The Phantom Umasked: America’s First Superhero. Iowa City: University of Iowa Press, 2017.

The Apparitionist by Peter Manseau

Photography was introduced to the United States at around the same time that a new religion was born in the nation. Spiritualism promised a connection to the dead in their realm through human mediums, and some thought photography might capture physical manifestations of spirits. Peter Manseau tells the story of the first spirit photographer in The Apparitionist.

The man who captured the first supposed spirit photograph was an amateur at the time. William Mumler thought he had made in error in cleaning the glass on which the photonegative was captured when a faint image appeared in a self-portrait he shot in 1862. He was using the photo studio owned by Hannah Stuart. The married photographer, soon to be widowed and soon after that to be Mrs. Mumler, was a Spiritualist, and she convinced him that the image was not an error, but an apparition. The photos caught the attention of the Spiritualist press, first in the New York-based Herald of Progress, then in Mumler’s hometown of Boston in the Beacon of Light, which published the address of the Stuart studio.

Soon the studio was producing many spirit photographs; they even took orders by mail from across the country. Bostonian Spiritualists compared photos and found evidence that Mumler was faking the images. Discredited, the Mumler’s moved to New York to quietly offer spirit photographs again. Their practice there let to criminal prosecution in 1869. Photographers knew of ways to produce such images, but no investigators could figure out what Mumler was doing. Though the judge gave did not suggest the photos actually captured images of spirits, he rejected the prosecution’s case because it did not adequately support the charges of fraud and similar crimes.

Even with such tepid vindication, the atmosphere in New York was too hot for the Mumlers, so they returned to Boston. Though Mumler continued to take spirit photos, he had developed a much deeper understanding of the art and science of photography. He developed a process that allowed for the direct reproduction of photos on newsprint; founded the Photo-Electrotype Company of Boston and licensed his process to companies in other cities. This allowed newspapers and magazines to less expensively reproduce images without preparing an engraving first.

Manseau also discussed the development of photography in the United States after the art was introduced here. This includes American pioneers of photography such as Samuel Morse, also inventor of the telegraph, and Civil War battlefield photographers Matthew Brady and Alexander Gardner.

If you’re interested in this book, you may also be interested in

The Age of Edison by Ernest Freeburg

Arthur & George by Julian Barnes

Billion Dollar Whale by Tom Wright and Bradley Hope

Buried Alive by Jan Bondeson

Chief Engineer by Erica Wagner

Empires of Light by Jill Jonnes

Enchantress of Numbers by Jennifer Chiaverini

The Explorer King by Robert Wilson

The Man Who Loved Books too Much by Allison Hoover Bartlett

The Real World of Sherlock Holmes by Peter Costello

Scan Artist by Marcia Biederman

Super Attractor by Gabrielle Bernstein

Manseau, Peter. The Apparitionists: A Tale of Phantoms, Fraud, Photography, and the Man Who Captured Lincoln’s Ghost. New York: Houghton Mifflin Harcourt, 2017.

Investigating Lois Lane by Tim Hanley

Lois Lane is one of the most recognized names among superhero comic book characters even though she is not a superhero. The intrepid reporter made has been around for more than 80 years, and her history is recounted by Tim Hanley in Investigating Lois Lane.

Lois was not in the original Superman stories created by Jerry Siegel and Joe Schuster. As they worked and reworked the character, setting and supporting cast in an attempt to come up with something that would sell, they took inspiration or the girl reporter movies of the time to add a love interest for the man of steel. Several popular movies in the mid-1930s featured smart, tough, fast-talking, blonde female reporters such as Torchy Blane, a character that premiered in 1937’s Smart Blonde.

Schuster’s innovation was to make Lois brunette. He took inspiration from Jolan (Joanne) Kovacs, a high school student in Cleveland who advertised herself for modeling.  Schuster was apparently smitten with her—she was his model Lois, and all his other heroines resembled Lois—and they stayed in touch as she moved around the country pursuing her modeling career. They met up again in New York after World War II. He invited her to a ball—even rented a gown for her. Jerry Siegel was there, too, and she left with him. Siegel left his wife and young son to marry Kovaks.

Not only was Lois a career woman, an unusual thing when she premiered with Superman in 1938, she was also headstrong, cunning, independent and determined to become a top reporter. However, the writers of Lois’ stories were men; the first Lois Lane story written by a woman, Tasmyn O’Flynn, was published in 1982.  Though she remained a working woman, she was often depicted as a damsel in distress or a love-struck cheerleader for Superman.

Depictions of Lois changed over time as the status of women changed in American society. Sometimes she was at the forefront, as she briefly was in the women’s liberation movement during the 1970s. Other time she lagged and reflecting traditional role for women, or Superman and others shamed her unfeminine ambition. Too often she was simply a background player in Superman stories, even though she was more than able to carry a story on her own in the hands of writers who cared.

Such ups and downs will likely be Lois’ fate for a while. We can hope that she get the treatment she deserves with stories that let her shine.

If you’re interested in this book, you may also be interested in

The Book of Lies by Brad Meltzer

The Caped Crusade by Glen Weldon

Comic Book Nation by Bradford W. Wright

The DC Comics Guide to Writing Comics by Dennis O’Neil

Men of Tomorrow by Gerard Jones

Miss Mizzou by J. B. Winter

Reading Comics by Douglas Wolk

Reckless by Chrissie Hynde

The Secret History of Wonder Woman by Jill Lepore

Seduction of the Innocent by Max Allan Collins

Suggestible You by Erik Vance

The Supergirls by Mike Madrid

Superman versus the Ku Klux Klan by Rick Bowers

The Ten-Cent Plague by David Hajdu

Why Comics? by Hilary Chute

Hanley, Tim. Investigating Lois Lane: The Turbulent History of the Daily Planet’s Ace Reporter. Chicago: Chicago Review Press, 2014.

Bored and Brilliant by Manoush Zomorodi

For some, the promise of technology for easy access to information that was supposed to make us more free has devolved into constant distraction that can feel like enslavement to a cell phone. Even people who have less extreme views might still feel that it is too easy to get lost in games and social media, browsing online instead of being present, procrastinating instead of getting things done.

 I’m in that camp. I’m not an obsessive user of my phone, but I have found it easy to reach for it in quiet times when I have nothing pressing. That used to be time I spent staring into space. That could be very relaxing time. More importantly, I came up with some of my best ideas in those times or shortly afterward. My brain was hard at work behind by vacant visage, but now it is hard at work scrolling Facebook or watching YouTube videos.

 Manoush Zomorodi took this problem to the listeners of her WNYC podcast, Note to Self, and challenged them to be more aware of their use of technology and wean themselves from it to some degree. That experience, with some refinements, is described in Bored and Brilliant, and Zomorodi hopes it will extend the challenge to a wider audience.

 I expected Zomorodi to focus on how technology has captured our attention and eroded our ability to concentrate. She touches on this. However, the theme of her book is that we need boredom for deeper cognition and creativity. In order to reach their most creative states, our brains need a break from stimulation—we need to get bored.

 The benefit of boredom, in addition to training us to handle tedious tasks, is that it put our mind into its “default state.” In this condition, our minds wander. We daydream. We can imagine things and make connections that would not be available to us if we were concentrating on something or stimulating our brains.

 The default state isn’t universally good. We can fall into ruminating on problems and failures, berating ourselves. That is not useful.

 However, for most of us daydreaming is positive. The lives we dream up for ourselves in such moments, Zomorodi refers to it as “autobiographical planning,” can help us identify what we want, solve problems and see ourselves as more capable.

 Zomorodi presents seven challenges to her readers. The idea is that readers would do one challenge a day for a week. Some of the challenges are adaptable for continued or periodically repeated practices. She describes how several Note to Self listeners responded to the challenges and made them their own.

 Bored and Brilliant is not about abandoning technology by a long shot. It is about making space in your life to think in different ways, especially for the daydreaming that arises in the dull, unstimulating moments in life.

 Zomorodi writes in a journalistic style. The book is not loaded with notes, or even a bibliography, like a more scientific text. However, she sites research, interviews with specialist and other books within the text. The benefits of boredom are documented. If you want to research the subject deeply, you might skim this book for other sources. If you want to loosen your ties to you cell phone or tablet, get out of the mental rat race and give your brain space for a deep breath, try the challenges in this book; it is a good place to start.

 If you’re interested in this book, you may also be interested in

A Mind for Numbers by Barbara A. Oakley

The Power of Habit by Charles Duhigg

The Procrastination Equation by Piers Steel

Quiet by Susan Cain

 Zomorodi, Manoush. Bored and Brilliant: How Spacing Out Can Unlock Your Most Productive and Creative Self. New York: St. Martin’s Press, 2017.

The Math Myth and Other STEM Delusions by Andrew Hacker

In the last decade or two, many have called for increased education in STEM fields (science, technology, engineering and math). As an engineer, I may hear more of it than others, or perhaps I am more attentive to it. Math, particularly algebra, trigonometry and geometry, has been seen as a foundation of STEM education with much support from the tech industry that has made it central to the Common Core curriculum used in the majority of states. However, this math requirement has become a stumbling block for many on the road to high school and college graduation. As when I was in school, students ask, “Am I ever going to need to use this?” The answer political scientist (and sometimes math professor) Andrew Hacker proposes in The Math Myth is no.

"This country has a problems. But more math is mathematics is not one of the solutions,” Andrew Hacker, The Math Myth and Other STEM Delusions

 One of the first myths that Hacker tackles is this issue of the usefulness of algebra and other higher math for STEM careers or adult life in general. Most people never need anything more advanced than arithmetic (addition, subtraction, multiplication and division), including most scientist, technicians and engineers. In the 25 years since I graduated from engineering school, I have never need to solve a differential equation. Easily 80 percent of the math I do is arithmetic—possibly more. The rest is basic algebra and basic statistics. On the rare occasion I’ve needed some more esoteric piece of math, I’ve learned or relearned it on the job.

 In spite of this, the move in the U.S. has been to require four years of high school math through Algebra II or beyond, plus a college level course in algebra or more advanced math. This applies even to students who plan to study liberal arts, humanities and other subjects that make practically no use of math. This requirement is the number one academic reason people do not complete high school or college (there are other reasons, of course, but they are not related to a required class or subject). Even youth form affluent families with educated parents can find algebra to be an insurmountable hill. Hacker wonders how much human potential goes undeveloped because educational opportunities are denied to people who do not need math beyond arithmetic, but must pass an algebra course to get their diploma or degree.

 Why is math, and especially algebra, a near universal requirement? Hacker points to college math professors and their influence on lower level curricula. They want prospective students to be prepared to move to the advanced subjects they study, though only on percent of undergraduates major in math, and that drops lower in graduate schools. These same professors almost never teach the entry level (and especially not remedial) math classes in their own colleges. For colleges generally, math can be a weed-out course. Even if most students don’t really need algebra, the requirement is a quick way to knock down the number of students. (As an engineering student, my fellows and I understood the sequence of calculus and math-heavy physics classes required of us as freshmen and sophomores was a way of persuading us to study something else—I almost did.)

 Tech companies also call for a math intensive education and lots of STEM graduates. Hacker points out that, in spite of the hype, there are actually not that many STEM jobs in the U.S., nor is there a lot of growth in these fields. A glut of STEM graduates, in addition to the foreign tech labor market opened up by H1-B visas, keeps wages low in the tech sector. If there was an actual shortage, employers would respond with increased wages. Computer programmers don’t use much math and great majority of them don’t earn high salaries. Sadly, the same is increasingly true in engineering. My advice to someone interested in an engineering career would be to pursue it if you find the work interesting, but don’t do it with the expectation that you’ll get a high salary or rise quickly because of the demand for your technical skills.

 I’d like to mention one more thing that Hacker brings up. Though the math people learn in school often has no practical utility in their work or daily life, people have a knack for math and often do complex mathematical things as part of their jobs. Hacker uses the example of a carpet layer, but I have seen it in machinists, carpenters and other skilled laborers. The use and shape materials in ways that require some complex math, but they don’t write out a page full of equations. They instead apply tools and methods they have learned on the job. I’m a little fascinated by some of this tool-based, mechanical math, and it seems to be just as effective and more understandable that school math, especially since very few of us aspire to study math for its own sake.

 If you’re interested in this book, you may also be interested in

The Numbers behind NUMB3RS by Keith Devlin & Gary Lorden

The Unfinished Game by Keith Devlin

 Hacker, Andrew. The Math Myth and Other STEM Delusions. New York: The New Press, 2016.

Good Naked by Joni B. Cole

Writing can be challenging, outstanding writing usually is, but writers don’t have to be miserable. Author, editor and writing instructor Joni B. Cole offers some perspective for writers in Good Naked.

Cole dispels myths of writing. For instance, writers rarely produce perfect first drafts; mediocre writing is okay because it is a place to start. You don’t have to suffer to produce art, but you do have to put in the effort and deal with the difficulties.

Writers need a balanced optimism. Acknowledge the challenges, but believe you can overcome them. Add to it a touch of humility; Cole believes real writers put aside pride and get the help they need to reach their goals, such as joining a writing group.

Cole also runs counter to some popular advice on writing. She doesn’t believe in outlines. Instead, work the parts that are meaningful, that call out to you. You can arrange them and fill in the gaps later as the big picture forms in your mind. It’s easy to imagine her chapters coming together this way, with images, stories, ideas and remembrances being assembled and reworded until they flow together.

Each chapter of the book is an essay. Though the book as a whole has an order and flow, one could read or reread a helpful chapter without needing to flip back to preceding pages to make sense of it.

If you’re interested in this book, you may also be interested in

The Big Thing by Phyllis Korkki

Finding Your Writer’s Voice by Thaisa Frank & Dorothy Wall

Just Write by Walter Dean Myers

Keeping a Journal You Love by Sheila Bender

Mastering Fiction Writing by Kit Reed

The Right to Write by Julia Cameron

Shut Up & Write! by Judy Bridges

Write Naked by Jennifer Probst

Write Your Heart Out by Rebecca McClanahan

Writing Down the Bones by Natalie Goldberg

Cole, Joni B. Good Naked: Reflections on How to Write More, Write Better and Be Happier. Hanover, NH: University Press of New England, 2017.

Become a Better You by Joel Osteen

Become a Better You was Joel Osteen’s follow-up to his first book, Your Best Life Now. Osteen even presents the book as a continuation of the theme and purpose of its predecessor.

Each chapter is a topical sermon on reaching your potential in some aspect of life. The aspects are personal growth, positive self-image, relationships, habits, faith and passion.

I have previously criticized Osteen for taking self-help advice and wrapping it up in religion. I see Norman Vincent Peale and Robert H. Schuller in much the same light. A defense all of these pastors might raise is that they are focusing on practical matters of living well. A head full of religious knowledge that doesn’t change your life for the better is doing no good; it’s not the life Christians are called to.

I agree. I also see in Jesus and the apostles teachers who could both delve deep into the scripture and provide very practical instruction based on it. Religious meditation and working to make the world a better place—even if little seems to come of it—go hand-in-hand in Christianity.

In one area Osteen has a strong foundation: relationships. It is clear from the Bible that God cares very much about how we relate to and treat each other. Osteen’s use of scriptures are apropos in these chapters. The sermons hold up when read with a Bible in the other hand; something that is weaker in the other chapters.

Joel Osteen also wrote

Break Out

I Declare

Readings from Your Best Life Now

You Can, You Will

If you’re interested in this book, you may also be interested in

Be All You Can Be! by John C. Maxwell

Complaint Free Relationships by Will Bowen

Creative Living for Today by Maxwell Maltz

Faith by Jimmy Carter

Life's Not Fair, but God is Good by Robert H. Schuller

The Magic Power of Self-Image Psychology by Maxwell Malts

Positive Imaging by Norman Vincent Peale

Power in Praise by Merlin R. Carothers

The Power of Habit by Charles Duhigg

The Power of Positive Thinking by Norman Vincent Peale

Self-Love by Robert H. Schuller

You Can Become the Person You Want to Be by Robert H. Schuller

You Can if You Think You Can by Norman Vincent Peale

Osteen, Joel. Become a Better You: Seven Keys to Improving Your Life Every Day. New York: Free Press, 2007.

Scott Pilgrim's Finest Hour by Bryan Lee O'Malley

I posted reviews of the first five books in Bryan Lee O’Malley’s Scott Pilgrim series. Now I’m finally getting to the last one eight years after it was published. It’s reflective of the way Scott Pilgrim might get things done.

In a way, the arc of this book reflects the arc of the series. In the start, Scott is stuck, not wanting to face the pain of losing his girlfriend, Ramona, just as he was avoiding the pain of entering adulthood at the start of the series. In the middle, he finds something worth fighting for, even if it means coming to grips with his past and facing the pain of changing. In both this book and the series, the thing worth fighting for is his relationship with Ramona. In the end, Scott embraces a new journey with an even more uncertain future.

Along the way, Scott’s longsuffering friends, who are growing up in their own ways, try to help him. Considering that Scott is often a self-centered jerk, it’s amazing he has so many friends who care about him and stick with him. It’s hard to make it in life without good friends.

I like the final words of the book, spoken by Scott before he and Ramona jump hopefully into the future, “We try again.” This is life. We try. We fail. Along the way, we make a life, a story, that we enjoy creating as we go along. If we don’t like it, we try again.

The other books in this series are

Scott Pilgrim and the Infinite Sadness

Scott Pilgrim Gets It Together

Scott Pilgrim vs. the World

Scott Pilgrim vs. the Universe

Scott Pilgrim’s Precious Little Life

This series has also been adapted into a film, Scott Pilgrim vs. the World.

If you’re interested in this book, you may also be interested in

Maus by Art Spiegelman 

O’Malley, Bryan Lee. Scott Pilgrim’s Finest Hour. Portland, OR: Oni Press, 2010.