The Phantom Unmasked by Kevin Patrick

The Phantom is a long-running newspaper comic strip that first appeared in the New York Journal in 1936.  He was a pulp-adventure hero who protected his jungle home while fighting piracy and crime around the world. His unique twist, at least visually, was his outfit of tights and trunks, with a domino mask to obscure his features. More than a year before the appearance of Superman, the Phantom was dressing like a superhero.

In parts of the world, people consider the Phantom to be the very first superhero. Though he persists in American newspaper pages, he has not been very popular in the U.S. in comparison to similar characters. In other part so of the world, notably Australia, Sweden and India, he is possibly the most well-known and followed comics characters. How did a middling American adventure comic become so popular overseas? Comics scholar Kevin Patrick wrote a dissertation about it, and has since turned than dissertation into his book, The Phantom Unmasked.

It started with the general popularity of newspaper comic strips in the United States. As the American market became saturated, the features syndicates that distributed comics sought to expand by marketing to foreign publishers. While they faced objections in some markets, they had the advantage of being cheap and plentiful. In addition, the American syndicates worked with local syndicates or publishers to adapt their comics to local tastes and customs. This included The Phantom.

Lee Falk, writer of the strip, conceived of a character who was likely to be popular by taking ideas from popular jungle stories and hero pulps. He noted that he took inspiration form Edgar Rice Burroughs’ Tarzan of the Apes (serialize in All-Story magazine) and Rudyard Kipling’s The Jungle Book. The name of the Phantom is suggested by The Shadow, one of the most popular pulp magazines. The Phantom marked his enemies with the stamp of his skull ring, similar to the signet of The Spider, who more often left his mark on a corpse than a living foe. The skull-mark itself may have been inspired by the death’s head ring of Operator 5; though that ring was loaded with an explosive charge.

Patrick traces the spread of The Phantom from the United States to overseas markets, especially Sweden, which would become a center of oversees Phantom media production, India and his homeland of Australia. While he considers the features of the strip that make it popular in these countries, he also explores the marketing and publishing practices of the features syndicates in America and abroad to show how The Phantom was a financial as well as a popular success. The Phantom Unmasked is as much a business history as it is a comics history, though the two have always fit closely together.

If you’re interested in this book, you may also be interested in

Comic Book Nation by Bradford W. Wright

Kirby by Mark Evanier

Men of Tomorrow by Gerard Jones

Miss Mizzou by J. B. Winter

Mr. America by Mark Adams

The Secret History of Wonder Woman by Jill Lepore

Superman versus the Ku Klux Klan by Rick Bowers

The Peerless Peer by Philip Jose Farmer

Why Comics? by Hilary Chute

Patrick, Kevin. The Phantom Umasked: America’s First Superhero. Iowa City: University of Iowa Press, 2017.

You are a Badass by Jen Sincero

Jen Sincero believes you can live the life you really want. She writes about how in You are a Badass.

Much of what you’ll find in Sincero’s book can be found on other self-help works. Sincero admits as much. Her tone, which is often humorous, is skeptical of the religious-tinged “woo-woo” stuff you’ll find in much of the self-help ouvre. Even so, she desparately wanted to change her life and was willing to try things that seemed silly to her. She wanted in badly enough to spend hard-earned money on books, seminars and workshops at which you whack pillows with bats. It worked.

The basic principle is the law of attraction. Your thoughts attract or create from the stuff of the universe by some means the life you have. If you want a better life, you need to change your thinking so that you are clear about what you want, have a willingness for action and keep a positive mindset. This concept has been around for a long time, though it was popularized anew a few years ago by the widely popular book (and related media) The Secret.

Sincero branches off in many directions from this central idea. Each chapter presents a related idea and tools for implementing them.

The good life starts with a decision. Decide what you want and that you’re willing to do what it takes to achieve it.

She encourages readers to love themselves. Appreciate that you are a unique person with a special place in this world and treat yourself with some respect.

She says people should do what they love. You only live so long and it is important that you enjoy life. In addition, don’t get hung up on a single purpose for your whole life. As you grow and you circumstances change, your purpose will change as well.

Your relationships with other are important, too. Surround yourself with people you want to be like. On the other hand, don’t compare yourself to others; it is a recipe for disappointment. Forgive others and yourself so your past doesn’t drag you down.

Even though it can be corny, do some of that old-fashioned self-helpy stuff. Use affirmations. Visualize your ideal life. Make a vision board.

What set’s Sincero apart from others is her tone and humor. She presents herself as a person who is not interested in mysticism. She’s interested in making a better life and she is concentrating on what works. If it works, she doesn’t care if it’s advocates are a little freaky. She sprinkles her book liberally with humor and spices it with a little foul language.

If you’re interested in this book, you may also be interested in

Acres of Diamonds by Russel H. Conwell

How to Get Control of Your Time and Your Life by Alan Lakein

Make Miracles in Forty Days by Melody Beattie

Positive Imaging by Norman Vincent Peale

The Secret by Rhonda Byrne

The Secret of the Ages by Robert Collier

Secrets of the Millionaire Mind by T. Harv Eker

The Success Principles by Jack Canfield with Janet Switzer

Write It Down, Make It Happen by Henriette Anne Klaus

You Can if You Think You Can by Norman Vincent Peale

Sincero, Jen. You are a Badass: How to Stop Doubting Your Greatness and Start Living an Awesome Life. Philadelphia: Running Press, 2013.

1939 by David Gelernter

I’ve been time traveling.  I went back to visit the 1939 World’s Fair in New York.  I tagged along with a couple of locals, both to New York and 1939, Mark and Hattie.  I was looking forward to it because, like me, Mark studied engineering and is attending the fair for the first time.  I wondered how he might react to the visions of future technology on display, like the superhighways anticipated by Democracity and the Futurama (which I read about in The Big Roads by Earls Swift).  I grew up in an era of Interstates, commuting, and electrified kitchens, so the even the visions of the future on display at the fair are the past to me.

I also time traveled to 1995 to take a look back at the fair with Hattie.  I was reintroduced to her by a computer science professor.  (The professor was David Gelernter.  This is a review of his book, 1939: The Lost World of the Fair.)  Back then I was starting my career in Kansas City, so I didn’t worried about running into myself in New York.

I was fascinated by what I saw of the fair.  These people had a vision of the future.  It might seem modest to us, but it was big to them.  They dreamed of the good life in which many more people owned homes in pleasant suburbs, drove to work in their own cars on broad roads, had enough to eat, and were relieved from drudgery by electric appliances.  Within a generation, in spite of the difficulties of a major war, they largely brought their dream into reality, and we have fitfully enjoyed the results.

Gelernter compares the fairgoers to Moses looking into the Promised Land (an apropos analogy considering he also writes about what it was like to be Jewish in America at the time).  Their vision of a land of milk and honey is very much the time we live in.

This leads to one of the many points of comparison Gelernter draws between that generation and ours.  They had drive, even a kind of joy, because they had a goal toward which to strive.  The cultural angst that began to show in the 1960s is in part a sign that we had arrived.  Our goals were achieved and we hand no reason to strive, so we lost our way.  We perish for lack of vision.

I find Gelernter to be a pretty good critic of technology.  You might expect a computer science professor to be enthusiastic about the changes computers have wrought.  He is more impressed with the improvements made by that older generation.  He looks at roads and refrigeration and the host of other mid- to late-Twentieth Century technologies and sees that they made improvements to human health and happiness.  The differences made by computers pale in comparison. I can remember that in 1995, I could cut up documents with a pair of scissor, tape pieces of them together, mark the mess up by hand and give it to a person in the office we called a clerk.  A short time later, the clerk would bring me back a freshly-printed, neat document, a final version of what was represented by my taped-together prototype.  The clerk would even do a little copy editing.  When a computer can do that, I’ll be impressed.  In other words, I think Gelernter’s critique holds water even 17 years later.

Gelernter may be glad that I got the sense of time travel for which he was going.  He might be disappointed that I didn’t like Mark and Hattie much.  I slipped away from them as much as I felt I safely could.  I wanted to see the fair, and though it may seem hardhearted, I had little interest in the ups and downs of their romance or their fretfulness over the war in Europe.  I think someone could write a good novel about this couple and how the day they got engaged at the fair became a touchstone for Hattie even decades later.  If I had expected a novel, I might have liked these characters, but I was expecting a history, and I found them distracting.

Gelernter, David.  1939: The Lost World of the Fair.  New York: Free Press, 1995.

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The Big Con by David W. Maurer

Maurer, David W.  The Big Con: The Story of the Confidence Man.  1940.  New York: MJF, 2009.

Even as it was coming off the press in 1940, The Big Con was describing history.  The confidence game described by David W. Maurer had evolved with the times, opportunities, and creativity of the con men, and it surely didn’t stop evolving 70 years ago.  Even so, it’s an interesting history.

Maurer was a linguist who studied the jargon of criminals.  The book includes a glossary of terms used by con artists in the early 20^th Century.  If you want to talk like a character in a hardboiled crime story, check it out.

This study led him to the culture and methods of confidence men.  Con men were the kings of grifters. The grift involved nonviolent crimes, in contrast to the heavy rackets.  The confidence game was the highest grift because the marks would give their money to the grifter.  It was a game of intelligence and acting (and deceit) that tripped up the greedy.  Con men had to be able to mix with legitimate society and seem to fit in with people who had regular jobs, legitimate business, and money.  The appearance of respectability was so important that con men avoided the company of other criminals and cultivated associations with straight citizens (maybe just a little bent).

The Big Con is not a textbook for running a con game.  It does give you a pretty good idea of how con men worked.  Maurer concentrates on the big cons: the wire, the rag, and the pay-off.  These games all convince the mark to get involved in a crooked scheme for sure-thing bets on horses or stocks.  They give him a taste of winning, and then send him off to get all the money he can get his hands on.  When the big money is in, the scheme falls apart and everybody needs to skip town to escape suspicion.  A hooked mark is convinced he was onto something and may come back to try again.  Even if he is suspicious, he has little recourse because turning in the con men means admitting involvement in something shady and possibly criminal.

Maurer summarizes several short cons, too.  Some of these may still be around.  I saw a version of the wipe depicted on and episode of CSI: New York.  Because it was a CSI: show, the con artist was murdered; obviously not part of the plan.

The big cons are not one man operations.  Maurer describes the con mob.  He also discusses the relationship between con artists and crooked officials and other criminals.  He is interested in culture as well as methods.

Maurer comes off as having some a fascination with the con men, even a kind of admiration.  I don’t think he admired what they did.  He seemed to respect the skill it took to pull a successful con, especially to do it over and over.   The con men come off as charming, probably because they were.  They had to be charming, they had to be able to read people, and they had to recognize people who had the right combination of money and greed to make a good mark.

If you’re interested in this book, you may also be interested in

The Man Who Loved Books too Much by Allison Hoover Bartlett

Newton and the Counterfeiter by Thomas Levenson

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