Scott Pilgrim’s Precious Little Life by Bryan Lee O’Malley

O’Malley, Bryan Lee. Scott Pilgrim’s Precious Little Life. Portland, OR: Oni, 2004.

Precious Little Life is the first in series of critically-acclaimed graphic novels by writer-artist Bryan Lee O’Malley. This comic, like the others in the series, is a paperback book rather than a magazine.

Scott is 23 going on 17. He is immature, dating a high schooler, unemployed, and mooching off his roommate. He is even in a band, Sex Bob-omb. (When I was young, bands were cool and dangerous. Now they can be full of video game-playing, comics-reading nerds like Scott Pilgrim.) He runs from trouble. He is a jerk to nearly everyone he knows. Fortunately for him, they seem to care about him anyway and stand up to help him.


Scott’s immaturity is epitomized by his dating a high-school girl, Knives Chau, who hasn’t even kissed a boy. His friends and sister confront him, but he justifies himself. He seems satisfied with a simple, no-pressure relationship with a girl whose world of school and conservative, Chinese family is even smaller than his own.

His satisfaction with Knives disappears when he meets and falls in love with Ramona Flowers, a woman his own age who has a lot more going on. This is complicated by the fact that Knives is falling in love with him, or at least the adventure and independence he represents to her. In attempting a retreat to a simpler time (he even takes Knives by his childhood home, though is family moved out), he unwittingly open’s her eyes to a new world where she can try things she never imagined doing before.

That is only the beginning of the complications. To date Ramona, he must defeat her seven evil exes. Fortunately, Scott is a good fighter, having learned from video games (his defeated opponents disappear in a “pop” leaving a little pile of coins behind). In this volume, the first evil ex makes his appearance.

The fight may be the main fantasy element of the book, but fantastic things begin with Ramona, who skates through Scott’s dreams to deliver packages because a subspace highway runs through his head—and there isn’t much traffic there. An opposing band knocks out the crowd with lightning and Kirby crackle. Scott’s Toronto is a little bit magical.

One can probably read this book as a stand-alone story. However, it is definitely the start of a series. If you can’t leave something at “to be continued,” you may want to skim the series to see if you’re willing to commit. Alternatively, the movie adaption presents the main story line for the whole series.

If you’re interested in this book, you may also be interested in
Maus by Art Spiegelman
Scott Pilgrim vs. the World (Film)

Scott Pilgrim vs. the World by Bryan Lee O’Malley

O’Malley, Bryan Lee. Scott Pilgrim vs. the World. Portland, OR: Oni Press, 2005.


Scott Pilgrim is an immature jerk. You might like him, though. He’s in a cool band. Though he’s a coward in ordinary thing, he’s incredibly brave in fantastical fisticuffs.

Scott Pilgrim vs. the World is a continuation of the titular character’s adventure that started in Bryan Lee O’Malley’s Precious Little Life. The boiled down version of the six-volume series of graphic novels is that Scott must defeat Ramona Flowers’ seven evil exes to win the right to date her.

In this second book, Scott defeats the second evil ex, a vain movie star who used to be a skate boarder. It’s a funny scene, but other parts of the book are better.

We get to see Scott create his own evil ex when he breaks up with his girlfriend, high-school girl Knives Chau. It’s probably a good thing for him to break up with Knives, but Scott is insensitive, selfish, and untruthful. In this sense, Knives isn’t evil in the grand sense of hating all that is good. She’s a wounded, jealous girl who is acting a little crazy, which is evil enough. It leads to one of the books fight scenes (they have the feel of video games and comics, which is a strange mix of weird and accepted in the fantasy of Toronto), which is longer and cooler than Scott’s fights.

Though Knives seems to be almost dismissed early in the book and could be dismissed as a nut in the middle, her story arc begins to open up in this volume. It’s not strictly a fall, but is a move from seemingly innocent ignorance to knowledge of the scary world of young adulthood and complicated relationships. Scott introduced her to this world, but he a poor guide. He would have been a poor guide even if he hadn’t abandoned her.

O’Malley reveals more about Scott’s other relationships. It looks like he might have a string of wounded exes. This includes band mate Kim and Envy Adams, leader of rival band The Clash at Demonhead.

O’Malley’s art in this and other Scott Pilgrims book is a little like manga with big-eyed characters. It is also simplified, cartoony. It has a rough feel. It’s better than I’ve made it sound. The black and white art is textured. It has varied, sometimes painterly, lines. It is full small touches that convey emotion, especially humor. Whatever one might think of the style, I’d say it is good comic book are because it interestingly conveys the story and reveals (not just depicts) the characters.

Bryan Lee O’Malley also wrote
Scott Pilgrim’s Precious Little Life


If your interested in this book, you may also be interested in
Maus by Art Spiegelman
Scott Pilgrim vs. the World (Film)

Scott Pilgrim Gets It Together by Bryan Lee O'Malley

Scott Pilgrim Gets It Together is the fourth volume of a six-volume work by Bryan Lee O’Malley. In reviewing other volumes of the series, I’ve mentioned that the story is a pilgrimage. In this volume, things start moving.

Nothing signals a figurative move like an actual move. Scott’s friend and bandmate, Kim, moves from her apartment into a house with some friends. One of these friends has sound editing equipment, so Scott’s band, Sex Bob-omb, moves from playing clubs to recording an album. Eventually, Scott is forced to move because the lease is up on the apartment he shares with Wallace.

The important moves in the series, though, are Scott’s stumbling from an extended adolescence toward adulthood. His internal challenges are represented by external challenges. In order to have a place to go when he leaves the apartment he shares with Wallace, he proposes to move in with Ramona. One can imagine how disastrous this might be in the state of their relationship at the start of the book; Scott must make an emotional move to Ramona and responsibility first.

This emotional move is achieved in several stages. Scott practices self-control by resisting the temptation for an easy, breezy summer fling with a woman he knew from school who has a crush on him. He takes on responsibility by getting his first job as a dishwasher at age 23.

His other conflicts are represented or resolved in combat. It wouldn’t be Scott Pilgrim without cool fight scenes. His relationship with Ramona is haunted by his not actually broken off relationship with Knives. Knives’ vengeful father hunts down and attacks Scott. In addition, another of Ramona’s evil exes arrives. It’s neat that he survives combat with Mr. Chau and defeats Roxie. The powerful actions he takes are to confess his love to Ramona, accept the baggage of her past, and treat Mr. Chau (an through him Knive’s) with respect.

Self-control, responsibility, love, acceptance, and respect are a decent set of virtues for a young man to practice. Scott is not perfect, but his journey isn’t to perfection, it’s to maturity.

Bryan Lee O’Malley also wrote

Scott Pilgrim and the Infinite Sadness

Scott Pilgrim vs. the World

Scott Pilgrim’s Precious Little Life 

If you’re interested in this book, you may also be interested in

Maus by Art Spiegelman 

Scott Pilgrim vs. the World (Film)

Superman versus the Ku Klux Klan by Rick Bowers

O’Malley, Bryan Lee. Scott Pilgrim Gets It Together. Portland, OR: Oni Press, 2007.